Skip to content

Category Archives: Year 10

Your Author, Then & Now

One last 10th Anniversary post…

Your Author, August 26, 2000
Age: 18
Occupation: College Student / Orientation Leader / Barista
Education: One year of college
Residence: Double-occupancy dorm room
Roommate: Viktor, a despicable Eastern European cad
Music collection: about 2,500 songs
Songs written: 100
Girls dated: 0

As a performer: High school and college plays. Maybe an open mic.

Recording rig: Pinhole mic in PC monitor, into Real Producer

Blogging platform: Free account on freespeech.org; Blogger via FTP

Media experience: Hung out at Philly Weekly for the day. Wrote for a little-viewed e/n site (remember those?)

.

Your Author, August 26, 2010
Age: 28
Occupation: Communications Account Manager
Education: BA Communications, minors in Theatre & Music
Residence: Single tudor house
Roommate: Elise, charming wife and rock star
Music collection: about 18,000 songs
Songs written: 262
Girls dated: 2

As a performer: A few hundred open mics and a burgeoning number of full gigs; public speaking for groups >4000

Recording rig: Multi-track digital home studio

Blogging platform: Pro account on Dreamhost; installed WordPress

Media experience: Copywriting for local and national publications & brochures; managing multi-platform ad campaigns; brand identities for two non-profit startups; 10 years of blogging

Happy Birthday To This

A tenth anniversary post in five parts, accompanied by ten years of photos from the blog.

One of CK's earliest mastheads, from 2000-2001.

I. The Measure of a Decade - what do ten years really mean?
II. My Random Niche - how CK began, and what it became
III. Excelsior, Alwaysmy year in review
IV. The Unhealthy Habit - how CK changed my life (finally) (again)
V. Past Is Prologue - my gratitude for the past ten years
Continue reading ›

10 posts from Year 10 for my 10th anniversary

In a few short hours it will be the tenth anniversary of my first post on Crushing Krisis.

As you might expect, I have a lot to say about that. Before I do, I wanted to share ten of my favorite posts from this past year. (Actually, it’s 13 posts, but the pairs are pairs for a reason – not out of indecisiveness).
Continue reading ›

House Concert Highlights: Madonna, Mieka, & Elise

OMG you guys, you missed the best night ever. But don’t worry – I recorded it all for you!

Last night I supported Mieka Pauley at our first ever house concert, which was also ostensibly the CK 10th Anniversary Show. It was amazing. I had a great time playing songs I usually think are pretty hard, and Mieka was both flawless and real several feet away from my sofa.

Here’s two highlights I will treasure forever…

<a href="http://petermarinari.bandcamp.com/track/ray-of-light-live">Ray of Light (live) by Peter Marinari</a>
I cover “Ray of Light” for the first time ever, on my baritone guitar, which I had only figured out how to do about 24 hours prior.

.


Mieka plays her spectacular tune “Colossal” with impromptu, unrehearsed harmony from Elise, my wife and lead singer of Filmstar.

.

There’s way, way more where that came from. Also, my blog turns 10 in three days.

Did I mention that all happened IN MY LIVING ROOM.

CRAZY.

paint chips, forks, and vomitoriums

The non-extreme portion of Memorial Day weekend found E and I in Home Depot, contemplating paint chips for a redress of our new dining room. Or, rather, E was contemplating paint chips while I idly examined the paper quality and die cuts of the paint brochures.

“What colors do you think the dining room should be?” E queried, fist full of colored slips of high-end paper.

“You know me – everything spartan.”

(I pronounced “spartan” as “spahttan,” a Buffy in-joke about Faith and her seedy apartment.)

While reductive (and an in-joke), as a statement it’s essentially true – the colors I like in a home are white, hardwood, and bricks. That’s it. When pressed for a choice I will always pick the bluest option, unless it’s navy. Oh, and I enjoy stainless steel, where applicable. That’s about the extent of my home decor color preferences.

(Not coincidentally, our wedding colors were sapphire and platinum.)

I continued my careful examination of the paper samples for a moment, at which point E perhaps shot me a look, so I reluctantly joined the color browsing and continued the conversation.

“Well, the wood in that room is pretty blond, so there’s that to keep in mind. Not everything goes with that. You don’t want to pick something that would turn it into a vomitorium.”

Pointedly ignoring my last statement, E produced a deep purple chip. “What about this?”

“No, that would make me vomit.” Here the older couple standing next to us at the paint display began to eye me with caution.

“Can you possibly describe the qualities a color could have that would make you vomit?”

“Well, really there’s two different facets of vomitous colors.”

Having long since grown familiar with my peculiar brand of insanity, E braced for impact.

“First, there’s context. Like, when I was a teenager my mom had our back bedroom refinished for me, and I picked this seafoam-ish green for the walls. It had context – it was part of a palette with the ceiling, the hardwoods, and my area rug. But when you live in a room you’re not always seeing the entire palette, or looking at the walls in the context of the rug. Sometimes you are just staring at the wall and you realize it’s not ‘seafoam’ so much as ‘mint,’ like mint chocolate chip ice cream and, while it made for a beautiful palette, it’s not necessarily the most pleasant-to-look-at color all on its own, but now you’re surrounded by mint chocolate chip ice cream for the next three years.

“Suddenly my room had become a vomitorium.”

At this point the older couple, who had skirted me widely to continue to browse the paint colors, put down their samples and moved to a different display.

I continued. “Then, there are colors that are pretty in the short term but will be vomitous over a longer period of time. Like, see this ‘eggplant’ chip? I love this color. But I can tell it’s like ‘fork.’”

E perhaps thought she had reached an absolute apex of exasperation during my first monologue. However, here she seemed to discover a heretofore unknown height.

“Like a fork?” She said this with a slight steeliness to her voice, like she might abandon me here in Home Depot if I wasn’t the one with the GPS phone. However, I was wound up and could not be stopped.

“No, like ‘fork.’ Like, ‘fork’ makes sense. It’s a tidy little word – four prongs, four letters. But ‘fork’ is one of those words that can get weird. Like, if you say it too many times? Fork. Fork. Fork. Fork. Fork. After a while it begins to sound made up. Fork. Fork. Fork. Fork. It doesn’t seem like it could possibly have any meaning. Fork. Fork. Fork. Eventually it starts getting uncomfortable in your mouth. Fork. Fork. Why does it have to sound so quacky? Fork. That ‘k,’ it’s so unwieldy, it kind of unsettles your stomach. It kind of (fork) makes you (fork) nauseous (fork) to even say (fork) the (fork) word (fork).

“After a while,” I intoned, gravely, “you feel like you will vomit if you even see one, let alone say the word.”

“The word for…”

“No,” I interrupted, “please, don’t say it. I’ve already said it too much.”

We stood in silence at the paint display, E staring at me in glassy disbelief.

“You see, ‘eggplant’ as a color is just like f… just like that word. As a paint chip it’s lovely. In a web palette I adore it. On a wall … every day? Eventually it’s just going to wear me down. It will turn that room into a vomitorium.”

“You keep using that word. I do not think it means what you think it means.”

“I know exactly what it means, honey. It means a room that would make me vomit whenever I walked into it.”

That was pretty much the end of our browsing for paint chips.

.

(PS: This post is dedicated to my dear friend, SLska. Or, I should say, Master SLska.)

Major Themes of the NYC #140conf

The #140conf was a lot to absorb in just two days – over a hundred speakers across dozens of talks. I took copious notes to aid my absorption, many of which found their way onto the blog.

As I captured my minute-by-minute notes, I realized that organizer Jeff Pulver didn’t put together a mix tape of information – he composed a symphony. The major themes that emerged were developed, transposed, restated, and transformed by an orchestra of characters on the stage.

I’ve recapped those five major themes below. If you attended (or watched online), do you agree that these ideas were prevalent and consisten?

Did you also hear other prevailing melodies in the symphony? If so, what were they?

1. Twitter has proven its power as a instrument of change on both the macro and micro levels.
Over the course of the conference we heard about single people freed from rubble in Haiti and entire nations where governments were held accountable for their actions (including our own!). When it comes to changing our world, Twitter has moved past the proof-of-concept stage.

2. Education must become digitally native and socially connected.
Every day that parents and educators rely on the existing pedagogic paradigm and ignore the ubiquity of social technology in the lives of our students is a day they are under-serving them. This isn’t a change that is constrained by the digital divide – kids in Tanzania learned socially on the playground!

3. Journalism is not dead, but it’s undergoing a metamorphosis.
In a world of countless citizen reporters we need still journalists and editors to help us locate the underexposed stories and shape them into coherent, impactful narratives. If anything, journalists have more power than ever to expose the public to truth – especially if they can bridge the gap from existing broadcast vehicles to socially sourced and shared stories.

4. We’ve only begun to witness the power of contextual information to make social media hyper-local and hyper-personal.
FourSquare is the tip of the iceberg of new social technology that will harness your contextual information to provide a more localized and personalized experience based on the data you choose to reveal. There is a risk to privacy inherent in these technologies, and we must accept the responsibility of managing that risk even as the rules that define it continue to shift.

5. Brands and business models that translate themselves seamlessly to Social Media find their truest advocates there – both existing and new.
The power of consistent branding is more important than ever, and so is brand strategy. Whether you sell credit card, houses, or comic books, your enthusiastic audience is awaiting engagement that’s true to your brand.

Oh, and more anecdotally:

The majority of professionals use Tweetdeck and/or Co-Tweet.
Seriously, every laptop screen at every seat seemed to be viewing one or the other.

Social media people are the easiest people to network with – especially at #140conf.
Everyone has a story and everyone is genuinely interested in your story. Walking up to strangers can be scary, but the vast majority of them will be happy you did.

The Abridged #140conf (in video)

All of the #140conf panels are now available online in video!

#140conf was a lot to digest, and so were my nearly two dozen posts on the subject. I know not everyone has time for either, and definitely not both.

In the 140 spirit of brevity, below I present my abridged version of the conference as told by just 14 can’t-miss talks. I left out a lot of panels I really loved or learned from in favor of the ones that pack the most punch as videos, and that help to tell the surprisingly consistent narrative I drew from the event.

Watching my abridged version will take a bit longer than 140 minutes, as the panel chats are 15-20 minutes in length.

Even if you aren’t on the list I likely still loved your talk, because I loved the entire event. If you want to see the entire conference and you have the time to watch one video a day for the next few months it would be time well spent.

Continue reading ›

The Future of Privacy @ #140conf: Day 2, pt. 6

This talk goes on my highlights list – amazing content that all social media users should consider.

Privacy, Secrecy, Publicy – Stowe Boyd, Analyst, Advisor, and Futurist (@stoweboyd)

“We have secrecy for secret, privacy for private” but no word for things that are made (or made to remain) public.”

Every paragraph of this talk has a notable quotable. I encourage you to read it and consider what it means to you. It was easy to summarize rather than transcribe, because it was organized very well – the words are mine, but the content entirely belongs to Stowe.

Continue reading ›

It’s good enough for whales, dude.

We just got through sitting in our parked car eating dumplings, a queer little Saturday night date in the midst of this insanity of rock shows and serious theatre and made up awards.

Based on two visits, I love nearly everything from Vanessa’s Dumpling House on Eldridge Street, but my shrimp dumplings were not what I expected. I’m not sure what that expectation was, but it wasn’t a dumpling with dozens of teeny shrimp all nestled inside with no seasoning to speak of.

Ever since I saw District 9 I’ve been a little leery of shrimp eating, and the dumpling of a thousand shrimps was not making the shrimp-eating experience any less ooky.

I turned to E for some comfort.

P: These dumplings have, like, thousands of tiny shrimp inside of them. It’s a little creepy.
E: Like sea monkeys!
P: You’re not helping.
E: Or krill!
P: Okay, now I’m done.
E: Hey, it’s good enough for whales, dude.

E and the band were pretty good, although I can already tell she’s not going to like the video because she wasn’t happy with her vocals (she’s been pretty sick since Thursday). Every time I mention a good spot she has a bad spot to match.

I’m always inconsolable after a performance, for better or for worse. Either I know in my heart it was awful, and no coaxing can convince me otherwise, or I’m sure I was excellent and need no further discussion on the topic (Monday being a prime example).

I won’t rattle her cage any further about it being good or not. We’re off to peek into bro’s cast party to catch up with various sibling units before bed.

I #blamedrewscancer for being a Philebrity

I have a story to tell you.

I met half of the #blamedrewscancer crew at Fuzion at around seven for the Philadelphia Area New Media Association (PANMA) holiday party.

That is not the story.

We were at PANMA for some brief networking and catching up with friends, but our end destination was The Trocadero, where Philly blog fixture Philebrity was holding their non-denominational X-Mas party slash year end awards.

Blame Drew’s Cancer was up for the “Outstanding Do-Gooders of the Year” award. Polling had been open and transparent, so it was easy to see that we were getting creamed by Phillies’ Shane Victorino from day one. As such, we didn’t marshal much of a vote – eventually coming in fourth, behind even Mayor Nutter for his ballsy budget bluff.

The four of us – Britt, Mikey, Libby, and I (plus Libby’s awesome husband, another Peter) rolled in to the Troc fashionably late, and occupied the “Reserved” table closest to the stage. Our innate rowdiness took over shortly, and we were hooting at the house band (shout out to BC Camplight) and yelling “Hut!”at any reference to Lady Gaga.

Okay, maybe that was just me.

Suddenly, it was time for our award category. Philebrity Captain and one of my personal Journalist heroes Joe Sweeney read down the list of nominees. When he hit #bdc we cheered, the crowd cheered for us, and he continued down the list.

End of story? Not quite.

Joey Sweeney: So, Shane isn’t here tonight, so we’re going to give this award to Blame Drew’s Cancer.

Team Blame Drew’s Cancer: ???

No, he was not joking. Suddenly we’re being gestured at and motioned towards to the stage and then we’re on the stage and then I’m hugging Joey Sweeney and then, inevitably, I am standing in front of a microphone gaping at a rather large crowd seated at round tables all Golden Globes style and I am like, omg I think now they want me to talk.

Luckily, there is video to document my surprising coherent trip through award show aphasia:

(Take note of my neck-bobbing walk down the stairs, as it figures in to the next bit pretty heavily.) Continue reading ›

Daily Demo: Crashing

Song #77: Crashing (live demo) ["Save As" to download from that link]
Last recorded for Blogathon 2002.

10 years ago this weekend I went to my first college party, still very much a purposefully-naive, dewy-eyed teen.

I came home having had my first vodka cranberry and my first inklings of adult romance, drifting to sleep wrapped in the blissful denouement of each.

The following Monday morning was a decidedly dreary day, and I found myself locked out my dorm room in my pajamas. Instead of heading to French 103 I sat down in our common room – five stories from the ground with a two-story windowed wall staring out into Center City Philadelphia.

I pulled out a pad and wrote “Crashing.”

Later that day, having been let back into my room, I recorded its first rough demo and transferred the lyrics to the first page of the crisp new book I bought for my collegiate songs. Up until then I wasn’t sure how I would know it was time to start using it, but I suddenly did.

“Crashing” made frequent appearances at parties and late night hangouts throughout my Freshmen year, resulting in the first complements on my voice I had ever heard. They came as a great shock to me, as they still do. Later that autumn I recorded it for my first full length demo, Other Plans – shakily, in the middle of the night, trying not to wake up my mother in the process.

As a dreary fall turned to winter I moved on to add other songs to my slim gray book – many of which I still play to this day. Yet, it was “Crashing” I would play between classes as I sat at the dinged, old upright piano in the theatre green room. I would hypnotize myself with the rolling two chord verse, learning how to play piano in increments (and maybe a little bit about what the song really meant, as well).

It took the entire intervening decade to learn how to play piano well enough to demo it that way, and it seems apropos that it wound up recorded just as shakily and late as its original demos were, respectively.

 

Why I #blamedrewscancer, pt. 4

(This is the last part of my story. You should read Parts 1, 2, and 3.)

It is a Saturday afternoon, and I am staring out into pure blue, 14,000 feet above the ground, through the open hatch in the side of our tiny plane.

On the ground my partner ran through it with me. Twice. Duckwalk to door. Head leaned back on shouder. One two three go. Or is it one two go-on-three? Tip back and forward, arch your body. Arms out. Keep your mouth closed if you feel like you can’t breathe.

Fly.

Staring out the open side of the plane, his instructions dissolve. Did it matter how I arched my back? Niceties, to placate a nervous jumper.

No matter what, we would fall – flying downward, into the embrace of gravity.

“One.”

“Two.”

.

Here is #blamedrewscancer, as it’s root: we are talking about cancer.

Yes, it is inane. Yes, it is about Drew – for now. The point is, Drew gave us that – he gave us his struggle to make as silly or as serious as we need it to be.

Drew doesn’t really care if we say his name or what we blame. He just cares that we are talking about cancer. He wants to harness that conversation to raise awareness, hope, and donations. He wants to bring cancer into our daily dialog so we can work together to erase it rather than willfully ignore it until it touches our lives.

His plan is working. People are talking to Drew about his chemo treatments. I am talking to my friends about my grandmother. My co-workers are talking to each other about someone we lost, and how we can honor the fight that she won.

Blaming Drew’s cancer is inspiring us to live stronger, to be frank and hopeful about fighting cancer, and to show the love and support we may be feeling but afraid to say.

Inspiring us to win our battles.

Inspiring us to leap out of planes.

.

I have dreamt for years that I can fly, so much that I halfway believe it. It’s not an occasional foray – I can fly in every one. The rush of air past my ears and my body, weightless and free. The feeling is familiar, tucked safely under my skin.

I’ve tried to capture it outside of my dreams on playground swings and amusement park rides. I’ve looked down from trade centers, massive arches, and wrought-iron towers. I’ve ridden on airplanes and have been towed behind a boat, limbs caught up in the wind.

The closest I’ve ever come was riding my bike. It was October 12, 1998, and I was three blocks north of here in Jefferson Square park. Biking home from Anastasia’s house, I sped up until the pedals offered no more resistance. Closed my eyes and held out my arms. It only lasted for a second, but that was my first waking flight – a feeling I already knew intimately.

On my list of five things to do before I die, “fly” was first. Fly for more than those fleeting seconds of eleven years ago. Fly like my dreams.

When Drew and Chris asked if I wanted to skydive with the team, it seemed insane. I met these people online. On Twitter. Was I really going to live my dream with a bunch of strangers from the internet?

It was not insane. It was kismet. It was Drew’s whole point. Live Strong. You want to fly? What’s stopping you? Jump out of a damned plane. You want to be a singer? Don’t make an excuse. Use your voice with confidence.

You want to beat cancer? Blame it and battle it and beat the hell out of it every day with all of the power and positive energy you can muster from yourself and from everyone you’ve ever met until you defeat it.

You have cancer, but cancer does not have you.

.

“Three.”

FreefallingWe lean back and pitch forward, falling from plane. I arch. For a second it feels like nothing – the velocity of our bodies moving at the speed of the plane and the pull of gravity countermanding each other

Then, acceleration. Real flight, but towards the ground instead of up, up, and away like Superman or Neo.

In my mind I shrug off the man strapped to my back and the photographer waving in my face – unconsciously throwing him rock signs as he gestures towards his camera.

It is what I know beneath my skin, and more. There is no plane above or ground below. There is the rush of air past my ears and my body, weightless and free. There is limitless blue in every direction – I can’t see the ground. Gravity is for the weak-willed and falling is flying, hurtling, easy like love.

Wind blasts my limbs, buffeting my torso like a cascade of water. I feel strangely supported by the air, as if I could stand delicately on it, like snow.

That lasts for about a minute, or for the eternity of every dream I’ve ever had, depending on how I measure.

A whisper in my ear isn’t the wind, it’s my partner, long-since forgotten. I cross my arms, clenching my harness in my fists, and he pulls the cord. The parachute rides up above us, catching the wind. The harness bucks hard, and gravity is countermanded again. My stomach suspends itself.

This is a different kind of flying. Floating, perfectly controlled. Now I see the ground, and it is minuscule below us. Philadelphia rises in the distance, and i feel like we could just tip forward and head that way.

BDC Skydiving I break the silence.

“I should tell you something.”

“Hmm?”

We are having a conversation, circa 7,000 feet.

“I dream that I can fly. Not just some of the time. Like, every dream. It’s just something I can do.”

“Yeah?”

“Yeah. And it’s just like this.”

We hang in the restored silence, falling slowly. As the ground becomes nearer I scream my trademark soprano wail and listen as it fades away with nothing to reflect against.

Eventually there is a field and a landing strip, and we have a shadow, and it grows larger and larger until our bodies meet it, wrapped once again in gravity’s close embrace and a puddle of mud.

.

Tonight at midnight Drew’s Blame-a-Thon begins – the reason I wound up sitting across the table from him at an Applebee’s two months ago.

In two months I have seen people and businesses do amazing things to encourage Drew and to support LiveStrong, all culminating in tomorrow’s event.

It’s about awareness and fundraising, but to me it feels halfway like faith-healing. Like, maybe if we all focus we can blame the cancer away.

Probably not. Not in one day, at least. But blaming cancer can change lives. It’s a chance to reassign the pain and bullshit in your life to something that really deserves it so you can stop making excuses and just live strong.

Blame cancer and change your life. Blame cancer and change someone else’s.

I blame Drew’s cancer for any second that I’m not living my ideal life as a stronger, faster, fiercer me.

And I am thankful for every moment that I am.