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Category Archives: betterment

The Human Calculator v. The Harmony Jukebox

That would be a pretty dull superhero fight, huh?

Actually, the title refers to Friday’s post, which drew a quick comment from someone who built a straw-man of “The Human Spellchecker” to stand next to my snarky Human Calculator.

I’m so high-and-mighty about math, but do I use a spell-checker when I blog? Would I deny people a spellchecker too in my dedicated Ludditism?

The answers are, respectively, “occasionally” and “of course!” The existence of tools to assist us doesn’t replace the need to master skills or knowledge on our own.

Consider the source. I take for granted that I’m comfortable doing both of these things. I have to proofread words and numbers as part of both my jobs and my hobbies. It’s in my best interest to be a knowledgeable snob about both.

Maybe they aren’t the best examples for me.

I always say, “music is like calculus to me.” Yet, I’m a musician. I don’t have wonderful pitch, and I am not a natural singer. I can’t pluck perfectly in-tune harmony notes out of thin air like E or Gina, each of whom I refer to as “The Harmony Jukebox.”

When our band learns a new song I usually have to play along on piano at first, and when I sing harmony in the car E has to sing with me the first few times. And I have to pay careful attention to breath support, shaping, and phrasing to stay in tune.

At some point I have to sing the notes myself in an effortless way. If I never eliminated the piano, or E, or the careful attention to every note, I wouldn’t be much of a musician. I mean, yeah, they have auto-tune for that now, but what about performing live.

Bottom line: being a musician is hard work for me! Sometimes it isn’t any fun at all.

What if math was that hard for me? Would I sometimes just whip out the calculator? Probably. But just like music, I’d still want to know how to do it myself. I still want to possess that knowledge.

What about you? Forget grade-school antics like math and spelling. What is a difficult skill that you have to reproduce daily? Do you use a tool to assist you? And, can you still perform the same task without the tool?

a rewarding life

This is a story about rewards. Sort of. I’m not sure how to tell it, so I’ll just start at the beginning.

A little over a year ago I met Britt Miller – comm professional, digital native, and visual artist. Once Britt learned about my blogging she egged me into using Twitter. The rest, as we are accustomed to saying, is history.

It’s frigging crazy-ass history, actually. Playing streaming concerts, jumping out of planes, accepting awards, attending conferences in NYC – all of that borne out of Britt’s pestering me to get to know Twitter.

Skyline by Britt Miller (@brimil)

The two of us now share a “Fame 2010″ plan of promoting and improving our respective arts all year. Last April, before all of that happened, Britt mentioned she was showing her art at the first ever “Earth Saturday” block party on South Street – an eco-friendly festival thrown by Big Green Earth Store and Whole Foods.

I asked Britt if she wanted some music to go with her art and the end result was that I wound up playing a block party along with some of my local favorites like Christie Lenee and Dante Bucci.

It was my first solo appearance in a long while, and it surprised me – even in the limitless space of an outdoor gig my songs felt big and sure, with just a few stumbles. It wound up being a major force in getting me into shape for playing and recording more than ever in the rest of 2009.

This past Saturday was the second Earth Saturday block party, again at 9th and South, and again featuring art from both Britt and I. My set felt even bigger and surer this year, and Britt had a table of beautiful prints of her art – major Fame 2010 success!

Britt is always pulling hilarious quotes of mine out of thin air, and before my set she had a great one. We were chatting with some twitter friends about my songwriting, and I made my usual disclaimer that it’s taken me a long time and a lot of work to get to where I am now – from being forbidden to sing in my high school halls to playing sets at eco-festivals. And, Britt said:

Peter, you said this awesome thing once. I heard someone tell you that you were a great singer, and you said, “Thank you. I’ve worked for thirteen years to hear that compliment.”

I don’t even remember saying that, but it’s indelibly me. To hear someone compliment me on my voice or my songs strikes me with awe – awe at what I’m hearing, and awe that nearly half a life of effort means I’m able to play music that people enjoy.

I wish I could take that feeling and transport it back to 15-year-old me, plucking out the strains of “Dilate” on his first guitar almost this very day in 1997.

Failing that, I’m sharing it with you. I hope you have something in your life that makes you as happy as my music makes me, and Britt’s paintings make her – especially when someone else stops to appreciate them.

Daily Demo: Icy Cold

Here’s a brand new HD video of “Icy Cold” with beautiful hi-fi multi-track soundboard audio. It comes with a story.

Okay, story-time.

Ten years ago (less 24 days) I was a freshman in college, and I wrote a song called “Icy Cold.”

It was an odd one – very oblique lyrics in one of my more unusual alternate tunings (at the time) made it a challenge to sing and play. I left it off my 2000 demo CD Other Plans and, curiously, also did not consider it for my 2001 studio disc Relief. It remained bound to my apartment, where it factored in to a few of my favorite Trio recordings.

Around the same time I wrote “Icy Cold” – 86th in a rapidly-expanding list of songs – I decided that it was time for me to start playing shows.

Being rather ignorant as to what that entailed, I assumed that I would just phone up a local, mostly-acoustic venue where people I liked frequently played and explain that I wrote tons of awesome songs, and then they would invite me to play. (Later, after my initial flush of success, I could upgrade to playing the TLA or the Electric Factory).

The Tin Angel being the only local mostly-acoustic venue that I knew of at the time, I sussed out their booking information and rang them up.

That was the extent of my year-2000 booking experience at the Tin Angel. No follow-up. No booking. No flush of success.

To be fair, I would have been an utter disaster. I know some people so wonderful that their first ever show was at the Tin, but I was not that kind of wonderful in 2000. Sure, I had the awesome songs, but I could just barely sing, and I was playing a guitar that didn’t even especially stay in tune!

Over the course of the past ten years I’ve done a lot to rectify my singing and guitar-playing issues, and I’ve played in a lot of amazing Philly venues – including the Tin Angel, as part of a showcase with Arcati Crisis. Yet, I’ve never fulfilled that original goal of ten years ago – being featured solo on the bill at the Tin.

Well, that’s going to happen on Friday at 10:30 p.m., so when it came to choosing the first song to post in 2010 in this glorious new HD audio/video combo format it seemed natural to choose “Icy Cold” – especially given the slights it experienced in 2000 and 2001.

Plus, it’s really freaking cold out.

That’s my story.

PS: I owe the hugest possible shout-out to Tim Jahn for explaining Adobe Premiere Pro compression codecs to me via Twitter at the eleventh hour (literally) to make this beautiful video possible. Tim writes a blog of occasional, thought-provoking bulletins that I have been enjoying for months. You can also follow him on Twitter.

2010, pass or fail

In perusing the new year’s resolutions of my bloggy and tweety friends, I’ve noticed a lot of hate on 2009.

I suppose a lot of terrible things happened to a lot of people last year, which makes me almost embarrassed to admit it was pretty awesome for me. I don’t have to explain why, because you’re reading my blog, AKA Peter’s Awesomeness Tracker (e.g., wedding, Paris, music festival, skydiving, #bdc, etc).

I also accomplished a lot of personal goals. Not resolutions, mind you – intangible, mutable agreements with yourself that you might choose to honor on any given day. No, real goals – like, “Keep a balanced budget,” “Record X songs,” and “Convert home office to recording studio.” And each goal came with an associated amount of points, altogether adding up to 100 – which meant I could grade myself on my year.

(I know, right? Only I would take delight in making new year’s resolutions into an academic endeavor with a grade.)

I didn’t get a 100% on 2009, or even a C. It was more of a pass/fail thing, and I certainly didn’t fail – in grade or in the obscene amount of important things I accomplished.

The goals were good for something else, too – they let me know what wasn’t important. If I cannot bring myself to tag the last 800 posts from CK’s first three months even with my grade hanging on the line, it’s just not gonna happen.

I kept that in mind as I designed my 2010 goals. I focused less on esoteric personal requirements and more on things I could accomplish and view a product of.

It’s hardly a secret that many of my goals are related to my music – over a third! Last year one of my big goals was to get out regularly to open mics, which I did! For 2010 one of the biggest goals, with the most associated points, is playing shows where I am featured on the bill.

What a coincidence, then, that I am playing my first solo gig at the Tin Angel this Friday.

201001tinangel

I have some more to say about that (CLEARLY!!!!!), but it will keep until the week begins.

Why I #blamedrewscancer, pt. 4

(This is the last part of my story. You should read Parts 1, 2, and 3.)

It is a Saturday afternoon, and I am staring out into pure blue, 14,000 feet above the ground, through the open hatch in the side of our tiny plane.

On the ground my partner ran through it with me. Twice. Duckwalk to door. Head leaned back on shouder. One two three go. Or is it one two go-on-three? Tip back and forward, arch your body. Arms out. Keep your mouth closed if you feel like you can’t breathe.

Fly.

Staring out the open side of the plane, his instructions dissolve. Did it matter how I arched my back? Niceties, to placate a nervous jumper.

No matter what, we would fall – flying downward, into the embrace of gravity.

“One.”

“Two.”

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Here is #blamedrewscancer, as it’s root: we are talking about cancer.

Yes, it is inane. Yes, it is about Drew – for now. The point is, Drew gave us that – he gave us his struggle to make as silly or as serious as we need it to be.

Drew doesn’t really care if we say his name or what we blame. He just cares that we are talking about cancer. He wants to harness that conversation to raise awareness, hope, and donations. He wants to bring cancer into our daily dialog so we can work together to erase it rather than willfully ignore it until it touches our lives.

His plan is working. People are talking to Drew about his chemo treatments. I am talking to my friends about my grandmother. My co-workers are talking to each other about someone we lost, and how we can honor the fight that she won.

Blaming Drew’s cancer is inspiring us to live stronger, to be frank and hopeful about fighting cancer, and to show the love and support we may be feeling but afraid to say.

Inspiring us to win our battles.

Inspiring us to leap out of planes.

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I have dreamt for years that I can fly, so much that I halfway believe it. It’s not an occasional foray – I can fly in every one. The rush of air past my ears and my body, weightless and free. The feeling is familiar, tucked safely under my skin.

I’ve tried to capture it outside of my dreams on playground swings and amusement park rides. I’ve looked down from trade centers, massive arches, and wrought-iron towers. I’ve ridden on airplanes and have been towed behind a boat, limbs caught up in the wind.

The closest I’ve ever come was riding my bike. It was October 12, 1998, and I was three blocks north of here in Jefferson Square park. Biking home from Anastasia’s house, I sped up until the pedals offered no more resistance. Closed my eyes and held out my arms. It only lasted for a second, but that was my first waking flight – a feeling I already knew intimately.

On my list of five things to do before I die, “fly” was first. Fly for more than those fleeting seconds of eleven years ago. Fly like my dreams.

When Drew and Chris asked if I wanted to skydive with the team, it seemed insane. I met these people online. On Twitter. Was I really going to live my dream with a bunch of strangers from the internet?

It was not insane. It was kismet. It was Drew’s whole point. Live Strong. You want to fly? What’s stopping you? Jump out of a damned plane. You want to be a singer? Don’t make an excuse. Use your voice with confidence.

You want to beat cancer? Blame it and battle it and beat the hell out of it every day with all of the power and positive energy you can muster from yourself and from everyone you’ve ever met until you defeat it.

You have cancer, but cancer does not have you.

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“Three.”

FreefallingWe lean back and pitch forward, falling from plane. I arch. For a second it feels like nothing – the velocity of our bodies moving at the speed of the plane and the pull of gravity countermanding each other

Then, acceleration. Real flight, but towards the ground instead of up, up, and away like Superman or Neo.

In my mind I shrug off the man strapped to my back and the photographer waving in my face – unconsciously throwing him rock signs as he gestures towards his camera.

It is what I know beneath my skin, and more. There is no plane above or ground below. There is the rush of air past my ears and my body, weightless and free. There is limitless blue in every direction – I can’t see the ground. Gravity is for the weak-willed and falling is flying, hurtling, easy like love.

Wind blasts my limbs, buffeting my torso like a cascade of water. I feel strangely supported by the air, as if I could stand delicately on it, like snow.

That lasts for about a minute, or for the eternity of every dream I’ve ever had, depending on how I measure.

A whisper in my ear isn’t the wind, it’s my partner, long-since forgotten. I cross my arms, clenching my harness in my fists, and he pulls the cord. The parachute rides up above us, catching the wind. The harness bucks hard, and gravity is countermanded again. My stomach suspends itself.

This is a different kind of flying. Floating, perfectly controlled. Now I see the ground, and it is minuscule below us. Philadelphia rises in the distance, and i feel like we could just tip forward and head that way.

BDC Skydiving I break the silence.

“I should tell you something.”

“Hmm?”

We are having a conversation, circa 7,000 feet.

“I dream that I can fly. Not just some of the time. Like, every dream. It’s just something I can do.”

“Yeah?”

“Yeah. And it’s just like this.”

We hang in the restored silence, falling slowly. As the ground becomes nearer I scream my trademark soprano wail and listen as it fades away with nothing to reflect against.

Eventually there is a field and a landing strip, and we have a shadow, and it grows larger and larger until our bodies meet it, wrapped once again in gravity’s close embrace and a puddle of mud.

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Tonight at midnight Drew’s Blame-a-Thon begins – the reason I wound up sitting across the table from him at an Applebee’s two months ago.

In two months I have seen people and businesses do amazing things to encourage Drew and to support LiveStrong, all culminating in tomorrow’s event.

It’s about awareness and fundraising, but to me it feels halfway like faith-healing. Like, maybe if we all focus we can blame the cancer away.

Probably not. Not in one day, at least. But blaming cancer can change lives. It’s a chance to reassign the pain and bullshit in your life to something that really deserves it so you can stop making excuses and just live strong.

Blame cancer and change your life. Blame cancer and change someone else’s.

I blame Drew’s cancer for any second that I’m not living my ideal life as a stronger, faster, fiercer me.

And I am thankful for every moment that I am.

Escaping Mediocrity

I am not a major reader of mommy-blogs.

Sure, I have my certain mommy favorites, as well as several long-time reads who happened to be or become moms, but I don’t typically seek out new moms to read. They’re just in a different part of their lives than I am, at the moment.

All that said, Maverick Mom is a blog worth reading. It’s not just about motherhood. Or, maybe as of a month or two ago it was. Right now it’s about motherhood (and the rest of life) as an adventure that is helping blogger and entrepreneur Sarah Robinson “escape mediocrity.”

Escaping mediocrity. Does it mean anything to you? If not, you should read her gripping post about nearly losing her son to a riptide. At the end she has the wherewithal (and good humor) to compare the riptide to the tug of mediocrity.

Sarah’s post poses a challenging question: are we accepting the average because it’s easy, eventually to discover that we’re lost with no sign of what’s good, right, or successful?

I know the first impulse is to say, “Nope!” Our lives are awesome, right? We totally love them.

Okay, sure. But, loving life doesn’t exclude the chance that you’re settling for something. Can you honestly say you don’t have anything in your life that is disappointingly average – not as challenging or fulfilling as it could be? We all know I aim to kick ass at all times, but even I can cop to pieces of my life that aren’t living up to their potential. I wage a constant war on some of them, but in all honesty I let others slip by. Easy can be nice. Status quo is even keel.

If your answer about anything is “maybe” or “yes” or “omg, definitely,” then you should start reading Sarah’s blog, perhaps beginning with the escape plan she’s hatched to push past the mediocre elements of our lives.

Sarah, you are anything but mediocre.

Streaming live at 12 midnight for 12for12k

If you’re awake at midnight EST on the Monday-to-Tuesday divide you can catch the first ever live, streaming concert of my music – in support of an awesome, international charity drive called 12 for 12k.

I think I’ll call it at12for12for12k. Cool?

Founded by social media marketer Danny Brown, 12 for 12k throws down a bold challenge to social media users – can you use your social networks for good in concert with people all around the world to raise $12k for a new charity every month for a year?

This month’s charity is Unicef’s “Believe in Zero” – the belief that we can stop children from dying from preventable causes. And so far there is less than $1,200 pledged for the month.

It shouldn’t be that daunting. 1,200 people could do it for a reasonable $10 a month – three less trips to Starbucks. 12,000 people can do it with no issue – $1 a month, each! Easy pickings. If more than 10,000 Twitter users turned their icons green for Iran, surely just as many can muster $1 a month in donations to a good cause?

If you know me you know that projects like this are very close to my heart. I used Blogathon as a platform for my music to raise money and awareness for my favorite charities. I have cancelled Christmas in favor of giving charitable gifts. I volunteer with Lyndzapalooza – a musical non-profit dedicated to giving a voice to more of Philly’s independent artists. And starting tomorrow I am helping to plan a major non-profit project for this September.

12 for 12k is at once easier and harder than those projects. Easy, because it’s simple to support with a small donation. Hard, because it’s about making your giving a year-round trend – not just a once a year event.

I’ll be playing at midnight, and at the very least I will donate $1 for every song I play … and my songs are short, so that could get pretty expensive! In fact, I think I could play 12 songs in an hour… 12at12for12for12k!

If you’re awake at midnight – or even if you aren’t – will you do the same? Just ten of us donating $12 each is 1% of this month’s goal. We might not make it to $12k this month, but we can make giving a regular part of our lives, and save lives while doing it.

The power of social media compels you!

(PS: I promise at least Madonna & David Bowie covers, and almost can promise MJ as well. Dunno if the Lady Gaga is ready yet… you’d all have to donate a lot of money to hear that.)

Good blogs and the opinions I spouted at them.

This post could easily be about how I spent the last two weekends sweating my physical and intellectual butt off to completely reorganize my home office and upgrade CK to WordPress 2.8, but you would be like, “Whatever, it looks the same to me,” or “Um, I’m reading you on my RSS feed, so I don’t really care,” or possibly, “Dude, I haven’t read blogs for two years. Send me a tweet about it.”

Which is fine. I mean, should I also tell you about how I swept the floor? Backstage is backstage for a reason. Props people work hard to keep actors focused on their performance, not for the applause.

(Plus, at CK I’m the prop person and the actor. And the box office manager, the technical director, and the old lady ushering you to your seat. You get the idea. Excelsior…)

In my increasingly uncluttered life I’ve been trying to make some more time not only to read other blogs I admire, but to interact with them. That means reading carefully and responding, which sometimes yields thoughtful comments.

I’m sometimes hesitant to leave my thoughts lying around in other people’s homes when they could possibly lead to interesting content back here at my own homestead, but I’ve arrived at a happy medium – I’ll link to all of said intriguing posts as well as giving you a snippet of my reasoned replies.

Here’s a glimpse at some of the discussions I’ve weighed in on in this past week.

(If you find yourself wanting to do the same, try subscribing to Backtype, a simple monitoring service which will doing all of the the keeping-track for you.) Continue reading ›

run ragged and happy

This is a meandering post about life and stuff. Content that’s all focused like a laser mounted on a deadly shark may or may not resume tomorrow.

This weekend E headed up the NNJ/NYC to play a show and help with some solstice cleaning along with the sibs at her mother’s house. I wanted to tag along to see her concert and reap the sib-time, but my life was in need of some cleaning up as well.

When I woke up on Saturday I felt like my to-do list was a litany of random drudgery. Organize this, scrub that, upload stuff to here. Even as I was crossing things off it didn’t feel very big picture. Typical: artist-, writer-, marketer-me trapped under a Sisyphisian list of uncreative to-dos. The only thing keeping me sane was my Twitter pipeline to the outside world.

As the day wore on I kept feeling like I was behind the boulder until I caught a social network update from my dear musical friend Vicky Spaeth, which read:

Simplify, simplify, simplify! I think we over-complicate our lives way too much.

I read that, then took another look at my list, and realized there was a big picture. It was all “simplify.” Organizing shelves and wires so my creative space is less cluttered, so I can create. Clean out the house so I don’t have a worry of other things to do nagging me when I want to create. Upload what I’ve created to as many places as will have it, so people can actually hear it.

I finally have the simplicity that provides one big picture. I have focus. Finally everything I’m doing points in the same direction.

I look back at the 2000 me. Within a two month span I started a blog, shot digital video of myself, and was the only songwriter on the whole internet uploading a concert every week. And it all came easy. But it was over-complicated. The technology was a tangle. The life was a tangle – pulling As and paying for my first apartment and squeezing in music beside theatre.

Maybe I was on the verge of conquering the world, but it wasn’t simple. There was no picture to focus on. Which was fine – I was in college! But that’s why we grow up. And hopefully get less complicated, instead of more.

It took the weekend and the twenty-seven years before it, but I am really almost there. Almost to the point that I can just flip a switch and empty my thoughts and songs directly onto the internet without a fussy mess of wires and files and wasted time.

And be worth watching.

It feels cool and satisfying, and I’m happy – happy sweating my ass off and mopping the floor, or putting away the umpteenth load of laundry, passing out on the couch while I wait for my wife to get home. Happy without any descriptors or mitigators, because there’s a point to it.

Just happy.

whiling away the hours

(1) A few years ago I saw Malcolm Gladwell deliver a speech at the New Yorker Festival that is largely recapitulated in the second chapter of Outliers, called “The 10,000 Hour Rule.”

In it, Gladwell draws our attention to a data point converged upon by countless studies of experts in a variety of fields. He says, “In fact, researchers have settled on what they believe is the magic number for true expertise: ten thousand hours.” He goes on to quote neurologist Daniel Levitin:

In study after study, of composers, basketball players, fiction writers, ice skaters, concert pianists, chess players, master criminals, and what have you, this number comes up again and again. … It seems that it takes the brain this long to assimilate all that it needs to know to achieve true mastery.

Gladwell supports the rule using Mozart, Bill Gates, Bill Joy, and the Beatles as his examples. Not to say that their genius and success is purely a result of 10,000 hours of practice – the book as a whole explains other facets – just that it was an essential component of their expertise.

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(2a) 10,000 hours is a long time.

If as a child starting at age five you had piano lessons two times a week (an hour each) and also practiced an hour a day, you would clock nine hours a week. 468 hours a year. 4,680 hours a decade.

If you kept that up until age 26 you’d finally have served your time.

(2b) 10,000 hours can go by before you know it.

Maybe you got into video games at age 11. You played them every night after homework and dinner, let’s say from 7:30 to 11:00 p.m. on most nights, plus extra on the weekend. That’s more than 25 hours a week. 1,300 plus a year.

You’d be a master by the time you started college. Most kids are.

(2c) Time is relative.

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(3) In the car today Gina and I were singing in harmony to the amazing Hezekiah Jones album Hezekiah Says You’re A-OK, on the way to see his band split a bill with the equally fantastic Up the Chain.

“You know, Gina,” I said, breaking from my lead vocal, “I’ve been thinking about this 10,000 hour thing. Not everyone’s an expert at something. I mean, what do most people spend 10,000 hours doing by the time they’re 25? Watching teevee, I suppose.”

“More than likely,” she replied.

“But, think about me. I watched a lot of television, sure. Mostly, though, I read until I was old enough to write, and then I wrote and read. That’s what I spent my 10k on.”

(Perhaps she interjected, “Oh, I remember.”)

“And, you know, is it any surprise that I’m good at communications? I’m not an expert, but no wonder it’s my calling. I spent my whole life practicing for it.”

We sat and sang for a moment, contemplating that.

“What about you?”

Gina paused in her harmony. “Hmm, me?”

“Yeah. What did you spend 10,000 hours doing?”

“This. Listening to music. Singing harmony.”

“Really your whole life, right? Your mother singing, your father playing guitar…”

“Yeah, since I can remember.”

“Right. So, no matter how much I rehearse, you’ll always have the edge. It’ll always come easier to you, until I reach that threshold.”

“I suppose.”

We paused as the song wound down.

“What do you think Hezekiah spent 10,000 hours doing?”

We thought on that for a few moments, and then sang together to “Albert Hash.”

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(4) We’re not all Mozart. I might not ever be Hezekiah Jones. But, we’ve all spent 10,000 hours doing something other than sleeping, and hopefully other than watching television. Maybe something incidental that we do out of necessity or habit. Driving? Social-networking? Cleaning? Taking care of children?

I’ve put in more than my share on communications – reading cereal boxes and trashy fantasy novels, writing stories at eight on my manual typewriter and almost nine years of blogs.

I got an early start on 10,000 hours of being Gina’s best friend, which I keep padding. I’m really good at that. More recently I’ve attained well-in-excess of 10,000 hours of being in love with Elise.

I hope eventually I’ll reach my 10,000th hour of serious focus on music. It’s a large piggy-bank of time to fill.

What about you? What have you spent your life mastering, intentionally or unintentionally?

don’t fail me now

The last forty-eight hours of my life.

At six o’clock on Monday I am playing guitar. I have been playing for hours, drilling songs against a metronome. The bridge of “Unengaged” for twenty minutes straight. I’ve worn through a callous for the first time in ages.

Later I rehearse piano and vocals equally as hard. I fall asleep reading Outliers in bed, which just two chapters in already has caused one blowup with E because I said if I had me as a child I’d call me a failure.

I don’t want to be a failure.

Tuesday I have a fun, frantic day at work – the kind where you realize at the end of the day that you never stopped to hang your coat. I start writing the second my ass is on the bus, and emerge almost three hours later with that last post.

I rehearse. Hard. Again. Trying not to fail. Despite my voice sounding brittle and inflexible due to the lack of a warm-up, I venture out to an open mic while E stays at home and works on freelance.

At the restaurant my first song is awesome; the room is quietly transfixed. (I’m not a failure?) Afterward I promptly break a string and become shy and faltering when I’m handed another guitar. I fuck up “Like a Virgin,” of all things, and promptly lose everyone’s attention.

Today I feel slightly beaten up (thank god I don’t drink at those things), on top of beating myself up. Still manage another frantic work day that barely includes a coat-hanging. On the way home I listen to my own voice on my iPod, which a lot of days is the only thing I can manage to do.

I’m listening to “Like a Virgin” from 2006 and thinking, This is awful. Why am i singing like that? (Of course, I wouldn’t make it ten seconds into “Like a Virgin” from 2001.)

Then I listen to a Trio from 2008 and realize, God, I really did get better.

I am not a failure.

I get home and am kissed goodbye as E heads out to front her band at the Khyber. Another hour of writing.

My Life Is a Joke

Lindsay and I have an ongoing joke about my life.

Lindsay, being my primary secret squirrel, always finds a little nook of day to tuck a conversation into. Frequently we talk about all of the things that I do – work, blog, play music solo and with Arcati Crisis, Lyndzapalooza, freelance writing – &c, &c.

She, one of the more overachieving and time-conscious people I know, marvels at how I actually advance my goals in each of those areas all of the time.

The joke is that, in order to fit in all of those things, I must not do anything a normal person does. I don’t watch television, sit down for meals, or talk to people on the phone. I don’t sleep. I’m like some sort of T-1000 or Cylon. Or Madonna. I’m purely focused on achievements and achieving them, and nothing else.

That’s a slight misrepresentation. I am not a robot, and only aspire to be Madonna. I still do all of the things that human beings do.

Occasionally. And quickly.

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When I graduated from college and started my career I resolved not to do any theatre or music for an entire year. No art, essentially. I would focus solely on being a good employee and a good boyfriend, because I wasn’t sure I’d be good at either. If I had free time I would sit and play video games until another opportunity to be a good employee or boyfriend presented itself.

After a year I allowed myself to get involved in a theatre project with Gina, and from there my natural inclinations for art and recklessly large personal projects took over.

I made a very elaborate chart. It included every possible thing that I could do in a given day. All of the regular human things, all of my time at work, all of my special goals, and everything else. Washing dishes. Walking from one place to another. Making out with Elise.

I tracked what I did for three months, every minute of every day.

At the end I had a beautiful graph of my life. A rainbow of lines interwove with each other to show me the relationship between work and sleep, guitar-playing and housework, or blogging and masturbation.

The area under some of the lines was the shape of my success; the area under others a dimension of dead space.

My priorities snapped me into focus. Before the chart I would have told you I was already busy enough with life. After I realized that I wasn’t writing songs because I was reading TMZ for 20 minutes a day.

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The chart was almost three years ago.

Today Lindsay initiated the latest iteration of our joke, querying if I planned to sleep at all in the next few months while chipping away at my list of measurable goals for the year.

The chart was about sleep too. I tried to live on just five or six hours a night, and suddenly all the useless things expanded. The chart showed me that I need sleep to stay focused.

It was a disappointment, sure. I work and commute for almost ten hours a day, and if I have to sleep for seven that leaves just another seven hours in which I can live my life.

The punchline to our joke is that every minute counts, awake or asleep. 60 seconds to flip channels is a quick email reminder. Three minutes to set the table is rehearsing a song. A half an hour on the phone is this post.

Which would I rather look back on in December, or when I turn thirty, or when I die?

I always eat with the wrong fork, anyway.

Are you the me you always wanted to be?

Did you ever have a teacher that made you write letters to your future self, and then promised to send them in five or ten years to remind you of what you used to aspire to?

I didn’t, but I do have a blog, which functions in a similar capacity if you keep it around long enough, minus the postage.

It’s affirming to read that the me of eight years ago was worried that in half that time I’d give up playing guitar and turn into some vacant, corporate, brown-nosing shell of what I had hoped to be.

It’s affirming because in half that time I had almost given up playing guitar, but I realized the insanity in that and reversed course. It’s affirming because I got corporate, but it just made me more comfortable being myself.

It’s affirming because I imagined myself saying, “none of my friends even really knew i was into it that seriously,” and I don’t think I could accuse myself of that anymore. It’s affirming because I think the current me is exactly who the younger me would have wanted me to be.

And, it’s affirming to know that it’s okay to wonder if I’m going to fail spectacularly at the future I want for myself, because just the practice of worrying means I’m on the right track.

What worries did the you of 2000 have about the you of today? Do you think they’d be pleased to see how you turned out?

out with the old, out with the new

Being a consumate overachiever, I am usually all over “small changes that can yield big success” articles. Like, whoo boy, sign me up for micro adjustments that cause macro improvements!

Except, at this point I have made every micro-tweak I can make. I am fully tweaked.

Take, for example. a CNN article from yesterday that suggests five simple diet changes that result in 500+ saved calories a day.

Here’s what they suggested, in comparison to what I do.

Old: whole milk
New: 1 percent milk
Me: rice milk

Old: whole bagel
New: half a bagel
Me: low fat granola
(occasionally a bagel with non-hydrogenated, light spread)

Old: chocolate ice cream
New: chocolate yogurt or a Popsicle
Me: soy- or rice-based ice cream, fruit chillers, or nuts

Old: latte made with whole milk
New: latte made with skim milk
Me: chai made with soy milk

Old: be a couch potato
New: take a 20-minute walk
Me: walk 1-3 miles a day

I could continue to match them one for one – they’d say, “eat lean meat,” and I’d say, “eat fish.” They’d say, “no more extra cheese,” and I’d say, “no more cheese.”

Articles like this make me feel okay for being thin, because I have clearly eliminated every source of culinary indulgence from my life already, and have largely found replacements that I prefer to the original gluttonous versions.

(I wish that articles like this could also make me feel like I can stop worrying that I’m going to turn into a giant Italian balloon when I turn thirty like half of my family did, but I’m just going to have keep being anxious about that bridge until it’s crossed.)

My total tweakedness isn’t limited to diet, which means I react similarly to “small changes” articles about budgets or goal setting – I’m excited to read them until I realize they’re preaching to the me of 2003. I’ve made most of these adjustments already because they all dovetail with my concept of living marginally. I suppose it’s my personal version of being green – why waste money and time on frivolous things you don’t even care about, when you’d rather waste them on frivolous things you actually enjoy?

So, to CNN readers I say, “If you like your lattes with whole milk, go ahead and drink them.” Micro changes are nice, but it’s a major change of attitude that’s going to make the biggest difference in your life.

Stuff Takes Time

I rung in 2009 the same way I spent December 25th – quietly at home with Elise. The reality is that every other day has become its own holiday spectacle, so the actual holidays are one of the few chances we have to lay low and relax.

Our wedding is a scant 16 days away. When we set the date for January I was concerned that it would compound all of the craziness of December. Now that we’ve crossed over to a new year I feel exactly the opposite. We’re changing in a time of change. The wedding extends the exfoliation of a prior year, as though our NYE kiss will last from midnight yesterday through when we touch down back in Philadelphia after honeymoon.

My mantra in 2008 was “stuff takes time.” If it sounds unspecific, good – that’s the point. The point that everything in life – my education, my music, my blog, our relationship, our music festival, my career, and our band – has taken a lot of time and effort to get to this point. The point is that no goal worth attaining is instantaneous. I didn’t have a senior position at work and four CDs with my band in 2004, yet here we are. We couldn’t have gotten married in 2004 or rented a farm for our music festival in 2006, but that’s where we’re headed.

It would be pointless to spend the rest of the post back-patting for all of my accomplishments in ’08 – I sortof already do that once a year, anyway.

Let’s not look back. Let’s just devote our time to the people and the things we love, and move inexorably closer to our goals, one year at a time.

learn how a PA system works

I’ve found that the biggest barriers to becoming a successful local performer are usually connected to the PA systems I play into or mix on.

Did an open mic host EQ me badly and not know how to fix it? PA system. Did I not have the right mix of equipment to successfully amplify my show? PA system. Did I spend a night hosting our open mic at Intermezzo wrestling with persistent feedback problems? PA system.

Honestly, there’s no “too much” that you can know about the workings of a PA system – it’s what brings your sound to an audience! And, the more you know means the less you have to rely on others to craft your sound for you – even if you don’t lay hands on a mixer you’ll know just what to ask for.

If all of that already sounds daunting to you I would suggest that you read the Musician’s Friend PA System Buying Guide as a primer.

Their guide breaks down each element of a PA – from microphones to mixers to speakers, explaining the function of each one in easy-to-understand language. Though it’s featured on a commercial site, it’s ripe with info and relatively low on cross-selling, except in instances where there is an industry-wide standard worth mentioning, like the Shure SM58 mic or the BBE Sonic Maximizer processor.

I have a minor in music production and I’ve been setting up various PA systems for Lyndzapalooza since 2003, but a lot of the guide was either surprising news or a welcome refresher. Especially handy were the following two definitions, which I tend to fuzz into a single explanation when talking to Gina or Elise:

Compressor – will limit the amount of variation between the loudest and softest sounds.

Limiter – allows compression to occur only above a set threshold and the compression ratio can be very high. This prevents clipping, distortion, and other related problems.

It goes on to explain the (relatively arbitrary) difference between “parametric” and “graphic” EQ, which has always puzzled me. The difference? The sliders on a graphic equalizer control a set portion of the frequency band, so when you adjust them en mass you get a “graphic” up vs. down visualization of the changes you made to your sound. That’s it.

I’ve been collecting some thoughts on my year of gigging, and I think I might have enough to warrant an ongoing series on the various pitfalls of live performance. Does that sound useful or – to those of you who aren’t performers – interesting?

Arcati Crisis and friends Stand Up For Kids

So, before all of that introspection crap started happening I was actually having an amazing weekend.

The story picks up mere seconds after my Friday post, which was interrupted by Dante’s appearance to ferry me and my various PA equipment to The Dark Horse on South Street for a benefit for Stand Up For Kids.

Stand Up For Kids is a nationally recognized and acclaimed charity that supports homeless and at-risk kids and teens. They offer many levels of service, from counseling children at risk for leaving home, to conducting outreach to kids on the streets, to staffing and maintaining outreach centers where teens can get help in obtaining a birth certificate or finding an apartment.

The Philadelphia chapter of Stand Up For Kids needs support to provide that full complement of services. Their benefit raised money towards supplies for their outreach packets – like juice boxes, deodorant, or sweatshirts – as well as for an outreach van that would allow them to be more mobile in their efforts.

Arcati Crisis has played a slew of shows this year, but the SUFK benefit ranks high amongst our favorites.

First, The Dark Horse Pub is a fantastic bar – one of my favorites in all of Philly. It’s just north of South on 2nd – across from Headhouse. The pub is comprised of multiple rooms that each have their own personality, all clean and comfortable and serving delicious food along with their drinks.

Second, the bill – we played with a lineup of people who we would go out of our way to see. Seriously. It was such a profoundly humbling experience to be listed in the middle of the people whose songs I hum while I walk down the street.

Joshua Popejoy, a model of sharp hooks and specific strumming, and increasingly my go-to for all discussions of mixing. Bill Butler, an outstanding songwriter and one of my favorite Philly vocalists, and the director of the charity The Philadelphia Sessions. Dante Bucci, a virtuosic percussionist who has transformed a zen instrument into a songwriter’s treasure, and who can engineer a PA solution for any space. Jon Glaubitz, an enormously talented guitarist and songwriter with a chameleonic ability to blend in anywhere – no matter if it’s a coffee shop or a rock club. And Andra Taylor, an arresting new voice on the Philly scenes, her hypnotically circular guitar riffs evoking a prism of contemporaries from Patti Griffin to Madonna. And, we made new friends – with David Miller and Jeremy Davis, performers we surely will see again in the future.

However, beyond all of those pleasures was the charity itself. SUFK volunteer, event organizer, and AC-fan Nina found the right venue to turn a gathering into a celebration, found the right music to fill it, and then packed the room to the very limit of its capacity.

Throughout the night Nina sent SUFK volunteers up to the microphone to share their stories about the organization while we set up for the next artist on the bill. The one that really caught me came after our performance – maybe because we were still trembling from a powerful closing swing through “What’ll I Say” and “Apocalyptic Love Song,” or maybe just because she was so very compelling.

She spoke about how she helped to found the Philadelphia chapter four years ago, and how at the time it was just a handful of people who wanted to make an impact. She spoke about how we all pass homeless children every day without realizing that we see them, partially because they so desperately don’t want to be homeless that they will do anything to blend in. She spoke about how – four years later – she is so energized by the enthusiasm of her fellow volunteers and the changes they effect in the world, but that they aren’t enough – they need more support and more volunteers to truly change the streets of Philadelphia.

When she was through I found myself with tears welling in my eyes.

All of these things we do take time. Four years ago Arcati Crisis was an in-joke name for our studio recordings. Four years ago Dante Bucci didn’t know what a hang drum was, and Andra Taylor had no idea she’d be living in Philadelphia.

In that four years we’ve devoted to ourselves, Stand Up For Kids has devoted itself to others, and because of our collective commitment we were able to come together last Friday to share and celebrate positive music and a positive message. We came together into a room as strangers to each other and left with a common cause.

That is the best kind of gig to play, and after the clouds of my weekend introspection clear on a bright Monday morning that is the memory that I’m going to take with me. Even if our music only made SUFK twenty dollars it was worth every minute of playing. If I could raise a thousand I would play for days at a time, stopping only to breathe.

“In the beginning, it is always dark.”

Have you ever watched The NeverEnding Story? You know how the book seems to bleed into Sebastian’s life, with him running afoul of frightening taxidermy during an encounter with G’mork.

Today my life is something like that.

Ever since I I first transferred from Blogger to WordPress in the midst of the first NaBloPoMo (a feat I still can’t believe I engineered), I’ve also been moving backwards though the almost 3000 posts that came before, categorizing them into tidy chunks that tell the stories of my life.

I’m determined to at least categorize back into the year 2000 by the end of the month, and in my surge of personal excavation I’ve become firmly entrenched in the “Behind the Music” portion of my life – recording a seminal album while going through a horrific breakup and a nearly deadly illness. Flirting with potential entanglements Oh, and drinking a lot.

That old, unhappy, unsure me seems so alien in the present day. To catch all of the themes in those old posts I’ve had to do more than read them – I’ve had to put myself in their place. How else to remember that I hatched my plot to break up with Selina as an allegory of why I shouldn’t pull an all-nighter?

In the process of getting into character I feel like those old posts have been slowly transforming my present day life. I Trio “Will It Ever Come,” telling the story of how it was written, and then find myself re-reading the post about recording it in the studio. Yesterday I re-read one lamenting that it was hard to tell if you have a fever when you’re under a spotlight, and last night I replayed the experience at our benefit show – half sick and half in-the-moment.

This evening I have a tickle in my chest that’s scarily reminiscent of the beginnings of my legendary bout of bronchitis and pneumonia that I’m about to be rereading.

The coincidence is starting to become frightening, if only because I’ve now crossed the threshold into the worst month of my life – the torturous rehearsal process for Good Woman of Setzuan, nearly failing classes, the depths of my relationship, deaths in the family.

If this was really The NeverEnding Story I would be able to reach back into the plot to shake me out of the stupor. I remember being five and jumping up and down on the bed in my father’s hotel room, screaming unintelligibly along with Bastian as he inserted himself into Fantasia, first interrupting Atreyu’s conversation with Morla, and later by naming the princess “Moon Child.”

Or, maybe I already have – without knowing it – and the only reason that younger me broke free of his darkness was because I am sitting here, happy and healthy, willing him to get on with his life.

Finding My Footing (or, a belated welcome to NaBloPoMo)

Lately I’ve been feeling like an actual singer-songwriter, instead of just a pretend internet one.

Of course, I’ve had a lot chances to feel like a legitimate musical artist in the past year through my performances with Gina as Arcati Crisis. But, there’s a certain strength in numbers – a power of two – that makes us a minimum amount of compelling and keeps us lurching forward even from our unlikeliest (and unlikeable) moments.

I don’t have those abilities on my own, which can sometimes make playing by myself a lonely prospect. For a while at any solo appearance I spent more time noticing Gina’s absence than being present on my own. At an open mic this summer I joked to an inattentive bar crowd, “if any of you could come up here and stand just to my left I’d feel much more comfortable.”

They didn’t get it.

My few solo outings earlier this year were the first times I was playing alone to unfriendly crowds in a long time, and I was daunted on each occasion. I played the same songs over and over, heavily relying on the crutches of “Icy Cold” and my cover of “Like a Virgin.” Any other song would leave me wide open for rookie mistakes like forgotten lyrics.

I started to wonder … can I hold space and attention on my own? Are my singing and playing interesting without someone else to dress them up? And, if there isn’t any point to me playing solo, than how can I write compelling material for my band by myself?

I don’t know that I’ve answered any of those imperative questions, but as summer ripened into fall and I kept stubbornly playing on my own I started getting into a certain rhythm where I was less fearful and more adventurous. If no one is going to pay attention anyway, why play “Like a Virgin” for the fifteenth time? New originals and covers and forgotten oldies started sneaking into my sets, and I surprisingly loved some of them. And, when I played the newer songs I was reminded that I devote an uncommon amount of detail to each song that I write. That fact alone doesn’t make me better than the competition, but it definitely makes a difference.

By the time I debut a “new” song (typically a dreaded introduction to hear at any open mic) it has been through months of development. In the case of a newer song like “Not Tonight (from Monday’s Trio), I start with a core of words or melody that have been stuck in my head. I sketch the basics of them out on piano or guitar, and then I typically switch instruments for a while to flesh out the chord structure and melody before returning to the original instrument to complete my lyrics. Next I transcribe a definitive version of the lyrics into my MYSQL database, and begin chipping away at them daily – revising order and polishing lines whenever I think of it.

Afterward I tend to go through an incubation stage that mostly consists of singing the song wherever I go – sometimes deliberately missing a bus so I can sing while I walk. At that point I’m mostly making decisions about dynamics, so that by the next time I sit down with the text I’m ready to mark my vowels and breaths.

Then I actually start rehearsing.

I don’t explain all of that to brag, because it’s not anything I’m especially proud or ashamed of. It just happens to be my process at the moment, and when I enthuse about my database or (attempt to) commiserate over the difficulty of choosing the right vowels I realize that I’m different than a lot of the people I meet at open mics. A song that’s “new” to me is well-experienced to them, and my repertoire of 80 originals (out of a total of 228) is boggling.

The fact that I have a specific process – my own database and binder, an untold history for each song – makes me feel like a valid artist again. I haven’t felt that for a long time, and the last time I did it mostly came from playing fictional concerts to no one in my bedroom rather than making regular appearances at open mics. My current insanity of organization has kept me limber and nimble, to the point that I’ve completed over a dozen new songs so far this year – the most I’ve completed in one calendar year since I started dating Elise in 2002.

That’s why you’re seeing a late-stage resurgence in the stalled Trio season I began last November – I have a lot more songs to share than I did at this time last year.

That, and it’s once again National Blog Posting Month, which I have resolved to make more of a go at this year. This is one of the most interesting times in my life, both personally and publicly, and I’m sure that many years from now I’ll appreciate a running commentary about it.

(Last year, as you might recall, it intersected with being newly engaged, and I quickly found out that it was a time I wanted to spend outside of the house instead of at the computer.)

(Seventy-odd days out from the wedding and I much prefer the confines of my house, especially when I don’t have any credit cards in arm’s reach.)

(Good night.)

Living Marginally

As I’ve alluded to in recent posts, an interesting confluence of events has lead Elise and I to begin searching for our first house a full six months before we intended to undertake such a project.

As we both combed through our finances in anticipation of applying for pre-approval for a mortgage, a certain fact about the two of us became abundantly clear: we are living marginally.

That’s not the same as “living on the margins,” a phrase you might use to describe the forgotten Americans our politicians are currently busy vying over. We are hardly teetering the precipice of hopelessness and debt. Thank goodness.

Instead, what I mean to say is that our lives just don’t cost very much to live, and by extension we have assets but not much equity.

The cost of being us is marginal. We began our adult lives by leaving college with a manageable amount of personal debt. We haven’t owned a car in years, and don’t own our own home. We don’t have any children or pets, or other family members to support. We consume uncomplicated food, and not much of it. We have a finite collection of housewares and consumer electronics that we don’t frequently expand. I quite adamantly dislike vacations, and neither of us participate in a particularly costly hobby or habit aside from music, which is at times a second career.

Essentially, in any given month after rent, food, utilities, and student loans we’re in the clear.

If it sounds like a charmed existence, well, it is. We’re living risk-free. But, that comes with a downside that’s subtly dangerous: we’re naive about how much life costs, and we’re reticent to find out. We have no concept of car insurance or property taxes, or even of paying for parking or needing a lawnmower, and it would be easy to stay this way

Yet, we can’t stay this way if we want to become upwardly mobile adults. No risk, no reward.

Therein lies the thin line between living marginally and living in the margins. You must make the leap into adulthood just right or else you become a forgotten American. You wind up making an effort to make ends meet, and tying up your entire livelihood in the upkeep one major asset – your home – living in fear that its value might drop out from under you. And if the bottom falls out from under your life you don’t just become forgotten – you disappear completely.

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We had to be cajoled into applying for our pre-approval, because we assumed we would be laughed out of the realitor’s office. We read the news – we knew about how bottom fell out of the mortgage industry, taking thousands of forgotten Americans with it. We didn’t think we had a hope.

Well, owing to living marginally, we did; though we don’t have any equity, we don’t have any bad credit either. In the mind of a reeling industry we still represent a good risk – a possible reward.

For a few weeks the potential mortgage check in my pocket made me feel immune to any financial woes. But, now that the euphoria has worn off the sticker shock is settling in.

Can we afford the homeowner’s life? Are we equipped to go from marginal to mobile without falling into the margins?

While I don’t think we will become invisible or disappear completely, both outcomes now loom tangibly, if remotely, over our house hunting. I’ve been invisible before, when I was a child visiting the corner store with a fist full of food stamps. The prospect of returning there – no matter how incredibly remote and unlikely, sets my stomach to roiling.

Life without risk may not be rewarding, but at least it’s comfortable.

Happy Birthday To This

I.

Lately I’ve been struggling with the concept of success – specifically, how to discern the difference between progress and success.

I am always progressing – I do not do well with sitting still. Nevertheless, moving forward doesn’t equal succeeding. Motion doesn’t equal a milestone.

Or, at least, that’s my typical mantra of over-achievement.

It can be hard mantra to upkeep; over-achievement requires a lot of regular achievement to maintain, and that requires plenty of milestones to mow down while you’re in motion.

It’s an especially hard mantra to have when no new milestones are in sight … when it starts getting tempting to view motion as a milestone. It’s akin to the kid who wants a teevee break just for doing the first page of his homework. Should I reward myself just for learning one new song, or completing one workout? The slope from those minor successes to learning a new chord or doing one push-up is treacherously slippery.

This was the quandary that stopped my progress cold last week, grinding my life to a halt. I spent a long night of discussion with Elise, reviewing the successes of the past year, and trying to figure out how to translate further forward motion into more milestones.

Elise is the panacea to those inconsolable moments, and as we laid in bed talking it became apparent that part of the problem is that I had forgotten the other, single, proven solution to all of my various doldrums – eight years of Crushing Krisis archives documenting every success and failure, and all the moments of paralysis found in between the two.

Eight years of proof that I am always in motion, and always finding a new milestone.

II.

As of today Crushing Krisis is an alarming eight years old – absolutely ancient in blogging years, and still the reigning longest running blog in my fine city of brotherly love.

I have a blog old enough to be in third grade. If that’s not a major milestone, I don’t know what is.

Not only is CK itself a milestone, it’s a collection of them – a chronicle of my greatest hits, the succcesses that sketch my evolution from aimless straight-A college student and hapless singer-songwriter through hopelessly overcommitted yuppy and emerging artist.

The amazing thing about the last twelve months is how many successes they encompassed. I played a show at the Tin Angel with my band (two, actually). I got engaged to the love of my life. I completed six months of voice-lessons, emerging with newly revitalized vocals. Lyndzapalooza threw not only a hugely successful music festival, but two modestly awesome off-season events. I finally became the senior member of my team at work. I’m planning the most kick-ass party I’ve ever thrown, which coincidentally happens to be my wedding.

In hindsight I feel as though the vast majority of my personal greatest hits record is contained in the last year of my life – like I’m one of those artists who has one big album and that ten years later my record company will release a 21st Century Masters collection of me that regurgitates that one album end-to-end, plus some random cover I did for a soundtrack.

In the midst of all those hits I could easily lose track of the progress I made, but that’s exactly what CK is here for. I already chose the best of them to feature in the Year 8 topic, but my most indelible memories extend far beyond the posts I’d deem as “best.”

Our band got censored for the first time. I had two of my most memorable taxi-driver conversations. I played a game of “what if I managed Britney?” I conquered my quarter-life crisis. I co-invented (and later conducted) an Upscale Bar Crawl. I blogged daily for an entire month for no reason at all, highlighting my favorite (remastered) Trio Tracks along the way.

I dissected Radiohead’s record release, along with the entirety of the “blogosphere.” I became fascinated for an entire night by a trick of photography. I learned valuable lessons from my longest period of bachelorhood in the past half decade.

I began telling the story of our engagement, further chronicled here and here. I disclosed my previously deeply personal delight in hot food eaten cold. I saw Elise’s brother make his theatrical debut. I posted a rare Trio that I liked as soon as it was recorded.

I contemplated being a real band. I reflected on my childhood masquerade as a born-again Christian. I posted yet another awesome-right-out-of-the-box Trio. I celebrated Gina’s birthday by recounting our first time singing together. I cultivated an ulcer. I learned about sibling rivalry by way of working out regularly for the first time in my life, and in the process got to know Elise’s sister a little bit better.

I almost shattered the fragile, bird-like skeleton of one of my SVPs. I taught the entire internet how to edit their MySpace Music profiles (seriously, you should see the referrals I get on that one damn post). I nearly got laughed out of a coffee-shop due to my savant-like knowledge of Clue.

I played my band’s first honest-to-goodness solo gig, and made friends with 13-year-olds. I spoke at my mother’s wedding, and reflected on how just a few decades ago mine would be illegal in some states. I became a big brother, and started becoming my mother, all in the span of a week. I reflected on GBLT rights in Iraq by way of Ani DiFranco and teenage theatre. I posted the best and worst of my teenage poetry.

And, still fresh in my mind, I was the victim of a crime of hate.

Other things happened too – good things and bad things left unsaid as I skipped a few months of blogging while I was out succeeding a life.

I never finished our engagement story. I haven’t been blogging about wedding prep, including dress shopping and invite-making. I didn’t relate how I got chewed out by a co-worker for bashing Jesus on our last Live @ Rehearsal disc. I continuously redacted a post entitled “Figure Skating Pants” because it never turned out as funny on-screen as it was in my head. You haven’t yet heard about house-hunting.

A hundred other things.

If Crushing Krisis is as much about progress as it is about success, as much about motion as it is about milestones, it’s also as much about silence as it is about sound. My evolution is sketched as much by the words I withhold as the ones I write.

III.

I write these birthday posts each year … letters to my future self. Internet time travel.

Last year I said:

If Year 6 of Crushing Krisis was about finding stability, then this past year has been converting stability into happiness.

To amend that quote, if Year 7 was about converting stability into happiness, this past year was about finding a way for happiness and success to finally co-exist in my life.

In their own quiet way, those successes have brought me as close to quitting CK as I’ve ever been. Even though this blog documents my successes the actual act of blogging is all progress, and progress without success in sight can be daunting.

On and off, I plotted CK’s demise. Merge it into a band blog, I thought. Not as important as wedding planning, I decided. My writing has already peaked, it’s time to focus on other things, I resolved. Not saying much of importance anyway, I mused. It’s not as if anyone’s reading it, I whined. Blogs are ubiquitous and thus unremarkable, I opined. I’m out of things to say, I worried.

Yet, here I am, still, heading into Year 9.

Why? Because Crushing Krisis is one of the best ideas I’ve ever had, one of the best things that has ever happened to me, and the best way I know to show that I am not only progressing into adulthood but slowly and surely succeeding at life.

And because of you. You – indefinable and intangible, yet indefatigable.

Not just you – singular you, tu – you there on the other side of the screen reading this now, so much as you – plural you, vous – all of you. The royal you. The Schrodinger’s Cat of you. The mere potential of you.

“You” could mean you – now, in the present, two seconds after I post this; you – far in the future, maybe after I’ve gone; you – both of you; or you – neither of you … some other you entirely.

Thank you, no matter which you I am addressing. Thank you for being a part of and a party-to my never-ending progress and my continuing success. Thank you for reading, listening, commenting, and linking. Thank you for your time, for your attention, and for being you.

Thank you. And, happy birthday to this.

Humbling Critique v. Humble Critic

It seems that my attendance of concerts varies inversely with my enjoyment, and as I become more ubiquitous at local open mics and active in the local music scene I am increasingly unable to enjoy the music of anyone else unless they are completely flawless.

(Recently, Ani DiFranco, but locally Alexandra Day.)

Other than those bastions of perfection, everything is open to critique – whether I’m trying to be critical or not.

Last month I saw an indie musician who could not get his physical and vocal tics under control long enough to simply sing one of his strong songs. A few weeks ago we saw Regina Spektor open for Ani DiFranco, and I criticized her enunciation and her poor setlist compilation abilities.

Last week at an open mic I rolled my eyes at a hapless guy who played three songs all in the same position. Last night we saw a local band, and I didn’t think anything was in the right key for the singer, and their bassist was useless.

I was a critic to begin with, but now that I’ve been playing more actively I’m all-too-cognizant of all the ways a performer can go wrong, and as soon as I spot one I can’t help but be cruelly unforgiving of its performer.

Critiquing Regina is one thing – she’s a major label hit that ought to know how to open for an audience of strangers by now. It’s the other examples that are more dangerous. If I can’t appreciate and complement other independent and local performers then I am always going to be that asshole with the ego, and people will judge me even harsher for it.

I know I’m not perfect – I’m brutally cognizant of my many flaws as a performer, and they’re the primary reason I don’t perform or record more often. I suppose I just expect every artist that have the same ruthless urge to self-censor until improvements can be made. And, when I do it on their behalf it makes it hard to make connections or friends, and you need both to get noticed as a local musician.

If I was Regina I would have started with one of my crunchy pop hits and followed it with something alliterate and obscure to catch the less mainstream Ani fans. But, maybe that’s not how she’s gotten this far, so who am I to correct her?

But, if I was an indie on my first tour, grasping for new audience members, I’d play in the mirror more often. If I was that hapless guy I would have found a different position to play my song in, or played something in a different key for my middle song. And, if I was the lead singer last night I would have taken voice lessons, tuned down a few of my songs, and backed off the mic.

I have shared all of those flaws, and because I am me I have enacted each of those solutions – because I am ruthlessly eliminating anything anyone could dislike about me until the until reason left to dislike me is me myself.

But, I can’t afford to be so ruthless towards everybody else, or I’ll never have any one receptive in an audience to appreciate all my betterment, and to spread the words to their friends.

Or, via the Larry Sanders Show:

What have we learned here? When you’re vulnerable and humble, people like you. When you act like an asshole, people tend to think of you as an asshole.

All In the Family.

Just to show that nothing is safe from competition in Elise’s family, her sister Jenny left an encouraging comment about how she respects my bloggingness – leaving unspoken the inference that the respect is intact despite my hopeless fat, lazy, dumb, ugliness – and parenthetically mentioned that she is on a Dragon Boat team (huh and the what now?), so I should not count her out of the fitness competition just yet.

And, by the by, she is also a blogger, only her blog is broadcast from Taiwan and features regular lessons in Mandarin.

And, oh, in case I forgot, she used to be a competitive ballroom dancer, and she’s choreographing our first dance when she gets back from Taiwan, so I better watch my mouth or I’m going to have to learn to do walkovers and cartwheels.

Do you see what I’m up against here? Elise already volunteered herself to do upper body workouts with me when I move up to a higher set of weights. Next thing you know I’ll have have their brother emailing me songs he’s written and telling me he’s starting his own music festival.

Although, there’s something to be said for marrying a hyper-intelligent, pro-active bombshell with two similarly equipped siblings, in so much as any time I choose to slack off in some aspect of my life I just picture the appropriate one of them sitting on my shoulder, doing that same thing about five times better than I do it.

Whenever it doesn’t send me into wracking sobs or a panic attack it’s very effective. Like, just a few minutes ago I didn’t do enough bicep curls and the trio of them mocked me in imaginary three-part harmony to the point that now I can’t even lift up a glass of orange juice.

Ahh, family.

How is it that we made it out to be so hard?

IMG_3071Earlier this evening Gina and I spent some time watching a DVD of a performance of ours from 2004.

The experience was at once reassuring and horrific. Horrific because of the sheer terror of some of the choices we made on dynamics and harmony. Reassuring because the core of what we were doing four years ago – the good part – is identical to what we’ve been doing for the past thirteen months.

Bands, unfortunately, don’t come with an instruction book. Luckily, Gina and I are unshakeable friends with the same ridiculous sense of humor, so the interpersonal part hasn’t been difficult, and any stumbling blocks have been handled with aplomb. But, it’s taken a lot of trying to figure out how to run an effective rehearsal, or how to approach learning a new song, or how to salvage a floundering set, amongst a myriad of other difficulties.

(For the record, the former includes eating dinner first, and the second involves having multiple copies of printed lyrics on which we make constant, extensive notation in pencil. We haven’t completely figured out the third, but so far it would seem to involve playing “Pocahontas,” multiple times if necessary.)

I feel as though now that we’re in our second year of formal existence the training wheels on our band are slowly starting to disengage. Clearly we know how to write lead sheets and arrange harmony, or else we wouldn’t have made it this far with a pretty solid 16-song set. However, 2008 is already bringing more advanced trials – like booking our own gigs, and adding additional members to the ensemble.

We’re two unusual people, and we make an unusual pair of singer-songwriters. We sing an unusual collection of tunes ranging from unrequited longing to ruminations on the apocalypse, from vitriolic blasts to paeans to a semi-fictional communist outpost in Idaho. Neither of us knows a damn thing about what we’re doing, and we’re having a hell of a lot of fun doing it.

If there was an instruction book I’m not sure I’d read any of it.

(if you’re reading this on a feed, visit CK to hear the audio)
(also, be our friend)
 

More Than I Am; Less Like Me

Around this time in last year’s NaBloPoMo Gina and I were just convening for our yearly holiday revue rehearsals, which wound up evolving into full-time Arcati Crisis.

Back then we would break off a set early if our mixing was bad or we biffed a harmony, and we didn’t like playing with other people because it threw off our very precarious musical balance.

Tonight we played three songs with a backing band in front of a modest crowd, rocking two of them quite adequately, and soldiering through a third one despite highly audible technical issues arising from our back line.

Our mixing was middling; no harmony was biffed.

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After our set we mingled with various artists up in the (awesome) balcony-level green room, and witnessed a stunning percussion jam lead by our dear friend Dante Bucci and including our new favorite tabla player on the entire planet, Natasha.

Whilst we were relaxing between sets we struck up a conversation with the other performers. I’m always a little fearful of these backstage relationships, because I find them impossible to maintain with tact and grace if I decide that the performer is not up to par (and I’m afraid they’ll have the same issue with me).

One woman in particular was very charming, and we spoke to her at length about our history, how long we’ve known each other and have been playing together, and how satisfying it is to finally be a real band playing music together.

When we asked her about herself she mostly demurred, saying that she had given up writing songs for a while but recently fell back into it. That just made me all the more anxious about the prospects of carrying on a conversation afterward she played, but I put it aside; we were talking to a such a perceptive and personable fellow musician, and I should enjoy that completely apart from her actual musicianship.

As it turns out, she was amazing. Her songs were campy in an intentional, hilarious, genuine way, and her piano playing and singing were both unassailable and sometimes remarkable. Later she complained about a flubbed chord, and Gina and I remarked truthfully that we wouldn’t have ever known had she not told us.

(I need to remember that the same usually holds true for us.)

Nancy Huebner. Keep your ear out.

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The moral of those dual stories is one and the same.

If you have something in your life that you’ve always wanted to do – something that you love (or think you would love doing) but never thought you would be good at – do it.

Stop asking questions. Don’t ask questions. Don’t doubt. Equip yourself with knowledge and enthusiasm, work at it until the work becomes effortless and fun, and then have fun doing it in the absence of the approval of anyone other than yourself.

Eventually it won’t matter if your harmony gets biffed or your chord gets flubbed every once and a while, because what you’re doing will be about a lot more than harmony and chords.

It’ll be about happiness.