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Category Archives: memories

Daily Demo: Icy Cold

Here’s a brand new HD video of “Icy Cold” with beautiful hi-fi multi-track soundboard audio. It comes with a story.

Okay, story-time.

Ten years ago (less 24 days) I was a freshman in college, and I wrote a song called “Icy Cold.”

It was an odd one – very oblique lyrics in one of my more unusual alternate tunings (at the time) made it a challenge to sing and play. I left it off my 2000 demo CD Other Plans and, curiously, also did not consider it for my 2001 studio disc Relief. It remained bound to my apartment, where it factored in to a few of my favorite Trio recordings.

Around the same time I wrote “Icy Cold” – 86th in a rapidly-expanding list of songs – I decided that it was time for me to start playing shows.

Being rather ignorant as to what that entailed, I assumed that I would just phone up a local, mostly-acoustic venue where people I liked frequently played and explain that I wrote tons of awesome songs, and then they would invite me to play. (Later, after my initial flush of success, I could upgrade to playing the TLA or the Electric Factory).

The Tin Angel being the only local mostly-acoustic venue that I knew of at the time, I sussed out their booking information and rang them up.

That was the extent of my year-2000 booking experience at the Tin Angel. No follow-up. No booking. No flush of success.

To be fair, I would have been an utter disaster. I know some people so wonderful that their first ever show was at the Tin, but I was not that kind of wonderful in 2000. Sure, I had the awesome songs, but I could just barely sing, and I was playing a guitar that didn’t even especially stay in tune!

Over the course of the past ten years I’ve done a lot to rectify my singing and guitar-playing issues, and I’ve played in a lot of amazing Philly venues – including the Tin Angel, as part of a showcase with Arcati Crisis. Yet, I’ve never fulfilled that original goal of ten years ago – being featured solo on the bill at the Tin.

Well, that’s going to happen on Friday at 10:30 p.m., so when it came to choosing the first song to post in 2010 in this glorious new HD audio/video combo format it seemed natural to choose “Icy Cold” – especially given the slights it experienced in 2000 and 2001.

Plus, it’s really freaking cold out.

That’s my story.

PS: I owe the hugest possible shout-out to Tim Jahn for explaining Adobe Premiere Pro compression codecs to me via Twitter at the eleventh hour (literally) to make this beautiful video possible. Tim writes a blog of occasional, thought-provoking bulletins that I have been enjoying for months. You can also follow him on Twitter.

Adventures in Adulthood

The past ten days have been an adventure – from the unreality of the Imogen Heap and Lady Gaga concerts to the front seat of our car parked in Chinatown a few hours ago.

It felt right to end it sitting on a bedroom floor with E, her sister with her delightful boyfriend, and appearances of an adrenaline-filled little brother and an exhausted dad, both visiting from the cast party downstairs.

I can find a myriad of reasons to be unhappy. I’ll grant that I used to be better at it, but growing up and getting things that you’ve always wanted for yourself takes the edge off. Still, even all married and with a fulfilling job and being a part time rock star I can make myself miserable. Just ask the me of two Monday’s ago.

I say that by way of contrast: when I’m happy, I know it. I clap my hands. I laugh. I love my hair. I say delirious things that get tweeted if Britt or Amanda are anywhere near me. I break out into Rent in the middle of E’s dad’s foyer, high school girls tittering as they walk past.

Those kids sealed the deal for me. I turned around to talk to E and between us was one of the leadz from the play – imperial and larger than life last night, but tiny, young, and fragile between us. I finally got to tell her how awesome she was. She grinned, thanked me, and then yelled, “Steeeeeeeve, where do I get water in your house?”

She was oblivious, moving through space effortlessly just like she did on stage last night. I never knew how to do that as a teenager. If I was happy, it was fleeting, and if I moved through space effortlessly it was because I forgot myself.

I could not have possibly pictured this life as a teenager, sitting on the floor with a partner and siblings I love, laughing louder than the combined forty teenagers downstairs.

Next time I’m feeling grumpy, awful, unhappy, hateful … just remind me about these ten days.

It’s good enough for whales, dude.

We just got through sitting in our parked car eating dumplings, a queer little Saturday night date in the midst of this insanity of rock shows and serious theatre and made up awards.

Based on two visits, I love nearly everything from Vanessa’s Dumpling House on Eldridge Street, but my shrimp dumplings were not what I expected. I’m not sure what that expectation was, but it wasn’t a dumpling with dozens of teeny shrimp all nestled inside with no seasoning to speak of.

Ever since I saw District 9 I’ve been a little leery of shrimp eating, and the dumpling of a thousand shrimps was not making the shrimp-eating experience any less ooky.

I turned to E for some comfort.

P: These dumplings have, like, thousands of tiny shrimp inside of them. It’s a little creepy.
E: Like sea monkeys!
P: You’re not helping.
E: Or krill!
P: Okay, now I’m done.
E: Hey, it’s good enough for whales, dude.

E and the band were pretty good, although I can already tell she’s not going to like the video because she wasn’t happy with her vocals (she’s been pretty sick since Thursday). Every time I mention a good spot she has a bad spot to match.

I’m always inconsolable after a performance, for better or for worse. Either I know in my heart it was awful, and no coaxing can convince me otherwise, or I’m sure I was excellent and need no further discussion on the topic (Monday being a prime example).

I won’t rattle her cage any further about it being good or not. We’re off to peek into bro’s cast party to catch up with various sibling units before bed.

I #blamedrewscancer for being a Philebrity

I have a story to tell you.

I met half of the #blamedrewscancer crew at Fuzion at around seven for the Philadelphia Area New Media Association (PANMA) holiday party.

That is not the story.

We were at PANMA for some brief networking and catching up with friends, but our end destination was The Trocadero, where Philly blog fixture Philebrity was holding their non-denominational X-Mas party slash year end awards.

Blame Drew’s Cancer was up for the “Outstanding Do-Gooders of the Year” award. Polling had been open and transparent, so it was easy to see that we were getting creamed by Phillies’ Shane Victorino from day one. As such, we didn’t marshal much of a vote – eventually coming in fourth, behind even Mayor Nutter for his ballsy budget bluff.

The four of us – Britt, Mikey, Libby, and I (plus Libby’s awesome husband, another Peter) rolled in to the Troc fashionably late, and occupied the “Reserved” table closest to the stage. Our innate rowdiness took over shortly, and we were hooting at the house band (shout out to BC Camplight) and yelling “Hut!”at any reference to Lady Gaga.

Okay, maybe that was just me.

Suddenly, it was time for our award category. Philebrity Captain and one of my personal Journalist heroes Joe Sweeney read down the list of nominees. When he hit #bdc we cheered, the crowd cheered for us, and he continued down the list.

End of story? Not quite.

Joey Sweeney: So, Shane isn’t here tonight, so we’re going to give this award to Blame Drew’s Cancer.

Team Blame Drew’s Cancer: ???

No, he was not joking. Suddenly we’re being gestured at and motioned towards to the stage and then we’re on the stage and then I’m hugging Joey Sweeney and then, inevitably, I am standing in front of a microphone gaping at a rather large crowd seated at round tables all Golden Globes style and I am like, omg I think now they want me to talk.

Luckily, there is video to document my surprising coherent trip through award show aphasia:

(Take note of my neck-bobbing walk down the stairs, as it figures in to the next bit pretty heavily.) Continue reading ›

Daily Demo: Crashing

Song #77: Crashing (live demo) ["Save As" to download from that link]
Last recorded for Blogathon 2002.

10 years ago this weekend I went to my first college party, still very much a purposefully-naive, dewy-eyed teen.

I came home having had my first vodka cranberry and my first inklings of adult romance, drifting to sleep wrapped in the blissful denouement of each.

The following Monday morning was a decidedly dreary day, and I found myself locked out my dorm room in my pajamas. Instead of heading to French 103 I sat down in our common room – five stories from the ground with a two-story windowed wall staring out into Center City Philadelphia.

I pulled out a pad and wrote “Crashing.”

Later that day, having been let back into my room, I recorded its first rough demo and transferred the lyrics to the first page of the crisp new book I bought for my collegiate songs. Up until then I wasn’t sure how I would know it was time to start using it, but I suddenly did.

“Crashing” made frequent appearances at parties and late night hangouts throughout my Freshmen year, resulting in the first complements on my voice I had ever heard. They came as a great shock to me, as they still do. Later that autumn I recorded it for my first full length demo, Other Plans – shakily, in the middle of the night, trying not to wake up my mother in the process.

As a dreary fall turned to winter I moved on to add other songs to my slim gray book – many of which I still play to this day. Yet, it was “Crashing” I would play between classes as I sat at the dinged, old upright piano in the theatre green room. I would hypnotize myself with the rolling two chord verse, learning how to play piano in increments (and maybe a little bit about what the song really meant, as well).

It took the entire intervening decade to learn how to play piano well enough to demo it that way, and it seems apropos that it wound up recorded just as shakily and late as its original demos were, respectively.

 
icon for podpress  Crashing (live demo): Play Now | Play in Popup | Download

Our Battlestar Galactica Halloween as Baltar & Head Six

Last night E and I dressed up as Head Six and Dr. Gaius Baltar, respectively, from the cult Sci-Fi hit Battlestar Galactica.

Head SixDr. Gaius Baltar

E is not in Six’s standard spaghetti-strap dress, but Six can be spotted in this style at least once in the series.

Baltar & Six

Also, note the spot-on bracelet and ring, which E made herself.

Six & Baltar, enamored

My costume was much more subtle, as I was effectively E’s accessory for the night. I simply grew some scruff and slicked back my hair. For fun, I carried two corner-cut Vice-Presidential memos (as we were ostensibly circa seasons one and two – post appointment to VP, but pre swearing-in as president).

Six, hand of God

One memo was the results of tests with the Cylon Detector. The other was a draft of Gaius’s inaugural speech, complete with parenthetical asides to Head Six (presumably floating over his shoulder in devilish fashion as he wrote it). Writing in the Dr. Baltar voice was very fun.

Out of two parties four people knew who we were. The best comment we received was by far:

I’m not sure who you are, but you both look really sexy. You should introduce yourself as, “Hi, I’m sexy.”

Oh, and SyFy – né Sci-Fi – the purveyors of the show we paid homage to, thought we were “Awesome!

‘Nuff said.

Why I #blamedrewscancer, pt. 4

(This is the last part of my story. You should read Parts 1, 2, and 3.)

It is a Saturday afternoon, and I am staring out into pure blue, 14,000 feet above the ground, through the open hatch in the side of our tiny plane.

On the ground my partner ran through it with me. Twice. Duckwalk to door. Head leaned back on shouder. One two three go. Or is it one two go-on-three? Tip back and forward, arch your body. Arms out. Keep your mouth closed if you feel like you can’t breathe.

Fly.

Staring out the open side of the plane, his instructions dissolve. Did it matter how I arched my back? Niceties, to placate a nervous jumper.

No matter what, we would fall – flying downward, into the embrace of gravity.

“One.”

“Two.”

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Here is #blamedrewscancer, as it’s root: we are talking about cancer.

Yes, it is inane. Yes, it is about Drew – for now. The point is, Drew gave us that – he gave us his struggle to make as silly or as serious as we need it to be.

Drew doesn’t really care if we say his name or what we blame. He just cares that we are talking about cancer. He wants to harness that conversation to raise awareness, hope, and donations. He wants to bring cancer into our daily dialog so we can work together to erase it rather than willfully ignore it until it touches our lives.

His plan is working. People are talking to Drew about his chemo treatments. I am talking to my friends about my grandmother. My co-workers are talking to each other about someone we lost, and how we can honor the fight that she won.

Blaming Drew’s cancer is inspiring us to live stronger, to be frank and hopeful about fighting cancer, and to show the love and support we may be feeling but afraid to say.

Inspiring us to win our battles.

Inspiring us to leap out of planes.

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I have dreamt for years that I can fly, so much that I halfway believe it. It’s not an occasional foray – I can fly in every one. The rush of air past my ears and my body, weightless and free. The feeling is familiar, tucked safely under my skin.

I’ve tried to capture it outside of my dreams on playground swings and amusement park rides. I’ve looked down from trade centers, massive arches, and wrought-iron towers. I’ve ridden on airplanes and have been towed behind a boat, limbs caught up in the wind.

The closest I’ve ever come was riding my bike. It was October 12, 1998, and I was three blocks north of here in Jefferson Square park. Biking home from Anastasia’s house, I sped up until the pedals offered no more resistance. Closed my eyes and held out my arms. It only lasted for a second, but that was my first waking flight – a feeling I already knew intimately.

On my list of five things to do before I die, “fly” was first. Fly for more than those fleeting seconds of eleven years ago. Fly like my dreams.

When Drew and Chris asked if I wanted to skydive with the team, it seemed insane. I met these people online. On Twitter. Was I really going to live my dream with a bunch of strangers from the internet?

It was not insane. It was kismet. It was Drew’s whole point. Live Strong. You want to fly? What’s stopping you? Jump out of a damned plane. You want to be a singer? Don’t make an excuse. Use your voice with confidence.

You want to beat cancer? Blame it and battle it and beat the hell out of it every day with all of the power and positive energy you can muster from yourself and from everyone you’ve ever met until you defeat it.

You have cancer, but cancer does not have you.

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“Three.”

FreefallingWe lean back and pitch forward, falling from plane. I arch. For a second it feels like nothing – the velocity of our bodies moving at the speed of the plane and the pull of gravity countermanding each other

Then, acceleration. Real flight, but towards the ground instead of up, up, and away like Superman or Neo.

In my mind I shrug off the man strapped to my back and the photographer waving in my face – unconsciously throwing him rock signs as he gestures towards his camera.

It is what I know beneath my skin, and more. There is no plane above or ground below. There is the rush of air past my ears and my body, weightless and free. There is limitless blue in every direction – I can’t see the ground. Gravity is for the weak-willed and falling is flying, hurtling, easy like love.

Wind blasts my limbs, buffeting my torso like a cascade of water. I feel strangely supported by the air, as if I could stand delicately on it, like snow.

That lasts for about a minute, or for the eternity of every dream I’ve ever had, depending on how I measure.

A whisper in my ear isn’t the wind, it’s my partner, long-since forgotten. I cross my arms, clenching my harness in my fists, and he pulls the cord. The parachute rides up above us, catching the wind. The harness bucks hard, and gravity is countermanded again. My stomach suspends itself.

This is a different kind of flying. Floating, perfectly controlled. Now I see the ground, and it is minuscule below us. Philadelphia rises in the distance, and i feel like we could just tip forward and head that way.

BDC Skydiving I break the silence.

“I should tell you something.”

“Hmm?”

We are having a conversation, circa 7,000 feet.

“I dream that I can fly. Not just some of the time. Like, every dream. It’s just something I can do.”

“Yeah?”

“Yeah. And it’s just like this.”

We hang in the restored silence, falling slowly. As the ground becomes nearer I scream my trademark soprano wail and listen as it fades away with nothing to reflect against.

Eventually there is a field and a landing strip, and we have a shadow, and it grows larger and larger until our bodies meet it, wrapped once again in gravity’s close embrace and a puddle of mud.

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Tonight at midnight Drew’s Blame-a-Thon begins – the reason I wound up sitting across the table from him at an Applebee’s two months ago.

In two months I have seen people and businesses do amazing things to encourage Drew and to support LiveStrong, all culminating in tomorrow’s event.

It’s about awareness and fundraising, but to me it feels halfway like faith-healing. Like, maybe if we all focus we can blame the cancer away.

Probably not. Not in one day, at least. But blaming cancer can change lives. It’s a chance to reassign the pain and bullshit in your life to something that really deserves it so you can stop making excuses and just live strong.

Blame cancer and change your life. Blame cancer and change someone else’s.

I blame Drew’s cancer for any second that I’m not living my ideal life as a stronger, faster, fiercer me.

And I am thankful for every moment that I am.

I (mostly) #blamedrewscancer for my disappearing week.

By rights and logic I really ought to be asleep right now, but if I don’t recount the past week it’s going to sleep out of the memory banks and completely disappear into the ether. At least this way I can prove that it actually happened.

So. If you’ve been wondering where I’ve been since that last post and why I am not writing you wonderfully detailed bulletins about my life, here is the download.

A week ago right now I was up late on the couch, laptop on my chest, firing out #blamedrewscancer emails. (Yes, I know I owe you the last chapter in the skydiving story. All in good time.) Around the time I planned to go to sleep National Mechanics emailed me and Mike(y) to ask if we were planning to bring some live acoustic cover music with us to the #bdc event next Thursday (i.e., TODAY).

Um, no. We had talked about it and thought music might be overwhelming. Given the open invitation, suddenly I was firing emails to all of my Philly artist friends who carry a bevy of covers, trying to find a bill for the night.

I fell asleep mid-email in that same position – lying on the couch with the laptop on my chest. When I awoke just shy of ten on Thursday morning (don’t worry; I had the day off) I literally opened my laptop before I opened my eyes. I had originally allotted the day half to #bdc and half to myself, but it wound up being double #bdc, and then some. Project managing, writing emails, talking to Drew, rinse, repeat.

It kept churning into the night (interrupted only to spend three hours researching my own well-documented credit history because – to the best that I can discern – CHASE is a bunch of predatory frauds. Without getting into my personal finances, they sent me a letter changing my terms that was blatantly untrue. Like, each “reason” they listed was immediately and factually refutable. The letter I wrote to them in response, it’s a beautiful thing. Elise speculates that they’ve never encountered such a document before in their lives. I can’t wait to fax it.)

Then, Friday. After work I found myself in a telecommuting menage a trois with Drew and Britt. What I couldn’t tell you then and can now reveal thanks to TechCrunch breaking the story earlier tonight is that I was working on a sponsorship proposal for 23andMe.

I started occasionally following 23andMe shortly before they were a Wired cover story in November of 2007, to the point that I knew just who they were when Cecily K. recapped her experiences with their commercial testing kit a few months ago. The reductionist version is that you spit in a test tube for them, and they report back to you about your predisposition for health and disease, and on your family history.

Point being, 23andMe is a real, tangible brand to me – a brand providing a valuable and potentially life-altering service. And I was proposing that #bdc (and, by extension, me) should be their business partner in a sponsorship.

So, yeah, just a little stress on Friday. Luckily, Drew is a wonderful human being who can make me laugh and cry remotely via instant message, and between the two of us everything was fine and from Britt’s abstract we all created a really wonderful proposal.

Saturday E and I headed to the burbs to assist in moving some friends into their first house (YAY!), and then I had a two hour intermission before heading with Gina to West Philly to play a house party fundraiser for her FringeFest play, Fefu and Her Friends. I’ve never played a house party before in a formal sense, where I was billed as a feature and was expected to play for some certain amount of time. It was awesome, but it kicked my ass – even when I wasn’t on I was still ON, from six at night to four in the morning.

In that ten hours, I played three or four hours of music. I also met, mingled, sang, and danced with some of the most beautiful and talented people in Philadelphia, namely the cast of Fefu and their amazing friend Ed, who is half lounge-singer and half space alien come to earth to reclaim Prince as one of his people.

Also, I played an on-command version of Cher’s “Believe” totally off of the top of my head, and at some very late point (possibly as late as present?) Gina, Wes, and I sang an epic three-part harmony version of “With or Without You” with Gina and I clustered around a single mic in a vague sketch of Springsteen and Van Zandt.

Then I slept. Until, like, seven at night on Sunday? All I know is that any time I was halfway roused during the day I would restart The Matrix and be asleep before the scene with the pills.

Um, where are we? Monday? Three or four hours of rehearsal with Gina directly after work (as we are providing some covers support TONIGHT while we await the arrival of the proper musician who will grace us, one Chris Huff), including playing an entire set live for TwitCam, followed by further rehearsal on my own.

Tuesday one of my other cover-songs leads came through in the form of my good friend and former TrebleMaker Kate, who showed up at my house with a setlist of 20 songs to bash through with me – out of which we were to craft 45 minutes of rockin’ cover music for TONIGHT (which is rapidly approaching as I continue to write this post).

Another four hours of rehearsal later and we had our set, packed with lots of stuff I had never played before, like Katy Perry, Aerosmith, and Evanescence … plus some familiar favorites.

Then, tonight, I baked. You see, somewhere in the midst of the days/paragraphs above, team #bdc decided that the best possible component to add to a benefit night at a local bar packed with acoustic music was a bake sale, and I – inexplicably and against my nature and better judgment – volunteered. (My altruism may have had something to do with wanting to play with the Kitchen Aid standing mixer my groom’s party bought us as a wedding gift.)

A dozen dozen cookies, half-a-dozen lead sheets, and half a half-dozen loads of laundry later, and it’s 4am. Music starts at our event in a mere 16 hours. I still have not had a proper rehearsal for myself, and I just hours ago realized I don’t have another set of my preferred strings (a particular issue since I just broke one).

Goodnight.

Whuffaoke or Bust

I don’t have it in me to articulate today’s adventures quite yet, but:

20090726170552

2009-07-26 17.06.58

2009-07-26 19.21.37

Whuffaoke is a country-spanning karaoke tour based out of one amazing winnebago. They are also some of the sweetest people I have ever met. Over the course of seven hours I sang “Video Killed the Radio Star,” “Since U Been Gone,” “Semi-Charmed Life,” “Time Is Running Out,” “Don’t You Want Me,” and – amazingly, as I’ve never performed it before – “Here We Go Again” by Whitesnake.

In addition to not having it in me to articulate, I think I may have also lost the power of speech.

Whuffaoke continues on Monday at 13th and Sansom at 5pm sharp. Be there.

Why I #blamedrewscancer, pt. 2

(Read Part 1)

It is Saturday, at 2:30 in the afternoon. After a brief flight, our plane has reached its apex.

Now it is time to dive out of it.

Drew contemplates the open doorThe friendly chatter of the BlameDrewsCancer team falls away as the tiny cabin bustles with activity. Each of our tandem partners checks to make sure we’re completely winched together.

Then, before I realize it is happening, the plexiglass door over the hatch is slid entirely open, and Chris and his partner are duckwalking to the very edge of the floor. They tip out, into the blue, quickly disappearing from sight.

Drew is sitting next to me. I look him in the eyes, but I don’t think it registers. He will be the next to jump.

I find that, unexpectedly, I am completely calm.

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On Monday, June 29, I met Britt outside of our office, and we took off for New Jersey to meet with Drew.

I had read up on the BlameDrewsCancer phenomenon, but I couldn’t say I completely understood the point of it. All I knew was that Britt was in charge of this mysterious Blame-a-Thon event, and that I had volunteered to take notes for her so she could stay focused on her dialog with Drew.

Otherwise, I was in the dark. Blame Drew’s Cancer was just a meme to me. I had never even sent an @-reply to Drew.

We converged on Applebees for our meeting. Me being me, I had never been inside of one before, and wasn’t entirely sure what sort of food they sold. I advertised the fact to Drew, a stocky, tattooed, slightly-imposing man in a baseball jersey.

Great, I thought. Way to endear yourself to the intimidating guy with cancer by advertising your never-ending weirdness.

Thirty minutes later the five of us – Drew, his friends Chris and Mikey, and Britt and I – were seated and eating. The following exchange kicked-off our meeting:

Britt: I brought charts!

Drew: I brought cancer!

This, I learned quickly, was par for the course with Drew – and a running theme of BlameDrewsCancer. Drew was sick of cancer being an unspoken “c-word.” He talked about his cancer loudly and without reservation, and welcomed questions.

Drew was fresh from chemotherapy, and Britt quizzed him on the details over salad. Yes, he had a permanent port in his body for the chemo, so the drugs wouldn’t burn his skin. No, it wasn’t too uncomfortable, but he wasn’t allowed to get any more tattoos while he was in treatment.

As we got into the thick of the meeting I took furious notes on the scope of the event. It would be huge. 24 hours of party, half of it at Philly’s venerable North Star Bar. We would need to coordinate live video streaming of the entire event. The band Stroke 9 was reportedly working on a Blame Drew’s Cancer theme song. Drew was now an official partner of LiveStrong, in a story set to break later that week on outlets like AOL and CNN – until then the news was embargoed.

In Drew’s words, we should “Think big.” When Mikey jokingly fired back, “Big like Tom Hanks,” Drew responded, “Sure, if you think you can get in touch with him.”

It was at that moment that I began to understand what Drew – and, by extension, BlameDrewsCancer – was actually about. It was about a no-holds-barred rebranding of cancer as something you could talk about, get support for, and live through. Really live.

Drew was only intimidating in that he had ideas with no boundaries, and he was looking for people to help realize them. By the time we headed back to our cars, I knew that I wanted to be one of those people; I had to be involved with Blame-a-Thon in a capacity more meaningful than just taking notes.

I did not suspect that “involved” would involve jumping out of a plane.

above the clouds

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What I Tweeted, 2009-07-19 Edition

My best and most-interesting tweets of the last week (including extensive skydiving coverage).

Read my tweets they happen by following me on Twitter.

Continue reading ›

Filmstar. Rock’n'Roll Star. Wife.

Elise & Co. (aka Filmstar) rocked an amazing show tonight at the M-Room, followed by the obscenely sexy and awesome Stone Thrown (like Muse, but Philly-local and half-Asian).

Here’s Filmstar’s newest tune, which I am in love with. Note the Bowie / Karen O. dual influences.

(Or, head to YouTube to watch “Rock & Roll Star.”)

There is prelim talk of a worlds-colliding Filmstar v. Arcati Crisis party/show sometime in the fall. If that were to happen, I would play the shit out of a tambourine on that song.

not-so-prompt prompts

In my Google Reader I have a tag called “PROMPT” that I affix to posts that made me think or feel something that I might like to share on CK.

I’ve discovered that prompts are best served fresh – ideally I should be writing a post about that intangible thought or feeling within a day or two of having it.

There are presently prompts on my list from as long ago as September. That is scary. It is sitting in the way of me being prompted to tell you about new thoughts or feelings. I need to flush out all my prior prompts so I can post about prompts promptly when they prompt me.

Let me see if I can string some together in a way that makes sense to us both.

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Spezify is a visual search engine, but that doesn’t mean what you probably think it means. Spezify searches the web for text, photos, and social media mentions of your search term, and arrays the results in a collage on your screen. It’s a great way to catch a quick snapshot of a person, place, musical artist, or brand. See what it has to say show and tell about crushing krisis or Philadelphia. Link via Fresh Arrival.

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The imitable Maggie of Mighty Girl posted about her husband’s project, Typekit. Typekit seems to still be in a closed alpha, but the gist of it is that it allows you to dynamically embed text in any font onto any webpage, regardless of if you (or the end user) has that font. You can follow the development on the Typekit blog.

In my humble opinion, Mighty Girl continues to be one of the definitive personal blogs on the internet.

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Geekadelphia (an excellent blog) recently posted a mammoth interview with J. C. Hutchins. Hutchins parlayed the net-success of his podcasted 7th Son trilogy into a publishing deal and subsequent tangible book. Said book – Personal Effects: Dark Art – comes complete with an intricately crafted alternate-reality game component that expands the narrative far past the boundaries of the book. Probably the next piece of fiction I will read, and setting the bar high for the next evolution of the novel.

(PS: M. Hutchins dropped by to comment less than twenty minutes after this was posted. Nice to see his publishing deal hasn’t changed his net savvy :)

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Matthew Sheret (who I found via Warren Ellis) is a writer and photographer with an intriguing list of projects. I am fascinated by his recent post This is a Souvenir, in which he details writing songs for an imaginary band, and how he’d like to take it a step further and have an imaginary record label.

I love that sort of thing – a simulacrum of the footprint left by actual media, but in the absence of said media.

(Speaking of Ellis, I enjoyed his dissection of what it means to be a “digital magazine,” and how that ought to be different from a bells and whistles flash interface with whosits and whatsists. His point (and mine)? You can change the method of delivery, but “magazine” should still mean “magazine.” But, can “newspaper” still mean “newspaper”? Compare to a recent Conversation Agent post about what happens when your local paper goes entirely online.)

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Lane is a remarkable photographer I have been a fan of for a long time. Today she posted an unreal photo of a rainbow seen over the New Mexico desert. Recently she volunteered with Review Sante Fe, a local photography exhibition. She posted a sampling of RSF photographers, and their work was uniformly amazing.

Now that Lane is back in the US I need to buy a print from her.

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I saw what was perhaps my first double rainbow ever a few Saturdays ago on the way to E’s show at The Saint in Asbury Park. It was so close it seemed like we could drive right to the end of it.

Broadcasting live for 12for12k!

The internet had the chance to see and hear the first ever live web concert of my original songs and familiar covers, plus help to raise donations for Unicef’s Believe in Zero campaign for 12for12k

My 12for12k Setlist with demo downloads (if available)…

Like a Virgin – Madonna
Small & Lonely
Icy Cold
Saving Grace (w/Paris monologue)
Shake It Off (w/ “Shake Your Body” outro)
Since U Been Gone – Kelly Clarkson
Something Real
High & Dry – Radiohead (per Danny Brown’s request of Fake Plastic Trees)
Bucket Seat (an Arcati Crisis song)
Real You
Man In the Mirror – Michael Jackson (cried on every chorus – WTG, rock star)
Granted
Love Me Love Me Not (an Arcati Crisis song)
Space Oddity – David Bowie

Also, a few I planned to play but cut (or just forgot)…
What It Is
Unengaged
Gone Baby Gone

For people who watched and said they’d be interested in buying a CD (a) you are wonderful, and (b) download what you will and make a donation to this month’s charity, Unicef’s Believe in Zero. As a bonus, you can also grab my duo’s most recent Live @ Rehearsal album.

Also, we had a high of 40 unique users in the room at one time, so that’s what I donated ;)

pipes and glass

A long time ago I had a neighbor, freebasing cocaine at his kitchen table.

That came later, though.

Curled around my first guitar on the front step, maybe? Must’ve been. I don’t remember how else he knew I could play. I remember our porch, and his hammers on Ziggy. That’s exactly what I wanted.

We became a pair in his basement from time to time, him showing me barre chords, my explaining why you might retune.

I didn’t have that in my life at the time. I had Gina, still several months of skepticism about my guitar playing before she’d be of much help. No one else to take an interest. Certainly not an adult example.

(My mother’s boyfriend had played guitar, maybe, in the 70s? Some distantly removed time. He had sliced the tendon on his pointer, and could no longer play barres. Useless to me. He had a clumsy way of making a C chord, remembering it a half-fret at a time.

Inwardly I swore: no forgetting.)

So there I was, in the neighbor’s basement. We had known him forever, anyway. He was fifteen years older? Feels like he was much older than I am now. At least seventeen, if he remembered Bowie like that.

I noodled on his ancient synthesizer and he restrung his Yamaha 12-string. “Like Bowie’s.” And he told his story.

He was heavy into music, writing his own all of the time. He went on a cruise ship or some other inane vacation, to play. And someone said, one night, to him – very serious about his music. They said to him he sounded like something or some other thing. It was probably the 80s, so probably some other awful thing. Richard Marx, let’s say.

And he said, “Peter.” He said my name in this very convivial way, like, we’re just two Italian guys shooting the shit. It was not a way men usually said my name. Still not.

“Peter, I didn’t know if it was a compliment. I hadn’t heard anything new in a year. All I would listen to was myself.”

I was incredulous, still a fan more than a musician. How could he turn off everything else? It seemed likely a lie.

I got too familiar, I guess. The whole family lived there, and I got used to poking my head in if I got home late from rehearsal and the light was on.

I put my head in, and there they were, him and his best friend. Hardware on the table, but not the tool box like usual. Pipes and glass?

Pipes and glass, and he said, “do you want any” or maybe “you don’t want any,” and I, numb, just walked back across the porches to my door.

Figures, the one guy who could say my name like that and mean it and play those little hammers. But I knew what my goal was – I would have to learn my barre chords before there’d be any excess.

I forget him for a year or so, here and there. There are other stories – driving to the music store in South Philly, the time I almost cut my finger off and he came over because my mom was at work. That bass in pieces in my closet.

I’ve still never been that freebaser at the kitchen table. I must not be good enough at barres. But, now I know what it’s like to only listen to myself, to not want or need anything else.

I understand him that much.

Arcati Crisis and friends Stand Up For Kids

So, before all of that introspection crap started happening I was actually having an amazing weekend.

The story picks up mere seconds after my Friday post, which was interrupted by Dante’s appearance to ferry me and my various PA equipment to The Dark Horse on South Street for a benefit for Stand Up For Kids.

Stand Up For Kids is a nationally recognized and acclaimed charity that supports homeless and at-risk kids and teens. They offer many levels of service, from counseling children at risk for leaving home, to conducting outreach to kids on the streets, to staffing and maintaining outreach centers where teens can get help in obtaining a birth certificate or finding an apartment.

The Philadelphia chapter of Stand Up For Kids needs support to provide that full complement of services. Their benefit raised money towards supplies for their outreach packets – like juice boxes, deodorant, or sweatshirts – as well as for an outreach van that would allow them to be more mobile in their efforts.

Arcati Crisis has played a slew of shows this year, but the SUFK benefit ranks high amongst our favorites.

First, The Dark Horse Pub is a fantastic bar – one of my favorites in all of Philly. It’s just north of South on 2nd – across from Headhouse. The pub is comprised of multiple rooms that each have their own personality, all clean and comfortable and serving delicious food along with their drinks.

Second, the bill – we played with a lineup of people who we would go out of our way to see. Seriously. It was such a profoundly humbling experience to be listed in the middle of the people whose songs I hum while I walk down the street.

Joshua Popejoy, a model of sharp hooks and specific strumming, and increasingly my go-to for all discussions of mixing. Bill Butler, an outstanding songwriter and one of my favorite Philly vocalists, and the director of the charity The Philadelphia Sessions. Dante Bucci, a virtuosic percussionist who has transformed a zen instrument into a songwriter’s treasure, and who can engineer a PA solution for any space. Jon Glaubitz, an enormously talented guitarist and songwriter with a chameleonic ability to blend in anywhere – no matter if it’s a coffee shop or a rock club. And Andra Taylor, an arresting new voice on the Philly scenes, her hypnotically circular guitar riffs evoking a prism of contemporaries from Patti Griffin to Madonna. And, we made new friends – with David Miller and Jeremy Davis, performers we surely will see again in the future.

However, beyond all of those pleasures was the charity itself. SUFK volunteer, event organizer, and AC-fan Nina found the right venue to turn a gathering into a celebration, found the right music to fill it, and then packed the room to the very limit of its capacity.

Throughout the night Nina sent SUFK volunteers up to the microphone to share their stories about the organization while we set up for the next artist on the bill. The one that really caught me came after our performance – maybe because we were still trembling from a powerful closing swing through “What’ll I Say” and “Apocalyptic Love Song,” or maybe just because she was so very compelling.

She spoke about how she helped to found the Philadelphia chapter four years ago, and how at the time it was just a handful of people who wanted to make an impact. She spoke about how we all pass homeless children every day without realizing that we see them, partially because they so desperately don’t want to be homeless that they will do anything to blend in. She spoke about how – four years later – she is so energized by the enthusiasm of her fellow volunteers and the changes they effect in the world, but that they aren’t enough – they need more support and more volunteers to truly change the streets of Philadelphia.

When she was through I found myself with tears welling in my eyes.

All of these things we do take time. Four years ago Arcati Crisis was an in-joke name for our studio recordings. Four years ago Dante Bucci didn’t know what a hang drum was, and Andra Taylor had no idea she’d be living in Philadelphia.

In that four years we’ve devoted to ourselves, Stand Up For Kids has devoted itself to others, and because of our collective commitment we were able to come together last Friday to share and celebrate positive music and a positive message. We came together into a room as strangers to each other and left with a common cause.

That is the best kind of gig to play, and after the clouds of my weekend introspection clear on a bright Monday morning that is the memory that I’m going to take with me. Even if our music only made SUFK twenty dollars it was worth every minute of playing. If I could raise a thousand I would play for days at a time, stopping only to breathe.

“In the beginning, it is always dark.”

Have you ever watched The NeverEnding Story? You know how the book seems to bleed into Sebastian’s life, with him running afoul of frightening taxidermy during an encounter with G’mork.

Today my life is something like that.

Ever since I I first transferred from Blogger to WordPress in the midst of the first NaBloPoMo (a feat I still can’t believe I engineered), I’ve also been moving backwards though the almost 3000 posts that came before, categorizing them into tidy chunks that tell the stories of my life.

I’m determined to at least categorize back into the year 2000 by the end of the month, and in my surge of personal excavation I’ve become firmly entrenched in the “Behind the Music” portion of my life – recording a seminal album while going through a horrific breakup and a nearly deadly illness. Flirting with potential entanglements Oh, and drinking a lot.

That old, unhappy, unsure me seems so alien in the present day. To catch all of the themes in those old posts I’ve had to do more than read them – I’ve had to put myself in their place. How else to remember that I hatched my plot to break up with Selina as an allegory of why I shouldn’t pull an all-nighter?

In the process of getting into character I feel like those old posts have been slowly transforming my present day life. I Trio “Will It Ever Come,” telling the story of how it was written, and then find myself re-reading the post about recording it in the studio. Yesterday I re-read one lamenting that it was hard to tell if you have a fever when you’re under a spotlight, and last night I replayed the experience at our benefit show – half sick and half in-the-moment.

This evening I have a tickle in my chest that’s scarily reminiscent of the beginnings of my legendary bout of bronchitis and pneumonia that I’m about to be rereading.

The coincidence is starting to become frightening, if only because I’ve now crossed the threshold into the worst month of my life – the torturous rehearsal process for Good Woman of Setzuan, nearly failing classes, the depths of my relationship, deaths in the family.

If this was really The NeverEnding Story I would be able to reach back into the plot to shake me out of the stupor. I remember being five and jumping up and down on the bed in my father’s hotel room, screaming unintelligibly along with Bastian as he inserted himself into Fantasia, first interrupting Atreyu’s conversation with Morla, and later by naming the princess “Moon Child.”

Or, maybe I already have – without knowing it – and the only reason that younger me broke free of his darkness was because I am sitting here, happy and healthy, willing him to get on with his life.

A Year In The Life

Elise and I spent today in New Jersey for the same weekend and reason that caused me to quit NaBloPoMo last year – my brother-to-be’s fall play.

He’s come a long way in a year. Last year was his first time acting on stage; this year he had the final bow in a challenging, thought-provoking play, The Rimers of Eldritch.

Out in the audience Elise and had come a long way too. Last year when we were here it was most people’s first time seeing her engagement ring, and they were bristling with wedding questions that we hardly had answers to, let alone opinions. Today, our planning nearing completion, we traveled to New Hope to continue shopping for my wedding band.

I’m nervous about the band. I haven’t worn jewelry for a long time, not since I was younger when I bore a perfunctory cross from my grandparents. One day it fell off somewhere between home and school, never to be seen again. My mother bought me another for graduation, and I recoiled from the box. I didn’t want another cross; I had never worn it as a cross. I wore it as my grandparents.

Since then I haven’t worn anything.

I’m nervous about the band, and excited too, because I’ll be wearing Elise. We didn’t settle on a final ring today (in fact, I backslid on my prior decision), but while we were shopping I prevailed upon Elise to buy me a plain practice ring – just a small, comfortable, stainless steel band. I’ve had it on since one, on the ring finger on my right since Elise insisted I couldn’t wear my practice band on my actual finger.

I’m not sure how I feel about it. I’m typically very conscious of my hands, of what I’m doing with them and if they are safe. Already I’m constantly fiddling – turning it, changing it from one finger to another, sliding it back and forth across my knuckle. My fingers don’t close the same way, and I rest my adjacent knuckles against it when I hold my guitar pick (it actually improves my form).

Two months from Monday I’ll put on the real thing.

President Obama

When I was small I used to watch the news every night. At seven I was probably more educated about congress and presidential politics than I am now.

In the first election I was old enough to chat about – likely Bush Sr. in ‘88 – I remember my mother telling me about Ferraro. “In 1984,” she said, “there was a woman on the ticket for the first time ever – Ferraro.” (My mother never uttered her first name that I can recall.) “She would have been Vice President for the Democrats, but they lost to Regan.”

I don’t remember her sounding too upset; I guess everyone liked Regan at least a little bit. But, I do remember the message that followed, whether it was said out loud, maybe in a voting booth, or just implied during our next re-watch of Free To Be You and Me.

It’s important that a woman can be considered for our second highest office. You’re going to grow up to be a white man, and in a way you’re lucky because you can aspire to do anything – even be president. At some point in your life you’re going to have the chance to vote for a woman, or for someone who is black or Asian, or for some other kind of person who usually isn’t given the same opportunities you might have. And, if you vote for them you might have to vote against someone who is more like you, but it’s important for you to support them. Not only because you agree with them, but because of what their election could mean for America.

In a way her message, however she actually conveyed it, changed my whole life. It was the birth of my feminism and the kernel that would become my fierce dedication to civil rights for everyone, no matter how different from me they are. And, it made me become aware that America means something very special and very specific – it means freedom to be and freedom to choose.

For that reason, even in the moments I have been the most critical of America, her message has always inspired me to fight for my country instead of against my country. That distinction has nothing to do with party lines and colored states on a map – it’s about freedom and choice. It’s about the quality of compassion.

Yesterday we elected the first black president of the United States of America. Not just black, but multi-racial. Just like America. Just like the family I have created for myself with Elise.

Tonight I’m already looking forward to America’s future elections. I’m looking forward to presidents who are female, Muslim, gay, Asian, or atheist.

Yesterday we could have elected the first woman vice president. And, though she lost, she may inspire stories told to another generation of little girls and boys who will grow up to love their country not for what it is, but for what it can be.

Tonight I spent some time with my two best friends – a woman who has made her way in a white man’s industry despite discrimination against her and everyone else, and another woman who saw four states tell her she doesn’t share the same rights as her peers because of who she is and who she has chosen to spend the rest of her life with.

Yesterday I cried from when I made that last post until about thirty minutes after the acceptance speech ended. I cried, and it felt good, because I was witnessing the birth of the America my mother promised me I would have a chance to live in. It has arrived blessedly early in my charmed existence.

Tonight I am weary and drained, but still ready to fight for my country, in my way. To fight to make people understand the rights we have and the process we are due. To fight for our freedom to be and to choose.

Today my mother sent me an email that shared its subject with this post’s title. It read:

Peter,

We just made history!!!!!!!

xo
mom

Where selflessness and procrastination collide

When I was in Boston with Erika she told me she likes to read CK when it is about my personal misadventures, rather than static ruminations or recaps of rocking Arcati Crisis shows.

That was two weeks ago today, on my birthday, although I just now typed “a week ago,” because I’ve definitely misplaced some of the intervening days. I’m not sure where they went – I haven’t been making many plans or playing much music – but they are gone.

Apparently spending days at a rapid rate just makes the passing of them easier – just like I’ve easily written more than 12,000 words today and now I can’t seem to stop writing.

Last Tuesday is the last day I can get a distinct fix on without referring to old emails or a calendar. I know I spent the day at work, plus another six hours working remotely because I felt like “tidying,” and that I subsequently spent three hours copy-editing my mother’s 536-word college paper. Not that it involved much copy-editing. Moreso, it was that I wrote her a ridiculous 1300-word rumination on her assignment and how she could marginally improve it, as it was already awesome.

(She claims that I did not get writing from her, but she is one of the most natural writers I know. She writes exactly how she speaks. It’s uncanny.)

On Wednesday Elise and I collected our pal Anna and crashed the auditions for our acapella alma mater, The TrebleMakers. Well, we didn’t crash, really. It was more like we were uninvited, creepy, old guests with valid, non-binding input on the audition process. I was wearing one of my larger suits and sporting some facial hair, the combination of which I’m sure projected the impression of a rumpled old man who just rolled out of bed in his pajamas.

(Think about this for a minute, my friends: the girls who are auditioning for TMs as freshmen were born after the release of “Like a Prayer.”)

As per usual, any encounter between us and acappella results in unparalleled excitement and lust for our harmony-singin’ glory days (which actually only ended in 2006). It also results huge laundry lists of songs we’d like to arrange – this time headed by “That’s What You Get” by Paramore and “Breakin’ Up” by Rilo Kiley.

Whereas usually such larks are promptly forgotten, on Thursday I fell ill completely out of the blue and spent the day home from work, during which I arranged like the unstoppable 2004-me that had a hand in a fourth of the arrangements on the TM’s last CD.

(Then there is my heavily documented debate coverage, followed by a frantic 24-hours of strategic planning between E & I that has not yet yielded our first (non-political) freelance website but might still, soon.)

Our weekend was consumed by more arranging and kitten-mania. Yes, the kittens from earlier this summer are back in our yard, and have been for at least a week – sleeping in flower pots and causing all manner of mischief in our box planters.

Having spent a childhood raptly absorbing The Price Is Right, I decided it was my personal calling from Bob Barker to have the kittens spayed or neutered, and hopefully adopted. All weekend I colluded with Elise to capture them, at one point setting up a complex Fudd-esque “kitten blind” behind our back door.

Elise finally caught the trio of them in a complex gambit involving a pet carrier and… well, mostly just the pet carrier. Subsequently, in my infinitesimal wisdom I elected to release all three of them into our powder room without calling to see if shelters had room available, or researching what is entailed in fostering a feral cat.

Yes, feral. Feral, and raised on the mean streets of South Philadelphia.

They don’t seem very feral in the “scary & rabid” sense. They mostly just huddle under our sink and stare dolefully when I stop by to feed them. However, they certainly are feral in the “not digging on humans” sense, which is going to make it hard to get them out from under said sink to fulfill the mission set out for me plainly after every Showcase Showdown.

I spent the majority of last night placing said calls and undertaking said research, to generally no avail. As for today, I worked my typical no-lunch-break-and-extra-hours day, fielded a few unhelpful calls from pet shelters, and then headed home for an unlikely duet of kitten wrangling and drafting various Lyndzapalooza promotional strategies (at least a dozen, last time I counted).

Which brings us to this unlikely hour, and my belabored point.

In the past week I have worked extra hours, proofread and critiqued, crashed and input, arranged and recapped, strategized and arranged some more, caught and herded, called and researched, and wrangled and drafted.

All of that, and yet I have not contacted anywhere about tuxedos for our wedding, submitted two months of transit receipts for reimbursement, or scheduled a much-needed dermatologist appointment to combat the disconcerting red splotches that have overtaken each of my laugh lines.

Was I procrastinating on all three of those tasks before my whirlwind week overtook me? Sure, at least a little. But, in the past week I really wanted to do all three. I tried! I gathered papers and picked phones off their cradles. I just never found a window open enough to accommodate the completion of any one of the tasks, let alone three.

A week later I have plenty to show for my continued procrastination, but not much of what I’m showing does anything to help me.

Am I spending my time selflessly because I am so good at procrastinating? Or, do I find myself procrastinating because I am committed to spending my time selflessly.

Excuse me while I sleep on it.

Happy Birthday To This

I.

Lately I’ve been struggling with the concept of success – specifically, how to discern the difference between progress and success.

I am always progressing – I do not do well with sitting still. Nevertheless, moving forward doesn’t equal succeeding. Motion doesn’t equal a milestone.

Or, at least, that’s my typical mantra of over-achievement.

It can be hard mantra to upkeep; over-achievement requires a lot of regular achievement to maintain, and that requires plenty of milestones to mow down while you’re in motion.

It’s an especially hard mantra to have when no new milestones are in sight … when it starts getting tempting to view motion as a milestone. It’s akin to the kid who wants a teevee break just for doing the first page of his homework. Should I reward myself just for learning one new song, or completing one workout? The slope from those minor successes to learning a new chord or doing one push-up is treacherously slippery.

This was the quandary that stopped my progress cold last week, grinding my life to a halt. I spent a long night of discussion with Elise, reviewing the successes of the past year, and trying to figure out how to translate further forward motion into more milestones.

Elise is the panacea to those inconsolable moments, and as we laid in bed talking it became apparent that part of the problem is that I had forgotten the other, single, proven solution to all of my various doldrums – eight years of Crushing Krisis archives documenting every success and failure, and all the moments of paralysis found in between the two.

Eight years of proof that I am always in motion, and always finding a new milestone.

II.

As of today Crushing Krisis is an alarming eight years old – absolutely ancient in blogging years, and still the reigning longest running blog in my fine city of brotherly love.

I have a blog old enough to be in third grade. If that’s not a major milestone, I don’t know what is.

Not only is CK itself a milestone, it’s a collection of them – a chronicle of my greatest hits, the succcesses that sketch my evolution from aimless straight-A college student and hapless singer-songwriter through hopelessly overcommitted yuppy and emerging artist.

The amazing thing about the last twelve months is how many successes they encompassed. I played a show at the Tin Angel with my band (two, actually). I got engaged to the love of my life. I completed six months of voice-lessons, emerging with newly revitalized vocals. Lyndzapalooza threw not only a hugely successful music festival, but two modestly awesome off-season events. I finally became the senior member of my team at work. I’m planning the most kick-ass party I’ve ever thrown, which coincidentally happens to be my wedding.

In hindsight I feel as though the vast majority of my personal greatest hits record is contained in the last year of my life – like I’m one of those artists who has one big album and that ten years later my record company will release a 21st Century Masters collection of me that regurgitates that one album end-to-end, plus some random cover I did for a soundtrack.

In the midst of all those hits I could easily lose track of the progress I made, but that’s exactly what CK is here for. I already chose the best of them to feature in the Year 8 topic, but my most indelible memories extend far beyond the posts I’d deem as “best.”

Our band got censored for the first time. I had two of my most memorable taxi-driver conversations. I played a game of “what if I managed Britney?” I conquered my quarter-life crisis. I co-invented (and later conducted) an Upscale Bar Crawl. I blogged daily for an entire month for no reason at all, highlighting my favorite (remastered) Trio Tracks along the way.

I dissected Radiohead’s record release, along with the entirety of the “blogosphere.” I became fascinated for an entire night by a trick of photography. I learned valuable lessons from my longest period of bachelorhood in the past half decade.

I began telling the story of our engagement, further chronicled here and here. I disclosed my previously deeply personal delight in hot food eaten cold. I saw Elise’s brother make his theatrical debut. I posted a rare Trio that I liked as soon as it was recorded.

I contemplated being a real band. I reflected on my childhood masquerade as a born-again Christian. I posted yet another awesome-right-out-of-the-box Trio. I celebrated Gina’s birthday by recounting our first time singing together. I cultivated an ulcer. I learned about sibling rivalry by way of working out regularly for the first time in my life, and in the process got to know Elise’s sister a little bit better.

I almost shattered the fragile, bird-like skeleton of one of my SVPs. I taught the entire internet how to edit their MySpace Music profiles (seriously, you should see the referrals I get on that one damn post). I nearly got laughed out of a coffee-shop due to my savant-like knowledge of Clue.

I played my band’s first honest-to-goodness solo gig, and made friends with 13-year-olds. I spoke at my mother’s wedding, and reflected on how just a few decades ago mine would be illegal in some states. I became a big brother, and started becoming my mother, all in the span of a week. I reflected on GBLT rights in Iraq by way of Ani DiFranco and teenage theatre. I posted the best and worst of my teenage poetry.

And, still fresh in my mind, I was the victim of a crime of hate.

Other things happened too – good things and bad things left unsaid as I skipped a few months of blogging while I was out succeeding a life.

I never finished our engagement story. I haven’t been blogging about wedding prep, including dress shopping and invite-making. I didn’t relate how I got chewed out by a co-worker for bashing Jesus on our last Live @ Rehearsal disc. I continuously redacted a post entitled “Figure Skating Pants” because it never turned out as funny on-screen as it was in my head. You haven’t yet heard about house-hunting.

A hundred other things.

If Crushing Krisis is as much about progress as it is about success, as much about motion as it is about milestones, it’s also as much about silence as it is about sound. My evolution is sketched as much by the words I withhold as the ones I write.

III.

I write these birthday posts each year … letters to my future self. Internet time travel.

Last year I said:

If Year 6 of Crushing Krisis was about finding stability, then this past year has been converting stability into happiness.

To amend that quote, if Year 7 was about converting stability into happiness, this past year was about finding a way for happiness and success to finally co-exist in my life.

In their own quiet way, those successes have brought me as close to quitting CK as I’ve ever been. Even though this blog documents my successes the actual act of blogging is all progress, and progress without success in sight can be daunting.

On and off, I plotted CK’s demise. Merge it into a band blog, I thought. Not as important as wedding planning, I decided. My writing has already peaked, it’s time to focus on other things, I resolved. Not saying much of importance anyway, I mused. It’s not as if anyone’s reading it, I whined. Blogs are ubiquitous and thus unremarkable, I opined. I’m out of things to say, I worried.

Yet, here I am, still, heading into Year 9.

Why? Because Crushing Krisis is one of the best ideas I’ve ever had, one of the best things that has ever happened to me, and the best way I know to show that I am not only progressing into adulthood but slowly and surely succeeding at life.

And because of you. You – indefinable and intangible, yet indefatigable.

Not just you – singular you, tu – you there on the other side of the screen reading this now, so much as you – plural you, vous – all of you. The royal you. The Schrodinger’s Cat of you. The mere potential of you.

“You” could mean you – now, in the present, two seconds after I post this; you – far in the future, maybe after I’ve gone; you – both of you; or you – neither of you … some other you entirely.

Thank you, no matter which you I am addressing. Thank you for being a part of and a party-to my never-ending progress and my continuing success. Thank you for reading, listening, commenting, and linking. Thank you for your time, for your attention, and for being you.

Thank you. And, happy birthday to this.

Steer Clear

Last Saturday we awoke to some vicious knocks on our door, and declined to answer.

It was another block party on our street – another one of dubious legality where we were given less than ten hours of notice before its start – one situated plumb in the middle of our first long weekend together this year. We keep to ourselves, and no one thinks to ask us to sign their petition, or remind us there is a party upcoming, or ask us we have anything to contribute (such as, I don’t know, my mixing equipment? But, I digress).

So, we declined to answer. The first time. But a few minutes later the knocks came again, insistent and vicious.

We had hoped to sleep in – at the back of the house, away from the noise.

No such luck.

I dressed quickly, pieces patched together, and flung open the door to be greeted by an unfamiliar face. White, stubbly, firepluggish but not so intimidating, a tattoo or scar on his cheek next to his eye.

“Izzat your car?” Gesturing broadly at a boxy sedan parked a few spots to the right of our door. Already a tent had been struck on our sidewalk, nearly obstructing our front steps.

I replied sharply. “Look, we don’t own a car, and even if we did we wouldn’t have to move it for the block party. That’s not how the permit works.”

I closed (not slammed) the door to an echo of protest (“Hey, I’ll break your door down and kick your ass”), but that was a wolf not big or bad enough to warrant my concern on a summer Saturday morning. I’ve lived in South Philly long enough to know an idle threat.

Nothing else happened, and several hours of booming, inescapable music later we left. We were dressed as sharp as my earlier words for Erika’s engagement party, and everyone on the block saw us depart just as the daylight was ripening into a pretty golden evening.

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The party, which is a topic for another time, was wonderful. The two parts that are germane to this story are that I drank quite a bit of Bombay Sapphire and we that took a cab home shortly after 3 a.m.

I stepped (stumbled) out of the cab, intent on a trip to the bathroom and the chance to get into some more comfortable clothes (having entrusted Elise with my wallet and the ability to do arbitrary math).

At the steps I fetched (fumbled for?) my keys, and when I looked up I was greeted with black magic marker scrawl across our door:

Steer Clear of Queer

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Was it the message or the gin that sent me into hysterical sobs, pounding on the door with my fists until it was feeling unsure on its hinges?

Does it matter? What was I supposed to feel, or do, the first time a message of discrimination I’ve heard off and on for years at parties and bars and from passing cars found itself tangible and branded on my home?

The next part is a blur: Elise getting to the door, our exchange, my dash into the house only to collapse on the floor, crying, screaming:

“This is our house; I just want to live here.”

Elise, rational and sober, called 911, and discovered as she shut the door that our newfound aphorism had been accompanied by an even more tangible reminder – used cat litter fed painstakingly through our mail slot so that it would be swept across our threshold when the door was opened.

I’ll spare you the visit of the police, protective and sympathetic, or my repeated calls to Lindsay, my voice splintering and breaking as I screamed to her that I didn’t understand, upset as much about myself as with my demographic-sharing double, the straight white male who thought this sort of thing was okay to go writing on someone’s door because he didn’t have enough muscles or force when he opened it or because he left the house in a wrong-colored shirt, and also how I would be happy for people to write on my door and shove crap through my mail slot for the rest of my life as long as they left Lindsay and Kate and our gay neighbors (yes, the irony) alone and in peace.

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I would never compare this experience to the discrimination that other people endure every day. It was passive – intimidation from a coward. It’s not even really about me. It’s not even really offensive, as a statement.

Yet while I would never compare, it remains that those words were written on our home, and that the crime of petty vandalism was undoubtedly about hate. I articulated as much to the lieutenant in my living room, feeling strangely sober and my stare fixed on the floor.

“Do you feel that this was a hate crime?

“Yes, officer. All that matters is what he thought of me when he opened the door, and the intended effect of his message.”

“I’m so sorry this happened to you and your roommate.”

“Fiancee,” I whispered, more to myself than to him. “We’re getting married.”

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With Sunday came concern; we had no way of knowing if the vandalism was an arbitrary one-time event or the first step of continuing harassment; we didn’t know if it was the work of a single actor or a faceless group of disgruntled neighbors. But we discovered that – after the initial shock – we were not concerned about the words on our door.

To scurry out that morning to clean it off would mean we didn’t want the neighbors to see. To cover it up surreptitiously by cover of darkness would mean we didn’t want to be seen responding to it.

Both would show that the message met its mark – that it had intimidated us. We may be a lot of things – maybe even a little queer – but one of them certainly isn’t easily intimidated.

I’ve been avoiding this box all this week because I’ve been uncomfortable with my own voice – the voice that got me into this mess – just as I haven’t felt comfortable in my own living room. Now that our door is finally back to its single solid color (plus a peephole) I also feel okay to return here, my virtual home, to begin to describe how I feel … how I’ve felt the graffiti on my own skin all week, how our house feels different now, and how every time I approach our door I am ever-so-nauseous in anticipation.

As to why we ultimately decided to leave the words on display until our landlord could have them painted over in broad daylight for the entire block to witness, Elise blogged it better than I ever could, so I’ll let her speak for me:

[I]t doesn’t reflect on us, it reflects on the people who did this and on the people who allowed it to happen. It’s a reminder to us of what emotionally, intellectually, and spiritually small people are capable of (though we would still see it there whether we painted it over or not), and it’s a reminder to everyone else that while this time we were the target, it could just as easily be them, next time.

They probably have not realized this, yet.

Pink Envelopes, Cheerful Weeks, Dark Knights

I’ve been really dodging my blogging lately. Which, per usual, is indicative of life being actually full-to-the-brim of interestingness that I am simply not diligent enough to record.

Some vignettes:

I received a pink envelope in the mail yesterday, with no return address. Definitely raised some fiancee eyebrows until I opened it and realized it was from the bridal boutique where I just bought the dresses for my groomsladies.

Note to boutique: when dealing with the groom, do not send receipts to him in unmarked pink envelopes. It does not bode well for the eventual wedding.

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For the last two weeks we have been slightly less yuppy / slightly more domestic with the addition to our household of Elise’s brother.

Despite my compilation of an exhaustive list of cool things to see and do in Philly, we haven’t done all that much of interest. Yet, I’ve been having a cheerful, excellent time – not just in hanging out with him but in life in general … waking up early, going to bed satisfied with my day.

I half attribute it to having a sibling around to take an interest in, and half to the novelty of having someone who I totally relate to that is not a girl.

(His best quote so far, I think, was “Dave & Busters? That’s like Chucky Cheese with beer, right?)

The downside, if there is one, is that my scant project-oriented time is bisected further than it usually is just with Elise-hanging, which has left less attention for blogging, songwriting, piano-playing, et cetera.

That, and that I finally am starting to understand what it is to have a sibling relationship with someone younger than me (as to opposed to with Lindsay or Erika), and I’m going to be really sad when he’s done with Philly for the summer, because this is definitely a one-time-only thing – next summer he’ll be looking at colleges and then he’ll be out in the world on his own and we won’t be the fun vacation from real life anymore, because real life will finally be interesting.

So, maybe I’ve learned to be a little more sympathetic towards my mother from the experience?

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Last night I saw the Dark Knight with a ridiculous majority of my favorite people, the majority of whom are voracious movie consumers and critics. We left the theatre in dumbstruck silence. I’m hard-pressed to name another movie that literally left me speechless until I exited the theatre complex … maybe Seven?

I did a lot of tearing up along the way, mostly at Heath’s unbidden perfection, but really just because it was an amazing ensemble piece and sometimes great acting clicking together like a well-made watch makes me emotional.

See Also: Battlestar Galactica.

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That’s life. Or, at least, this morning’s version of it.

Choosing Your Family, and Cheers

(This is the toast I gave yesterday at my mother’s wedding, prefaced by my extemporaneous introduction of “I’m Peter, and I’ll be your toaster.”)

Every family begins as a unit. The family you find yourself born into; the family you are given.

From there, how you define your family is up to life, to circumstance, to chance, and to you.

Whoever else we may have begun with, there was no questions that E—– and I were a unit – a matched pair, mother and son, adventurer and sidekick, driver and navigator, friend and peer.

We existed as that unit for years, occasionally inviting others (who are here today) into our fold. L—, the first person to ever lay eyes on my face. A—–, hers the first babies I ever held. M— and me, holed up in a blizzard, lip-synching to MTV.

Through all of that E—– raised me to be an overachiever, and in my immediate family there were precious few. So, it was at first with trepidation and then with increasingly welcome relief that I re-met J— in our merry carpool to community college, me getting a jumpstart on the next step in my education and J— rekindling a seemingly insatiable desire for knowledge.

Nothing against E—–, who to this day has committed to memory the names of all of my favorite Thundercats, G. I. Joes, and rock bands, but that summer J— was something almost entirely new in my life: an adult peer who would follow my wandering conversations on any topic and through any debate, and who – if I may be disarmingly frank for just a moment – did not (and does not) hesitate to call me on my teenaged bullshit.

As I broke away from our unit to go to Drexel I began to find my own family, and I wondered what E—–would do with herself in my absence. But, I had no need to worry: she took a class in world religions, became a fitness instructor and a realtor, and finally purchased her own home.

I know many of these actions were inspired, supported, and appreciated by J—, because how can you help but be inspired by him? He has one of the most inquisitive minds I know, and he was one of the few people I knew with a GPA higher than my own.

L— said a very true thing to us on the way to us on the way to the ceremony this afternoon, only slightly undercut by the fact that she was wearing a glue-on-moustache at the time in her capacity as our chauffeur.

She said: She and E—– and A—- were sisters who found each other. Sisters by choice.

That concept is meaningful to me – family by choice – especially now, as Elise and I are creating a family unit of our own. Because, aside from common eyes and noses, what reason do we have to be connected to the family we are given? We have to find them, to choose each other, because the true members of your family are your sisters and brothers… your friends and lovers… by choice.

So, here’s to E—– and J—, B— and E—, M—-, D—-, L— and J–, Elise and I, and all of the other families we have chosen to be a part of, today celebrating with one voice the creation of a beautiful new unit: J— and E—–.

Cheers.