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Category Archives: NaBloPoMo

Posts from National Blog Posting Month, starting in 2006

And you are…?

There is a chance you are arriving here for the first time, launched from Twitter or NaBloPoMo.

If that’s the case, hi. I have an extensive series of bios linked off in that other direction. Oh, and for my first NaBloPoMo I spent the entire month re-telling my personal origin story, so be sure to read that too.

That said, I know we are all couch potatoes on the great lazyweb, so you aren’t likely to hustle around clicking those things. As such, allow me to summarize the current state of me:

I live in Philadelphia and am relatively newly wed to my partner of nearly eight years.

We both work in marketing – me in communications development, she in design. We are also both musicians – she the lead singer of Filmstar, me as a solo singer-songwriter as well as and a member of Arcati Crisis.

We’re also relatively voracious consumers of music, especially within Philadelphia, which boasts an astounding and thoroughly-talented local scene.

In addition to my major three loves (wife, comm, music), it turns out I’m also pretty passionate about non-profit development. I probably wouldn’t have told you that before this year, because it is the first time it has been so patently obvious. I helped to throw a music festival and a 24-hour streaming benefit concert, both of which raised funds for respective non-profits, and both of which nearly intellectually slayed me in the process.

Inclusive of prior iterations of the festival and my wedding I spent every free moment planning an event from March of 2007 to this past month.

Right now I’m trying to be pretty passionate about me. It’s hard – for someone who spends a lot of time working in the public eye and promoting others I have an awfully hard time shining the spotlight on myself. It something I have to improve on to avoid doing a disservice to my songs.

Oh, hey, and to my blog, which has run the longest out of any native Philly weblog – I’m currently blogging into my tenth year of inane, self-centered rambling.

We’ll see how that goes.

Trio Season 6 – Suite #2: Transparency

Trio: Season Six, Suite #2: Transparency
Deadweight, Save Your Day, Secret Queen

A sample of what I had to say in this Trio…

Re: Transparency
All three of these songs are about the same thing: a person that wouldn’t ordinarily impact me so much that I would write a song about them, and having one moment of unusual insight into that person – where I really saw through all of their opacity and outside intentions to what they were really about at their core.

Deadweight
At the time, actually, I thought it was just a throw-away. I had written another lyric on a page in my notebook … and I wrote ["Deadweight"] on the upside down of that page. … Now I have to turn the poetry notebook upside down every time I go back to check something.

Save Your Day
One of my readers sent me an email [to say that] she listened to it and just cried … because it was describing her. … You don’t think I’m going to write a song describing somebody’s life. Those songs suck. But, if you are just writing something true people find themselves in that.

Secret Queen
Oh, that secret queen. I’ve got some opinions about her. One day I just thought to myself, With all of that negative energy, you could just be the biggest black hole in my galaxy. And then “Secret Queen” arrived.


Trio – the original singer-songwriter web session – returns for its sixth season featuring my original music, recorded live and DIY in my bedroom. You can download this Trio, or listen to a previous Trio:

 

Guitarness

I’m often at a loss for what to do with myself when we visit Elise’s families in New Jersey. At home, or at any friend’s house, my default position is guitar playing – it gives me something to do with my hands in idle moments so that I don’t feel like I have to carry on a non-stop conversation at all times.

I don’t usually bring my guitar with me to NJ, which means the families haven’t witnessed this particular phenomenon too often, but Elise was planning to leave me marooned while she went on a wedding dress tour, and I needed a way to pass the time. I added a wonderful new “print-version” feature to my lyrics database, so for the trip I printed out sheaf of my fifty most incomplete songs to workshop while Elise was out on her wedding whirlwind.

Isn’t that a little crazy – fifty songs that are unfinished and still relatively new?

I really vacillate about this sort of thing. At this point Gina and I have a solid sixteen song set, and I have ten or twenty of my strongest songs that go in and out of solo rotation. It’s a comfortable point to be at, but then I look at my freaking database and I see all of these unfinished songs – some of which I really adore and like to play, such as they are in their unfinished state. And, since my current setlist is heavily influenced by my 2003-04 stuff, there are incomplete songs hanging around that are about to be four years old.

Four years old! Which is a problem when I have a whole new fleet of unfinished songs to be working through – I only have so much headspace to to to push these things forward. So, I sat down with my sheaf today and had a touch of a workshop. I re-notated a few things in a more complete fashion, and I think finished one from 2001 – “4th of July” – once and for all.

All that rehearsal meant I was plenty limber for my post-dinner conversational gambit. Except, these are people who aren’t used to my schtick – that I like sit and underscore a conversation without needing anyone to pay attention to me, and that if there’s a lull I might sing for a bit before tucking my voice back under the din.

It made for a few awkward moments … I don’t know that Elise’s father has ever heard me play my own songs before? Certainly not songs about his daughter, anyhow. But, they won’t be getting rid of me anytime soon so they might as well get used to the incessant underscoring of my life. Along the way I turned in possibly my best vocal of all time on the bridge of “Love Me Not,” and also a very respectable version of the recently on-hiatus “Little Love.”

All of which is why I need to go home tomorrow and record a Trio. And then I need to record another another one. And then another. And so on.

Right. But, first I need to drink this glass of wine. And maybe another one.

G’nite.

all the world’s a stage

Tonight we took in a bit of high school theatre, watching Elise’s (and, hey, soon my!) younger brother in his first ever play.

I’m self-aware enough of a blogger not to regale you with a blow by blow of his performance, but it did recall a certain memory of the last time I witnessed any pre-collegiate theatre.

It was in the same auditorium, seen with the same company, possible seated in the same row as tonight, again watching another of my soon-to-be-siblings on stage – this time Elise’s sister.

The main difference was that we were on the other end of our relationship; we had been dating three weeks at the time, and the show was a prelude to my first time meeting Elise’s family.

After the show I milled to and fro, self-conscious and worried about first impressions, while Elise ducked backstage to say hello to former costars. She was still connected to her school – certainly more than she was connected to me.

Tonight she picked those old cast members’ younger sibling out of the playbill, more mine than anyone else’s.

I like this life.

(Also, let it be said that Elise’s brother rocks incredibly; he’s like a better, more talented version of teenaged me. He’s made me – who from an early age had vowed to strangle any potential siblings in the cradle – really re-think my position this whole only-child thing.)

pee ess

Okay, so, forgive my meta-ness for a second here, but we need to chat.

We are now at the halfway mark of the month, and I must confess I am not really feeling the NaBloPoMo love this year.

I’m quite sure the NaBloPoMo Ning site is mostly at fault. Last year there were over two thousand of us scrambling to post before midnight every day, and the only way for us to communicate and commiserate was to read each other’s blogs and leave a trail of comments in our wake.

This year there are six thousand of us, all amiably mingling on a social networking site, and our blogs would seem to have become secondary to our networking.

Or maybe it’s just me and my busyness, which is even more meta, because the whole point of NaBloPoMo was supposed to be talking about how great it is to be busy all of the time, as opposed to last year when I spent the entire month in my room reading blogs, drinking martinis, and cultivating my carpal tunnel syndrome.

I had quite a schedule plotted out to cut through the busyness with posts and Trios and links, but these days weeks go by so quickly that I don’t have time to figure out what to do with them. That, combined with some of the less amusing chapters of the engagement story and a Trio that doesn’t seem to want to be recorded, are a veritable blogging blockade.

Or, maybe I’m just taking this all a little too seriously, as is my wont. So, I’m looking to you, gentle readers, to tell me what’s what. Are there some NaBloPoMo blogs that I seriously need to be reading? Is there a type of post you’ve been dying to see from me? Or, for the more well-versed of you, is there a song I’ve been neglecting?

Speak now, or your next fifteen days will most likely mirror the last. Which, honestly, were fifteen days of fairly quality blogging, but I’m nothing if not an overachiever.

In Pursuit of Bliss, pt. 3 – Rock Shopping

(Continued from Planning To Be Surprised)

Elise and I had flirted with the idea of ring shopping for ages but – much like my attitude towards the engagement itself – the idea of premeditating our shopping trip seemed queer and uncomfortable.

Plus, pre-meditation would lead to discussion with friends and co-workers, and another one of my (slightly less nonsensical) maxims is a firm belief that a relationship is entirely between the couple. Which, aside from meaning that I consider it arch betrayal for either of us to talk about our sex life to a third party, also seemed to preclude even talking about an engagement ring to someone in a store.

After a month of aimless internet shopping I decided to create a loophole for shop attendants, so as to render our hypothetical eventual engagement something other than an impossibility.

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I suppose this is a post where I should be imparting seasoned fiancé advice on other men about to embark on the same journey.

Let me get back to you on that one.

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In preliminary, non-binding discussions about our inaugural shopping trip we seriously considered making up stories and accents and disguises to make the outing less threatening. Elise was going to be British? Or, was I going to be from Florida? Something about us meeting at a convention and falling in love at first sight?

When it came down to it we just had a couple of mimosas for breakfast and charged right in – tipsy on a Saturday and four blocks from Jewelers’ Row with no other plans.

No plans at all, actually – we didn’t have a specific shop in mind, and we stood in awe of various dormant neon jewels hanging over a block packed with at least a dozen jewelry stores.

I turned to Elise.

“Pick a sign, honey.”

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When it comes to engagement ring shopping, there are three kinds of jewelry stores and, by extension, three sorts of store attendants.

Suppressors do not want you to be armed with information or opinions. Or taste. In fact, if you are armed with any of those things they don’t really want to hear about it. They aren’t interested in educating you – their only interest is to be your one stop shopping center for multi-thousand dollar hunks of rock. They just want you to like what you see and buy it.

Passives understand that you might be armed with information or opinions – that’s okay – buy they don’t plan to do anything to encourage the further development of either. Often a Passive sees ring shopping as an arcane or mystical experience that cannot be approached scientifically. They want you to browse in their store and find the ring for you. If you don’t see it, it’s not for sale – don’t even think about asking for anything customized.

Empowerers hope that you come armed with information and opinions, and if you don’t have one or the other they’ll help you establish them. They want you to understand your purchase, and they’re confident that if you understand it well enough you will shop with them. However, some Empowerers get drunk on their empowerment, which can make them a bit pushy – especially if they are stodgy old men.

The tricky part is telling these people apart, which you might not be able to suss out on your first trip. Sometimes you find an empowering store but draw a passive staff member. Or, you find an empowering employee schlepping the products of a suppressing store.

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As it turned out, our first store was a terrific choice, we knew a lot more about diamonds than we suspected, and our opinions were a lot more specific than we knew.

I had a certain carat weight in mind for a solitaire ring, but when Elise tried one on it dominated her delicate hand in an unsightly way. Elise knew she wanted a princess cut diamond, but it turned out that she preferred settings other than the basic cathedral she had previously dreamed of.

It was giggly, nervous business. For a while it felt like we were impersonating a happy, marriage-bound couple, until after a few stores we realized that we were a happy, marriage-bound couple.

Our strategy emerged quickly. We’d enter a store, reap the basic hellos and sales pitch, and then get down to business. By store number four we started to come to an understanding about the different types of attendants, and were easily extricating ourselves from undesirable shopping situations.

Teamwork; the sign of a potentially, hypothetically, eventually happily married couple.

After winding our way through a string of unremarkable stores we wound up in Robbin’s 8th and Walnut, which to me is a timeless Philadelphia landmark as much as it is a jewelry store. And, though I was skeptical that it wouldn’t live up to its reputation, it easily did – friendly staff, a huge selection, and warm cookies refreshed at regular intervals.

Any remaining nervousness about shopping melted away – we paced the case with our attendant wearing a half-dozen potential rings on her fingers, handing them to Elise one at a time for comparison. Two hours prior the sight would have seemed surreal, but in the present it seemed completely normal.

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So, about that advice.

There’s no right time to shop for rings. You don’t have to wait until it’s dawned on you that you’re dating your wife. However, even if you do it in the most casual of ways, it will always hang in your relationship.

That’s not to say you should only shop for rings when you absolutely mean to buy one soon. Just be aware that – much like kisses and “I love yous” – you can’t take ring shopping back. It can mean as little or as much as either of those things can, but it can’t ever be meaningless.

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We emerged from the trip breathless and armed with ideas. More importantly, we emerged feeling a distinct lack of pressure.

That would come much later.

Earlier tonight in the back of a taxi I realized that Garbage’s “Bleed Like Me” is cribbed pretty directly from “Walk On the Wild Side” by Lou Reed.

Otherwise, nothing to report.

Razor’s Dull Edge

E and I just got in from a sneak-preview of the new feature-length Battlestar Galactica episode, Razor, which doesn’t air for another two weeks.

We didn’t have to sign any confidentiality whatsits, so I suppose I’m free to divulge whatever plot points I see fit.

However, it’s hardly worth it – there’s nothing shocking or titillating present for any well-read BSG fan. The sole delights are Michelle Forbes portraying Admiral Caine’s descent into her ends justifying any means necessary, and an impressive turn from the slight Stephanie Jacobsen in the lead role – as newly introduced Kendra Shaw.

Past the leading ladies Razor is a empty husk of less-than-gripping retconned plot. The twin stories it portrays are both extraneous – the Pegasus history just as grim as you imagined it, and the Battlestar present (actually, occurring just after The Captain’s Hand) is an inexplicably unmentioned adventure in vintage Cylons, hybrid models, and nuclear warheads. The acting in the Pegasus half is up to BSG par, but the present is plagued by limp, frequently stilted performances the two Adamas, with Kara Thrace escaping with a few good scenes (especially with Kendra).

Also, keep an eye out for a too-long, horrifically lazy young-Adama flashback that would have been so much more effective as a patented, heavy on the gravitas Edward James Olmos speech intercut with a few illustrative frames. Nevermind how they plan to explain why he’s never mentioned it before or since.

Without a single true shock to its credit, Razor is drab filler that supposedly presages the major revelations of Season 4. I can’t say that it has inspired any additional fervor from this fervent fan. If anything, it just emphasizes why BSG’s lease on life is drawing to a close.

Goodnight, Personal Moon

After a sleepy first hour or two last night’s fundraiser was wildly successful, and kept me plenty busy with serving drinks, working the door, ordering pizza for the famished hostesses, and playing “name that sample” with Suz during New Age Crew’s set.

After some light cleanup I was deposited back in my home slightly after four in the morning, my hair a tangle of cigarette smoke. (Before Philadelphia’s smoking ban went into effect I would not go out to bars because I had so much hair, and it would suck up smoke like a sponge, leaving me in a nicotine cloud for the remainder of the evening.)

As a result, today I needed a bit of a recharge, which mostly consisted of sleeping through the majority of Fellowship of the Ring. I did, however, managed to catch up a bit on my blog reading, which only compounded the massive backlog of links I have queued since my last link-centric post way back in mid-October. As such, I have the following bounty of links to share.

Every post through Friday on Brenda’s Babes featured an illustrated vintage pinup girl from a classic magazine or advertisement, often accompanied by the history of the image and its illustrator. The blog was cultivated as an entry into a $20k blogging contest, and it won!

Aside from a brief-but-fascinating glimpse into screen-printing, No Commercial Potential produced The Octophant. It’s an image I’d pay major dollars to have on a t-shirt (it strikes me as very Arcati Crisis), but for now you have to settle for a print.

Zen Habits’ article on Fiscal Fitness compares effectively righting an unkempt budget with a sustained weight-loss program. I think it’s an apt analogy; it’s exactly how I got on-budget, and as of a month from now I’ll have stayed that way for four years.

I illustrated this sign on a note from my personal memo pad two years ago, and it has hung at my desk ever since.

An extremely well-written and poignant entry from Nancy at Naked on Rollerskates.

Tokyo-based design publication Ping Mag recently looked at the most eco (-nomic and -logically-friendly) packaging in the country. Fascinating to see, as well as to consider the impact of culture on the design process.

The simple-yet-effective logo for Portugal’s Presidency of the EU. I doubt anything so literal yet abstract could ever emerge from the U.S. government.

I missed the current-event boat regarding NY Girl of My Dreams, but it’s still a fascinating story of the intense power of the internet. Cribbed from Mark Larson.

Useful: 10 questions it’s illegal to ask in a job interview. Reflexively, it’s also information you shouldn’t give away. From Kottke.

Philly gets annoyingly hip with it’s new “One Book” choice: Dave Egger’s What Is the What. (Actually, maybe I’ll be able to stomach Eggers’ writing if it’s constrained to a concise fictional topic.)

I was fascinated by a Mental Floss entry on Dubai’s super-resorts. That’s a little out of my aforementioned budget, though.

Similarly, I’d love to have a personal moon, but I’m not sure that’s in the budget either.

For now I will settle for rockin’ ice stirrers and call it a night.

Up Jumped The Boogity Beat

Lest you think my life is all work, wedding, and rock music, for the next seven hours I’ll be bartending and providing other general assistance at a fundraiser with live hip-hop music and DJs for IX ii V Records.

Never let it be said that I am not living an eclectic life.

More Than I Am; Less Like Me

Around this time in last year’s NaBloPoMo Gina and I were just convening for our yearly holiday revue rehearsals, which wound up evolving into full-time Arcati Crisis.

Back then we would break off a set early if our mixing was bad or we biffed a harmony, and we didn’t like playing with other people because it threw off our very precarious musical balance.

Tonight we played three songs with a backing band in front of a modest crowd, rocking two of them quite adequately, and soldiering through a third one despite highly audible technical issues arising from our back line.

Our mixing was middling; no harmony was biffed.

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After our set we mingled with various artists up in the (awesome) balcony-level green room, and witnessed a stunning percussion jam lead by our dear friend Dante Bucci and including our new favorite tabla player on the entire planet, Natasha.

Whilst we were relaxing between sets we struck up a conversation with the other performers. I’m always a little fearful of these backstage relationships, because I find them impossible to maintain with tact and grace if I decide that the performer is not up to par (and I’m afraid they’ll have the same issue with me).

One woman in particular was very charming, and we spoke to her at length about our history, how long we’ve known each other and have been playing together, and how satisfying it is to finally be a real band playing music together.

When we asked her about herself she mostly demurred, saying that she had given up writing songs for a while but recently fell back into it. That just made me all the more anxious about the prospects of carrying on a conversation afterward she played, but I put it aside; we were talking to a such a perceptive and personable fellow musician, and I should enjoy that completely apart from her actual musicianship.

As it turns out, she was amazing. Her songs were campy in an intentional, hilarious, genuine way, and her piano playing and singing were both unassailable and sometimes remarkable. Later she complained about a flubbed chord, and Gina and I remarked truthfully that we wouldn’t have ever known had she not told us.

(I need to remember that the same usually holds true for us.)

Nancy Huebner. Keep your ear out.

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The moral of those dual stories is one and the same.

If you have something in your life that you’ve always wanted to do – something that you love (or think you would love doing) but never thought you would be good at – do it.

Stop asking questions. Don’t ask questions. Don’t doubt. Equip yourself with knowledge and enthusiasm, work at it until the work becomes effortless and fun, and then have fun doing it in the absence of the approval of anyone other than yourself.

Eventually it won’t matter if your harmony gets biffed or your chord gets flubbed every once and a while, because what you’re doing will be about a lot more than harmony and chords.

It’ll be about happiness.

 
 

Arcati Crisis: Live From Rehearsal

Arcati Crisis - Alley
(if you’re reading this on a feed, visit CK to hear the audio)
(also, be our friend)
 

Some like it hot. Me, not so much.

It occurs to me that so far I’ve presented a sort of sterilized view of myself for NaBloPoMo, and I’ve decided that the only cure is to shock you out of your complacency by telling you something very personal.

After a day of soul-searching I think I’ve finally seized on the right detail; something deep and secret that Elise only knows by virtue of living with me for the past three years.

Here goes.

I don’t like hot food.

It’s not that I like to eat all food raw, although given my mostly vegetarian state I certainly wouldn’t mind being left with a diet of hummus and sushi, since that’s practically my desert island ideal.

I do like things braised, or blackened, or melted. I just don’t want to eat them while they’re hot. I don’t like the way flavors work in hot food. I don’t like how it feels on my tongue. And, I don’t tend to slowly savor it.

Just about any hot food you can name I prefer cold. Pizza, for sure. Back in my more omnivorous days, any sort of chicken. Pasta dishes, out of habit, especially lasagna or creams that won’t separate.

Chinese food, categorically. Fish, increasingly. Hot dogs, even.

The list goes on.

There are few specific exceptions to my rule. Drinks, for one, are categorically excepted. Frequently so are french fries (or, at least, they aren’t the same after they’re refrigerated). Anything with over 50% of its volume as eggs, which includes some quiches and mega-french toast are excused on the basis of texture. Food that is primarily liquid, like broth-based soup, is often an exception (though there are some hot soups I prefer cold). And, I find red meat especially distasteful cold, thought it’s pretty much always distasteful as far as I’ve ever been concerned, and I don’t plan on eating it ever again, so the point is moot.

Also, I admit that there’s a certain thrill to certain foods being warm. Warm breads and pastries, those are always a treat.

On the whole, though, I prefer 90% of the culinary world straight from the refrigerator.

There you go; deep, meaningful, previously secret aspects of my life out there for the whole world to read. Never mind that in the last post I snuck in a confession about my deep-seated fear of navy blue. Plus, I rambled in a sort of personal way during Trio.

Hmm, maybe this NaBloPoMo hasn’t been as superficial as I thought…

In Pursuit of Bliss, pt. 2 – Planning To Be Surprised

(Continued from Permission)

When does a plan of engagement first transform into an Engagement Plan? When you first move in together? On your first anniversary? During the first kiss? On the first date? At first sight?

According to our firmly-established personal mythology, Elise’s side of the plan began – with tongue planted firmly in cheek – somewhere between the latter two occasions in our long and storied relationship.

It was at a theatre party over six years ago. I was in one of the darker territories of my life, but from the outside it looked as though I was on a flamboyantly giddy joyride, which lead to Elise’s infamous remark, “If he’s not gay I’ll marry him.”

My own engagement agenda didn’t get initiated until much later. At the time I was more interested in dating her roommate than the possible ramifications of her comment.

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My life operates on a well-established network of arbitrary, sometimes nonsensical rules, like that I have a physical aversion to navy blue. It’s sort of an elaborate solitaire game of Simon Says. I like to think of it as “OCD Twister.”

Unfortunately for Elise, a lot of the rules manifested themselves as ridiculous hurdles for our burgeoning relationship. I would not say “I love you” until it came out spontaneous and unbidden, and refused to degrade the phrase by using it over the phone.

We could not make overt public displays of affection at parties. I was adamant that we not plan our lives more than two times the length of our relationship into the future. And, I would not even consider getting engaged until we lived together for at least a year.

Despite that last maxim, I lacked a rule for exactly when to get engaged. And, also generally lacking for happy, stable relationships to draw examples from, I hadn’t the vaguest idea of how I would know the time was right.

As a result, when the “living together” requirement first approached being fulfilled I solidified a new, previously informally considered rule. A moronic, obstinate, paradoxically difficult rule that I obeyed to the letter and don’t regret for a single second.

Our engagement would have to be a surprise.

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As our relationship wore into it’s third – and then fourth – year, Elise, her family, and our friends certainly couldn’t be blamed for wondering when we would ever get engaged. As a result of my “surprise rule” I seemed doomed not to know myself.

Maybe “surprise” isn’t the right word, especially since early in our relationship Elise specifically barred me from ever proposing during a performance or via a jumbotron, which – given my flair for all things dramatic and flamboyant – would have been odds-on to occur if she hadn’t said anything.

I suppose the rule meant that engagement had to be a revelation. An epiphany. A moment where I realized I was meant to spend the rest of my life with Elise.

Being me, I constantly used the vague nature of my rule to disqualify any conscious thought of engagement as a pre-cursor to engagement. If Elise brought up rings, even in a non-threatening conversational way, any forward motion towards engagement would be halted. And, paradoxically, planning to start a bank account to save for a ring would disqualify me from planning to save for a ring, which seemed to mean I’d be doomed to buy it entirely on credit.

I had seemingly painted myself into an OCD corner – I was trying to plan to surprise myself with an unplanned surprise.

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Last fall Elise and I both started new jobs, and Elise’s afforded her (literally and figuratively) her first chance to take an extended vacation. Having used my vacation days and accompanying budget earlier in the year to attend Bonnaroo, she opted for a solo excursion to California.

It was the first time I would ever be Eliseless for more than a long weekend, and I relished the thought. Finally, a house to myself. I would play loud music, leave the heat off, invite friends over to watch Aqua Team Hunger Force, blog all night, sleep on the couch, get drunk alone, and order lots of takeout. Sometimes all in one day.

After a week basking in the hazy glow of bachelorhood I was surprisingly relieved to have Elise back from California. I hadn’t expected to be quite so enamored with her return, and in my excitement I dragged her out for a day of wandering through the Italian Market, punctuated by our first visit to our now-regular local haunt, Cantina Los Caballitos.

There was a tangible excitement to our idle walk through South Philly. At the moment I would have told you that I was simply giddy to have her back home, but with even a few days of retrospect I realized that it was my reaction to seeing my future wife for the first time.

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I finally had my epiphany. Now I just needed a ring.

Trio Season 6 – Suite #1: Within

Trio: Season Six, Suite #1: Within
Icy Cold, Love Me Love Me Not, Nothing To Say

A sample of what I had to say in this Trio…

Re: Within
To me [the theme] is equivalent to internal monologue. It got me thinking about blog as internal monologue, because you have no idea if anyone is reading it. In fact, when you start it it’s not often you have a guaranteed audience … I didn’t start my blog knowing anyone was ever going to read it. It was almost equivalent to my internal monologue.

Re: Voice Lessons
So, I’m taking these voice lessons, and she’s all like “it’s breathing, it all starts with the breathing. All singing starts with breathing” And you can say “bullshit” as long as you want (whether that’s one lesson or, you know, four months), but goddammit when you’re in your room and it’s two hours before you have to get this shit done and you can’t get through a phrase it all makes sense: it’s the breathing.

Re: Love Me, Love Me Not
[Love Me Not was] written over a period of several months. It wasn’t one of those things that came fully formed. I’ve read interviews with songwriters where they say, “oh, the good songs come fully formed, all at once, just popping into your head all at once. … But, you know, there’s nothing wrong with trying. There’s nothing wrong with teasing something out and perfecting it. … It’s the difference (to borrow from Malcolm Gladwell) between precociousness and practice.

Re: Trio
Trio – as far as I can tell, or anybody else can tell – was the first podcast by a singer songwriter. I just turned on my computer and recorded three songs. It was 2000 – I didn’t think anything of it. So, I never patented it.

Nothing To Say
It came pretty much all in one shot, but I had never played it in front of people, ever, until last week. … It was alive over seven years without being played for anybody.


Trio – the original singer-songwriter web session – returns for its sixth season featuring my original music, recorded live and DIY in my bedroom. You can download this Trio, or listen to a Trio from Season 5:

(This post currently features an 11/6 remix of Trio. You can also hear the original version, which includes a more “acoustic” mix of “Love Me Not,” plus two minutes of extra commentary.)

 

Damnit, Jim.

I am mixing as fast as I can, okay?

Six Shots At Bob & Barbara’s

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Our Upscale Bar Crawl

I’ve never been on a pub crawl.

The whole concept is unseemly, as far as I’m concerned. Traipsing from dimly-lit bar to dimly-lit bar, sucking down pints of average beers, possibly piling onto a ale-soaked yellow school bus to be shuttled to the next dank destination.

It never occurred to me that I could convert the pub crawl concept into something a little more appetizing until I did it last month, entirely by mistake.

It was a Friday, and our good friend Mary Ellen (AKA Melon) emailed Elise and I about heading out to happy hour. As it happened, her email arrived simultaneous to Elise taking flight for Australia, so I certainly had nothing better to do with my evening. Melon’s reason for happy houring was that her husband was at a baseball game, and the resulting absence of significant others yielded the result of us drinking through six bars over the course of six hours.

I’ve been referring to that as “The Pilot Crawl,” whereas last evening’s adventures definitely qualify as an inaugural event. The goals, which were emailed to all participants along with a bar schedule, were as follows:

(1) Seeing each other outside of rehearsals and meetings
(2) Sampling new and different bars and restaurants
(3) Enjoying a wide variety of drinks
(4) Staying slightly-but-blissfully inebriated for as long as possible
(5) Paying with cash

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The event began with myself and fellow musician Jake at the Sansom Street Oyster House (1516 Sansom Street) around five o’clock. We settled in at the bar with a surprising cheap order of happy hour beer and wine, clams, mussels, and shrimp.

The architecture of the Oyster House doesn’t scream “upscale,” but scotch-drinking regulars and the raw menu definitely made it a worthy kickoff choice. Our concept wasn’t necessarily that our locations be as posh as possible, just that we carry ourselves in an upscale fashion from one destination to the next.

Soon all seven primary players in the crawl had all arrived (minus an eight who would have apparently gone into anaphylactic shock if he touched any of us who had just eaten clams. Seriously.)

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Slightly after six we moved on to Davio’s (111 S. 17th), a swanky Italian bar and restaurant. Their happy hour special was $5 well martinis and free pizza. As of no longer being twenty-five I’ve given up well-drinks as a concept, but it turned out that their well-vodka was Smirnoff, which is at least palatable (if not preferable).

What we didn’t know ahead of time was that happy hour also encompassed $5 wine and $3 lagers. Suffice to say, between the trio of drink specials, the occasional round of free pizza, and the austere environment we were big fans of Davio’s, agreeing to revisit it at a later date for dinner.

The Davio’s bartender suggested we peak into Sofitel as a possible insertion to our schedule, but around seven all of it’s cushy seating looked to be long-term parked-in by people with no place else to be.

Having picked up our eighth participant in Davio’s, we continued to our regularly scheduled third location, The Rum Bar.

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The Rum Bar (2005 Walnut) was an almost unanimous nomination by friends of the crawl, and we immediately understood why. Great decor, friendly servers, gourmet appetizers, and a rum list that ran the full length of the menu. Plus, a small-but-palatable selection of beers.

We grabbed a corner booth and ordered a round. Much to my delight, my drink – a mojito made with cilantro instead of mint – was judged to be the best at the table.

Rum Bar is unanimously endorsed by the crawlers. Half-price mojitos on Mondays.

We then picked up two additional crawlers – Melon (!) and her husband – simultaneous to losing our Davio’s addition. Now eight-thirty and much too sober on average, we headed to the upstairs lounge at Fuji Mountain.

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Fuji Mountain (2030 Chestnut) was the only true disappointment of the night – the bar was tiny and unremarkable, and the tenders were brusque. The sake selection salvaged the trip for us, but in the future I’ll stick to visiting Fuji for my high-end sushi lunch breaks.

Here we had a bit of a crisis. The next bar I picked was my personal gimme, The Continental Midtown Continental. However, we weren’t really feeling a Steven Starr vibe at this juncture, so we negotiated a new location.

The majority of us were in the mood for a pub, but all of the good ones were a few blocks away. We headed in that direction, making an ever-so-brief pit stop in Devon because Lindsay and I were craving martinis, but it was (per usual) overcrowded at the bar.

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Lead by Melon, fifteen minutes later we wound up in the basement of The Black Sheep (247 S. 17th) slightly after nine. It was surprising well-lit and -stocked, and featured a rather banging menu of appetizers. On the whole the group approved.

It was here that I switched from my relatively tame drinks to my new favorite special, Jägermeister, Malibu, and pineapple juice. The barman who had first made it for me the night before referred to it as a “surfer on acid on ice,” but he might have just been making it up on the spot – about an hour later he was blowing fire across the bar.

I’ve decided that my personal moniker for it is, “Death To Lindsay,” as it has enough pineapple juice in it to swell her tongue to the size of a bar of soap, so I might as well call it something that makes it obvious that she shouldn’t have any (as, if Thursday was any indication, I am past the point in my evening where I can remember the individual deathly allergies of my various friends when I start ordering mixed drinks with Jägermeister in them).

After the disappointing Fuji pitstop we were now freshly drunk and well fed, and it was at this moment that talk of Bob & Barbara’s as a final location reached a fever pitch amongst the various crawlers.

I can’t exactly reproduce the descriptions I heard of B&B’s, except that I was told there would be no “top shelf” of vodka, and that the only drink special is $3 for a can of Pabst beer and a shot of Jim Bean.

I had some trepidation about it, as cosmo-ordering metrosexual me doesn’t tend to fare too well anywhere that primarily serves cans of low-end beer, so while I considered my attendance I managed to steer us to an intermediate location, The Happy Rooster.

Here we lost Lindsay – perhaps afraid I would try to poison her again at the next bar, Amanda – off to meet other friends in Olde City, and Elise – who was definitely uninterested in what the eventual Bob and Barbara had to offer us, and who had a flight to catch the next morning.

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The Happy Rooster (118 S. 16th) is a pub that probably used to be smoky and dire, but is now twinkling and comfortable. At this point we had all switched to beers – even me! – except for Melon, whose default drink is a vodka cranberry. It would have been too-cramped during happy hour, but as a late night destination it was just comfortably full.

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Finally, nearing our seventh hour of crawl, the remaining sextet made our way to Bob and Barbara’s (1509 South), where we picked up an additional four attendees who had been on a separate crawl of their own.

B&B’s deserves its own separate post, but I’ll try to do it justice here.

In the days before the smoking ban I can imagine that the place existing in a permanent haze such that you couldn’t see the liquor shelf from a seat at the bar, which was probably for the best considering the vodkas I spotted them adding to their well drinks.

Lacking in a smoke screen, two things were immediately apparent about the bar. One is that it was the Pabst capital of the planet – every surface in the room was covered exclusively in Pabst promotional signs, some of them withered and ancient.

The second was that Bob & Barbara’s has no specific “crowd.” Sure, I bumped into some typical South Street tattoo mavens, and there was a film of preppy collar-poppers having a go at slumming it, but on the whole it really felt like a whole block worth of Philadelphia pedestrians just randomly stopped together to get a drink.

It was completely charming.

I had just settled on bottles of Rolling Rock to tide me through this, our seventh and final bar of the evening, when The Crowd Pleasers came on.

The band was comprised of three ancient black men, whose ages surely added up to a number north of 230 (speculated to be 246). They played a full kit, a saxophone, and an old-style organ (Hammond B3?) with two rows of keys and a set of foot pedals, fed into a battered four-track PA mixer.

The sound was amazing, lurching through fuzzed out piano riffs for minutes at a time before the sax player finally deigned to unleash a slapdashedly deft solo, followed by a ridiculous tight run of full-trio dragging triplets before settling once again into a fuzzed out riff. They played for a scant fifteen or twenty minutes before going on break for the rest of an hour, seemingly oblivious to the other occupants of the room both while playing and sipping beers between sets.

(It was at this juncture that I fell for Bob and Barbara’s completely, sending Amanda a text reading, “Where r U? I love it here.”)

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Final call arrived nine hours after the beginning of our crawl, and I was still merrily chugging a Rolling Rock when a large man stood on a chair and made clear that we didn’t have to go home, but we couldn’t stay there.

In Pursuit of Bliss, pt. 1 – Permission

I tore open the basement door and was met with darkness and the mews of sequestered pets. He was definitely was not in the basement.

He hadn’t been in the kitchen, or upstairs in his bedroom, or in his office, or in the garage, so I was positive he would be in the basement.

I shut the door carefully so Elise wouldn’t hear the noise, noticing with a certain detachment that my hands were shaking.

Time was running out.

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I haven’t felt stage fright in a while – physically felt it like an affliction, or a holy ghost moving within me.

Now it’s just a spare butterfly in my stomach, or a certain anxiousness – probably because these days my on-stage appearances involve strumming and squawking my own songs rather than reciting 115 pages of memorized dialog. Yet, even in my theatrical days my slight stage fright was nothing debilitating. It was more a survival instinct than performance anxiety; it kept me aware, kept me from being complacent.

Or, maybe I’m just a natural performer, and I’ve never really understood what stage fright really is.

Until that Sunday.

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Back in the kitchen now, with Elise a scant wall away in the bathroom. Even washing her face or futzing with her contacts wouldn’t keep her in there much longer. I had another minute, maybe two. Desperate, I looked out of the window.

There he was. Walking the dog.

I don’t think I’ve ever moved so quickly in my entire life. Out of the kitchen, into the hallway, and out into the pitch black garage, stealthily shutting each door behind me as I went.

A sole trace of light radiated from around the edges of the outside door. In the relative blackness I nearly tumbled over a box. Or a car. Or some sort of inert garage gremlin, for all I knew at the time. I was completely fixated on the outline of the door, which he hadn’t shut completely. I should have noticed it the first time I peered into the garage.

Heart racing, I grasped the doorknob.

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Despite my near-OCD about consistency and personal habits I don’t believe in carrying on a tradition for traditions sake. Just because everyone does something a certain way – have always done something a certain way – doesn’t mean I plan to adhere. In fact, it probably means that I plan not to, especially if the tradition is religious or patriarchal in any way.

Yet, even with that inherent rebelliousness, there are a few traditions I just can’t bear to break. Am I actually polite on some deeply-repressed psychological plane? On some even deeper level do I buy into a few traditions just so my rejection of others is more profound.

Or, are some traditions that way for a reason?

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I burst out of the door and into the daylight of the driveway, breathless.

From across the street Elise’s father looked up from a cell phone call to regard me quizzically, the dog hunched in the grass by his feet.

As I met his gaze my entire body shook uncontrollably. The physical, rational part of me was having a grand mal seizure. Somewhere beneath that a combination of instinct and basic motor functions took over.

I started to walk down the driveway.

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It was over before I knew it. Like being stuck by a needle, or surging down a rollercoaster. Or getting on stage. All the anxiety in the anticipation, and none of in the act.

My recollection of the actual event is vague. Did I speak with confidence, or was I shaking like a leaf (and possibly dry heaving) the entire time. I would say that we could ask Elise’s father, but I’m sure he had his own collection of involuntary reactions to contend with at the time.

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Five minutes later we walked back into the house together to find Elise seated in the kitchen, reading her book. She raised an eyebrow at our entrance, to which I replied, “I didn’t want him to have to walk the dog alone.”

She went back to her book, apparently unconcerned, unaware of the mad hunt that had lead me outside or the motivation behind it.

I resisted the urge to shoot a look back to her father, but couldn’t risk giving my mission away.

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I had permission. We were getting engaged.

Spinning Off (or, Welcome to NaBloPoMo)

As I first draft this post I am on my lunch break, alternating my typing with wolfing down a salad and chugging a glass of Airborne, because I didn’t have any time to write a post last night after my band’s rehearsal, and after this it’s back to copy editing and drafting project schedules, and then directly off to have dinner with one of my co-best-ladies and her wife, and from there another brief rehearsal before meeting up with my fiancée at our favorite open mic, and then some brief iteration of sleep before more work, followed by an upscale bar crawl I’ve organized for my friends, and then bon voyage to fiancée as she heads to a conference in Florida.

That sentence says almost everything you need to know about my life, in a nutshell. If it sounds too yuppy or droll for you then you have arrived at the wrong droll, yuppy blog, because those are the sorts of crises that are crushing me lately.

Thus the title of this, the longest-running blog in Philadelphia.

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Last year my adventures in National Blog Posting Month were bookended by a comic book analogy, which provided a frame for a complete reboot of Crushing Krisis.

First, I rebooted on a technical level, as I moved over six years of posts from Blogger to WordPress. More significantly, I rebooted from a content perspective, by reintroducing each character and plot strand from my life with no assumptions and no back-story required.

Also, since I am cultivating a second career as a singer-songwriter, I performed and uploaded nine Trio podcasts of original music ranging in topic from my identity to things left unsaid to my modern pop influences.

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My wonderfully telling introductory run-on sentence shows off an interesting facet of the intervening year – many aspects of my tongue-in-cheek reboot analogy were more apt than I intended, because the majority of my 30-day accelerated reinvention actually stuck.

And, not just the minutia, like my attention to detail being recast as a inner OCD Godzilla spewing indigestion-causing hellfire whenever I don’t perform a task in the most anal way possible. We’re talking about major life changes… I even blogged every day for another entire month this past September – that certainly never happened before!

As a result, rather than subject you to yet another reinvention for 2007 (I’m not Madonna, I just cover her songs), for the rest of this month I’ll be blogging about the changes in my life, especially the songs and stories connected to the two best, biggest, and most exciting parts of my new identity – that I am now an actively rehearsing and gigging musician, and that I’ve recently become engaged to my amazing partner of the majority of the seven-year run of this page, Elise.

I don’t expect you to be familiar with the highly obscure, highly complex history-of-me to follow along with my NaBloPoMo content; after all I’m just one of over 3,000 blogs for you to traipse through over the next 30 days, which is no easy feat. I know … last year I read every single blog, linking to a full 10th of them.

So, to spare you any extra research on my behalf, and in keeping with the original intent of last year’s reboot, all of my NaBloPoMo content will be presented free of backlinks to anything other than previous NaBloPoMo content from this year and last.

Tune in tomorrow for the first chapter of my engagement story. And, welcome to National Blog Posting Month at Crushing Krisis.

Welcome to NaBloPoMo

November was National Blog Posting Month (NaBloPoMo) at Crushing Krisis; it was also the month the blog transitioned from Blogger to WordPress.

I posted at least once a day during NaBloPoMo, and each post was self-contained – referring only to other posts (or original songs) blogged in November.

You could start by reading the introduction or conclusion, or by checking out my brief bio, a post about identity, or a story about trusting people.

Or, listen to a Trio of newly recorded songs, each corresponding to a loose topic. Original song topics included Identity, Elise, Hindsight, Things Left Unsaid, Friendship, Perspectives, while three cover-song Trios focused on Childhood, Teenage & Current Influences.

Finally, I read every participating NaBloPoMo site, offering highlights from each: #, A, B, C, D, E, F, G, H, I, J, K, L, M, N, O, P, Q, R, S, T, U, V, W, X, Y, Z. In all i highlighted about 10% of the over-2,100 participating blogs.

Many Splintered Realities (or, The Conclusion of NaBloPoMo)

I began this month by comparing my entry into National Blog Posting Month (NaBloPoMo) to a DC comics-style Crisis – a reboot of me and my entire multi-verse of blogging, all for the benefit of any new readers that might stop by. Everything familiar would be eliminated, or re-imagined from scratch.

I was never a DC comics fan, so fittingly this month wound up more of a Marvel Comics event, even if i didn’t intend it. Marvel doesn’t have a hand catchword like “crisis” for their crossovers, and they usually don’t destroy the entire universe to make their point.

Age of Apocalypse is a particular favorite of mine, because it involved the X-Men, which was my concentration in Geekdom. In it, Professor Xavier is assassinated in the past, causing decades of history to shift radically.

For four months all of the many X-Men books were canceled and replaced with their alternate reality counterparts, similar at the core but alien on the outside. Wolverine and Jean were mercenary lovers. Magneto formed the X-Men, and Scarlet Witch was the first to fall in battle. Beast was an evil scientist, and Shadowcat a heartless bitch.

Unlike DC Comics, Marvel never really eliminates the past. At the end of four months the history we knew and loved returned. Not unscathed, though … it came along with new insight onto characters, and relationships, and some new characters mysteriously brought over from the alternate time line.

My little Krisis of the Infinite Crises (AKA NaBloPoMo) wound up a lot like that.

Clearly I am still me, and everything I’ve written over the past six years of Crushing Krisis remains part of my personal canon. Yet, during NaBloPoMo I recast some of my major characters, topics, stories, and songs. Certain themes, previously prominent, didn’t merit a mention. Others were played up anew for dramatic and comic effect.

Some changes were temporary for the sake of simplicity, like the comedification of my mother, and the suspension of archives and backlinking to old posts.

One universe-shattering change is here to stay: the port of my blog to WordPress.

Other, smaller changes may or may not stick: The return of Trio, the web’s longest running single-artist web session (AKA podcast). Reinstatement of comments. Retirement of certain prominent persons and topics. New favorite reads. OCD Godzilla.


As I re-imagined my personal narrative for NaBloPoMo I was reminded about the best aspects of myself and my life, and how they could be reflected in the best aspects of my blogging. I realized how blessed I am to have a six-year-old website that I still enjoy updating, and how unique I am to be able to express some of my sentiments in song.

I realized how truly, truly lucky I am to have such fascinating people interested in reading about it and hearing it.

I thank each of you for your attention, patience, and support. I sincerely hope that you decide to stick around to see what the future holds in store.


We now return you to your regularly scheduled blog.

Trio Season 5 – Suite #9: Perspectives

Trio: Season Five, Suite #9:
Songs on the Topic of Perspectives
Bucket Seat, A Few Bars of Goodbye, Bridge



Trio – the original singer-songwriter web session – returns for its fifth season featuring my own DIY music. This season each trio of songs will have a loose topic to connect them, which I will discuss between songs.

A sample of what I had to say in this Trio…

Re: Perspectives
I don’t anymore clearly recall what brought these words out of me. … And so, as a result, I occupy very different spaces in these songs depending on the mood I’m in when I’m performing them.

A Few Bars of Goodbye
I act vocally as the narrator, but that is not always where I am standing as I am performing that song. Sometimes I feel as though I am one of the characters, and it’s not always that I am the guy with his guitar. … sometimes I’m the woman. Sometimes I feel like I’m some inanimate aspect of the situation, like I’m his guitar, or I’m her ring, or any number of things in the room that you don’t see through the lyrics but I see very clearly when I perform it.

Bridge
It’s the oldest song of mine that I’ve played all this month, and it’s name is very indicative of the role it has served in my life – it’s bridged a lot of musical transitions for me, and it’s bridged a lot of gaps in relationships. … I’m not singing it to the same person it was originally written for.

You can download this Trio, or listen to a previous Trio:

 

A Note of Upkeep

I have now officially read every NaBloPoMo blog (at least, those that weren’t unfortunately 404′d at the time of my visit).

Considering that i read a lot more than one or two posts at many blogs we’ll call it an average of four per blog across the whole 2,100ish lot of them, which means i read about 8,500 posts in the last four weeks.

Just so the record is straight, i finished the monstrosity that is S slightly after midnight, but I left the post date on the 29th because i refuse to let it (or this) be the post that won me bragging rights to this whole NaBloPoMo shindig. (and i had already posted twice on the 29th, so it is hardly cheating)

Please tune in the evening of 11/30 for my victory dance, including more new music and comprehensive wrap-up posts.

But first? First there will be some sweet shut-eye.

NaBloPoMo Round-Up #10b, or Possibly #11, but Most Definitely Last: A Splendiforous Surplus of S, and the Complete Abridged Works of the Fab Four

Because i have a minuscule, highly-atomic OCD-Godzilla tramping around in my soul, crushing tiny mitochondria like so-many prop houses made out of cardboard, i almost couldn’t allow the Roundup series to extend to the hideously prime 11.

Then i realized that this is the eleventh month of the year so it would totally make sense.

I’m still not completely at peace with it, but Godzilla has retreated back to his radioactive hidey-hole so i can get down to business.

209 S blogs between here and recording more new music and writing real content. 209. 209. 209. I should record a whole song of me saying it over and over and over.

Seriously, my Beatles Complete Scores book actually has the score for Revolution #9. As if anyone has that at the top of their list of Beatles songs to play out of the 200ish in the book.

Okay, now i’m just stalling. Although, that book was possibly the most satisfying $50 i’ve ever spent on myself.

But, hey, that’s a great idea! I’ll listen to a tiny fraction of every Beatles song chronologically for every S blog i read! If a song ends my time is up, and the blogger gets an honorary link for wasting my time holding my attention.

Although, more likely is that I might hear 2 whole seconds of some of them while i frantically click away!

Just kidding. I actually average 46 seconds of attention per blog, which means this should take me about three hours, and plenty of catchy choruses.

Ready? Continue reading ›