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Category Archives: madonna

Daily Demo: Crazy for You (Madonna cover w/lyrics & chords)

Cover: Crazy for You (live demo) ["Save As" to download from that link]
Last recorded fall 2002.

There are no Madonna songs released before 1990 that I don’t like. Well, except “The Gambler,” but I don’t think I heard that until I graduated college.

In the 80s there were no iTunes downloads or mix CDs, and the Vision Quest soundtrack that originated “The Gambler” and “Crazy For You” was pretty frigging obscure. While sister soundtrack single “Into the Groove” made an appearance on You Can Dance, “Crazy For You” was a 45-only delight for me.

Until The Immaculate Collection.

Sure, I had all the other songs already (yes, including “Vogue,” it’s on I’m Breathless)(and, no, not “Rescue Me,” but that wasn’t such a big revelation), but suddenly I had “Crazy For You” at my fingertips – on a tape!

Oh, the pleasures of a simpler time – when songs were actually obscure.

As Madonna covers go, “Crazy For You” was always high on my list of tricky songs to achieve along with “Lucky Star” and “Vogue” – it’s boring as a series of half-barres in standard, and it’s impossible to accurately play the intro riff inside of the chords that way.

For the guitar nerds out there, keep reading for chords and instructions on how to play my alternate tuning arrangement.

(In other news, the backing vocals from this are the same as the ones in Tori’s “Tear In Your Hand.”)

Continue reading ›

 
icon for podpress  Crazy For You - Madonna (live demo): Play Now | Play in Popup | Download

WWMD?

When I’m being overly fussy about anything musical, I have a special mantra I use to get focused. It goes like this:

What would Madonna do?

That’s “WWMD?” for short.

Madonna, 1982, from the 9/09 issue of Italian Vanity Fair.Last night I was not feeling musical. I was tired. My right arm felt flabby, and wasn’t keeping up with the quick, hard strikes on “Regenerate.” My breath-support was wobbly, and not getting me through “Shake It Off.”

I had promised to stop by an open mic, but I wasn’t feeling it.

WWMD?

In 1982, when Mad was still being labeled a one-hit wonder, she told Dick Clark, “I wanna rule the world.”

It was a lofty, laughable goal for a potential one-hit wonder to have in 1982, but she’s come as close to achieving it as any entertaining non-dictator could ever come. Her rule-the-world mission drove her every decision for over a quarter of a century. If you start counting from when she started playing in New York bands, she’s been driven as long as I’ve been alive.

Of course, Madonna is also known as a control freak and a perfectionist – but that didn’t stop her from breaking into clubs as an imperfect singer in the early 80s.

If she stayed home she couldn’t rule the world.

I take that as a lesson – not only from Madonna, but from all of my favorite paradigm-changing artists. From David Bowie to Ani DiFranco to Lady Gaga, what they have in common isn’t their talent and training. Their commonality is wanting it bad. Tenacity.

That’s a clarity of vision I lack. If voice, arm, and body are all tired, I want to pack it in. My songs don’t sound focused. Why play, I ponder, if I’m not at my best?

WMMD? I know what Madonna would do. What about Gaga, or Ani, or my glam idol himself?

David Bowie struck out as a pop star, actually became a one-hit wonder twice – on a novelty single, and again on “Space Oddity” (another novelty single, you could argue). He released two largely-unheard discs before he unearthed Ziggy from his collection of personalities.

WWDBD? He wrote one of his finest discs, Hunky Dory, and when its popular reception was soft he went directly back into the studio to record The Rise and Fall of Ziggy Stardust and the Spiders From Mars, one of my three favorite albums of all time.

So on those nights where I feel tired, or tuneless, or lazy, what should I do if I truly care about music as much as I claim I do?

WWMD? WWDBD?

Go out and play.

Happy Birthday To This

I. The 27-Club.

Last September I turned 27.

It made me nervous.

Being a major music fan and devout lifetime subscriber to Rolling Stone, I am all too aware of the so-called “27 Club” – a musical super-group headlined by Robert Johnson, Brian Jones, Jimi, Janis, Jim, and Kurt, all of whom met their untimely ends at age 27.

My nervousness wasn’t an actual, rational fear. Just a fringe anxiety. Still, it hung there. The 27 hurdle. A year it would be a challenge to survive.

In the months after my birthday the challenge of surviving gave way to the challenge of getting from one day to the next. Honestly, I was so preoccupied with life that the whole 27 Club concept didn’t reoccur to me until I was getting ready to jump out of an airplane last month. And, since that failed to kill me, I assumed I was in the clear with regard to the whole untimely end angle.

I continued thinking that until the past few days, when I began re-reading my entries from the past year in anticipation of the ninth anniversary of Crushing Krisis.

It was then I realized that it happened. I died.

If that sounds like hyperbole, it’s meant to be, but only a little bit. Truly, the past year of my life was so vastly different than any that came before that it was hardly lived by the same person.

If that sounds like hyperbole, it’s not. One of the benefits of your blog celebrating it’s ninth birthday is having the ability to make frequent, sweeping, and entirely-accurate generalizations about the state of your life.

In fact, that’s my favorite thing to do on August 26, the birthday of Crushing Krisis. Continue reading ›

Broadcasting live for 12for12k!

The internet had the chance to see and hear the first ever live web concert of my original songs and familiar covers, plus help to raise donations for Unicef’s Believe in Zero campaign for 12for12k

My 12for12k Setlist with demo downloads (if available)…

Like a Virgin – Madonna
Small & Lonely
Icy Cold
Saving Grace (w/Paris monologue)
Shake It Off (w/ “Shake Your Body” outro)
Since U Been Gone – Kelly Clarkson
Something Real
High & Dry – Radiohead (per Danny Brown’s request of Fake Plastic Trees)
Bucket Seat (an Arcati Crisis song)
Real You
Man In the Mirror – Michael Jackson (cried on every chorus – WTG, rock star)
Granted
Love Me Love Me Not (an Arcati Crisis song)
Space Oddity – David Bowie

Also, a few I planned to play but cut (or just forgot)…
What It Is
Unengaged
Gone Baby Gone

For people who watched and said they’d be interested in buying a CD (a) you are wonderful, and (b) download what you will and make a donation to this month’s charity, Unicef’s Believe in Zero. As a bonus, you can also grab my duo’s most recent Live @ Rehearsal album.

Also, we had a high of 40 unique users in the room at one time, so that’s what I donated ;)

Song of the Day: Madonna – “Dress You Up” (includes chords/lyrics)

I’m sorry, with all that talk about expensive clothing I just couldn’t resist.

Madonna – “Dress You Up”

For the record, it started out with less reverb, and then Elise came in and insisted that a properly faithful early-Madonna cover would require more.

Since I literally threw this together in about twenty minutes it’s not as precious as my Trio stuff, and as I was finished it up I thought, Hey, since it’s not in Trio a little harmony is fair game. And, of course, the 12 seconds of harmony is now my favorite part of the entire song.

(I swear I have a Trio completely done and ready to deploy as soon as I mix it down and convert it to MP3s. Seriously. This did not interrupt Trioing any more than going to the bathroom or bathing. (And, yes, you can safely assume from that that I prioritize anything related to Madonna higher than personal hygiene.))

Chords and lyrics below. Continue reading ›

 
icon for podpress  Dress You Up (Madonna) [3:26m]: Play Now | Play in Popup | Download

Where selflessness and procrastination collide

When I was in Boston with Erika she told me she likes to read CK when it is about my personal misadventures, rather than static ruminations or recaps of rocking Arcati Crisis shows.

That was two weeks ago today, on my birthday, although I just now typed “a week ago,” because I’ve definitely misplaced some of the intervening days. I’m not sure where they went – I haven’t been making many plans or playing much music – but they are gone.

Apparently spending days at a rapid rate just makes the passing of them easier – just like I’ve easily written more than 12,000 words today and now I can’t seem to stop writing.

Last Tuesday is the last day I can get a distinct fix on without referring to old emails or a calendar. I know I spent the day at work, plus another six hours working remotely because I felt like “tidying,” and that I subsequently spent three hours copy-editing my mother’s 536-word college paper. Not that it involved much copy-editing. Moreso, it was that I wrote her a ridiculous 1300-word rumination on her assignment and how she could marginally improve it, as it was already awesome.

(She claims that I did not get writing from her, but she is one of the most natural writers I know. She writes exactly how she speaks. It’s uncanny.)

On Wednesday Elise and I collected our pal Anna and crashed the auditions for our acapella alma mater, The TrebleMakers. Well, we didn’t crash, really. It was more like we were uninvited, creepy, old guests with valid, non-binding input on the audition process. I was wearing one of my larger suits and sporting some facial hair, the combination of which I’m sure projected the impression of a rumpled old man who just rolled out of bed in his pajamas.

(Think about this for a minute, my friends: the girls who are auditioning for TMs as freshmen were born after the release of “Like a Prayer.”)

As per usual, any encounter between us and acappella results in unparalleled excitement and lust for our harmony-singin’ glory days (which actually only ended in 2006). It also results huge laundry lists of songs we’d like to arrange – this time headed by “That’s What You Get” by Paramore and “Breakin’ Up” by Rilo Kiley.

Whereas usually such larks are promptly forgotten, on Thursday I fell ill completely out of the blue and spent the day home from work, during which I arranged like the unstoppable 2004-me that had a hand in a fourth of the arrangements on the TM’s last CD.

(Then there is my heavily documented debate coverage, followed by a frantic 24-hours of strategic planning between E & I that has not yet yielded our first (non-political) freelance website but might still, soon.)

Our weekend was consumed by more arranging and kitten-mania. Yes, the kittens from earlier this summer are back in our yard, and have been for at least a week – sleeping in flower pots and causing all manner of mischief in our box planters.

Having spent a childhood raptly absorbing The Price Is Right, I decided it was my personal calling from Bob Barker to have the kittens spayed or neutered, and hopefully adopted. All weekend I colluded with Elise to capture them, at one point setting up a complex Fudd-esque “kitten blind” behind our back door.

Elise finally caught the trio of them in a complex gambit involving a pet carrier and… well, mostly just the pet carrier. Subsequently, in my infinitesimal wisdom I elected to release all three of them into our powder room without calling to see if shelters had room available, or researching what is entailed in fostering a feral cat.

Yes, feral. Feral, and raised on the mean streets of South Philadelphia.

They don’t seem very feral in the “scary & rabid” sense. They mostly just huddle under our sink and stare dolefully when I stop by to feed them. However, they certainly are feral in the “not digging on humans” sense, which is going to make it hard to get them out from under said sink to fulfill the mission set out for me plainly after every Showcase Showdown.

I spent the majority of last night placing said calls and undertaking said research, to generally no avail. As for today, I worked my typical no-lunch-break-and-extra-hours day, fielded a few unhelpful calls from pet shelters, and then headed home for an unlikely duet of kitten wrangling and drafting various Lyndzapalooza promotional strategies (at least a dozen, last time I counted).

Which brings us to this unlikely hour, and my belabored point.

In the past week I have worked extra hours, proofread and critiqued, crashed and input, arranged and recapped, strategized and arranged some more, caught and herded, called and researched, and wrangled and drafted.

All of that, and yet I have not contacted anywhere about tuxedos for our wedding, submitted two months of transit receipts for reimbursement, or scheduled a much-needed dermatologist appointment to combat the disconcerting red splotches that have overtaken each of my laugh lines.

Was I procrastinating on all three of those tasks before my whirlwind week overtook me? Sure, at least a little. But, in the past week I really wanted to do all three. I tried! I gathered papers and picked phones off their cradles. I just never found a window open enough to accommodate the completion of any one of the tasks, let alone three.

A week later I have plenty to show for my continued procrastination, but not much of what I’m showing does anything to help me.

Am I spending my time selflessly because I am so good at procrastinating? Or, do I find myself procrastinating because I am committed to spending my time selflessly.

Excuse me while I sleep on it.

Imagine There’s No Heaven

When I was in grade school a frequent topic of conversation and consternation was heaven.

As the Born Agains would have us believe, every thought we had or action we performed – from doing math to running on the playground to watching television at night – had a direct relationship to our eventual destination. Heaven. So, we ought to pay good attention to every decision we made, lest we get diverted from said destination, thus sharing the fate of the gays, Jews, catholics, &c.

It mostly seemed like bunk to me from the start – did god really care which version of the Our Father I recited, so long as I was still name-checking him? Or, to put a finer point on it, did he mind if I listened to a tape of the B-52’s Cosmic Thing on the bus to our field trip?

I didn’t think so, but my principal did. He, and the entire staff of the school, shared that same opinion about all popular music, which increasingly lead me to rebel in tiny ways, like asking if we could pray for Gloria Estefan when she had her big accident (“we don’t pray for those people”) and writing The Immaculate Collection as my favorite album in a survey for class (“it’s Conception, and it’s not an album, Peter” … “No, not this one”).

If you think you understand where they were coming from – that the B-52’s and Gloria Estefan and Madonna were actively sexual and inappropriate for grade school – then you’re only seeing a symptom of their insanity, rather than the depths to which it ran.

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I was a precocious reader, and by fourth grade I had exhausted the Nancy Drews and every other Young Adult novel in the school library. My mom, who was in danger of being run out of house and home by fueling my voracious reading habit with monthly trips to the book store and weekly trips to the library, decided I could start reading her books as long as she read them first to screen for anything truly inappropriate.

At the time my mother (and most of America, I suppose) was on a heavy Stephen King kick. All the classics – Pet Cemetery, It, The Stand, and every other one that wound up as a movie. Some of them she rightfully screened from me for a year or two, but others she passed along.

One was The Eyes of the Dragon, which was not horror so much as a dark fantasy. Or, at least that’s what I remember from the first 20-or-so pages, because after that it was snatched away from me (on yet another field trip) by a teacher.

“Where did you get this?”

“From my mother?”

“You shouldn’t steal books from your mother.”

“I didn’t steal it, she gave it to me to read on the bus.”

The teacher clearly did not believe me, but my mother – as always – came to my defense. “He’s a smart kid,” I imagine she argued, “and he needs stimulation.”

Of course, they couldn’t be trusted to trust my mother, and so I received long, personalized sermons from everyone from my teacher to the janitor about why reading Stephen King books was a bad idea. Why would I want to jeopardize my spot in heaven for some gory horror novel? It just didn’t make sense.

Well, they were at least right about that. Every time I thought I had them figured out they’d find a new way to paint me into a decidedly unheavenly corner. Reading fantasy books was frowned upon if the fantasy wasn’t directly derived from god. GI Joes were not an appropriate toy, because they had guns (nevermind that they all supported Iraq #1, and I’m sure Iraq #2 as well). And, AIDs was a plague the gays deserved, and anyone else who caught it was just collateral damage.

It was around the time of that last one that I decided I was definitely not going to be a Born Again Christian.

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So, yes, they talked a lot about heaven. Or, at least, a lot about getting into heaven. Not so much about heaven itself.

It seemed strange to me, that they were so focused on getting to a place they didn’t know much about. It seemed analogous to begging your mother to go to an amusement park without knowing how many loops the roller coasters had.

(Clearly my Stephen King reading had left me a little remedial in studying up on the concept of Faith.)

(Or, maybe I’m just not wired that way.)

Gradually, I started to make my own concept of heaven that would match all of the tedious effort they put into getting there.

The whole point of heaven, it seemed, was to be awesome. Clearly it was always blue-skied. All of the food would taste great. You would never have to sleep, and you could re-watch television shows you missed by mistake.

(Yes, heaven imported TiVo from the future. Heaven is that awesome.)

God, I decided, was sortof a hard-ass – what, with all the smiting and sending Jesus to pal around on Earth for three decades just to get himself killed. I mean, the “only begotten son” bit just didn’t ring true to me – god was definitely the same Old Testament hard-ass he always was, he just looked softer because he had a kid. I had seen the same thing on television.

God was effectively Gargamel – old, batty, mean, and chasing around little people who barely came up to his shin with a big club. But, in a wacky, non-threatening, recurringly eposodic way.

By contrast, Jesus was definitely John Lennon, walking around singing “Imagine” – or, if you asked very nicely, “The Ballad of John and Yoko.” It definitely put his “bigger than Jesus” comment into a particularly ironic light, I thought.

However, I determined that the greatest feature of heaven was that you would know everything anyone ever thought about you. Not in an intrusive way … just a tally. Like, Leah, the girl I had a crush on for four years, would be able to see every distinct time I thought about her. Or Victor, the bully, would be able to discern the times I feared him versus the times I just felt sorry for him.

It made a certain amount of sense to me; if you were going to spend the rest of your life mingling through the clouds, you ought to be on equal footing with each other.

(Slightly later I amended the list to include people being able to get a tally of how many times people thought of them while having an orgasm, with a second tally indicating how many times that was during an orgasm had with someone other than you.)

(In retrospect, that might not be the kind of thing you find out in heaven.)

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I still remember our last exchange with anyone on the staff in the sharpest possible focus. It was after our sixth grade end of year assembly, and we were all running around behind the stage drinking carbonated punch, which I claimed made me feel a little tipsy since I had never drank anything carbonated before in my life.

My mother was talking to the wife of the school’s principal, and as I ran past her I overhead this snippet of conversation…

Mom: “It would be nice if you held some events where they could just socialize together.”

Wife: “Oh, yes, that’s always nice.”

Mom: “Maybe even something like a dance.”

Wife: “A dance?”

Mom: “You know, with music? Around this age the kids in public schools and Catholic schools start to have dances.”

Wife: “Oh no. No. No no. We could never…”

I don’t remember anything else. Maybe I zoomed out of earshot, inebriated on bubbles. Or maybe my mother excused herself and ushered me out to the car. Either way, it was the last time I ever set foot in the building, or spoke to any of them other than my best friend Monica.

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I still dream about them sometimes, about the teachers and janitors and principal’s sons. Sometimes I dream that I am 10-years-old but still myself, desperately trying to escape their serpentine corridors without notice. Sometimes I dream that they invite me to a twentieth reunion and I try in vain to explain to them how they made me so hateful and distrustful of religion.

Sometimes I dream that they all wound up being gay, and that they each confessed to me in turn that they were afraid they would never get to heaven.

I really hope they all get to heaven, since their whole lives have been dedicated to the practice – to the exclusion of school dances, Stephen King novels, and Madonna albums.

I wonder if when they get there they’ll see how much time I’ve spent worrying about them.

I wonder if they’ll care.

How Radiohead is trying to rehab a rapidly melting industry (but they won’t go, go, go).

(1) One of the major benefits of Radiohead’s release strategy for the forthcoming In Rainbows hit me squarely on my walk to the subway this morning: no leaks.

The release of each of Radiohead’s last three albums has been an event. Not just a manufactured Kanye v. 50 affair, but an honest-to-goodness critical and popular bomb dropped on the record buying public. And, no thanks to their savvy fans, each record tends to leak ahead of the disc release.

I never had the impression that Radiohead minded leakage, per se, with Johnny Greenwood saying the following about a two-month early leak of Hail to the Thief

Shame it’s not a package with the artwork and all, but there you go. I feel bemused, though, not annoyed. I’m glad people like it, most of all. It’s a little earlier than we’d expected, but there it is. (WP)

You can read between the lines there to understand a few things about Radiohead. They value albums as an experience. They enjoy designing the collateral that accompanies them. And, as illustrated by their never-ending iTunes holdout, they aren’t crazy about badly encoded versions of their work.

All three factors lead to a band that’s “bemused” by leaks rather than “annoyed” – they think it’s quaint that anyone is making an effort to obtain an early version of an incomplete product.

By offering a pay-what-you-will download of In Rainbows two months ahead of the physical release the band gets to leak on their own terms. They can independently master their disc and shuttle it straight to their service provider for upload, with no studio interns to smuggle a pre-master or label reps to swipe a final copy.

Furthermore, fans get the music on Radiohead’s terms – not some nth generation digital-to-analog-to-digital transfer encoded to an MP3, but a direct-from-source version engineered to the band’s specifications.

It is, in a sense, the best possible leak.

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(2a) The Radiohead situation got my awesome co-worker Chris and I talking about the current rapidly-failing state of the music industry.

Record companies sit on what for decades seemed to be an inexhaustible resource – audience-facing intellectual property in the form of sound recordings and publishing rights, and artist-facing deep pockets that control access to big producers and hype machines. However, those resources were inexhaustible only because the means of distribution and production were highly controlled.

As a nominal example, take Fleetwood Mac. Much to my teenaged consternation, for over a decade there was no single greatest hits CD on which you could purchase a particular trio of their biggest classic rock hits, namely “Landslide,” “Rhiannon,” and “Go Your Own Way.” Yes, their single disc hits package leaves off “Landslide.”

Why? Who knows, but it’s as good of an illustration as any of the record companies and their inexhaustible resource of intellectual property, which remained valuable due to scarcity. Scarcity driven by selectively signing bands and selectively releasing their work, by holding on to publishing and sound recording rights, and through cross-promotions and radio payola, to name just a few of the channels metered with a heavy hand by labels.

At the crux of the matter is a business paradigm that’s all sewn up in old media. Record companies still want to act as a broker of music between and artist and their fans, and their preferred method of business is still retail transactions – physical or virtual.

For all the talk of the threat of file-sharing and the relative oligopoly of the digital music market, it’s the business model that’s sucking the life out of the music business. Unless you’re Radiohead (or Ani DiFranco) putting together a gestalt album package, what does album intrinsically mean? Why sell albums? Why sell? Why not let listeners subscribe to an artist like a magazine that doles out singles instead of issues?

Because that system doesn’t really require middleman, does it?

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(2b) Recently the tables have turned on the record industry and its previously inexaustible seat of power.

iTunes is returning the business to it’s single-oriented 45 days, killing per-track margins. Its a la carte nature combined with p2p makes it harder than ever for companies to reap extra album sales by repackaging the same release or through judicious exclusion of key tracks.

Meanwhile, songwriting artists are wising up and shopping to smaller labels and imprints to get more out of their publishing rights or make deals to own their own masters, and label power over FM radio is being eroded by satellite, internet streams, and the almighty iPod.

Suddenly that seemingly never-ending glacier of resources is melting at the labels’ feet while marquee names like Madonna take their business elsewhere because their major moneymaker is no longer their records but their overall brand. Artists major and minor are increasingly make their living from merchandise, publishing, and live shows, painting labels quite plainly as outmoded loan sharks hoping to advance money and support in exchange for the brand and intellectual property. And, the artists are finally – rightfully – balking at the concept.

They no longer need labels – labels need them.

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(3) Of course, record labels know they are about to be sitting in a lukewarm puddle resources, and they’re taking every action to prevent their leverage from melting.

Amy Winehouse was withheld from the American market for years after her strong debut with Frank, including several months after her blockbuster sophomore effort Back to Black dropped in the UK to massive acclaim.

Why wait? Universal Island wanted to drum up a perfect storm of stateside media coverage for their critical darling, and they wanted to ride a huge post-Grammies wave of attention on other UK imports who recently followed the same strategy: Gnarls Barkley, KT Tunstall, and Corinne Bailey Rae.

Amy shipped a big hit – score for Universal. However, it was just a single disc, and Amy hasn’t been anywhere near a studio for follow-up due to her whirlwind US promotional efforts. Six months later she’s canceled her first major headline tour for a stint in rehab, and is being haunted by bad press wherein her family is urging listeners not to buy her record until she cleans up her act. Universal Island is now pushing out Frank to American soils, but there’s no telling if she’ll be good for a follow-up hit.

None of that is the label’s fault, per se. What is their fault is letting the business artificially lead the music – trying to manufacture a hit with art that was already in the world by keeping Winehouse bottled up in the UK when she was fierce and ready to tour behind a fresh disc.

America got her second-hand, and it shows.

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(Epilogue) Radiohead is engaging in the antithesis of the Winehouse strategy – they’re letting the music drive the business, and it makes an astounding amount of sense. Release digital the second the disc gets out of mastering to hit rabid fans and major tastemakers. Then drop a special package for the die-hards and collectors. Finally, after drumming up a holistic, naturally occurring storm of interest, release a more traditional version of the disc for retailers to shill to the masses.

Not only does it make sense, in that order no one feels slighted by buying all three releases – no one is getting teased out by eighteen extra-special limited edition versions of the disc, it just runs a natural course: leak, premium, normal.

Kudos to Radiohead for breaking free not only of their label, but of the industry paradigm. I hope everyone votes early and often with their wallets handy.

Acting Agents, Resizing Smart, Blue Collar to Middle Class, Indie Rock Stars, et al

Speaking of which, here are the links I’ve accumulated since last week.

I’m a great fan of Television Without Pity, a snarky website that recaps all of the best (and worst) serialized television shows, so imagine my delight to find their new feature “Ask An Agent.” Sure, you’ve seen talent agents in movies and teevee shows, but are they as heartless (and charming) as Entourage’s Ari Gold? TWP correspondent Wing Chun examines every angle with Canadian super-agent Bryan Misener, including perspectives on the differences between Hollywood and Toronto.

In a random hunt for some sort of Madonna content (god only knows what) I came across a Drowned World Tour recap on Troubled Diva, which I have since taken a bit of a liking to.

If you are a communications or graphic design nerd of any size, Communication Nation’s post on smart image resizing is absolutely required viewing. That’s the sort of thing I’ve always imagined computers would be able to do. Amazing.

What If No One’s Watching puts words to a sensation I’ve experienced but never been able to articulate: transitioning from working class roots to middle class adulthood. Now, I don’t fall so squarely into “working class,” but I (and my family) have definitely shifted upwards into the “middle class” category in my lifetime.

The transition has never been a threat or a disheartenment to me, but sometimes in my newfound yuppy life I am caught off guard when I realize that hardly anyone I know or work with has, say, been on food stamps before. At least Lindsay and I can reminisce about standing in line for government issued cheese.

Did you know that theversion of “Labor Day” in other countries such as Germany correlates not to their own nationalist labor movement, but to that of the United States? I sure didn’t, but Theatrical Milestones offers an explanation. Also, foodie blog Ethicurean draws a dotted line between unions and America’s agriculture.

Oh, and a link from Epi: Organic To Be.

Okay, I can admit I am not an automaton, and some things make me laugh. Such as this narrative eBay description linked by Writing Aspirations. The seller (a blogger) took an unusual approach to describing her product that, in this case, garnered something like a 3000% markup over what she originally paid.

Sometimes a link gets so memetacular that you can witness it sloughing through your RSS feed, as an illustrated coffee guide has been recently. Usually I ignore these sorts of things, but I cannot tell you how often I’ve explained the contents of this chart to family members and co-workers since my barrista days came to a close. I’m going to post it in my freaking cube for reference.

Longtime read Coolfer informs me that uber-producer Rick Rubin is now the co-head of Columbia records (via a great NYT article). And, yes, the idea of this one heavily bearded wise man saving the entirety of the music industry is a little hyperbolic, but clearly he comes down on the side of artist development, if only based on how many bands he’s produced where they’ve wound up sounding more like themselves than ever before.

And, while we’re on the topic of music, I must reiterate my addiction to my two recent mp3blog finds The Yellow Stereo and Philly-based Some Velvet Blog. Why? Because they like indie music, but they still have good taste – a trait critically missing from those who wet themselves over every yowling tuneless indie band that galumphs down the pitchfork pike.

Georgie-James is one of the rare bands that shares genre-space with our Arcati Crisis duo. Listen to “Cake Parade,” which is especially Gina-ish. I hope we get that catchy when we fill out to band size. The Magic Numbers seem to be in that category as well, except Gina can sing circles around their chick(s).

Säkert is cool, and all the more catchy for not being in English. I’m also inexplicably into “Summer In the City” by The Boys And Girls Club. Amos The Transparent seems to have some merit, but is not making my needle quiver, so to speak.

Closing out the music topic, Scott Andrew. He was half of the fabulous Pet Rock Stars, who wrote and recorded two songs from across the country during Blogathon 2003. In the intervening years he’s become the rocker/blogger than I’ve always aspired to be, seamlessly integrating his music into his page while keeping it a blog.

Scott has a new record coming out, the progress of which you can follow back to the cover shoot, or even the decision about whether it was going to be an album or not.

I would support Scott in concept, except for he’s an amazing singer and songwriter, so I can support him in reality instead. I’m looking forward to catching up to him a bit this year.

(Also, note to self: you have three days left to sponsor the new Mieka Pauley disc, which is going to be excellent. Check out her mindbendingly awesome “All The Same Mistakes” on Myspace.)

Finally, some quick hit links.

Ffffound is, in the words of Fresh Arrival: del.icio.us for cool photos you find online. Handy when you’re looking for a post topic in a pinch.

From the increasingly beloved MLarson: Indexed Blog, which is easier to see than to explain. Monome, an intriguing Philly-based design interface that frankly makes no sense to me but is still quite fascinating (note to self: maybe interview them?). You don’t need a plan, you need skills and a problem. A sentence truer than you think.

From the lengthily adored Make You Go Hmm: G.ho.st is a virtual desktop, useful if you work across several different computers each day. Aerogel is the lowest density product currently known to man, which I only halfway understand (decent explanation here) and will have Gina elaborately describe to me over the weekend. PriceProtectr tracks the things you’ve bought in case the price drops soon enough for you to get a rebate. Did you know that Amazon will refund the difference in price within 30-days of purchase? I bet you didn’t.

Fin: Heather Champ with my photo of the week.

2007 Song of the Day #4 – I Know It (Madonna)

This whole Song of the Day insanity began percolating a few weeks ago as a highly covert Madonna Cover Songs project.

Madge isn’t really known for being widely covered, but as I acquired more and more of her sheet music books I discovered just how many of her tunes made for compelling, fun guitar-based cover songs.

Perhaps 2007’s CK theme would be recording every Madonna song? No – that would get boring after a while. I might love her, but I don’t always love her every day.

The idea was briefly shelved and speedily resuscitated (unwittingly) by Glenn Case, an internet songwriter (and Songfighter) who is endeavoring to list his 10,000 favorite songs one day at a time. He’s currently on day 114.

The Madonna Cover Songs project and Glenn’s project fought in my head like dogs in a cage, and out came Song of the Day.

The upshot is that a vast quantity of songs of the day are going to be Madonna songs. Including this one – “I Know It” – a never-repeated obscurity from her debut. (By the way, this isn’t the song I skipped yesterday – that’s still en route.)

If you know this one you are a true Madonna fan. If you want chords, performance notes, and lyrics for “I Know It,” Read more…

 
icon for podpress  I Know It (Madonna) [2:58m]: Play Now | Play in Popup | Download

2007 Song of the Day #3 – Tangled

Today’s song was supposed to be another Madonna song.

It would come complete with a funny anecdote about how I didn’t think the chorus sounded right but couldn’t quite figure it out, and then I happened to be watching Madonna on YouTube, and she was playing it on guitar, and I was like, “Oh, look, Madonna’s playing the right chords,” and then I thought to myself:

Wow, how strange and vaguely post-modern that 24 years after it was originally released I’m figuring out how to play one of my favorite pop songs by watching a video of Madonna performing it on guitar streaming via the internet.

True story.

However, no matter how many times I tried to record the song in question I couldn’t make it to the end of a single take. It was struggling against being captured. Eventually my voice was too blown to try it anymore.

Shit, I thought, I only have an hour to choose and record another song.

As it turns out, I only needed four minutes and ten seconds, during which I recorded one of the most crystalline versions of any of my original songs ever. And, the song in question happens to be one of my favorites, which I have never before successfully recorded in hi-fi through my mixer.

The Madonna song can wait – Tangled is clearly the song of the day.

 
icon for podpress  Tangled [4:11m]: Play Now | Play in Popup | Download

2007 Song of the Day #1 – Holiday (Madonna)

In the midst of all of my NaBloPoMoing in November I was reminded of how fun it can be to turn on my mixer and record a song – especially something I’ve never played before. In fact, my favorite results of the month were all songs I barely rehearsed and slammed through in a single take (Other Plans, Under My Skin, & Dilate).

In the spirit of that, in 2007 I’m going to slam through as many songs as I can, posting the results as Songs of the Day for your listening pleasure.

In keeping with my last post, I make no promises that this will occur every day, or even once a week. I’d just like to fill out my catalog of recordings, and to offer you more of me to hear. I plan to focus on some specific artists and albums, but past that I have no idea where this is headed. Some songs might be recognizable hits, while others will be b-sides or originals. Many could be forgettable, but a few could be gems.

My first effort is a cover of Madonna’s “Holiday.” You can read some background about “Holiday” at Mad Eyes, which is the only Madonna site I found with a complete itemized list of every one of her songs (both published and unreleased). It’s pretty awesome.

If you want chords, performance notes, and lyrics for “Holiday, Read more…

If you are still having trouble playing a song even after listening to my performance please leave a comment.

 
icon for podpress  Holiday (Madonna) [2:44m]: Play Now | Play in Popup | Download

What’s In My Wallet?

Capital One not only boasts commercials with various vikings and other barbarians, but also a strong claim of fraud protection. It was with that in mind that i rang them up last night, as i was about to drop some major expense onto my Capital One card, including a purchase from a new website that would be shipping to an alternate address. AKA, recipe for a declined charge.

Calmly and with the air of one resigned to the large amount of money he was about to spend i explained my predicament to the phone rep. She told me never-to-fear, that we would add the alternate address as a note on my file so that any questions about the validity of my purchase from vendors or the fraud department would be headed off at the pass.

Having found a rare phone rep who sounded as if she knew what she was talking about, i let her do her thing. I think i almost offered to send her flowers, but settled for passing my complements along to her supervisor.

Fast forward to today, twelve-hours post buying binge, when i check my email to discover that one of my transactions had declined. Not the special, weird transaction, but a normal one with Amazon.

And, a few minutes later, so did another. And a third. And a fourth.

None of the transactions to the new address declined. Neither did those paid in Pounds or Euros. Just the standard American purchases that probably comprise half of my credit card statements from 2006 – sheet music.

Because, clearly, someone had stolen my card and was using it to buy obscure Madonna sheet music to send to my house. Oh my god, please save me from the fraudulent horror of rare, out-of-print Madonna sheet music. In two of the declined cases we’re talking about a single copy of a piece of sheet music out of the entire internet, verified via approximately six hours of hunting.

On this phone call i was much less calm, and i spoke to a much less confident phone rep. His name had a ‘v’ in the middle of it. He, uh, thought that, um, maybe my card had been flagged for fraud? Possibly. Because, ahhh, because of the amount of online transactions I made on the card over the past week.

“Levine,” i said, “I think every purchase on the card in 2006 was made online. From the same stores that are being declined.”

Devon “ahhed” in agreement.

“So, why is it declining now that I’m relying on it to pay for twenty-year-old, nearly one-of-a-kind sheet music?”

Irvin “ummed” in confusion.

“Howabout we just put a note on my file that says, ‘Book purchases will never be fraudulent?’” I resisted the urge to add, “or any itemized charge including the word Madonna.”

Slevin “uhhed” for a moment before agreeing that this was doable.

The upshot of that story is that fourteen days from now I will have in my possession sheet music for all but a dozen of Madonna songs (not counting Evita tunes), and of the ones I’ll be missing most people have only heard three.

At that time my office will be officially dubbed the International Madonna Sheet Music Library.

(In case you’re interested, the three common tunes are “Burning Up,” which inexplicably doesn’t exist as sheet music, “Beautiful Stranger,” and “American Pie.” Though, if you’re a connoisseur you will probably also know the trio of “Physical Attraction,” “I Know It,” and “Think of Me” from her first LP. However, I’d be surprised if anyone would really miss my ability to play “Gambler,” “Spotlight,” or “Time Stood Still,” and would be outright shocked if many people have heard b-sides “Cyberraga,” “Your Honesty,” or the crazy-obscure “Supernatural.”)

Trio: Season Five, Suite #5!

Trio: Season Five, Suite #5:
Influences (Pt. 1 of 3): Childhood
Like a Virgin (Madonna)
In My Life (Beatles)
Ziggy Stardust (David Bowie)

Trio – the original singer-songwriter web session – typically features original songs, but for the first in a special trio of trios I am covering some of the songs that have influenced me and my songwriting.

You can download the entire Trio, or start from a past suite of original songs:

See the rest of this post for chords to all three songs. Continue reading ›

All While Shivering Like A Junky

I really don’t get sick all that often, but, boy, when i get sick do i get sick. All weekend was spent either shivering or sweating to death, with the periods in-between spent reading the first issue of my Atlantic Monthly subscription. Mmm, highbrow magazines with senses of humor.

I love reading technical descriptions of how musician’s make their music happen, but the mass media isn’t usually too keen about asking about songwriting methods, guitar tunings, and rehearsal processes. Drowned Madonna did a terrific interview with Mike McKnight, Mad’s touring technology director. Even more revealing is an early rehearsal set list.” Some interesting tidbits: “Crazy For You” down a whole step (guess she’s too good of a singer now to wail like she used to), an originally included rock version of “Love Profusion” (the Headcleanr Rock Mix released on her 2004 EP is probably one of my top ten Madonna songs of all time), and “Dress You Up” in Eb (which is, um, the key that it’s actually in). Almost makes me wish i had shelled out $300 to see the damn concert.


Also in this vein, Tori Amos’s Piece By Piece – half biography and half breakdown of her songwriting process – comes out February 8th. “In passionate and informative prose, Amos explains how her songs come to her and how she records and then performs them for audiences everywhere.”

Meanwhile, now that i own an iPod i’m much more interested in the idea of PodCasting than i was previously. Reading some descriptions of the phenomenon shows that it’s essentially just providing audio content in an RSS format so that people can aggregate it with a souped up RSS reader/stripper/downloader for future listening. I suppose i was suspecting something more revolutionary, but in blogland every invention to aid the lazy is a world event. Trio is, of course, perfect material for a venture into PodCasting, as it’s RealAudio format has become a bit of an antiquity. We shall see.

One Good Move is a quicktime video blog, which is great way for persons like myself who have quit the teevee cold turkey to hold their own at the water cooler. The movies don’t last forever, so make haste and watch Michael Moore sharing an “Over the Rainbow” duet with Phantom of the Opera starlet Emmy Rossum. Hilariously cute. Also, Ashlee Simpson being booed at the Orange Bowl, another classic clip in her quickly growing scrapbook of terrific televised moments. The Daily Show clips make me wish you could subscribe to just one cable channel (though, i suppose i’d need a television for that, eh) – anyone out there a Daily Show bittorrent fiend who can point me in the right direction?

Also, reminder to self: Gawker can be funny when i know what the hell they’re talking about.

Art as Reduction as Art

Picking ten favorite songs is a labor that I do not envy. Yes, it is easy to name ten, dash them off of the top of your head, but are those ten you could live with? Ten you love now, will continue to love a decade from now, and would have loved a decade before their release?

However tempting it might be to rattle off a list of greatest hits by my favorite ten artists, these songs are more than just that. I might not pick these songs as the ten I would bring to a desert isle, but they would undoubtedly be the ones stuck in my head while I was there. Not really the best, and not all my favorites, but definitely ten of the most enduring songs in my collection.

My list is rooted in the 90’s, where my taste was truly formed, but for me they are about moments, not tastes. Each chord is a suspended image, and each image a thousand words I could never hope to express so succinctly as they are summed up by a melody or hook. Please excuse my attempt to sum each up in a single paragraph.

Lisa Loeb, Stay

-There is something remarkable about a song with no chorus and no hook that can capture the nation’s imagination so completely that it goes to number one without any label backing at all. Every songwriter hopes to write one song so perfectly formed; the irony is that Lisa actually has dozens.

David Bowie, Ziggy Stardust

- I do not like concept rock, or epic rock, but Ziggy Stardust is both without being either. Petite and digestible, half autobiography and half imagination, it is the centerpiece of one of the most subtly crafted concept albums of all time.

Madonna, Vogue

- Coming at what is now the middle of a career, Vogue is a snapshot of all that is Madonna; at once celebrating and debunking glamour, cribbing musical notes from the latest dancehall trend, and turning something that should have failed (her classic spoken word interlude) into a mark in the public’s consciousness. Not as simple as “Lucky Star” or as incendiary as “Like a Prayer,” but still a perfect pose to strike.

Ani DiFranco, Untouchable Face

- Such a simple kiss off, but only so much as it was an attempt to outwardly distance herself from someone that was not so far away as she might have liked. The eight seconds of silence that come before the first reverbed chord are the sweetest anticipation in my entire collection.

The Supremes, Stop In The Name of Love

- I challenge any five-year-old to not want to mime along to the chorus. Pop in it’s most undiluted form.

The Beatles, Oh Darling

- How do you choose one song by the Beatles rather than an entire album? I hardly know, but I do know that every time I hear this I feel the wind in my hair as my mother and I speed across the Whitman, bound for cheap hotels and salt water taffy. Each note triggers another frame of the ride; the song is an 8mm film strip, peeling at the edges as Paul’s voice reaches its own.

Sheryl Crow, All I Wanna Do

- Alanis might have been the angry woman of my generation, but Sheryl was our beatnik. Later proclaiming that love was in fact a good thing, her lateral advancement of sound never surprises me so long as I keep this in mind; how all the good people in the world floated away like so many balloons in the video, finding themselves suddenly weightless in the face of this carefully careless tone poem.

Carole King, I Feel The Earth Move

- Yes, she may have penned the now-clichéd words that have become as famous a feminine mantra as Aretha’s demand for Respect, but echoes of these clanging chords and chunky guitars can be heard all the way from Tori Amos to Garbage; it seemed excessive to list my favorite songs from that when I could just as easily include this one.

Weezer, Say It Ain’t So

- How can a song about sharing an apartment and reminiscing about an estranged alcoholic father be so primary in my personal glossary of rock? Because, perhaps, it is a perfect marriage of angst and that glimmer that there is perhaps something beyond. Until then, though, you are drowning in the flood of distorted guitars quoting riffs back and forth into a stunning crescendo that slowly leave you the way it began – minor, discordant, and so simple that it cannot help but be familiar.

Veruca Salt, The Morning Sad

- There are a lot of songs about the morning after, whether it be literal or figurative, and for me this one is symbolic of them all. How wrenching, when you know that an attachment so vital has suddenly lost its luster, so that you find yourself suddenly trading on the afterglow of what you once felt to even register a reaction. Perfect rhythms, perfect harmony – perhaps one of the finest pop songs never to have hit its mark and, sadly, effectively the last single of Veruca Salt as it was once known. I wonder, could they have known how apt their words would be in a few years time?

I’m sure I could come up with a different list tomorrow. I’m sure next week I will kick myself for leaving off “Morse Code Love,” “You Wanna Be Starting Something,” “Hallelujah,” “Losing My Religion,” or “Closer To Fine.” To artificially reduce your love of music to a list of ten is the most artificial of exercises, to be sure, but through it you might grow to understand exactly why the undertaking seemed so hard in the first place.

(Per Desh’s nod to this week’s XPN countdown.)

I cribbed the A-Z game from Largehearted Boy, but originally it’s from here via a Guided By Voices mailing list. The concept seemed like it would be an overwhelmingly easy exercise, but it definitelty wasn’t. Aside from the obvious S dilemma, i don’t own any artists whose name start with Qs, Xs, Ys, or Zs, so a combination of cheating and omission was in order.

Well, okay, i have some Ys, but i hate Pete Yorn.

  • Ani DiFranco
  • The Beatles
  • Death Cab for Cutie
  • David Bowie
  • Erin McKeown
  • Fiona Apple
  • Garbage
  • PJ Harvey
  • Hedwig and the Angry Inch
  • Joni Mitchell
  • Kaki King
  • Lisa Loeb
  • Madonna
  • Nikka Costa
  • Joan Osborne
  • Peter Mulvey
  • Rilo Kiley
  • Sarah Harmer
  • Tori Amos
  • The Velvet Underground
  • Veruca Salt
  • Rufus Wainwright
  • Andy Stochansky
  • Weezer

    You see that i’ve gone out on a limb to select a few worthies with only a single album out, and have similarly selected more than a couple whose catalogues i cherish despite giving up on their present endeavors. Unfortunately, due to our unkindly tiny alphabet, i was forced to leave off such luminaries of my collection as Garrison Starr, Lauryn Hill, No Doubt, Sheryl Crow, Sarah Shannon, Guster, Elastica, Juliana Hatfield, Elliott Smith, Mike Kovacs, Tracy Bonham, Sleater Kinney, Ben Folds Five, & Michael Jackson. Otherwise, this just about covers it.


    Maybe one night i’ll get bored and link to good resources for all of those artists. Until then, feel free to bash my taste in music and create your own lists in the comments section.

  • Trio: Season 3, #2

    recording trio

    My ears are ringing terribly.

    I sat there for a minute, between swiveling from the Eight Arms to Hold You book and the Tragic Kingdom book, trying to think of what i could play. Even though i have two electric guitars, i haven’t played very much loud electric guitar in my lifetime — guitar so loud that it distorts the amplified signal so badly that what’s coming out has no relation to what i’m strumming other than vague tonal qualities. For that minute i was i was mentally paging through my own songs, picturing open chords as tight barres further up on the neck and simple strums as thrashes.

    At the end of the minute i decided that, for the most part, it just doesn’t work.

    This month’s Rolling Stone was unusually chatty in tone, and it failed entirely to impress me. Four years ago i would’ve told you that my dream was to write for RS, and now i’m not even sure i would tell you that i want to be featured inside of it. My opinions on the magazine notwithstanding, one feature caught my eye; the article on Incubus.

    I am decidedly indifferent to Incubus on the whole, though i am of the opinion that “Drive” is pretty much the distillation of what all of my songs possibly could sound like if i had a major label deal. At the end of the article there’s one of those colored boxes with incidental information in them, and in it there are two interesting pieces of information about lead singer Brandon Boyd. One is that “[b]efore a show [he] will scat jazz, growl punk rock, improvise a slow jam, or riff on Madonna.” The other is the following quote on Ani DiFranco: “She’s an underrated lyricist. Female artists are the perfect example of a creator: They know how to make life and art with their bodies. Life comes from their bodies, so on a very basic level, they have more to write about.”

    There was something about the quote that left me in stunned silence, and that silence was mirrored by the long minute spent in limbo between my books of sheet music. Boyd, more than anything, comes off in the article as a rock star version of myself. He says things i say. He riffs on Madonna. He likes Ani DiFranco. His band wrote a song that’s indicative of my entire sound. And, i don’t really like his band; i’ve turned down invitations to their concerts and have serially neglected to buy any of their cds.

    On days like today i get the sense that i don’t listen to and arrange loud music not because i don’t want to, but just because it hasn’t really occurred to me. Any other day i would tell you that my influences preclude the option entirely, but they really don’t: for every Madonna i have a David Bowie, and for every Ani DiFranco i have a PJ Harvey. Brandon Boyd is a sensitive singer-songwriter fan who enjoys an occasional pop tune. So am i.

    I have no idea what i’m getting at, other than that even if converting my songwriting to be primarily electric occurred to me right at this instant, i think it might already be too late.

    I have had my ups an downs with Dan Savage’s Savage Love column, and the particular letter that was pointed out in my comments the other day fits nicely somewhere in the middle. Specifically, the first half is an up, and the last paragraph is a down.

    While Dan’s opening is indeed quite Savage, it’s also sadly true; the easiest way to stop being mistaken for a homosexual is to stop “acting” like one. Of course, the harder way to stop being mistaken for a homosexual is to only cultivate friendships with people that avoid such idle and generic stereotyping based on shopping, cooking, and Madonna. I enjoy shopping because i’ve had to shop with my mother my entire life, i enjoy cooking because i think it’s one of the sexiest things you can do with another person, and i enjoy Madonna because i’ve always loved music and she’s always been good. So, if those traits (and others) make me “gay,” then… well, then i’ll take the dictionary definition, thank you very much.

    Savage hits the melancholy nail right on the head with his second paragraph… that most women would love to meet men like myself or the writer of the letter, but that they would love to meet them so that they could have them as friends. Witness this exact reaction in my friend Lisa, who refers to me as her sassy gay friend. When it comes right down to it, she doesn’t really care whether or not i’m gay — she’s just in it for the sass. The point that was brought to light that i never thought about is that women do want to think they’re bringing out the sensitive side in their men, and so a pre-sensitized guy can seem like sort of a letdown. Of course, not all women subscribe to both of these rules (thank god); some girls like a guy who’s a little bit ambiguous, perhaps for the exact reason that they bring out the guy in him rather than the sensitivity.

    The down about this particular column’s closing is, for once, not one i have with its author. The letter writer in question is so superficial of a skirt-chaser that he’s “cultivated” the traits in question, and so Dan dismisses him by telling him to “[B]utch it up a little bit. Shop a little less, care a little less, and listen to Madonna a little less.” I would say the same thing to the man in question, maybe even adding “And try being yourself for once.” I’m sure he was thinking it, though. The down, for me, is that Savage isn’t really addressing the question in my mind, which is “What about if that is yourself?” I can surely be blamed for any sexual ambiguity i present in the form of lap-dances and suggestive commentary, but Savage is essentially endorsing that artificially touchy-feely men should drop the pretense, so i’d assume he’d similarly endorse laying off the pretense of being more of a guy’s guy as well.

    So, what’s a girl’s guy to do? In my opinion, not a whole lot — other than believing in the things that make you yourself. No, most girls don’t find sensitive men overwhelmingly attractive (unless they’re fronting decent emo bands, and then it’s open for discussion). However, the girls that do tend to fall for the softer sort of guy are more confident about themselves, i think … enough so that that don’t need a alpha male to lead them around by the arm. This doesn’t mean they’re perfect, or self-confident, or what you’re looking for … but they are probably free from playing the more typical parts of the daily boy-girl game most people subject themselves to.


    Mention Madonna a little less? Maybe. Give fewer lapdances to “Queer?” For sure. Change? Never.

    And, damnit, despite making it through Madonna’s greatest hits unscathed, i sprained my freakin’ ankle backstage tonight running around like a maniac. This will definitely effect my choreographed sing-a-long walk to the show tomorrow in a negative fashion.

    I wear my headphones for the entire walk from here to the theatre, and from there back to the apartment. This week i’ve been singing the whole way there: Pinkerton, Garbage, Return of Saturn, Jagged Little Pill. I investigate each record in thirty minute intervals, picking apart the melodies in high-definition sound and finding their places in my own range. Rivers comes out strained in chest voice, i solidly match Shirley’s alto, Gwen brings me up to falsetto or down to my lower register, and Alanis tends to hover over my break point. I cannot keep my voice inside my chest.

    I never really try to imagine myself from outside. I suppose it’s a problem i have … why there is such a disparity between my interior image and what i actually allow people to see and hear. Today walking home at midnight belting out “you’ve already won me over, in spite of me” i finally stopped for just a second to think about the picture. The image. My whole frame dwarfed by my round black earphones, shrinking me even farther away from my twenty earned years, swinging my arms and stretching my baritone voice, planting one foot in front of the other. I draw stares from plain pedestrians and pretentious Penn kids alike.

    I hardly ever picture what i look and sound like, even when i’m doing the most outrageous of things. Last night i caught a glimpse of myself in a mirror in the middle of “Like a Virgin” or “Material Girl,” and – suddenly – my voice matched up with that writhing image of me as if audio had just been synced up to a projected movie. I had to stop singing for a moment so as not to cry. The boy i was looking at wasn’t at all the one i felt i was being at the time.

    I really don’t mean to be any of this at all.

    Cast Parties are always an experience that involve nearly as much drama as the show they are celebrating, and last night wasn’t an exception. What was an exception was that i didn’t drink; i’ve never drank at a winter show party, and decided to turn the trend into a tradition. It was interesting, if only because everyone finally got the point that i am really a fucking lunatic whether or not i’ve got a couple of drinks in me. There was simulated sex with multiple cast members. There was a contest to see who could grab the most genitalia, both male and female. There was me singing along and bopping around to the entire Immaculate Collection.


    Oh, and i might have attempted to kiss someone.

    When i’m drunk i flirt, but i’m usually doing it in a generic drunken way. Being sober, last night i was flirting with some amount of purpose. And, oddly enough, i was being flirted back at. I still don’t quite understand what was going on, personally, but apparently Laurel knows the whole story and will explain it to me before the show tonight.

    See, i’m a stupid fucking lunatic who can’t even manage to lean in for a kiss whether i’m sober or trashed. Don’t you love the consistency?

    MetaFilter mostly slammed Madonna for weighing in on the state of the nation during her Friday Los Angeles show, but after giving her speech a read i think it’s probably the most intelligent thing anyone has said in the past six days. To discount an opinion because it comes from someone of celebrity status is ridiculous, especially when it’s from someone who is so much more educated about the cultures of the world than some of the American’s who are so quick to give their opinion. Madonna is self-made, controls her own business, currently lives abroad, and has two young children. I think that alone would make me interested in what she had to say, but i think you’ll see that it wasn’t just interesting … it was true.

    Howdy, Los Angeles! Having a good time? It’s kind of confusing trying to have a good time this week as you all know, and I want you all to know how privileged I feel to be in the position that I am in today.

    We don’t…we’re not doing the show because we want people to forget, we’re doing the show because we want to remind people of how precious life is. And how full of joy it should be.

    The tragedy that occurred this week is unthinkable but i want to think of it as a big fucking wakeup call. OK? But now that we’re all awake, we should stay awake. Acts of terrorism are going on in this country on a regular basis, ok? In England, in Ireland, in…Israel, in Palestine, in India, in Tibet, and Pakistan and Sri Lanka, in Africa and Bosnia and Afghanistan. I could go on and on. OK?

    Last night, last night we said a prayer for in a moment of silence, ok, 18,000 people shut up. Hard to believe but it’s true. We had a moment of silence where we said a prayer for everyone who died Tuesday morning, for all the family and friends of those who died. Tonight, I’d like everyone to say a prayer for peace. I’d like everyone to say a prayer that President Bush practices restraint in his decision making, and he does not retaliate this act of violence with another act of violence, ok. Because violence only begets violence.

    So please everyone, no kidding, can we just keep quiet, bow our heads, grab the person next to you, I don’t care, but please, say a prayer. Repeat, because I don’t know about you but I want to live a long and happy life, I want my kids to live a long and happy life, ok.

    [Long pause followed by chants of "USA! USA! USA!" from the audience.]

    All right, all right, I knew it wouldn’t go on for a minute. OK, USA, yeah, but the whole world OK. Start thinking in a global way. Please! Thank you very much. Thank you. I said it last night and I’m going to say it again, if you want the world to change, change yourself.

    [via MadonnaRama, who should implement permalinks]

    All of the proceeds from Madonna’s Los Angeles shows were donated to relief funds related to last Tuesday’s events, including one for children who lost parents in the tragedy.

    Sometimes it’s Brendan’s footnotes that make me laugh the hardest. Dude, i must get a look at your textbook … i wish we had classes like that at Drexel. Actually, having read that would’ve definitely aided my enjoyment of the Madonna concert, which featured a witty edit of anime girls being chased, beaten, and taken advantage of to the tune of a pounding remix of “What It Feels Like;” i specifically remember seeing an example of what your footnote mentioned and wondering what the big deal was :p