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Category Archives: photo

not-so-prompt prompts

In my Google Reader I have a tag called “PROMPT” that I affix to posts that made me think or feel something that I might like to share on CK.

I’ve discovered that prompts are best served fresh – ideally I should be writing a post about that intangible thought or feeling within a day or two of having it.

There are presently prompts on my list from as long ago as September. That is scary. It is sitting in the way of me being prompted to tell you about new thoughts or feelings. I need to flush out all my prior prompts so I can post about prompts promptly when they prompt me.

Let me see if I can string some together in a way that makes sense to us both.

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Spezify is a visual search engine, but that doesn’t mean what you probably think it means. Spezify searches the web for text, photos, and social media mentions of your search term, and arrays the results in a collage on your screen. It’s a great way to catch a quick snapshot of a person, place, musical artist, or brand. See what it has to say show and tell about crushing krisis or Philadelphia. Link via Fresh Arrival.

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The imitable Maggie of Mighty Girl posted about her husband’s project, Typekit. Typekit seems to still be in a closed alpha, but the gist of it is that it allows you to dynamically embed text in any font onto any webpage, regardless of if you (or the end user) has that font. You can follow the development on the Typekit blog.

In my humble opinion, Mighty Girl continues to be one of the definitive personal blogs on the internet.

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Geekadelphia (an excellent blog) recently posted a mammoth interview with J. C. Hutchins. Hutchins parlayed the net-success of his podcasted 7th Son trilogy into a publishing deal and subsequent tangible book. Said book – Personal Effects: Dark Art – comes complete with an intricately crafted alternate-reality game component that expands the narrative far past the boundaries of the book. Probably the next piece of fiction I will read, and setting the bar high for the next evolution of the novel.

(PS: M. Hutchins dropped by to comment less than twenty minutes after this was posted. Nice to see his publishing deal hasn’t changed his net savvy :)

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Matthew Sheret (who I found via Warren Ellis) is a writer and photographer with an intriguing list of projects. I am fascinated by his recent post This is a Souvenir, in which he details writing songs for an imaginary band, and how he’d like to take it a step further and have an imaginary record label.

I love that sort of thing – a simulacrum of the footprint left by actual media, but in the absence of said media.

(Speaking of Ellis, I enjoyed his dissection of what it means to be a “digital magazine,” and how that ought to be different from a bells and whistles flash interface with whosits and whatsists. His point (and mine)? You can change the method of delivery, but “magazine” should still mean “magazine.” But, can “newspaper” still mean “newspaper”? Compare to a recent Conversation Agent post about what happens when your local paper goes entirely online.)

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Lane is a remarkable photographer I have been a fan of for a long time. Today she posted an unreal photo of a rainbow seen over the New Mexico desert. Recently she volunteered with Review Sante Fe, a local photography exhibition. She posted a sampling of RSF photographers, and their work was uniformly amazing.

Now that Lane is back in the US I need to buy a print from her.

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I saw what was perhaps my first double rainbow ever a few Saturdays ago on the way to E’s show at The Saint in Asbury Park. It was so close it seemed like we could drive right to the end of it.

Floaters

William Hundley’s photos feature strangely disembodied cloaked shapes. They’re more pleasing if you don’t research how he gets the effect, assuming instead that they are the grim reaper, a dementor, an Aztec spirit, the ghost of Uncle Sam, Slimer from Ghostbusters, a force of nature, or, um, other.

On a related note: Nine (emerging) visual artists who will blow your mind.

A more rabid month looms on the horizon. Oh, and vegetable percussion.

In four weeks the second annual National Blog Posting Month will begin, wherein you pledge to post at least once a day for all of November for no reason at all.

This year participation is being managed through social network Ning, where I am curating a music bloggers group.

I also plan to offer some manner of prize since I won one last year, but I have not yet decided on anything suitably awesome.

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Ethicurean posted the truly brilliant Vegetable Orchestra, who perform music solely on instruments made of vegetables. Words escape me; please refer to moving pictures, below:

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When I saw Bettye Lavette @ Bonnaroo in 2006 I described her as a bloodthirsty Motown praying mantis whose goal it was to devour the entire audience before the end of her set. Yeah, Bonnaroo was weird, but it’s an apt description considering how long she was in industry exile; she came back hungry.

Read a great Stylus Magazine interview with Bettye about her new covers disc, wherein she is backed by Drive-By Truckers. Link via Largehearted Boy, who also offers a legal listen to some of the tracks from Scene of the Crime

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The Strand offers books by the foot, a service providing decorative book collections in any style and subject. Prices range from $10- to $400- per foot. A cool gift for your bibliophile friends, and a fantastic resource for set dressing; at $300/ft the Victorian era books are rather stunning. Via Kottke.

K-link part deux: Do you need 8 oz. of dehydrated strawberry powder? You can buy it, and other molecular gastronomy fixins, at L’Epicerie. After you’re done salivating, hit up this exhaustive blog post for info and resources.

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Then there were quick hits.

46 tax deductions for bloggers. Um, hells yeah. Via Akkams.

One time in college Elise did a whole photo project where she painted me with light. If she was here I could tell you the whole story about how her professor was friends with the originator of the technique. In any event, if you have a camera with long exposure time and a tripod you can do it yourself.

More photography: All panoramic pictures, all the time. Want to shoot your own? Read up on Gigapan, an automated robotic tripod. Latter two links from Contentious, former via Mashable; a great feed (if you can keep up with 20+ posts a day).

If your phone and internet errands are swallowing up your free time you should look into outsourcing to an offshore personal assistant; sounds like they’re worth the money if you have the right sort of tasks on your to-do list.

I don’t know that I realized New York City was quite so tall over a century ago.

Free iTunes Songs is a handy RSS feed that links you to all of iTunes free content, including the weekly free song downloads.

Second Rotation is an online pawn shop that pays you for your used consumer electronics up front, saving you the hassle of dealing with an actual buyer. As to where all the items go, the site is a bit cagey. I have one word for you: gnomes. Via recent daily fixation Unclutterer.

Finally, Torrez was very nearly my first favorite blogger (and, not only because he ran Power Bloggers). He’s back, and recently posted some simple advice on increasing blog traffic. After a month of following his own advice his Alexa rank is up ~200k. Probably advice worth taking.

“Photo is a major with personality,” i opined to her as we sat in the plastic institutional chairs and eyed the machine that was whirring and drying her prints. “Smells like a beach in here,” i told her, not meaning to go on to make fun of New Jersey, but doing so anyway. Minutes beforehand there had been four of them along the wall-length sink, all with their odd developing cylinders and odd-smelling chemicals. A major with personality, expressed in the cuts of their jeans and the way they agitated the shiny containers with their spools of film safely ensconced from any possible outside influence.

I followed her into the darkroom without really thinking about it; after all, i was along to watch her develop film. I should’ve noticed the quizzical look on her face before she shut the door, as afterwards i couldn’t make out anything at all in the broom-closet sized room that she had just plunged into pitch darkness. She had to brush past my entire body to turn the bolt on the door, and i interiourly chuckled at the thought that the entire scene might have a more seductive tone if she wasn’t intent on her film. “I suppose it’s just like flirting with me while i play guitar,” i thought to myself as i carefully slid down the wall to sit on the ground in front of the door, “i hardly even notice.” I was told not to move, and i was unable to see, and all there was for a few minutes were the odd metallic clicks of the reel and my eyes desperately trying to make out any vestige of the dull red light of the main room through the door. My fingers looked slightly less black than the rest of the blackness, but the wall kept coming as a surprise.

The girl at the end of the sink had on jeans that fit her hips awkwardly, riding too high up off of her thighs and low from her waist to show off the bottom of a swirling tattoo on the small of her back. For a second it reminded me of how Anastasia’s jeans used to fit her, unselfconsciously dorky and sexy at the same time, and for that second i imagined that it was her tapping her shiny container against the sink. Just my imagination, i chastised myself. Instead, the dull metal thuds that rang in the air were the product of a taller, darker girl who somehow managed to seem entirely plain despite her angular features. I suppose it was that… the ability to exude careful plainnness and inattention… that reminded me of the parts of my Senior Year spent idly hanging out on Anastasia’s bedroom floor. I had just been mentioning it to Elise the other night, and i had found myself immediately self-conscious of my mentioning another girl who i had written a song for.

“A major with personality,” i said, and as i surveyed the room for a second i found myself thinking of Anastasia, who maybe was the first quirky girl with a camera i really got to know. There’s something about the clicks of a camera, the sureness of the fingers, the rotating it ninety degrees around the careful eye. Something about plastic binders full of black and white photos and sheets of negatives makes me think of her, although now she doesn’t even seem to talk to me in the odd moments i run into her on instant messager. I don’t think Elise was too jealous; after all, it’s not much use being envious of someone who never really cared for the songs i wrote about her over three years ago. And who never took my picture.

It must be something like watching me tune my guitar — that’s what i had thought when i watched Elise carefully advance a fresh roll of film earlier. An unrelenting attention to the instrument that acts as an extension of her eye, and my ever increasing ease with the shiny silver tuning instruments of my guitar and the chiming harmony the strings should wind up in when i’m done.

Her pictures versus my songs; a fair trade, i suppose. Except, now i owe her several thousand words more of them.

It’s the same old house to me, really, no matter what. I’ve only been here for a little over half a year, but even the slopey ceilings and bare brick walls started losing their effect on me a while ago, and now nothing about it is thrilling. I suppose it’s hard for thrill and comfort to cohabitate in one place for too long, and now it’s just become ‘home’ rather than anything else. It’s a place for me to be weary, and to watch teevee, and to cook dinner. But, this morning we were all in the kitchen having waffles, ice cream, or both, and Elise looked to her left and said “it’s colorful.”


Following her gaze my first thought was that she was just looking out the window at the siding of the house next to us, which is just about anything but colorful — no matter how sunny it might be on the outside. But, it wasn’t the window she was staring at, but its sill. Our kitchen windowsill has become our makeshift house wetbar, and even at its current low tide it’s a cross-sectioned rainbow of apple green Pucker, the deep blue bottles of Skyy and irish cream, and the too clear Smirnoff letting the sun fall right through it.

“Colorful?” I pondered it more than i asked it. I suppose even the most routine of comfortable things are still thrilling in the right light.


A half hour later Kat was framing up a picture of the shadows that our blinds cast against the curtains, with Elise coaching on what to leave out of the edge, and inside it felt like we had rewound back past spring to last summer, and the wonder i had in my eyes at this place when it was empty and unfinished.


I am enjoying all of the seasons i have collected, as much as i am enjoying the spring that has now officially arrived.

I never expect winter to play this nicely, even when it is waning on us and giving way to another spring. Kat and Elise were stalking around the Penn Museum courtyard, one posing and the other one snapping away with her 35mm. I was lying splayed out on the grass, half in sun and half in shadow.


“Do you need me to move?”

“No, you’re fine. Are you bored?”

“No, i’m fine.”

I am usually not the most visual person, but i was lying there pressed as close to the earth as i possibly could and i almost asked Elise for her camera so i could capture the air in a single frame. People tell me they want to read about my life, and at that moment my life was blades of grass too close to my face to be in focus, and slanty red brick sidewalks, and green algae in the water.

I was pressing closer and closer to the ground, thinking that maybe if i could get close enough i would understand something about it — something about my relative significance as a speck on a tiny square of grass.


And, no, i wasn’t bored at all.

There we were, on the median of Broad Street with nearly three thousand dollars of camera equipment, and it had suddenly gotten so dark that we were raising the exposure between every shot. And then, just when i was expecting a downpour of icy rain to trickle into every nook and cranny of our digital camera, down came a smattering of cottony white flakes.

Snow against the stunning red brick of the building was perfect contrast, and i was set on shooting through the storm so we wouldn’t have any continuity breaks in our footage. However, within minutes the smattering had turned into a horizontal blanket of white, and even with my jacket wrapped around the camera and my hands cupped around the viewfinder it was obvious that nature had gotten the best of us. We packed it in and sprinted for the stairs to the subway so we could wipe off the dissolving white flakes from the silvery surface of our Sony.

By the time my trolley came up from underground we were back down to an F-Stop of 8 — the sun was out in force, reflecting back up from tiny puddles lying on darkened cement. I smacked myself squarely in the foreheard with the end of my tripod.

I’d given up before the most beautiful part.

Tuesday, and Philadelphia is thawing. Melting.

Snow provides the contrast on our world — in both directions. A cascade of white dusting over everything slowly reduces life into a study in light and dark, muting all of the inbetweens. And, as it slides off of the back roofs and trickles down the drains, the color slowly seeps back into daily life. Just as our pupils expand to respond to a lack of light in the room, and it feels like the aperture i have in my life for the outside world to effect me is desperately attempting to contract to defend against the vivid existence that today has re-introduced to me.


Here i was standing in the dark, and all of this color has caught me in the middle of a dilate … i was busy opening up, and now it’s just overwhelming. I can’t see past today at all.

I like details. I can be in charge of details, and work with details, and love details. However, tonight i have once again reaffirmed my deep-seated loathing of being a director of many detailed things, which is to say that i cannot keep track of white-balance, aperture, sound level, framing, focus, and the continuity of whether the paper towels should be on the table or on the floor all at once.


So help me god if i lose points for the one shot i have with paper towels on the table i’m dropping out.

So, if yesterday was a kick in the ass i think today must have been a punch in the gut. The funny thing is, nothing bad happened. Nada. Actually, the day was quite nice.


In other news, i just wrote a song without the word “you” in it. Be very afraid. It’s too late to record it though (roommates are sleeping soundly below), so i’m just here. Here. No homework or anything. Well, actually my homework is mostly just staring anxiously at the silvery reinforced crate that the digital video camera for my class is sitting in. I somehow (am an idiot) managed not to purchase a DV tape before picking up the camera, so i can’t shoot any footage. So, basically, I’m just sitting here staring anxiously at the silver Camera Box. It seems to realize that it makes me uncomfortable, and so it shines unobtrusively in the manner of a much more delightful object, but still inspires terror in the depths of my soul.


Which goes along nicely with the punch in the stomach, actually.

My film/video class has been interesting in changing the way i frame everything i take in day-to-day. My teacher made a rather interesting point about using a zoom lens the other day – a quick zoom shot is unnerving because human beings have no way to zoom in on a picture, but a slow zoom on something like a face is nature because it simulates us getting closer and closer to whatever we’re looking at.


Something else that i’ve been noticing is the distance i frame my visual “shots” from. I think we all mostly use a full or mid shot, where we’re looking at most of the torso of someone, plus their head and some of the space above it. A shot we almost never use in real life is extreme-closeup, where we don’t even focus on the entirety of an object but just the focus of its action. How often do we see a face in extreme closeup? Pretty much only when we’re close enough to kiss someone, wouldn’t you say? It’s hard to keep perspective on something when you’re that close … trying to remember what a cheekbone and a jaw have to do with the rest of a face or the entirety of a person. It’s almost easy to forget that anything else is there except for that fraction of a face… a visage floating more closely than you’d ever dare get with a camera.