From Furia: “Her songs sound like they were composed in half-decorated bedrooms and at old pianos with sandwiches sitting forgotten by, adaptable to acoustic radio-station appearances with little modification, songs that you could make sheet music for and give to kids or college a cappella groups. Simple, elegant, calm and unassuming, this is music that finds a middle ground between showtune intricacy and folk-song storytelling, between power-pop drive and retro-jazz reserve, between indie roughness and big-production gloss, between three-chord humility and technical detail work. When you say “pop”, this is as pure an explication as you could ask for of one of the things you might mean.”