The X-Men and their various teams have gone through many reinventions in the decades since their birth, but I’d argue one of the most successful of them all was Peter A. David (PAD) writing X-Factor from 1991 to 1993.
This is an X-Men run that remains as delightful for entrenched fanatics as it is for brand new readers. Even if PAD was already cemented as a household name for comic fans thanks to his lengthy run on Incredible Hulk, he was the first author to ever focus on Polaris and he turned Multiple Man into such an enduring fan favorite that he spawned another 100+ issue run on X-Factor over a decade after this one ended!
X-Factor by David & DeMatteis is the #37 Most-Wanted Marvel Omnibus of 2017 on Tigereyes’s Secret Ballot. Visit the Marvel Masterworks Message Board to view the original posting of results by Tigereyes, and visit the Guide to X-Factor to learn how can you read it today.
Past Ranking: Up one spot from#38 in 2016.
Probable Contents: Collecting X-Factor #71-83, 87-105, & Annual 8-9 (and maybe #106 along with Excalibur (1988) #82, X-Force (1991) #38.
Yes, that pushes past the PAD material. I’ll explain more below.
See Oversize X-Men: A map of every existing omnibus, plus what’s missing (Part 2: 1991 to 2001) for a map of the remainder of the series.
Creators: Written by Peter A. David (#71-89, with Shana David & Skip Dietz), Scott Lobdell (#90-95 with Joe Quesada), J.M. DeMatteis (#92-105), & Todd Dezago (#103-106).
Line art by Larry Stroman (#71-81 with Tom Raney, Kevin J. West, Brandon Peterson, & James Bosch), Rurik Tyler, Marc Pacella, Jae Lee, Joe Quesada (#87-92 with Aldrin Aw & Jan Duursema), Terry Shoemaker, Paul Ryan, Greg S. Luzniak, Jan Duursema (#97-106 with Greg S. Luzniak, Bryan Hitch, & Roger Cruz), Chris Batista, & Mat Broome.
Inks by Al Milgrom with Clifford E. Van Meter, Andy Lanning, Jeff Albrecht, Mark McKenna, Terry Austin, & Steve Moncuse.
Colors by Glynis Oliver with Mike Thomas, Kevin Tinsley, Brad Vancata, Marie Javins, Ariane Lenshoek-Pinheiro, Tom Smith, Matt Webb, Carlos Lopez, and Joe Rosas.
Can you read it right now? Not entirely. You can get through #92 with current collections, but then there is a gap until #106. The same is true for Marvel Unlimited.
The Details:
Peter David wrote the perfect first issue with X-Factor #71.
I’ve read this run several times, and along with many voters on Tigereyes’ secret ballot I would say it’s amongst my favorites. Yet, at the time in 1991, the announcement of this cast and creative team supplanting the original five X-Men largely written by Louise Simonson in X-Factor drew a reaction more like “Uh, I guess it could work?”
Peter A. David was hot at this point thanks to his run on Incredible Hulk, and he had touched the mutant realm with a brief run on Wolverine (both of which we’ll be seeing later in the results). However, he wasn’t known for team books or working with unknown or little-liked characters.
Larry Stroman was barely known at all, having penciled Alien Legion for Marvel’s creator-owned imprint, Epic Comics. His wide, broad-nosed faces could merit some comparison to Walter Simonson, but on the whole he felt like something closer to Mike Mignola. Stroman’s figures shared Mignola’s simplicity. Both men slightly bend the proportions of their characters if it yields more-striking compositions.
And the team… to say it was a team of rejects doesn’t even begin to cover it.
Havok and Polaris were well-known to X-Fans, but had a limited track record as stars. Havok was featured in Uncanny for about thirty issues from 220-250 before the team completely unravelled, and later showed up as a brainwashed villain in Genosha. Polaris had only ever been a regular character in any comic for four issues at a time, despite having been around for 25 years.
Strong Guy was a former body guard to Lila Cheney who began as a one-note joke, and he had barely been in a half-dozen issues Multiple Man starred as a supporting player back in the classic Proteus story that preceded the Dark Phoenix Saga, but since then was only really in the Fallen Angels mini-series.
Wolfsbane had the most recent appearances of everyone, but also had the distinction of being one of the New Mutants too childish and lame to qualify for X-Force. And even Quicksilver – by far the most famous of the characters – hadn’t been up to much in the past few years beyond a brief run of Avengers West Coast.
X-Factor #71 changed the profiles of both creators and all of the characters therein. The only super things that happens in the course of the issue is the team battling to open a jar of mayonnaise. David twists the concept of a superhero comic by revealing the desires and fears of this government team who don’t seem to care about heroism in the slightest, save for perhaps Havok. PAD subverted the slapstick funniness of Multiple Man to play it instead as pathos, quickly turning him into such a fan favorite that readers flocked right back to him 15 years later in David’s next incarnation of X-Factor.
X-Factor were more like a dysfunctional family than a super team, with more in common with Roseanne, Married with Children, or The Simpsons than with the X-Men or X-Force (which made for some awkward beats in the editorially-enforced crossover that came a year into this run).
Of course, PAD could handle action beats, too! But, some of the most memorable moments in this run were Mr. Sinister monologuing to his Nasty Boys and the team facing off one-by-one against their psychologist.
Peter David wrote X-Factor for 20 issues starting with #70 (which was in the X-Men by Claremont/Lee Omnibus, Vol. 2 as the epilogue to “Muir Island Saga”), first with Stroman on art and later with an ultra-hot Joe Quesada.
That run was interrupted for three issues for X-Cutioner’s Song at #84-86 (already collected in oversized format and useless without its accompanying crossover issues) before cutting off in the middle of a story when he left the book after #89 (and an existing Fatal Attractions oversize hardcover already covers #87-92).
That means if we really wanted to stick to this book being exclusively “by Peter David” we’re talking about an omnibus for the 13 non-OHC issues of #71-83 & Annual 8. And, all of these issues have been reprinted in color already in an old paperback series called X-Factor Visionaries – Peter David.
After two issues of coverage by utility X-scribe Scott Lobdell to steer into the big “Fatal Attractions” crossover, Marvel veteran J.M. DeMatteis took over for the remainder of the run beginning with #93, co-writing with both Lobdell and Todd Dezago, who stuck around through #111.
While most of the X-books make the most sense to break just before Age of Apocalypse (issue #111), in this case the better breaking point is #105-106. That provides some resolve to the story of the PAD team – and to especially the arc of Multiple Man.
The book begins to feature Mystique as a main character in #108, which demarcates a change in direction for the final three years of the book despite it featuring some of PAD’s cast through its 1998 finale.
Will we see this omnibus in 2018? Signs point to “no,” but there’s an outside chance.
This run is so tangled up with how Marvel will be handling other 90s era X-Men reprints, and they’re just now getting to more-definitive coverage of X-Force due to upcoming Fox movies.
The one slight possibility is that Fox’s new X-Men TV show is said to feature Polaris, and there’s simply not a lot of material that includes here out there other than her Austen/Milligan insanity era. If she’s a big character on the show, X-Factor would be the best way to support her with a collected edition.
However, I think that’s more likely to yield a second X-Factor Epic Collection than an Omnibus.
Would I recommend buying it? Absolutely yes. David’s run is still great comics, and DeMatteis was a fine steward of the remaining Multiple Man plot threads.
The 2017 Most-Wanted Marvel Omnibus Secret Ballot Results
- #60 – What If? Classic Omnibus, Vol. 1
- #59 – House of M Omnibus
- #58 – Captain Marvel by Peter David, Vol. 1
- #57 – X-Force by Kyle & Yost
- #56 – Namor, The Sub-Mariner, Vol. 1
- #55 – X-Force, Vol. 3 AKA Cable & X-Force, Vol. 1
- #54 – Conan The Barbarian, Vol. 1
- #53 – Thor: God of Thunder by Jason Aaron
- #52 – Incredible Hercules by Pak & Van Lente
- #51 – Amazing Spider-Man: Brand New Day, Vol. 1
- #50 – Ghost Rider: Danny Ketch, Vol. 1
- #49 – Captain America (Silver Age), Vol. 3
- #48 – Doctor Strange by Roger Stern
- #47 – Marvel Horror of the 1970s
- #46 – Killraven
- #45 – Captain America by Mark Gruenwald, Vol. 1
- #44 – Runways by Brian K. Vaughan
- #43 – Superior Spider-Man
- #42 – The Punisher by Rucka & Checchetto
- #41 – Black Panther by Christopher Priest, Vol. 1
- #40 – Avengers West Coast by Roy Thomas
- #39 – Amazing Spider-Man by JMS
- #38 – TIE:
- #37 – X-Factor by David & DeMatteis
- #36 – Generation X, Vol. 1
The great thing about this run is that PAD was handed a bunch of mostly unrelated characters and told to write a team book with them. He took what was the biggest weakness and crafted some great stories by digging into the characters histories, personalities, and interactions. Did you know that PAD was initially told to include Legion on the team? But that was changed at the last minute when the Shadow King storyline ended with Legion in a coma. PAD said that Legion was the only character he had trouble with since he couldn’t find a plausible reason a mentally unstable mutant would be put on a government team. PAD also used Quicksilver, who was not initially included in the characters the editors gave him.
I really would have liked to see PAD continue his initial run. I understand the reasons he left the title, but by the time Joe Quesada joined as artist, the title was really humming. Instead PAD left like many other Marvel creators in the 90s.
Another great article by Krisis I was waiting for this one!
but I’d do X-Factor #70-111+annuals 8 and 9 ( except for #87 to 92->included in fatal attractions and 106 included in Phalanx Covenant and with extras like Excalibur (1988) #82, X-Force (1991) #38. ) just up to the end of the Todd DeZago issues and the beginning of age of apocalypse! And I’m the PD fanatic… hehe But it would make sense to collect up to the Havok/mystique issues!
I’ve debated that back and forth with myself quite a bit, Ricardo! Issue #107-111 don’t really feel of a piece with what I think of as the “Madrox Saga” that comes before, and they have Forge and Mystique – who are much more a part of the stories that follow. Would I be upset if this omnibus included through #111? Not in the slightest!
hey, have you read this?
http://www.superherohype.com/news/399577-dazzler-x-men-dark-phoenix#/slide/1
:D
Some trepidation about how they’ll handle Dazzler. She’s got to come off like a totally jaded star that’s grounded in the present day of music despite being around the same age as the rest of the cast. I can’t see them getting it right in a movie as busy as Dark Phoenix, but who knows?!