Have you been anxiously waiting for me to tackle the top half of this year’s Most-Wanted Marvel Omnibus poll? Well, the wait is over. Now that I’m totally settled in New Zealand (along with my massive comics collection) I’m finally able to focus on completing this monstrous series if posts. I’ll be posting them with their originally scheduled dates from this spring.
If you’ve been waiting for more of this series with bated breath, please consider chipping in to Crushing Krisis’s Patreon campaign. I don’t have the personal budget to keep CK alive with support from readers, and your contribution of even $1 a month accounts for about 1% of my hosting costs.
Iron Man by Michelinie & Layton is tied as the #33 Most-Wanted Marvel Omnibus of 2017 on Tigereyes’s Secret Ballot. Visit the Marvel Masterworks Message Board to view the original posting of results by Tigereyes and collect all of these issue right now as detailed in my Guide to Iron Man.
Past Ranking: Ranked #11 in 2016
Probable Contents: Iron Man #215-250 and material from Annuals 9 and 10.
Your eyes do not deceive you – this Iron Man run is actually not sequential to the Michelinie and Layton run that was already Omnibused ending with #157. Denny O’Neil writes the majority of the intervening issues before Michelinie and Layon return.
The cover of issue #250 bears the Acts of Vengeance banner, but it doesn’t continue directly to the next two issues with the banner, so the omnibus can safely end there (although, Layton did return for #254 and 256, and the next Epic Collection begins on #257, suggesting this could continue through #256).
Creators: Co-written by David Michelinie and Bob Layton, Sr. Co-writing and art (including colors) by Barry Windsor-Smith on #232.
Bob Layton, Sr. provided a range of art through the run, from pencils to finishes to inks. Pencils and/or breakdowns were drawn by Mark “Doc” Bright through #231 and by Jackson ‘Butch’ Guice from #233 (with Denys Cowan on #241, Alan Kupperberg on #242, and Paul Smith on #245). Additional inks by Don Hudson (#239), Barry Windsor Smith (#243), Roy Richardson (#245), Herb Trimpe (#246), Tim Dzon (#247), and a massive team on #244.
Colors by Bob Sharen (#215-243) and Paul Becton (#245-250) with Julianna Ferriter (#217), Nelson ‘Nel’ Yomtov (#226), and a team on #244. Letters by Janice Chiang (with Bill Oakley on #232).
Can you read it right now? Mostly. Issues #215-232 & Annual 9 are collected in Iron Man Epic Collection: Stark Wars, but #233-248 remains an unreprinted gap. Plus, every single issue is on Marvel Unlimited!
The Details:
Co-writers David Michelinie and Bob Layton returned to Iron Man in 1987 after five years away writing (and, in Layton’s case, illustrating) other titles.
They came back to old shell-head in a changed Marvel that was ramping up towards more crossovers and increased speculation (in fact, Layton was one of the illustrators of the event that kicked off this era – Secret Wars, in 1985).
Marvel was going through a period of change, but Michelinie and Layton’s approach to Iron Man was much they same. Their first run on the title memorably focused on the man inside the suit with the “Demon in a Bottle” storyline. This run is no different. It piles on the human drama from the first panel by revealing that Iron Man’s suit is killing him, and Tony Stark’s personal problems only ramp up from there.
In fact, the overarching theme of this run is that Tony Stark makes all of his own problems. The existence of Iron Man seems to be necessitated entirely by Tony’s behavior and its grave, sometimes life-threatening consequences. He spends much of this run dealing with business competitors like AIM, Roxxon, Justin Hammer, Mandarin, and even the the anti-capitalist villain Ghost.
He’s even responsible for his own undoing in the most famous arc in this potential book: Stark Wars (AKA Armor Wars), where Tony faces off against a run of armored enemies who are using his own Iron Man technology to power their suits in the classic.
That’s not to say all of this run is about serious business intrigue – we still get lighter-weight face-offs with Rhino and Radioactive Man. Michelinie and Layton also give the book an international scope and make terrific use of Iron Man’s extended cast, including James “Rhodey” Rhodes both in his armor and out of it as Tony’s closest confidante.
The entirety of Layton’s work on the run looks phenomenal (sometimes as penciler, others as a finisher) as abetted by colors mostly from Bob Sharen. This book was on the stands along with the rise of mega-hot Image creators like Jim Lee and Todd McFarlane, but in retrospect Layton’s solid figures and grounded anatomy give it a timeless quality compared other books of the same period.
Just as Tony Stark’s weaponeering lead to his original condition of shrapnel to the heart, this run ends with Tony facing another debilitating condition that’s round-aboutly his own fault – and facing off against Doctor Doom!
Will we see this omnibus in 2018? Maybe? There aren’t too many Iron Man omnibuses left to unfurl, and Robert Downey Jr. surely has a major role to play in Avengers: Infinity War.
Yet, this book would have been a much stronger match for the content of Iron Man 3.
Would I recommend buying it? If you already know you love Iron Man and 80s comics, this is a definite pick-up.
I’d still place the prior Michelinie/Layton run in the “classic” category even if it’s post Silver Age. In my mind, that makes this the first thoroughly modern Iron Man run.
The 2017 Most-Wanted Marvel Omnibus Secret Ballot Results
- #60 – What If? Classic Omnibus, Vol. 1
- #59 – House of M Omnibus
- #58 – Captain Marvel by Peter David, Vol. 1
- #57 – X-Force by Kyle & Yost
- #56 – Namor, The Sub-Mariner, Vol. 1
- #55 – X-Force, Vol. 3 AKA Cable & X-Force, Vol. 1
- #54 – Conan The Barbarian, Vol. 1
- #53 – Thor: God of Thunder by Jason Aaron
- #52 – Incredible Hercules by Pak & Van Lente
- #51 – Amazing Spider-Man: Brand New Day, Vol. 1
- #50 – Ghost Rider: Danny Ketch, Vol. 1
- #49 – Captain America (Silver Age), Vol. 3
- #48 – Doctor Strange by Roger Stern
- #47 – Marvel Horror of the 1970s
- #46 – Killraven
- #45 – Captain America by Mark Gruenwald, Vol. 1
- #44 – Runways by Brian K. Vaughan
- #43 – Superior Spider-Man
- #42 – The Punisher by Rucka & Checchetto
- #41 – Black Panther by Christopher Priest, Vol. 1
- #40 – Avengers West Coast by Roy Thomas
- #39 – Amazing Spider-Man by JMS
- #38 – TIE:
- #37 – X-Factor by David & DeMatteis
- #36 – Generation X, Vol. 1
- #35 – The Micronauts, Vol. 1
- #34 – Alpha Flight, Vol. 2 AKA by Mantlo, Ross, & Lee
- #33 – TIE:
- Wolverine by Jason Aaron, Vol. 2
- Iron Man by Michelinie, Vol. 2
- #32 – Silver Surfer, Vol. 1 AKA by Steve Englehart
Frédéric Clément says
Welcome back!
Jesse says
Good to have ya back!
Rincewind says
I think this run along with Fran Miller’s Born Again arc on Daredevil are the only 2 examples of a creative team returning to a title and surpassing their original run.
To me, Layton and Michelinie are the team that created most of the lasting Iron Man Mythos. From creating James Rhodes (awesome name), Justin Hammer, Spymaster, Ghost, and others. The Demon in the Bottle and Armor Wars stories are the 2 defining stories that every subsequent run builds off of. They made Tony Stark flawed but heroic that changed him from a Howard Hughes knockoff that fought Cold War villains to the corporate and political power player in Civil War and the Hickman Avengers.
My desire for this omnibus has lessened now that Marvel has started the Epic collection line. The first volume has been released and the 3rd is scheduled next year. I’m assuming the 2nd volume will follow soon after. i am definitely getting the whole run in collections, but if the Epic coes out first, I’m don’t plan to upgrade if an omnibus comes out after.