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Comic Books, Drag Race, & Life in New Zealand
Crushing Comics includes definitive comic book guides, essays about characters and titles, collecting strategies, comic reviews, and more!
by krisis
Today is the third week of my Bat-themed new guides, except this week’s guide isn’t for a character – it’s for a place…
The Guide to Gotham covers every DC book with “Gotham” in the title. Some of them are Batman ongoings, but others aren’t – like Gotham Central, Gotham City Sirens, and Gotham Academy.
I know that’s a slightly odd choice. The guide came about as I struggled to map Batman’s universe of ongoing titles as well as decide where to place some of his most important supporting books. After a lot of puzzling things together, I decided the best approach would be one page of Gotham titles, another (still to come) of his ongoing series (other than Detective, Batman, and LotDK), and a third to capture outliers and act as an index to everything.
These Gotham books tend to be fan-favorites and are frequently met with critical acclaim, which just speaks to the richness of Batman’s city as a setting.
I’ll be back with one last Bat Guide in this sprint next week – The Definitive Guide to Robin! I really enjoyed putting that one together, and I’m excited to share it with you. Then we’ve got a few big releases. I’d call them “universal” in size, each for a different reason.
by krisis
There is a recurring theme in today’s X-Men Gold #1: “past is prologue.”
It’s a theme I lean into heavily in my every day life. Being obsessed with data and truth tends to emphasize the impact of the past on the present. Most fresh starts in life consist of actors with past track records of behavior, models of behavior that have previously been described. They aren’t really that fresh
That’s part of why everyone loves a sudden success story, whether that’s an indie movie or a hot new start-up. It’s not just the success we’re celebrating, but the subversion of trends and predictability.
When you swim in the data of a thing all the time, it’s really hard to be pleasantly surprised by those fresh starts. I looked at the return order probability of hundreds of start-ups. There was no novel return curve to discover. After the first few dozen, everyone snapped into a story I had seen before.
Comics can feel like that, too. It’s a tiny industry where the most read book never even approaches a million eyeballs (and I’m counting individual eyeballs here, not pairs).
Marvel and DC are creating most of their stories with characters who have been around for over 25 years. Most of them have been combined into the same teams before. Most of the writers and artists are part of a crowd that flip flops back and forth, with stops at Image or another indie to take a breather. Most of the world-changing stories just echo back and forth between the big two publishers, copies of copies of copies of big ideas that have already been had.
Past is prologue. We’ve seen it before, so we know what we’ll see. And, like in the rest of life, we’re pleasantly surprised when we get something truly novel…
…and then we want more and more of that novel thing, until it’s our new past and becomes our next prologue.
When Marvel or DC say they are launching something “new,” it’s with the caveat that a seasoned reader already knows the introduction to this story.
The question is: does that mean you can predict where it will wind up?
Written by Marc Guggenheim with pencils by Ardian Syaf, inks by Jay Leisten, colors by Frank Martin, and letters by VC’s Cory Petit.
CK Says: Buy it! Bottom Line: Guggenheim’s new take on flagship X-Men feels familiar and maybe a bit fan-service-y, but that doesn’t stop it from being remarkably fresh as it achieves its back-to-basics aim: the X-Men feel like heroes again.
Marc Guggenheim takes his second swing at the X-Men in three years, and this one is a solid hit. X-Men Gold is a delightful first issue with hints of many past teams, but it has a fresh outlook that’s intent on minimizing the recent past as leaden prologue weighing the series down from the start.
The X-Men’s past being prologue isn’t something you’ll often hear me lament, as a studied X-fan of over 25 years. I’m all for continuity-dense mining of years of history, but Guggenheim -the successful creator of CW’s Arrow – was wise enough to know now isn’t the time.
What’s X-Men Gold all about? The story’s title says it all: “Back to Basics.”
The X-Men are back to being a team who scrambles the Blackwing because they hear someone is in trouble – mutant or not. Or, at least, that’s what newly-minted leader Kitty Pryde wants them to be, which is how we wind up in medias res with the team facing down Terrax, whose previous X-book exposure comes solely from Dazzler.
Why are they fighting him? Because The Avengers and The Champions didn’t show up and the X-Men are heroes. [Read more…] about Comic Book Review: X-Men Gold (2017) #1 by Guggenheim, Syaf, Leisten, Martin, & Petit – The X-Men Are Good (Guys) Again!
by krisis
New for my Patrons today is a handy page that’s half collecting guide and half index at the back of the Batman guidebook – the Index to Batman Ongoing Titles.
This reflects a direction I’m heading in with the X-Men guides as well in the near future – giving a single, alphabetical index to all possible titles for folks who aren’t sure exactly what they’re looking for. In addition to listing all of Batman’s ongoings, this page acts as the guide for the following four orphaned titles that don’t fit in anywhere else:
Want access to this guide? As a smaller guide, this one isn’t schedule for official release anytime soon. Patrons at the Crushing Comics Club level have access right now; Pledgeonauts will gain access in a few months. Full public release will come later – perhaps in November for the release of Justice League?
by krisis
Launching today on Kickstarter is a campaign for Grief, an all-original graphic novel about sorrow and loss from writer Frank Gogol and a host of collaborators.
I’ve been lucky in my life to not have to grieve for many people or things I’ve lost for good. From the grief I have experienced, both personally and in supporting my friends, I’ve learned that grief is a permanently ongoing process. It isn’t a single thing or a passing feeling.
If you view it negatively, you could say grief is like a virus that has been introduced into your psyche, one for which there is no cure or permanent recovery. You can ignore it or build up defenses against it, but ultimately you need to experience it to begin to recover.
If you view it as an inevitable part of the human experience, you might instead think of grief like an update to your operating system. Some things will change that you wanted to stay the same. Other things will be streamlined or totally new to you. It will feel alien and miserable at first. Eventually, it will simply be how you operate.
Grief is much more in line with the latter perspective than the former. It’s not a lot of people having nervous breakdowns about how sad they are. It’s about characters coming to terms with a transformed life.
Frank Gogol shared an early copy of Grief with me for review, but the only way for you to get your hands on this comic is to pledge to Kickstarter – a digital copy is just $5!
Want to know more? Keep reading!
Written and designed by Frank Gogol. Line art by Nenad Cviticanin, Bethany Vani, Ryan Foust, Jey Soliva, and Kim Holm. Colors by Esther Gil-Munilla, Luca Bulgheroni, Nenad Cviticanin, Bethany Vani, and Emily Elmer. Letters by Sean Rinehart. Cover by Dani Martins.
Bottom line: This indie comic anthology themed on grief rarely cries, never preaches, and is surprisingly sparse on treacle. It packs its punch not with heroes (though there are a few) or tear-jerkers (though a few tales come close), but with story after story that squeeze meaningful character moments into just five pages each.
Grief is an anthology about all kinds of loss, but it’s not a downer. Instead, it’s an introspective look at how grief is a twisting path that can be full of sorrow and loss but also hope and gifts – sometimes both at once.
This series of ten vignettes each have an indie comic look and feel. The characters populate a world adjacent the high-flying, super-powered, magic-wielding heroes we love from glossy superhero comics. For some stories, we’re in the middle of that world, but in others we’re on the margins. Some of the tales could work as introductions to ongoing series, but others are complete and satisfying all on their own.
Two of the best stories in the anthology, “Gravity” and “The World,” feel like pilots to incredible indie super comics that ought to be. Yet, their narrative punch comes from delivering truth about their characters in a handful of pages, not from big action beats.
By contrast, “Different” and “Highs and Lows” are both self-contained character studies, each about how you can find something new within loss. More pages wouldn’t change their stories – they might even lose their impact if they were longer.
Before I made it that deep into Grief, the first thing that struck me was that it looks like a major publisher comic book.
That’s remarkable.
There are many brilliant authors and artists in the indie crowdfunding world with genius to offer, but being good at their craft doesn’t make them good graphic designers.
We’ve all learned not to judge a book by its cover, but poor choices in colors, fonts, and layouts can kill a project before it ever finds a fanbase. Even many mid-sized comic publishers can’t design an attractive book jacket to save their lives (or businesses).
Grief‘s graphic design (by author Frank Gogol!) is strong, from the stark, shattered logo to the placid blue of the interstitial pages drawn by cover artist Dani Martins. It feels a lot like Jonathan Hickman’s approach to collection design, where even the chapter breaks are part of the story. [Read more…] about Comic Book Review: Grief, an OGN anthology by Frank Gogol (launching TODAY on Kickstarter!)