All that time the trio archive was totally broken and no one told me. Which either means that no one is using it, or you all hate me. Hmmm… which might it be…
by krisis
Creative
BTW, you should definitely listen to “deadweight” because it’s a good song, and because that’s a kick ass version of it. Maybe i’ll do it for Trio tonite… if you have any requests, now is the time to make them.
Grawr! In a nasty nasty turn of events, my RealAudio software just expired and i need to get new versions. This blows, because i can’t work on Trio without RealAudio. What’s that? I should be writing my paper? Nonsense! Papers are written in the AM!
One artist who i actually wound up sounding very similar to is Melissa Ferrick. I’m more familiar with the first half of her catalogue, but aside from the fact that she writes in Emajor shapes much more than i do, some of my songs could easily be covers of hers. One in particular is “deadweight” which sounds just like her “‘Till You’re Dead.” Compare audio: me vs. her. If you like Ani DiFranco, the Indigo Girls, or Melissa Etheridge, you should definitely be checking the racks for the album i just linked to, Willing to Wait.
Hmph… blogger does not seem to be compensating for the time-change… i suppose it won’t be in effect in California until it’s 2am there, which is another nearly three hours. Or something. I’m much too tired to figure out all this time-change b.s. Last year i was at a party during the time change, so i didn’t have to worry about it. And then i wrote “Crashing.” Yes, we’re definitely coming up on the big “Crashing” retrospective next week; interestingly, i didn’t even make note of the two-year anniversary of “touch.” That’s rather sad, since it was my banner song for quite a long time. I’ll try to get a new interview with me done soon so you can hear about all sorts of new songwriting psychology. If you have any questions, please interview me by your own whim. It’d be fun.