Crushing Krisis

Comic Books, Drag Race, & Life in New Zealand

elise

XBF3

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As ex-boyfriends go, Elise has decent enough taste. After all, they were all her boyfriends once.

When I got home the other night, after a grueling 12-hour day at the office, I was met by Elise plus her most recent ex-boyfriend, who was visiting before he takes off for a semester in London.

Having never met this boy, he who had dated Elise for the year directly preceding our relationship, I spent my first fifteen minutes in the apartment satisfying my animalistic urge to mark my territory. I walked into all the rooms, picked up guitars, slid my fingers across my keyboard, and opened up a bunch of cabinets.

I felt like a bit of a gorilla.

It’s funny – meeting someone for the first time after having two and a half years and just one blurry snapshot to form your seemingly indelible mental image of them. He was smaller than I expected, and meeker, but quippier, and more charming. Half of me could see why they had been together in the ease of their interactions – movements around each other in the kitchen as if choreographed, subtle innuendo exchanged as if scripted.

Even as I witnessed this obvious synergy with half of myself, the other half wondered how it could have ever happened at all. After the quips had ended, their conversation seemed to drift into the room from somewhere far, far away as I sat quietly and played my guitar. Her personality seemed to expand to fill the room while his contracted into something more obscure. With all my introspection I perceive change in myself easily, but it took meeting this boy to see the changes in Elise, and that we have grown to complement each other.

I liked him, the ex-boyfriend, but hidden beneath our blithe conversation and my invitation for him to stay just a little longer I was ever so crushed. Crushed for snatching her away from him so quickly, and crushed that if we were ever to end I would be that boy, sitting on the same couch as her but never able to touch her again.

Two & 1/2

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New Jersey, as much as I claim to detest it, always makes me think. I think in the mall, of the impact of prominent stores and brands on suburban buying patterns. I think on the roads, of the effect of weakly distributed mass transit on social networks in teens under the legal age to drive. I think at the concert, of the development of garage bands in a vacuum of live performances by national acts.

I think in New Jersey because there is not much else for me to do. I bring up their Governor repeatedly, hoping for some intriguing revelation, but I seem to know more about the story than anyone I talk to. Just wait, I said on Friday, until more news about Cipel breaks. He was imported from Isreal. You’ll see.

In the car driving down some street I still don’t recognize, even though I’ve been there with Elise dozens of times now, these thoughts are hurtling through my head. I palm my cell phone, nervously flicking the antenna up and down. Should I make a phone post? What if these thoughts escape, evaporate, never to be heard from again? I should call, call up and talk them out, but then we are at the bakery, getting out, and I am reveling in the .75$ muffins and how we can buy a heaping breakfast of pastries for four for less than $10.

I think in the parking lot, of cost of living and if it correlates at all to population density.

There was a point in time when all I did was sit at the computer, and back then every thought I had made it onto the page. I thought about q-tips. I thought about music. I thought about love. Eventually, I got out of the house more. Saw more. Did more. Wrote less. Looking back over those weeks and months, I feel disconnected from my life, so easy to chart from those earlier, more frequent entries. I chime in about class or work, but what was I feeling? What was I thinking?

Last night I think in the living room, of what I am doing with myself, and how I will remember it.

I’ll have to get back to you on that one.

Brains Dribbling Out From Between My Teeth

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I have become a whistler. I’m not sure how it happened, really. I don’t whistle especially well.

Certain songs tend to earworm their way into my brain, leaving me unable to stop whistling them (and variations upon) for the duration of the day. This is especially true when I’m walking from my desk to the printer, or at home when I walk from my desk to the refridgerator.

The tunes are mostly standards: Yankee Doodle, Old Susanna, the theme from Star Wars. However, I occasionally throw together a medley, my favorite so far being “Movie Tunes of the 30s, 40s, and 90s,” which included a terrific seugeway from Alanis Morissette’s “Uninvited” to a Judy Garland Overture, complete with key-change.

Elise has deemed my new habit completely unacceptable to the point that she seemed to be delighted when I spent half an hour playing major scales on my guitar last night – a practice whose duration is typically frowned upon. Honestly, I find my new habit unacceptable too… the sort of aimless, pointless, eccentric thing that makes me wonder at the intelligence of the person doing it. Couldn’t they expend all that lip-pursing effort lost in thought, or some other silent activity.

Of course, now I understand: it’s a 9-to-5ism. Hopefully an isolated one, because if i get to the point where i hum the same note over an over again for six minutes at a time like the woman on the other side of my cubicle wall i think my head will explode from the dissonance between the habit and my complete and utter contemptual annoyance with it.

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Laying on Elise’s sister’s floor last night i dreamt that i was in Paris.

It’s funny how my brain works when i dream these things, because in my dreams every time i left the apartment to walk around on the street, or to head to the Eiffel tower, i spoke french. And, i spoke quite good french, though i couldn’t seem conjugate any verbs in the past tense. But every hour or so i would wake up and realize that we were in Jenny’s studio apartment, in Washington DC, which is nothing like Paris at all. Well, maybe a little.

So now i’m in Washington DC. Jenny and Elise and Rob decided they wanted to see a Harry Potter movie, but it seemed like such a waste to me. Washington DC, on July Fourth, and in the rain, which i think is a little bit romantic.

So, while they planned their trip to the movie theatre, i planned my trip wandering around the city.

I’ve only wandered in two cities now, both times with Rabi, so i feel a little displaced doing it by myself – not knowing that you have to swipe your card to exit the subway (i think i was almost arrested). But, here i am, three hours of my own, on my own, in this strange city that operates in ways that i’m not used to – swiping your card to get out of the subway, numbers counting down to tell you how long you have to cross the street.

It’s peculiar, and i’m wet, but i don’t mind. I don’t have anything with me but my cell phone, my wallet, and my day pass, and i’ve got three hours to learn my away around city number four for Peter. (originally an audio post)

https://www.crushingkrisis.com/2004/07/108896658141001659/

In which i attempt to review a movie, but in actuality do no such thing.

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There is a certain romance to a love unrequited. That’s what we are taught, what has been ingrained in our heads since the days of cartoons with their eternal suitors, never suited, and in books and films where the protagonist strives but never to have.

And then there is Spiderman. Spider Man. Stupid red and blue comic hero who, truth be told, i never liked very much. He caught my childhood attention as a cartoon because he was smart, and witty, and had my name, but he never played a favorite in my world of superheroes. I eschewed his toys. I rarely bought his comic. But his movie. How could i resist his movie?

Overwrought, overly animated, amateurishly directly, but oh that acting. Tobey, sweet Tobey who i’ve hated in every role he’s ever played because in reality i suspect i don’t like him at all, he brought poor Peter Parker to life in front of my eyes. Peter, me, that space that we’ve always shared inside of my head.

It wasn’t really Tobey, though, not at all. It was Mary Jane.

Mary Jane, a big-haired, ever-changing cipher in the comics, once upon a time so patterned after a certain Julia that Ms. Roberts seemed all but cast in the role. Yet, times change, and people win Oscars for terrible boring movies with no momentum, and Peter remains eternally youthful. And so, you see, it could not be Julia.

That cipher was rewritten, scripted into the house next to Peter’s with the awful never-seen father yelling from within, eclipsing – nay – supplanting Gwen Stacey to ensure that this re-imagined Mary Jane Watson was and could be the one and only ultimate love of Peter’s life.

This changed the nature of Peter, and Spiderman. He stopped being the underdog – he never let Gwen fall off of that bridge because he saved her (as MJ) in the first movie when she was – by comic book rites – supposed to plummet to her death. And he killed Green Goblin in the process. What a debut.

Really, they had no choice. If they had killed the father-figure and the girl it would have been too punishing and, after all, they weren’t about to bring Uncle Ben back to life. Dead Uncle Ben is the cornerstone of all things Spidey. But, Peter was supposed to have lost so many things, to have lost Gwen and to be afraid to ever love anyone else again. So, to make Peter the eternal underdog, they withheld Mary Jane. Teased us with her adoration, baseless, lacking foundation, but so tangible in the ever-hurt eyes of the estimable Ms. Dunst, and proving her to be ultimately unattainable at the end of the first film in that crushing, crushing scene in the graveyard.

I may have liked Spiderman 2 less than I liked its predecessor. Raimi is a hack, with his horror conventions and his guest stars. It had its comic book moments, but it was also too heavy handed, never funny or fierce enough. Tobey as Peter worked only so much as Tobey as an everyman, and Dunst as MJ was limp. Lifeless. Not the headstrong MJ of the 300s of Amazing Spiderman.

What was perfect, undeniable true, was that longing. That always wanting, never having, delirious joy in seeing, pain in saying goodbye. The tension. The tension was true Spiderman, tearing him and her apart at once, weakening him in its strength and strengthening her in her resolve. It was the dramatic backbone of the first film, and the entire skeletal structure of the second.

It was all in Kirsten’s eyes. She took the girl, the too-perfect blind date oft-pushed by good old Aunt May in the comics, and turned her into something altogether different. Symbolic. Real. There could be no Spiderman without this Mary Jane. She was as instrumental as poor dead Uncle Ben or that nameless robber and ever-suffering May. In the cinematic universe, she had been woven in so tightly, so close to the center, that Spiderman could never exist without her. In her absence, he could do nothing but unravel.

Kirsten brought tears to my eyes in every scene for being that perfect thing – that unrequited, unobtainable love, eternally romanticized and forever untouchable. Only movies show us that touch, thrill us with that perfect kiss or that glimmer of recognition in her eyes, pools of unwavering truth and belief, frightening in their realness in every scene she plays.

I have had a crush on Kirsten ever since she played against Mr. Cruise. I fancy that i look a bit like him sometimes, sans snaggled tooth, i think because that would put me closer to her. The flowergirl in my father’s wedding was perfectly little and blonde, like her, and i juxtaposed the two in my fantasy-life until high school as the girl who played my unrequited love, unsuspecting but strangely dedicated to the eternal leading-on of me.

I feel sometimes that i live to be lead on. Did i get into the right college? Did i get the part? Did i get the job? The thrill was never in the answers, but in the anticipation. This site is about anticipation; it is my endless anxious wanting to know but loving the wanting and the not knowing, the delicious tension therein. My writing, at its finest points, is searching for something just outside its grasp, trying to attain the unattainable, to pen a sketch of an infinitesimal gap between me and something or someone else that at that frozen moment in time i cannot, and will not, ever have.

Kirsten’s eyes drew tears in my own, half drunk and staring at the screen, because in Spiderman she is it. She is my crush. She is the juxtaposition, the wanted but never had, the just two steps away. Maybe i should have acted. Maybe i should be in film. We are the same age, Kirsten and i. I could be her leading man.

We all aspire to have the perfect, filmic ideal, but we so rarely do. Now, staring into my twenties, i see joy in the successes more modest, and the achievements actually had rather than those merely anticipated. I suspect, nay, predict, that my lips will never touch Kirsten’s, in reality or as the wanly beautiful Mary Jane Watson. She, and the woman she played in the movie i did not like but eminently enjoyed, are the perfect representation of that unrequited love.

And then, at that teary wishing-it-was-me-in-the-ripped-up-suit-saving-her moment, i looked beside me, and realized that i have it. Her. That thing, that never attained thing, too perfect so that it can be endlessly redescribed by the imperfections that we call art. I remember the scant days between courting and kissing. I hid them from this website almost presciently, as if i knew that in describing the agony of the indescribable tension that i would eventually have to admit that i had overcome it, turned it from dreamed to dreamt. It’s on another page in a different place, and i rarely hint at it at all to this day. But I love Elise, love our stupid quirky banter from computers across the room more than i could ever imagine loving that unrequited, untouched tiny Kirsten-thing in my head. I reject the imagined perfection. Because, no matter how perfect our imagined life might be, how could it be better than what i am living right now?

I did not like Spiderman 2. You should go see it, and for every contrived moment, or bad shot, you should think about Peter, Peter Parker, and how he wants such simple things but goes to such extraordinary lengths in his not having them. And you should want to be him, swinging high above New York at twenty-four frames per second, twenty-four hours a day for all of your life. And, then, you should realize that like any art, Peter is a glistening imperfection, endlessly torn between want and have so much that we are drawn in droves, record setting droves, to watch him flail between the two, a gossamer moth torn between the Sun and the Moon.

You should go see it, and realize that your life is a higher art than art, because it is crystalline in its perfection, alive instead of celluloid, yours instead of everyone else’s. And you should leave pleased.