Chris Claremont

X-Men Vol. 2 in the 90s – Definitive Collecting Guide to X-Men (1991) #1-113

The definitive issue-by-issue comic book collecting guide and trade reading order for the 1990s run of X-Men Vol. 2 (1991) comic books in omnibus, hardcover, and trade paperback collections – including X-Cutioner’s Song, Fatal Attractions, Phalanx Covenant, Age of Apocalypse, Onslaught, and more! Part of Crushing Krisis’s Crushing Comics. Last updated November 2024 with titles scheduled for release through June 2025.

Adjectiveless X-Men: X-Men Vol. 2 (1991) #1 – 113 (1991 – 2001)

After almost thirty years with Uncanny X-Men as the core book in the X-Universe, Marvel launched a second, adjectiveless flagship X-Men book in 1991.

X-Men Vol. 2 was the biggest possible of comic blockbusters at its launch – it’s first issue remains the highest-selling comic of all time over 25 years after its release!

It featured the hottest team in comics battling their most-iconic villain in a gut-wrenchingly awesome story penned by their most-celebrated scribe (Chris Claremont) and with all-new looks from the hottest artist in the industry (Jim Lee). The regular roster was even stacked with fan favorites – Cyclops, Wolverine, Cyclops, Gambit, Rogue, and Psylocke!

Yet, things were unraveling behind the scenes almost before the book was underway. Claremont departed after issue #3, unhappy with Marvel’s increasing tendency to give their superstar artists like Lee the leeway while rushing writers (a subsequent brief stint by John Byrne ended similarly).

Lee lasted for less than a dozen issues before leaving to become a founder of Image Comics.

Despite the break-up of that initial creative team team, this volume remained a who’s who of X-creators – Fabian Nicieza scripted nearly half of this volume, followed by brief writing runs by Terry Kavanagh, Joe Casey, and Mark Waid.

The book also sustained a strong stable of artists, with Andy Kubert helping to define the look of the early-90s era of X for a third of this run. Claremont would later return for a run, and Alan Davis both wrote and penciled an arc.

This period is exemplified by more then 20 different events, direct crossovers, or runs with informal crossovers with Uncanny X-Men (1963) it endured in its first 100 issues. The team’s A-list roster held up for almost two years before the crossovers muddied the lines between this and the flagship Uncanny X-Men, robbing the book of definition and the Rogue and Gambit drama that drove its earliest issues. [Read more…] about X-Men Vol. 2 in the 90s – Definitive Collecting Guide to X-Men (1991) #1-113

Uncanny X-Men in the 00s – Definitive Collecting Guide to Uncanny X-Men #394-545

The definitive issue-by-issue comic book collecting guide and trade reading order for the 2000s trade paperback era of Uncanny X-Men comic books from 2001 to 2011 in omnibus, hardcover, and trade paperback collections – including runs by Chuck Austen, Chris Claremont, Ed Brubaker, Matt Fraction, & Kieron Gillen and events like House of M, Messiah Complex, Second Coming, & Fear Itself! Part of Crushing Krisis’s Crushing Comics. Last updated November 2024 with titles scheduled for release through March 2025.

Uncanny X-Men (1963) #394 – 545: The Trade Paperback Era (1991 – 2001)

The X-Men franchise reached a crossroads in 2001 that would forever alter its direction, but also usher in a decade of substantial runs penned by just five authors – all of which was collected upon initial release starting with issue #410!

That’s why I think of this final decade of Uncanny X-Men as “The Trade Paperback Era.” It was the beginning of the idea of X-Men being “written for trade,” with tidy 4-6 issue story arcs rather than bursts of shorter stories and one-shot issues.

The slick, black leather costumes of the first Fox X-Men film existed in the public consciousness in 2001, but X-Men comics of the period were a hard-to-parse mess of neon spandex. Not only that, but Marvel’s newly-launched Ultimate Spider-Man reimagining of Spider-Man for the modern day was proving to be massively popular. An Ultimate X-Men followed at the beginning of 2001 that felt closer in style and tone to the films.

Together, these two changes allowed Marvel to experiment with the core of the X-Men franchise. Writer and actual psychedelic warlock Grant Morrison reimagined X-Men (1991) as the sci-fi, leather-clad, and frequently absurd New X-Men. Meanwhile, X-Force metamorphosed into X-Statix under the guidance of Peter Milligan and Mike Allred.

What’s often forgotten is that Uncanny X-Men also relaunched at the same time. Twice, actually! First, Joe Casey took the reins for a similarly leather-bound and slightly-absurdist take on X-Men. Then, midway through Morrison’s run, Uncanny swapped to author Chuck Austen.

Austen’s run is often reviled for its soap opera elements, as well as for deeply unpopular moments for Nightcrawler and Angel. Despite that, it remains very much in the Claremontian tradition of constantly-churning conflict and romance. It often introducing wild concepts from far outside the X-Men’s typical range of influences.

Chris Claremont himself would return as Austen’s replacement with The New Age in 2004. While opinions remain split on this run, it’s certainly more popular than his prior return on “Revolution.” The New Age finds Claremont intermingling new toys and old favorites, writing a team that includes Storm and Rachel Summers, but also playing with Bishop and X-23. His run crossed the House of M event that would decimate Marvel’s mutant population, though he did not deal with the fallout – instead, choosing to focus more on Rachel and the return of Psylocke.

Ed Brubaker took over from Claremont with an audacious change in direction. Brubaker followed up on his Deadly Genesis mini-series by taking a core of X-Men to space for Rise and Fall of the Shi’ar Empire. The cosmic plot lasted for an entire year of comics and lead into the massive War of Kings event. It eschewed many popular mainstays of the team for a cast of Xavier, Havok, Polaris, Nightcrawler, Rachel Summers, and Warpath – along with the Starjammers. Afterward, Brubaker refocused on Earth, steering the flagship towards a rebirth from the ashes of Messiah Complex.

Though Brubaker wrote for an arc following Messiah Complex, the following era of the X-Men in San Francisco mostly belongs to Matt Fraction. Fraction reimagines Uncanny X-Men less as a team and more as a society of mutants, with nearly every heroic mutant passing through the background panels of the book at some point in his run. He writes through Dark Reign to the considerable crescendo of Second Coming, a resolution of the remaining threads of House of M.

Finally, Kieron Gillen gradually transitions onto the title over the course of the following year, graduating from Matt Fraction’s secret co-plotter to Fraction’s credited co-writer before finally taking over the reigns with issue #534.1. Gillen slims down Fraction’s massive cast to one foreboding “Extinction Team” lead by the increasingly revolutionary Cyclops and featuring Emma Frost, Wolverine, Magneto, Namor, Storm, Kitty Pryde, Colossus, and Hope. His run continues past the punctuation of Schism through to the following run of Uncanny X-Men, Volume 2.

For a complete X-Men reading order for this period, start with The Definitive X-Men Reading Order: New X-Men.

X-Men by Chris Claremont – Definitive Collecting Guide to Uncanny X-Men #94-280

The definitive issue-by-issue comic book collecting guide and trade reading order for the original run of Uncanny X-Men by Chris Claremont comic books in omnibus, hardcover, and trade paperback collections. Part of Crushing Krisis’s Crushing Comics. Last updated November 2024 with titles scheduled for release through July 2025.

Uncanny X-Men by Chris Claremont (1975 – 1991)

X-Men did not officially become Uncanny X-Men until issue #142. However, the cover featured the “Uncanny” adjective starting with #114. Ultimately, many fans and comics resources refer to the entire relaunch from issue #94 forward as Uncanny X-Men – a convention Marvel upholds with the titling of their Marvel Masterworks reprints.

This 16-year period of X-Men by Chris Claremont is indisputable as the most classic era of X-Men, as well as generally considered to be one of the best runs of superhero comics of all time. The vast majority of thematic material later expressed in other forms of X-Men media including films, games, and toys originated in this run.

It all begins in 1975 with Len Wein and Dave Cockrum on Giant Size X-Men, which brought back Wolverine from a single appearance in Incredible Hulk and introduced a trio of characters that have become anchors of the franchise: Storm, Colossus, and Nightcrawler. It also brought Banshee and Sunfire back into the X-Men cast from their earlier Silver Age appearances, plus introduced Krakoa – the mutant island!

Chris Claremont took over writing duties from Len Wein just a few issues later. Under his pen, the trio of Wolverine, Storm, and Colossus would persist throughout a historic 16-year run that saw X-Men go from a marginal book returning from cancellation to the most-popular comic book franchise in America.

Along the way Claremont and a who’s who of artist collaborators steered the title through many signature foes and historic plots that have influenced movies, books, games, and toys for decades.

The first half of Uncanny X-Men by Chris Claremont – alongside Dave Cockrum, John Byrne, and John Romita Jr. – features a core of the classic Giant Size team, plus Kitty Pryde, under the leadership of Cyclops and Professor Xavier.

It included classic storylines like Proteus, The Dark Phoenix Saga, Days of Future Past, The Brood Saga, and God Loves Man Kills. Claremont and his collaborators introduced characters including Moira MacTaggert, Lilandra and the Shi’ar Empire, Arcade, Emma Frost and the Hellfire Club, Dazzler, Kitty Pryde, Rachel Summers, Callisto, Caliban, Forge, Selene, and many more – including importing Mystique and Deathbird from his run on Ms. Marvel! Plus, it saw him launch New Mutants and begin Magneto’s heroic turn.

The latter half of Chris Claremont’s landmark run on Uncanny X-Men – with Romita Jr., Marc Silvestri, & Jim Lee – begins with Storm usurping leadership of the team from Cyclops, who leaves the team for X-Factor. That means none of the original five X-Men star in this period of the book. Storm, Wolverine, and Colossus have seniority, and the team features some lesser-known characters such as Longshot, Dazzler, and original-body Psylocke, while introducing Mister Sinister, Jubilee, assassin-body Psylocke, and Gambit – plus, bringing back Sabretooth from his Bronze Age run on Iron Fist. And, it featured Magneto’s slide back to villainy.

That period bears a distinctly more dark and rebellious tone, with 21 issues passing with no X-Men team in existence! It also introduces the idea of both X-book and Marvel-wide crossovers with Mutant Massacre, Fall of the Mutants, Inferno, and X-Tinction Agenda.

This guide is not a complete reading order that follows the team through all of their various guest appearances! Instead, this guide focuses only on the issues of the Chris Claremont run and issues routinely collected alongside them. For a complete X-Men reading order for this period, start with The Definitive X-Men Reading Order: Second Genesis.