I unwrap the newest addition to my oversize hardcover X-Men collection – a copy of The Wedding of Cyclops & Phoenix! I make the case for why this book has the wrong title, talk about Sabretooth’s arc in the early 90s X-Men, and explain why this might be the best oversize collection for fans of X-Men: The Animated Series.
Cyclops
X-Men Titles (2010 – 2019) – The Definitive Collecting Guide & Reading Order
The definitive, chronological, and up-to-date guide on collecting X-Men flagship title comic books from 2010 to 2019, including Uncanny X-Men, X-Men, Extraordinary X-Men, X-Men Gold, and X-Men Red via omnibuses, hardcovers, and trade paperback graphic novels. A part of Crushing Comics – Guide to Marvel Comics. Last updated December 2024 with titles scheduled for release through February 2025.
This guide follows the main, “flagship” titles in the X-Men line from after “Second Coming” in the Heroic Age in 2010 through Marvel Fresh Start in 2019, just prior to Jonathan Hickman’s takeover of the entire line.
X-Men titles had been distinctly separate from the rest of the Marvel Universe for years even before they headed into two years of tightly coordinated stories and crossovers from 2008 to 2010.
It had been since Onslaught in 1996 that the X-Men interacted significantly with other Marvel heroes – or even wider Marvel Universe storylines! – in their own books. They also didn’t get out much. Aside from House of M’s ramifications in Decimation, you’d be hard-pressed to find a non-mutant Marvel hero in any X-Title other than Wolverine!
While that made for thrilling in-continuity stories for big X-Fans, it didn’t help bring new readers into the fold – or to share the wealth of X-Readers with other Marvel titles.
Marvel’s solution began with X-Men (2010). As with Astonishing X-Men before it, this title occurred relatively free of the convoluted continuity of other X-Titles, even though it made reference to outside events. And, unlike the self-contained Astonishing, X-Men, this title frequently featured guests-stars from throughout the Marvel Universe.
In 2011, Marvel ended their longest-running and highest-numbered title when they cancelled Uncanny X-Men, Vol. 1 with #544 to make way for a split in the X-Men between Cyclops and Wolverine explored in Schism. The subsequent Uncanny X-Men (2011) was still written by author Kieron Gillen with a similar tone and cast – just less Wolverine and Kitty Pryde. It was by many accounts (including mine) one of the best runs of X-Men ever written.
This, too, was in the service of steering the X-Men toward more interaction with the wider Marvel Universe – this time in the form of the major event, Avengers vs. X-Men.
In the wake of Avengers vs. X-Men, Marvel relaunched their entire line with nearly every creator shuffled onto a new book. In the shake-up, Brian Bendis hopped from the Avengers franchise to the X-Men franchise, taking over Uncanny X-Men (2013) (as well as a team of time-displaced teen X-Men in All-New X-Men).
Meanwhile, the adjectiveless X-Men volume relaunched a few months later with a primary cast entirely composed of X-Woman! It didn’t feel like a gimmick at all thanks to the X-Men’s legendary roster of women – including Storm, Psylocke, Jubilee, Kitty Pryde, Rogue, and Omega Sentinel, and more. Unfortunately, the title was quickly sent askew by the “Battle of the Atom” crossover and launch writer Brian Wood never quite recovered. Two later arcs by Marc Guggenheim (of TV’s Arrow) and G. Willow Wilson (creator of Ms. Marvel) were well-steeped in X-history, but not terribly exciting.
Bendis promised a lengthy run on X-Men, but another creator shuffle after Secret Wars in 2015 saw him depart the franchise for Iron Man in the All-New, All-Different Marvel.
In his place, Cullen Bunn took over Uncanny X-Men (2016). After a long streak of wrapping up soon-to-be-cancelled series for other writers, Bunn improbably struck gold on a menacing take on Magneto (2014) in his first ongoing series. He brought that villainous tone to his ongoing.
Alongside that, a more-heroic new title – Extraordinary X-Men – launched under the pen of Jeff Lemire and tied in closely to the wider Marvel Universe plot of the Inhumans and their Terrigen Bomb being poisonous to mutants.
After the resolution of the Inhumans thread in Inhumans vs. X-Men, Marvel relaunched the entire X-Men line in “ResurrXion.” This marked the first time since 2013 that there was no ongoing “Uncanny” title serving as one of the flagship books of the line. However, X-Men Gold was effectively “Uncanny,” with a Claremont-esque classic team of Kitty, Storm, Nightcrawler, Colossus, and Rachel Grey, among others. Meanwhile, Cullen Bunn continued his Magneto thread into the All-New X-Men cast with X-Men Blue. Nearly a year later, Phoenix Resurrection returned Jean Grey to the cast of X-Men, and she launched a third flagship with X-Men Red. And, finally, the period wrapped up with five X-Men Black one-shots focusing on major X-Men villains.
Then, in November 2018, Uncanny X-Men returned with a bang – as a 10-part weekly story arc called “X-Men Disassembled.” That story branched out into “Age of X-Man” – an alternate reality event – while writer Matthew Rosenberg continued the storylines of his past year of X-Men mini-series into a disturbing final run on the title that killed off many beloved characters… only for them to return in Jonathan Hickman’s relaunched Age of Krakoa!
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Uncanny X-Men in the 00s – Definitive Collecting Guide to Uncanny X-Men #394-545
The definitive issue-by-issue comic book collecting guide and trade reading order for the 2000s trade paperback era of Uncanny X-Men comic books from 2001 to 2011 in omnibus, hardcover, and trade paperback collections – including runs by Chuck Austen, Chris Claremont, Ed Brubaker, Matt Fraction, & Kieron Gillen and events like House of M, Messiah Complex, Second Coming, & Fear Itself! Part of Crushing Krisis’s Crushing Comics. Last updated November 2024 with titles scheduled for release through March 2025.
Uncanny X-Men (1963) #394 – 545: The Trade Paperback Era (1991 – 2001)
The X-Men franchise reached a crossroads in 2001 that would forever alter its direction, but also usher in a decade of substantial runs penned by just five authors – all of which was collected upon initial release starting with issue #410!
That’s why I think of this final decade of Uncanny X-Men as “The Trade Paperback Era.” It was the beginning of the idea of X-Men being “written for trade,” with tidy 4-6 issue story arcs rather than bursts of shorter stories and one-shot issues.
The slick, black leather costumes of the first Fox X-Men film existed in the public consciousness in 2001, but X-Men comics of the period were a hard-to-parse mess of neon spandex. Not only that, but Marvel’s newly-launched Ultimate Spider-Man reimagining of Spider-Man for the modern day was proving to be massively popular. An Ultimate X-Men followed at the beginning of 2001 that felt closer in style and tone to the films.
Together, these two changes allowed Marvel to experiment with the core of the X-Men franchise. Writer and actual psychedelic warlock Grant Morrison reimagined X-Men (1991) as the sci-fi, leather-clad, and frequently absurd New X-Men. Meanwhile, X-Force metamorphosed into X-Statix under the guidance of Peter Milligan and Mike Allred.
What’s often forgotten is that Uncanny X-Men also relaunched at the same time. Twice, actually! First, Joe Casey took the reins for a similarly leather-bound and slightly-absurdist take on X-Men. Then, midway through Morrison’s run, Uncanny swapped to author Chuck Austen.
Austen’s run is often reviled for its soap opera elements, as well as for deeply unpopular moments for Nightcrawler and Angel. Despite that, it remains very much in the Claremontian tradition of constantly-churning conflict and romance. It often introducing wild concepts from far outside the X-Men’s typical range of influences.
Chris Claremont himself would return as Austen’s replacement with The New Age in 2004. While opinions remain split on this run, it’s certainly more popular than his prior return on “Revolution.” The New Age finds Claremont intermingling new toys and old favorites, writing a team that includes Storm and Rachel Summers, but also playing with Bishop and X-23. His run crossed the House of M event that would decimate Marvel’s mutant population, though he did not deal with the fallout – instead, choosing to focus more on Rachel and the return of Psylocke.
Ed Brubaker took over from Claremont with an audacious change in direction. Brubaker followed up on his Deadly Genesis mini-series by taking a core of X-Men to space for Rise and Fall of the Shi’ar Empire. The cosmic plot lasted for an entire year of comics and lead into the massive War of Kings event. It eschewed many popular mainstays of the team for a cast of Xavier, Havok, Polaris, Nightcrawler, Rachel Summers, and Warpath – along with the Starjammers. Afterward, Brubaker refocused on Earth, steering the flagship towards a rebirth from the ashes of Messiah Complex.
Though Brubaker wrote for an arc following Messiah Complex, the following era of the X-Men in San Francisco mostly belongs to Matt Fraction. Fraction reimagines Uncanny X-Men less as a team and more as a society of mutants, with nearly every heroic mutant passing through the background panels of the book at some point in his run. He writes through Dark Reign to the considerable crescendo of Second Coming, a resolution of the remaining threads of House of M.
Finally, Kieron Gillen gradually transitions onto the title over the course of the following year, graduating from Matt Fraction’s secret co-plotter to Fraction’s credited co-writer before finally taking over the reigns with issue #534.1. Gillen slims down Fraction’s massive cast to one foreboding “Extinction Team” lead by the increasingly revolutionary Cyclops and featuring Emma Frost, Wolverine, Magneto, Namor, Storm, Kitty Pryde, Colossus, and Hope. His run continues past the punctuation of Schism through to the following run of Uncanny X-Men, Volume 2.
For a complete X-Men reading order for this period, start with The Definitive X-Men Reading Order: New X-Men.
[Read more…] about Uncanny X-Men in the 00s – Definitive Collecting Guide to Uncanny X-Men #394-545
Silver Age X-Men – Collecting Guide and Reading Order for Uncanny X-Men (1963) #1-93
The definitive issue-by-issue comic book collecting guide and trade reading order for Marvel’s Silver Age X-Men and X-Men Hidden Years comic books in omnibus, hardcover, and trade paperback collections. Part of Crushing Krisis’s Crushing Comics. Last updated November 2024 with titles scheduled for release through June 2025.
The Silver Age X-Men
The X-Men debuted in 1963 under the pen of the father of the Silver Age Marvel Universe, Stan Lee, and his frequent collaborator, Jack Kirby.
X-Men (1963) is one of the most important key issues of the Silver Age because the team debuted fully formed with a complete cast of Professor Xavier, Cyclops, Marvel Girl AKA Jean Grey, Angel, Iceman, Beast – and, their signature foe, Magneto!
The “Original Five” were lead by Professor Xavier against foes like Magneto and his Brotherhood of Evil Mutants, Namor, Unus The Untouchable, The Blob, Juggernaut, the original Sentinels, and many other classic X-Men enemies that are recalled to this day. Issue #4 introduced Quicksilver and Scarlet Witch, who would soon migrate to the Avengers to become a part of “Caps Kooky Quartet” along with a third reformed villain, Hawkeye.
The original run of X-Men lasted from issue #1 in September 1963 through issue #66 in March 1970. From there, the title continued exclusively as a bi-monthly reprint book from issues #67-93, republishing prior issues with new cover illustrations.
Those five ears ended in 1975 with the publication of Giant Size X-Men and the relaunch of the title with a new cast in issue #94.
Though no new X-Men material was published from 1970 to 1974, the team was still active at the margins of the Marvel Universe – as seen in occasional guest appearances. That has led this period to be dubbed “The Hidden Years” by both Marvel and fans. Those “Hidden Years” contain contemporaneous Silver and Bronze Age material from the period, as well as later-inserted material.
Since all of that material features the assembled Silver Age team, it is also covered by this guide – distinguished as “Silver & Bronze Hiatus Appearances” and “Modern Age Hidden Years.”
(Making things even more confusing, the “Modern Age Hidden Years” should generally be read first – since it does not include the fuzzy version of Beast!)
Because this era is covered comprehensively by multiple formats, I have not listed the full breadth of single issues collected by story or single issue – there’s no reason to collect this run in that fashion. However, I have included some key issues below to help orient you to major moments in the Silver Age run.
If you want a reading order of every X-Men comic and character in that period (including guest appearances, flashbacks, and retcon stories), see The Definitive X-Men Reading Order, Era #1: Original X-Men.
A note on the title of this series: The official publication name of this title was “X-Men” through the Silver Age and beyond. The title was not formally changed to “Uncanny X-Men” until the indicia of issue #142. However, Marvel routinely refers to the entirety of this 1963 – 2010 volume as “Uncanny X-Men,” as on this Marvel Unlimited entry for issue #1. As a result, my convention on Crushing Comics is to always refer to the entire series as “Uncanny X-Men,” even prior to the indicia change.