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I didn’t read any new comics in 2022.

It wasn’t about me. It was about the comics. And, I can prove that with data.

More on that in a moment.

I started reading new comics again in 2010 after 15 years away. Since then, I’ve read nearly every Marvel comic from the end of Avengers vs. X-Men in 2012 through the end of 2021. The same is true for DC from the beginning of Rebirth in 2016.

Plus, since 2017 I’ve read nearly everything from Aftershock, Valiant, Vault & Zenescope, plus a wide selection of new titles from Black Mask, Dark Horse, Dynamite, IDW, Image, Mad Cave, Scout, and many, many more!

That adds up to reading a lot of comics every year. Marvel alone reliably releases an average of 14 in-continuity issues every week, with DC chipping in up to 10 more. Then, we add in my other “every comic” publishers, ongoing indie titles I keep up with, and new releases I’m checking out.

That results in an average pull list of 48 comics per week – or about 2500 issues a year. It means I read well over 50% of the new single issue releases in the American comics market.

I kept up that pace for five years. That doesn’t mean I was buying 48 comics a week. My reading habits were a balance of snatching up new digital issues of the things I loved the most, waiting a bit longer for digital discounts on others, and catching up on other comics for a minor subscription fee via Marvel Unlimited (MU), DC Universe (DCU), and Comixology Unlimited (CXU).

2022 began with a big change: the death of Comixology as we knew it.

What used to be a standalone site with a decent web-based reader was absorbed entirely by its owner, Amazon. My ability to easily read and reference issues before they hit MU and DCU was scuttled. Using CXU was over. That knocked out my entire indie comics habit, since the vast majority of them only distribute digitally through that single channel.

I told myself I would enjoy a three month break and then start catching up via MU and DCU.

That never happened because of a more gradual change: I stopped liking comics. Or, at least, I thought I did.

This is where the data comes in. [Read more…] about The Year Comics Broke Up With Me

Lately, I trust journalists less than ever before. Or, maybe I trust them, but I don’t trust the stories they’re telling.

Last week during the gun control filibuster on the Senate floor I compiled the names and demographic information from all the participating Senators, and my friend Lauren created an interactive infographic with the information. I did not read a single media story that named all of the participants after the fact.

I know this is a theme in conservative American politics right now – the bias of the mass media. I’m not talking about bias. I’m talking about facts.

The past few weeks have been full of big new stories nationally (Orlando and gun control) and locally (sugary drink tax and the DNC), and the biggest of those stories have been missing so many facts. They’re all headlines and quick hits. Hot takes with no depth. No quoting from primary sources. Lots of people coming away with incomplete ideas and parroting them as reality.

Those same weeks have also been full of truth. I become deeply invested in last week’s filibuster from the floor of the Senate and did not consume a single pundit’s take on it. I watched it live and was my own pundit. Yesterday’s sit-in in the House circumvented pundits even further – it couldn’t even be broadcast by networks because the House was out of session and cameras were off, so representatives broadcast it directly to the public via Periscope, cutting all all possible middlemen.

Of course, the next day journalism swept in – but, as a first-hand witness to the events in question, I found the subsequent coverage lacking. Where were the names of the participants, the lengths of time they spoke, the information they shared? I put more information together about the filibuster with data visualization from my friend Lauren than I saw from any news site!

I don’t trust journalists or I don’t trust the stories they tell, but I can hardly blame them. After all, I have a journalism degree and I never set foot into that field. I went CorpComm because I wanted job security and a standard of living, and that was before online outlets were effectively subsidizing their print editions and running on pay-per-click ad units. But I still believe journalism should represent unfiltered truth with a neutral point of view, unless it professes itself as opinion. I had a lot to say about the filibuster, but none of it made its way into the data.

What if journalists didn’t have to worry about the funding and the hits, and could focus on terrific journalism? There are some outlets today that fit the bill, and I don’t think it’s coincidence they produce some of the most thorough reporting. I know it’s hard to picture state-run journalism, because so often it’s journalists who expose the flaws in the state, but that’s one version of what I’m talking about. Instead of asking journalists to make personal sacrifices to do what they love and write for maximum eyeballs, imagine a minimum number of reporters guaranteed on each beat, with job security, fair pay, and a retirement plan.

Do you think the journalism would get better or worse? Does it take sacrifice to want to dig as deep as journalists dig? Or, would the skill and commitment increase?

The Private Eye

The Private Eye collects the 10 chapters of a complete web comic story by Brian K. Vaughan, Marcos Martin, and Muntsa Vicente.

Tweet-sized Review: The Private Eye finds Vaughan & Martin a bit too clever for their own good; I liked the world better than the story

CK Says: Consider it.

The Private Eye is a much more interesting world than it is an interesting story – and, it’s a pretty decent story.

Private Eye is an Eisner and Harvey Award Winning comic story conceptualized by Brian K. Vaughan and created in collaboration with Marcos Martin and his wife, colorist Muntsa Vicente. It was initially released beginning in March 2013 as a web-only comic via Panel Syndicate, with its 10 chapters released across 24 months. Each chapter was available as a DRM-free as a pay-what-you-will download.

You can still purchase it that way, or you can opt for a gorgeous $50 hardcover version released in December that includes the complete Vaughan/Martin email chain conceptualizing the story and their method of release (complete with fretting over what to call the website and how to make a profit from it).

The story of Private Eye depicts an America where the press has taken over peacekeeping for the police thanks to a landmark omni-leak of every possible piece of data. The event, called “The Cloudburst,” exposed everyone’s online information to everyone else. It wasn’t the leaked account balances or private nudes that did everyone in, but the search histories. It turns out that was as close as you could come to knowing what was going on inside someone else’s head – their deepest fears and desires. A lot of those heads were pretty dark places. [Read more…] about Review: The Private Eye by Vaughan, Martin, & Vicente