Geoff Johns

The Pull List: Avengers: No Surrender, Backways, Detective Comics, Maestros, Marvel 2-in-One, & more!

January 26, 2018 by krisis

The Pull List has grown a lot longer this week – 17 issues in all!

That’s due to catching up with another Marvel book (Thanos), several new indie #1s, and a few Image books I’ve read to the present in the past few weeks. Also, starting this week I’m running very short reviews of the X-Men books covered in This Week in X here, so that you can catch up on all the week’s new titles in one place!

Here’s what’s on my Pull List:

Abbott (2018) #1
Avengers (2017) #677
Backways (2017) #2
Detective Comics (1937/2016) #973
Dissonance (2018) #1
Doomsday Clock (2017) #3
Gasolina (2017) #5
Legion (2018) #1
Maestros (2017) #4
Marvel 2-in-One (2018) #2
Phoenix Resurrection (2018) #4
Raven: Daughter of Darkness (2018) #1
Thanos (2016) #15
Vinegar Teeth (2018) #1
Wonder Woman (2016) #39
X-Men: Blue (2017) #20
X-Men: Blue (2017) Annual 1

I hope these capsule reviews can help you decided what series you should add to your own pull list, or at least catch up with once they hit collected editions! And, remember, this feature is still new and evolving, so your comments and suggestions count a lot! [Read more…] about The Pull List: Avengers: No Surrender, Backways, Detective Comics, Maestros, Marvel 2-in-One, & more!

Review: Doomsday Clock #1 vs. Watchmen #1

November 24, 2017 by krisis

It is 2017, and every classic work of art or commerce is just another chance to launch a new franchise. Everything old is flogged again.

The Handmaid’s Tale is now an Emmy-winning television show that has extended its universe both before and after the story in the classic novel. The long-running Archie comics have been turned into a nonsensical thirst-trap of a TV show about sex and murder where it is every season of the year on every day to allow for a full range of fashionable costuming.

Classic franchises are groaning under the weight of being re-franchised. It’s franchising squared. Disney is determined to pump out Star Wars movies almost as frequently as they used to release Star Wars novels back in the day and Warner Brothers has rushed a Justice League into the theatres before we’ve had a chance to care about most of the individual heroes who would form it.

There’s even news that Amazon is planning to make an ongoing series out of Lord of the Rings, ignoring the extended fart sound that was made by the bloated Hobbit trilogy and the fact that they could simply serialize the original film series across two entire seasons if it was carved into TV sized chunks.

I’m trembling in anticipation for the “long awaited” adaptations of some of my favorite TV commercials and magazine ads.

(That is only halfway a joke.)

And here we are, revisiting Watchmen, one of the comic medium’s true masterpieces, because we cannot leave well enough alone.

Yes, we already had a Watchmen movie and a Before Watchmen, but they were each one-time events. This is more than an event. It’s also a mash-up with DC’s ongoing universe that we never asked for but cannot help but watch like rubberneckers delighting in a gruesome accident. (Which says nothing for the ethical concerns, addressed at length at ComicsBulletin.)

If anything can be forgiven of being a retread of past ground, shouldn’t Watchmen? After all, it was Alan Moore’s original idea to take a dead comics universe and put its characters through a meat grinder of a final story. He might have wound up using his own original characters in the end, but he’s just as culpable of re-franchising as any of these modern examples. Moore’s career is full of these examples – MiracleMan, The League of Extraordinary Gentlemen, and even Peter Pan. He loves digging up comics corpses to reanimate as much as films studios do!

And therein lies the truth of the matter. Moore always got a pass because his work was derivative but delightful. All of these franchise sins can be forgiven if the new extension of the franchise is good. The Handmaid’s Tale won that Emmy, after all, and everyone loves an Archie with abs.

Why not revive the Watchmen? Everybody’s doing it and they’ve been doing it forever – since long before Moore did it back in 1986.

Doomsday Clock #1 & Watchmen #1

Doomsday Clock #1 written by Geoff Johns, drawn by Gary Frank, and colored by Brad Andersen. Watchmen #1 written by Alan Moore, drawn by Dave Gibbons, and colored by John Higgins.

Doomsday Clock is not meant to be a slavish, panel-by-panel homage to Watchmen, but the parallels are clear.

Both issues open with similar narration. Both are largely contained in a 3×3 nine-panel grid structure, and this first issue of Doomsday Clock employs a similar rhythm of breaking the grid to Watchmen #1. Both issues end with a sudden scene change punctuated by a historic quote that is followed by illuminating back matter.

There is an additional storytelling parallel that Doomsday Clock #1 ought to have picked up from Watchmen #1. Watchmen included several scene transitions throughout the issue, though each one turned out to be an extension of Rorschach’s journey through the narrative.

The first scene change in Watchmen is the most significant. On page nine, we cut from Rorschach looking at the Comedian’s photo of the old Watchmen to that same photo hanging above Hollis Mason as he enjoys a beer with Dan Dreiberg. Their conversation reveals they are the two Nite Owls, old and new.

The scene could have existed elsewhere, but the transition immediately lends it additional context: some of the Watchmen are still alive, and some of their mantles were handed down to others.

A page later, we realize this story is still the story of Rorschach, who shows up unexpectedly in Dreiberg’s house as he returns. The implication is that Rorschach, too, was a Watchman – which also tells us that the membership has changed over time, pre-explaining the upcoming scenes with Ozymandias, Dr. Manhattan, and Silk Spectre.

For all his withering critique of society in his journal, Rorschach was once involved in protecting it. We immediately realize that, in a way, his pessimism is him bemoaning his own failures. [Read more…] about Review: Doomsday Clock #1 vs. Watchmen #1

Definitive Flash Collecting Guide and Reading Order

You cannot see this page because it is currently exclusive to Patreon supporters.

Thank you for being a reader and supporter of Crushing Krisis!

This site would have never grown past the original guides to X-Men without readers like you, and I will never forget that!

It not only takes (a lot of) time to produce hundreds of pages of comics content, but also money for hosting, registration, and software. The financial support from Patreon pledges has kept this site running when I would otherwise have had to suspend it or refocus my spare time on freelance work.

I completely understand if you cannot afford to support CK or are not interested in doing so. The core of my coverage of the X-Men and the Marvel Universe is available to all readers for free – absolutely nothing has changed about that. I still appreciate your support and you are always welcome to ask me questions in comments here or on Twitter or YouTube!

As a thank you to readers who support Crushing Krisis on Patreon, I provide early access to new guides like this one. Patrons generally chip in $1-2 a month to help cover the costs of hosting CK and to make awesome new content like this possible.

I literally could not have launched the DC section of Crushing Comics without the support of Patrons, nor would I have worked on Star Wars or Conan, nor would I have the time to launch a YouTube channel or revise the X-Men Reading Order.

That said, all readers benefit from the support of Patrons – because all of those exclusive guides eventually become regular free content for every reader.

Guides launched with the support of Patrons and now available to all readers: 22 Guides!

DC Comics: DC New 52, DC Rebirth, DC Elseworlds & Infinite Earths, DC Universe Events, Detective Comics, Batman, Batman by Grant Morrison, Batwoman, Gotham, Green Arrow, John Constantine – The Hellblazer, Robin(s), Watchmen, & Wonder Woman

Marvel Comics: Marvel Era: Fresh Start, Marvel Ultimate Comics, Jessica Jones AKA Alias, Magneto, New Warriors, Star Wars, & X-23

Other Publishers: Conan (Marvel & Dark Horse)

Plus, top-to-bottom revisions to guides including: Iron Fist; X-Men Reading Order Eras 0, 1, and 2; Uncanny X-Men #281-393; Uncanny X-Men #394-544

Current Exclusives For Crushing Cadets ($1/month): 8 Guides!

DC Guides: Batman – Index Ongoing Titles, Batman: Legends of the Dark Knight

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Current Exclusives For Pledgeonauts ($1.99+/month): 31 Guides!

DC Guides: Animal Man, Aquaman, Catwoman, Batman – Index Ongoing Titles, Batman: Legends of the Dark Knight, Flash, Justice League, Nightwing, Outsiders, Suicide Squad, Teen Titans & Young Justice

Marvel Guides: Alpha Flight, Ant-Man & Giant-Man, Champions, Darkhawk, Dazzler, Domino, Falcon, Gwenpool, Legion, Marvel Era: Marvel Legacy, Moon Boy / Moon Girl & Devil Dinosaur, Ms. Marvel: Kamala Khan, Power Pack, Scarlet Witch, Sentry, Silk, Spider-Gwen, Spider-Man: Miles Morales, Venom, Vision

Collecting The Avengers Vol. 2 (1996-1997) & Vol. 3 (1998-2005) as graphic novels

The definitive, chronological, and up-to-date guide on collecting Avengers comic books from 1996 to 2005 via omnibuses, hardcovers, and trade paperback graphic novels. A part of Crushing Krisis’s Collecting Avengers: A Definitive Guide. Last updated February 2016 with titles scheduled for release through October 2017.

Avengers: Reborn and Disassembled

Avengers, Volume 3 (1998) - 0025 This run continues from Avengers (1963).

In 1996, The Avengers were presumed dead at the hands of Onslaught in the Marvel Universe, but they were just hidden – trapped in a pocket dimension without realizing they had been removed from their own reality. This was an attempt by Marvel to revitalize some of their most-established (but not especially popular) properties by handing them to the creators who left them for Image Comics.

The experiment was short-lived, but Marvel took advantage of the heroes return to restart The Avengers third volume in 1998 with a bang – they brought in Kurt Busiek and classic DC artist George Perez.

The series remains popular to this day, as does the following run by Geoff John. However, Marvel hasn’t shown any recollection love to the two Chuck Austen stories that followed prior to Brian Bendis thoroughly disassembling the franchise to launch New Avengers.

[Patreon03][/Patreon03]

DC New 52 Review: Aquaman #1

September 30, 2011 by krisis

Aquaman is the Rodney Dangerfield of DC Comics – he doesn’t get any respect.

Mostly it’s about overlap. Aquaman has super-strength and he’s bulletproof, but so is Superman. He’s the rightful sovereign of a mythical kingdom, but so is Wonder Woman.

Where does that leave him? He swims fast and talks to fish. Or, at least, that’s the mocking media narrative that has emerged from Gen X fans who grew up having Aquaman lose every fight they staged with their Super Friends toys.

That’s not to say he hasn’t starred in some fantastic stories in the modern comics era. In fact, Aquaman’s under-the-radar status has allow authors like Peter David to completely reimagine his personality for the purpose of telling exiting, innovative stories.

Here the pen is held by DC’s major architect Geoff Johns, who reinvigorated the Green Lantern franchise but has proven a bit of a bore so far this month. Which way will he take our seaborne

Aquaman #1

Written by Geoff Johns, art by Ivan Reis & Joe Prado

Rating: 3 of 5 – Good

In a Line: “Fish don’t talk. Their brains are too primitive to carry on a conversation.”

#140char Review: Aquaman #1, our hero is mocked from all sides & decides to quit the sea. Funny, mostly saved by great art, no-telling if #2 will be any good

CK Says: Consider it.

Aquaman #1 is self-aware to a fault, giving readers the catharsis of getting all their Entourage-fueled mocking on their hero out on the page where we can all see it.

It’s an amusing approach from deconstructionist Johns, but forcing the real world’s obsession with making fun of Aquaman into a comic is a cheap trick. It’s fun while it lasts, but gives no hints as to why we should come back for actual adventuring in the next issue aside from a few pages about incredible hungry piranha people.

We’re effectively along for the ride in a day of the life of our hero, who is starting to feel the public’s lack of appreciation for him. He foils a bank heist, though the robbers try to run him over and gun him down in the process – apparently unaware that neither will work. The cops don’t understand why he showed up, since no fish were at risk. Later, he stops by a restaurant only for them to balk at him ordering fish – isn’t that like cannibalism?

The utterly pedestrian vibe of the issue has a saving grace in the attractive artwork of Ivan Reis and a bright, colorful set of colors from Ann Reis. The Reises make Aquaman out to be a golden-haired hunk, and manage to render his gold and green swimsuit as credible superhero armor (thanks in no small part to his rather fierce rendition of the trident). Regular people in a restaurant are a realistic mix of dumpy and cute, but Aquaman’s lover Mera is a knockout – their two pages together will almost make you wish this was a romance comic.

While I enjoyed this debut issue for its information dump and poking fun at our hero, it’s just another boringly “different” plot from DC workhorse Johns. While I’m sure he’ll lead this awkward plot to water and the foes within sometime soon, I wish one of the more ACTUALLY transgressive writers in the relaunch drew this straw. However, I can’t deny that Johns’s script delivers some zingers, which together with Reis’s artwork is strong enough to lift this one past average.

DC New 52 Review: Green Lantern #1

September 19, 2011 by krisis

I don’t like Green Lantern.

There, now you’re really going to trust my review!

One Earth man specially selected by alien to wield the power of green light to defend the universe I can take. Hell, I even dig that multiple men have borne the ring over the years.

It’s when you add to that all the various other Green Lanterns, and the home world, and the power battery, and the other colored Lanterns – and then make that one of the central mythologies of the DC Universe – that my interest wanes.

All of those credulity-stretching elements make Green Lantern just another employee – a foot solider in a galactic brigade with the same standard issue weapon as all his comrades. Heck, sometimes other Green Lanterns can even operate in the same sector! Even when Marvel has expanded their most popular lines of comics, they’ve never trivialized an original hero concept quite as much as that.

DC went all-in on Lanterns in their reboot, not knowing at the time they set the slate that the Ryan Reynolds summer blockbuster would tank. But, flop or not, this is the obvious title that new fans would be flocking to. Is it up to the task?

Green Lantern #1

Written by Geoff Johns, art by Doug Mahnke & Christian Alamy w/Tom Nguyen

Rating: 1.5 of 5 – Weak

In a Line: “You’ve been off-planet too long, you’re beyond out-of-touch with everyday life – and people!”

#140char Review: Green Lantern #1 aimed at anyone BUT a new reader. It’s confusing. No denying Hal Jordon is magnetic to read; pity it’s >half about Sinestro

CK Says: Skip it.

This debut issue could not be any more unfriendly to a new reader or non-DC collector reading all 52 books. And, friendliness aside, it’s not very good.

I’m not entirely sure what to say about it, because it was clearly not aimed at me. The plot feels like it picks up from some prior action that remains unnamed. We follow a seemingly destitute and clueless Hal Jordan (even though I don’t think he’s the latter) as he gets evicted and botches a date, and a seemingly newly-introduced and highly moral Sinestro (even though I’m pretty sure he’s neither) as he zips around in space, seemingly planning something awesome and not at all sinister.

That’s it. You have now read Green Lantern #1.

This book lacks just about all there is to lack in the plot and script department. Some caption boxes or thought bubbles would have been kind to orient the reader, or even to add a little texture to an absurdly fast read. There is no explanation of how the ring works, anywhere. There is no mention of the fact that last week we saw Guy Gardner as Earth’s GL in the present and Hal as a member of the Justice League five years in the past. We meet a council of blue-headed dwarves who apparently act as the DMV for the apparently noble green power rings, but they are asses and kill one of their own for disagreeing with them. And what is a Star Sapphire ring?

Uneven art does the issue no favors. Sinestro is both red and pink throughout. Backgrounds of tight shots are vague and empty, as in one shot of Hal and Carol at dinner with a blank wall behind them when it’s been established that one doesn’t exist in any direction. One non-red-robed blue-headed dwarf guy appears out of nowhere (why is his robe different?) only to be zapped a panel later? We see the detailed emptiness of the apartment Hal leaps into (pictured higher than his own window) only to be confronted by a half dozen people in it a page later (when it is clearly below his window).

We get zero context of why Sinestro was imprisoned, except that he turned dictator on his own planet (which was maybe a good thing?), only to then visit his planet and see a Sinestro Corps (?) of Yellow Lanterns (?) enslaving other pink/red people (?). Sinestro easily dispatches a yellow-ringed scout, even though I’m pretty sure yellow is what the green ring is weak to.

The one thing the issue did bother to establish is that the ring chooses the wearer, and it implies that there is one ring bearer per sector. The final page cliffhanger neatly refutes both points.

While this intercutting issue may have been a thrill for fans who know the Green Lantern mythology, it’s a toss-away for new adult readers and those with a vague understanding of GL’s background. It barely makes a lick of sense, and though Hal is sympathetic the only likeable character is Carol Fenris. It is a decent issue for younger readers, with its simplistic “plot,” no bad language, and limited violence.