George Perez

Collecting The Avengers Vol. 2 (1996-1997) & Vol. 3 (1998-2005) as graphic novels

The definitive, chronological, and up-to-date guide on collecting Avengers comic books from 1996 to 2005 – including Heroes Reborn and Avengers by Busiek & Pérez – via omnibuses, hardcovers, and trade paperback graphic novels. A part of Crushing Comics – Guide to Marvel Comics. Last updated August 2024 with titles scheduled for release through December 2024.

Avengers: Reborn and Disassembled

This run continues from Avengers (1963) – see Guide to Avengers (1963 – 1996) for collection details.

In 1996, The Avengers were presumed dead at the hands of Onslaught in the Marvel Universe, but they were just hidden – trapped in a pocket dimension without realizing they had been removed from their own reality. This was an attempt by Marvel to revitalize some of their most-established (but not especially popular) properties by handing them to the creators who left them for Image Comics.

The experiment was short-lived, but Marvel took advantage of the heroes return to restart The Avengers third volume in 1998 with a bang – they brought in Kurt Busiek and classic DC artist George Perez.

The series remains popular to this day, as does the following run by Geoff John. However, Marvel hasn’t shown any recollection love to the two Chuck Austen stories that followed prior to Brian Bendis thoroughly disassembling the franchise to launch New Avengers. [Read more…] about Collecting The Avengers Vol. 2 (1996-1997) & Vol. 3 (1998-2005) as graphic novels

DC New 52 Review: Superman #1

September 30, 2011 by krisis

Superman has been dangled like a carrot over readers’ noses all through DC’s 52 debut month, from his hot-headed flashback appearances in Justice League and Action Comics to his benevolent present day cameos in Swamp Thing and Supergirl.

The promise was implicit: you’ll get your full dose of Superman in the title with his name on it. Not only that, but that his modern depiction would help to contextualize the superheroes that appeared throughout all 52 books.

Well, we’ve arrived. 51 books later and it’s time to unveil the boy in blue in the present tense – in the capable hands of comics veteran George Perez.

Superman #1

Script & breakdowns George Perez, pencils & inks by Jesus Merino

Rating: 2 of 5 – Uneven

In a Line: “Superman, however, was occupied with other matters.”

#140char Review: Superman #1 is all the reasons modern readers mock 80s comics. Perez way overdoes it on script in this tangled one-shot plot.

CK Says: Skip it

Superman #1 under-delivers, focusing on every possible detail except for Superman. Classic creator George Perez over-scripts this allegory about print media living past the digital wrecking ball. Despite keeping this plot confined to a one-shot and fitting in a super-brawl, this issue was a chore to read.

This issue is too obsessed with text. Do we really need to know all the ins and outs of the Daily Planet’s newfound home in a major media empire? Perez chooses to defray his heavy-handed narrative voice-over by assigning it to in-story speakers, but it just makes things worse.

From the mayor’s overbearing introductory speech to a nonsensical newspaper article that reads like a bad blog post fraught with grammatical errors, Perez presents an unfortunate example of why modern comic readers tend to mock the overly-narrated issues of the 70s and early 80s.

If there is one aspect of the issue safe from criticism, it’s the artwork. Perez’s breakdowns guide artist Jesus Merino to fine issue of art – where’s it’s not obscured by text balloons, that is. A Courtney Cox inspired Lois winds up the star of the issue, and like Cox she’s an ageless blend of leggy starlet and purring cougar.

A one page diversion that sets up Stormwatch makes no more sense here than it would in any other title, except this is the ostensible present-day super-flagship. It’s still awkward.

In a graphic design nitpick, center-aligned narration boxes that contain entire paragraphs are a bad move. Readers don’t want to drag their eyes down a ragged left margin of text in a box. It’s confusing.

Superman #1 is a disappointing delivery given the buildup we’ve seen all month. While I’d welcome a series of one-shot stories showing the Man of Steel in action, I don’t think Perez’s narrative style jibes with Metropolis – especially when the ultra-efficient Grant Morrison is the other scripter in town.

DC New 52 Review: Green Arrow #1

September 14, 2011 by krisis

Green Arrow rounds out my first week of DC New 52 reviews – just in the nick of time, as I’ll be reading week two books in a matter of hours!

I don’t have much of a preamble about Green Arrow, which is maybe why I left him for last. I know he can be a bit angsty and I had his Kenner Super Friend toy. That’s about all I’ve got.

I have a bit more to say about the art on this book. Jurgens was the cornerstone of the 80s and 90s, penciling everything from Avengers to Superman. When I see his name I think of handsome, broad-shouldered heroes and their petite, curvy sidekicks and love interests. Here he’s inked by Perez, another Avengers alum, was the master of the team book, and the man behind Wonder Woman’s post-Crisis relaunch (which I own and adore).

This is about as cold as I can come into an long-established hero. Will this all new take on him be the perfect introduction, or was I better off not knowing a thing? And how will two old-school talents translate into a New 52 book?

Green Arrow #1

Written by J.T. Krul, art by Dan Jurgens & George Perez

Rating: 2.5 of 5 – Okay

140char Review: Green Arrow #1, Batman/Hawkeye model of a young/cocky xtreme hero on a narrowly interesting adventure. Felt 80s/90s, esp. w/Jurgens pencils.

CK Says: Consider it.

GA defeats a foe on the river Seine.

Green Arrow presents a cocksure hero who’s not afraid to get his hands dirty or bloody when necessary, which earns him enemies both in the villain department and from within his own Queen Industries.

Not much happens in this issue, strictly speaking, but you could never call it decompressed. Krul packs word balloons into every panel, providing a style of constantly narrating hero that the 2000’s have eschewed thus far. Yet, despite the retro writing, Green Arrow is a modern take-no-prisoners hero.

The issue’s art straddles the same old-but-new divide. The Jurgens/Perez team-up lends the issue a decidedly 80s rough-hewn look – except for on GA himself, who is drawn more crisply throughout. The effect makes him seem a bit more high-tech than his surroundings, even if he is a guy with a compound bow. Add to that a modern coloring job and the art has the same nouveau retro feel as the writing. Jurgens’ background shots of Paris are especially great.

Green Arrow is a fun single issue adventure – the kind that ought to be in the hands of every eight-year-old comic reader in the world. It feels a little skimpy coming off of some of the highs of week one, but it’s an effective and interesting issue that’s worth picking up for the throwback vibe.