Jason Aaron

Avengers & New Avengers flagship titles (2010 – present) – The Definitive Collecting Guide & Reading Order

The definitive, chronological, and up-to-date guide on collecting Avengers flagships comic books from 2010 to present, including Avengers & New Avengers, Avengers by Hickman, Avengers by Aaron, & Avengers by MacKay via omnibuses, hardcovers, and trade paperback graphic novels. A part of Crushing Comics – Guide to Marvel Comics. Last updated August 2024 with titles scheduled for release through March 2025.

In 2005, Marvel stopped publishing a comic called “Avengers” for the first time since 1963 in the wake of Brian Bendis’s “Avengers: Disassembled” event. In its place was his relaunched New Avengers, and later Mighty Avengers along with it.

That changed in 2010, when Marvel and Bendis launched the twin Avengers flagship books of Avengers (2010) and New Avengers (2010), each focused on a different element of the team – the heavy-hitters and the street-level characters. He would later add Avengers Assemble (2012) to focus on a movie-friendly team.

After that point, Avengers flagships continued into Jonathan Hickman’s relaunch of Avengers (2012) and New Avengers (2013), his Infinity (2013) event, the addition of Avengers World (2014), and the lead-up to his Secret Wars in 2015.

The return of the Marvel Universe launched with two flagship titles – All-New All-Different Marvel included Mark Waid’s All-New All-Different Avengers (2015) and Al Ewing’s New Avengers (2016). It later added David Walker’s Occupy Avengers (2016).

The refocus on classic characters and foes in Marvel Legacy saw those two flagship titles transform into Waid’s Avengers (2017) and Ewing’s U.S.Avengers (2017), culminating in the “Avengers: No Surrender” weekly event. (Some of the All-New team also spun out into Waid’s Champions (2017) – see Guide to The Champions.)

Then, Marvel Fresh Start kicked off with the launch of Jason Aaron’s lengthy run on Avengers (2018), which includes the Heroes Reborn (2021) event and tie-ins to Avengers / X-Men / Eternals: Judgment Day (2022). (While “Avengers: No Road Home” is listed below, for Savage Avengers see Guide to Conan the Barbarian).

This guide tracks all of those flagship Avengers titles from 2010 forward as well as supporting books and events tied closely to those titles and Avengers one-shots from those periods.

For Avengers+X-Men titles from 2010 to present, check out the Guide to Uncanny Avengers. Also, see Guide to Young Avengers, which includes both actual “Young Avengers” titles as well youthful or in-training teams like Avengers A.I. (2013).

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Wolverine, Logan – Collecting Guide and Reading Order

The definitive, chronological, and up-to-date guide and trade reading order on collecting Wolverine via omnibuses, hardcovers, and trade paperback graphic novels. A part of Crushing Krisis’s Collecting X-Men: A Definitive Guide. Last updated August 2024 with titles scheduled for release through July 2025.

Collecting Wolverine

Wolverine is second only to Spider-Man in sheer quantity of stories told about a single character in the modern Marvel Universe. Collecting his every appearance is a close-to impossible task.

That can make it hard to be a fan who wants to read about your favorite 5’3″ Canucklehead without picking up expensive back issues. Luckily, those comics have been collected into dozens of softcover graphic novels, called “trade paperbacks.”

This guide lists three types of Wolverine collections – ongoing series, limited series where he is a title or starring character, and significant story-arcs. It is split into several sections and eras: [Read more…] about Wolverine, Logan – Collecting Guide and Reading Order

Astonishing X-Men an Amazing X-Men – Definitive Collecting Guide & Reading Order

The Astonishing X-Men & Amazing X-Men comic books definitive issue-by-issue collecting guide and trade reading order for omnibus, hardcover, and trade paperback collections. Find every issue and appearance! Part of Crushing Krisis’s Crushing Comics. Last updated August 2024 with titles scheduled for release through March 2025.

Astonishing X-Men launched under the unprecedented auspices of being an X-Men with the hottest possible creators that you could follow without a tangle of other comics to buy.

Though that concept would be slightly watered-down over the years, the theme of a standalone, fan-pleasing X-Men book focused on relationships as much as heroics has always been the mission statement of Astonishing X-Men, and it was echoed in 2014’s Amazing X-Men.

Note: Astonishing X-Men, Vol. 1 (1995) and Amazing X-Men, Vol. 1 (1995) were both four-issue limited series that were part of the Age of Apocalypse alternate timeline. Astonishing X-Men, Vol. 2 was a three-issue limited series that was a precursor to a major Apocalypse storyline.

When Astonishing launched in 2004, Grant Morrison’s massively popular run on New X-Men had just come to a somewhat abrupt halt, at least in part due to disputes behind the scenes. That lead to a line-wide re-alignment of X-Men titles, including cancelling Chris Claremont’s sideline title X-Treme X-Men and moving him back to the flagship Uncanny X-Men.

Marvel had unleashed something entirely new with Morrison’s run that no existing Marvel writer could replicate – not even Claremont: Morrison was an outside voice to the X-line who brought a much-needed injection of fresh ideas and a legion of new fans.

Enter Joss Whedon, creator of Buffy The Vampire Slayer, Angel, and Firefly (though they’d all see cancellation by the time Astonishing kicked off). He was geek royalty with a massive fanbase, and despite having only written a handful of Buffy comics to that point, he had grown up with the X-Men. In fact, Buffy was based on Claremont’s archetype of Kitty Pryde (and Dark Willow on Phoenix)!

Marvel contracted Whedon to pen 12 issues, paired with rising superstar artist John Cassaday (who was in-progress on Planetary and just off of a run on Captain America). Rather than hand Whedon and Cassaday an existing title as they had with Morrison, Marvel created an entirely new one for the pair.

It was a prescient move on Marvel’s part, as when Whedon and artist John Cassaday hit delays within the first year of the book, it allowed the rest of the X-Men universe to keep moving while the pair toiled over each new issue. Marvel took the unusual step of treating Astonishing as “continuity-free” – though it acknowledges events like M-Day, it is free of crossovers and was released at a different rate than other X-books. In fact, it took four years for these 25 issues to be released – effectively putting them on a bi-monthly schedule.

Whedon took over the concept of a more academically-minded team from Morrison, with a staff of Cyclops, Emma Frost, Wolverine, Beast, and substituting Shadowcat for the recently departed Jean Grey. Dozens of Xavier Institute students are featured in the background of the early issues.

With Whedon & Cassady’s run on the book over, Marvel continued the trend of using Astonishing‘s crossover-free setting to lure high-profile creators – this time landing Warren Ellis. Creator of the critically acclaimed Planetary, Ellis actually got his start on Excalibur in the mid-90s. Ellis swaps Kitty Pryde and Colossus for Storm and Armor and gives the book a speculative fiction and sci-fi theme. Afterwards the book was handed to Daniel Way and Christos Gage, Greg Pak, and finally novelist Marjorie Liu – who played up the team-as-family theme.

Amazing X-Men began as Jason Aaron’s take on an X-Men away team as his run on Wolverine & The X-Men wound down, but it wound up as a single-shot story of Nightcrawler’s resurrection when he was whisked away to helm Original Sin and then launch Star Wars. Popular X-Men Academy and X-Force writer Christpher Yost wrote the majority of the remaining issues, which maintained a more light-hearted 80s feel to both the team and the stories.

Marvel relaunched Astonishing X-Men as part of their 2017 ResurrXion era, first penned by Charles Soul – who fit the A-lister billing – and then by Matthew Rosenberg, who would transition directly to writing the flagship Uncanny X-Men in early 2019.

The great thing about this pair of titles is that any time the writer changes is a great place to start! There is never any ongoing continuity – every run by a different writer is completely self-contained.