Crushing Krisis

Comic Books, Drag Race, & Life in New Zealand

krisis

Krisis has been creating Crushing Krisis since 2000, writing songs since 1996, and reading comics since 1991. He is a Customer Success and Digital Brand Strategy executive, serial organizer, parent, and feminist, among other things. Based in Philly through 2017, he now resides in Wellington, NZ.

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I spent all day worried about the notes that i fucked up on Mother Mother. Peter, i kept thinking, how could you post a Trio with notes that fucked up?. Well, i knew how; “Mother Mother” had been holding me up for over a week, and finally this morning i just woke up, tuned my guitar, screamed intermittently for about three minutes, and then wiped my hands of the Trio just in time for my directing class.

I walked to said class while listening to, for the first time in many many years, Paula Abdul’s Forever Your Girl. This was an album that, in my pre-adolescent life, was probably second only to the LPs in my Madonna collection when it came to getting the most spins, though i would be hard pressed to explain that phenomenon to you after a day of suffering through the ten-track atrocity that Paula passed off as a debut album.

I refer to it as such not because it failed to be a coldly calculated synth-fueled pop smash (it was), but because even with the best computers the late eighties had to offer and a multi-cultural multi-gender team of anonymous back of singers, Paula can still barely hit a solid note. It’s actually quite pathetic. Verses that i remembered being supple and sweet were instead slurred and sloppy, and vocal crescendos on choruses were actually a tiny, squeaky Paula being carried by a crashing layered tide of herself and said crack team of backup singers.

I can appreciate that some people aren’t the most phenomenal singers, but all through my walk to and from class i found myself wondering couldn’t they have gotten a better performance out of her? Obviously the album was destined for success whether it featured assured singing or not, but why settle for not? Why not train more, or record more takes, or pick a pop-model who can actually sing to sell your songs rather than a former cheerleader destined to be remembered more for her scripted anti-Simon quips than her amazing vocal abilities?

I don’t know that i’ve figured out the answers, but tonight i found myself absent-mindedly listening to my first Trio ever, and i realized that i really didn’t hit very many of the notes. I was singing, and supporting a little, and i had pitch, but i was not singing with the tuneful confidence that invites harmony, a band, or a record deal. If had i turned in a similar performance earlier today it would have been promptly thrown into the recycle bin. And, yet, three years later i find myself kvetching about a “so” on “Not So Bad” whose O wasn’t round enough, how Paula Abdul’s singing is nothing but unimpressive and contrived without the wonderful world of Pro Tools to augment it’s many Britney quality failures, and how the vowel i sing in the word “mother” makes me sound like i’m trying to remember how to vomit.

In a moment of absolutely clarity, i realized that the only thing i know how to settle for is progress. None of these three complaints would have even occurred to me three years ago, two years ago i wouldn’t have known what to do about them, and a year ago i would have settled for a few mistakes and called it a day. Each step represented a previously unimaginable improvement from the last, but at each junction i was just as imperfect as Paula.


So, essentially, i cannot wait until season five starts. And that’s a long way from now…

https://crushingkrisis.com/2003/10/106549333960331142/

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Teachers giving explanations that i’ve already figured out the punchlines to, and office work i know how to complete before i start doing it. Everything feels as if it is in slow motion. Still waking up at eight in the morning and doing something, until five in the afternoon because how can i sleep late or watch television when i know how many things i can get done in an uninterrupted day?

https://crushingkrisis.com/2003/09/106440469919937395/

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A few nights ago i had a peculiar dream, of Ross and i in Texas, me improbably crashing on Alison’s floor, though she seemed somewhat perplexed that she was suddenly responsible to house anyone who has linked to her for over a year, and Ross and i missing our plane back to Philadelphia, and me losing him in the endless depths of an airport bar.

Lately i feel fertile; full of potential. Two songs have come now, in the last week, appearing at odd hours like a radio stations that suddenly tune themselves in as you are driving across state lines, one at work just after lunch, the other at 4am on Saturday night. They sound as though they came from different channels — in fact, the one sounds like it came from two or three different channels all by itself. You’ll hear soon enough; Season Four of CK’s one-of-a-kind feature Trio debuts next week.

I have five days of corporate life ahead of me before this internship, my last, is over. I have become so used to its daily routine, so much more daily and routine than any other that came before, that it seems impossible that i won’t have to keep tying my tie by eight a.m. so that i can make it onto my bus, or swing my chair around with a nudge of my knee when i arrive at my desk in the morning.

Yesterday i welcomed Kate and Lindsay back to the contiguous United States with glee, saying that it had seemed like they had been gone on their paradise vacation forever, and as i said it i knew that it was true. The sensation was just like being young … how everything seemed at once brand new and as if it could last forever. Wonderful bubbling laughter, awful nauseous sickness, and ever just simple sleep.

I think i am broken, my growth impossibly stunted, because i seem to have never outgrown that feeling, and so i remained convinced that i would live forever in that dream airport, in this state of fertility, or at this desk for the rest of my life and i think that maybe some little piece of me will be left behind at each of those places, imagined, perceived, or actual, until i arrive at where i’m really meant to be.

https://crushingkrisis.com/2003/09/106365163105071240/

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But, i think, if there were more hours in the day, then there would be no sense of urgency. As much as my ambitions outstrip my intent, and as much as i lament that i typically have too much energy to be contained within a simple 24-hour cycle, i know that if we just added two, or maybe four or five hours to the rotation then suddenly they’d each become that much more meaningless, like how i always make a trip to Borders on a day that i’ve earned overtime pay — not because i’m trying any less hard to save money than i was the day before, but because it’s harder to remember its value when it comes in a larger amount.

The 24 hours that we’ve got make me conscious of what i’m doing. Contemplating a re-read of all of this year’s lamentably edited Rolling Stone, i instead rerouted my attention to cracking open Atlas Shrugged for the first time; rather than sit down for a second daily helping of The Sims i tidied up my room and rehearsed for the impending fourth season of Trio. How else can i do all that i keep resolving to do, other than cutting out the things that i don’t?

I am convinced that those who claim “There just aren’t enough hours in the day” really need to be given a few less hours to work with for a week or two. After that they’d be fine.

https://crushingkrisis.com/2003/09/106303981028794987/