Crushing Krisis

I’ve known Leigh Marble, or at least known of Leigh Marble, as long as i’ve played guitar.

Literally. The night i came home with that crappy Ashland i headed directly to Leigh’s AniTab’s, which still exists at the same url to this day, almost nine years later. The first song i played on my first guitar was “Dilate.”

Two years later and i was a pro at figuring out my own arrangements of Ani DiFranco songs, and a contributor (and argumentative corrector) of Leigh’s tabs. At the time he was splitting a 7″ record with Erin McKeown.

Five years ago this week I saw and heard Erin McKeown for the first time in 2001, on a split bill with Peter Mulvey, and it was from that perspective that i first connected the dots between my favorite inspiration (Peter) and my first (Ani), through Leigh.

Leigh’s self-recorded his first full-length CD, Peep in 2003. He gives an elucidating account of the recording process, as well as samples of his songs. Each one i’ve heard is a fresh idea laid over an innovative arrangement, none betraying his Ani affiliation than “Bucket Seat” does mine. I’m buying a copy; you ought to buy one too. (Also, Erin has a free four-song session up at the spectacularly neat Daytrotter, and an album of standards on the way.)

I think the connection is that we’re all doing it ourselves. And, nine years later, i just submitted the 101st tab to AniTabs.

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