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You are here: Home / Creative / my music / songwriting / My Favorite Trio Tracks: #2 – Granted (from Trio Season 4, #2)

My Favorite Trio Tracks: #2 – Granted (from Trio Season 4, #2)

September 30, 2007 by krisis

While surveying my Trios for this list of favorites tracks I decided against including the fully-mixed songs from the middle of Season 4. Though they appeared in Trio they didn’t adhere to the spirit of Trio – I built them piece by piece from a click track rather than recording them live.

Except for “Granted.”

“Granted” came to me in the middle of the night. I awoke, bolt upright, crying, and reached for a piece of paper. The next thing I remember was crossing out a line in the final verse, and the next thing after that was getting through a guitar/vocal version of the song in a single take.

What could be more quintessentially Trio than that?

After hearing the guitar/vocal I realized that a lot more had come to me than just the basic structure of the song. Without even thinking about it I added a lattice of background vocals and guitars around the original demo, replacing some of them in the coming days with more polished versions. The end result was one of my most professional-sounding tracks of all time, which wound up as the opening track of Trio Season 4, #2.

As a song “Granted” exists across opposing worlds – awake and asleep, alive and slipping away. Now you can hear it two different ways for the first time – fully polished and completely naked. At the core of each is my voice, hoarse at 3am from waking up crying, singing words straight from a legal pad pockmarked with arrows and crossouts.

I love this song so much that I’m afraid to hear it any other way.

Filed Under: songwriting, Trio Tracks

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  1. Crushing Krisis › Fresh Music: Regenerate (video demo) says:
    September 1, 2009 at 10:55 am

    […] At some prior point in this site’s storied history I would write a song, literally record my first run-through, and post that as a demo – sometimes all in a single day. “Granted” is an example. […]

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