Crushing Krisis

Comic Books, Drag Race, & Life in New Zealand

trio

Trio Season 6 – Suite #1: Within

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Trio: Season Six, Suite #1: Within
Icy Cold, Love Me Love Me Not, Nothing To Say

A sample of what I had to say in this Trio…

Re: Within
To me [the theme] is equivalent to internal monologue. It got me thinking about blog as internal monologue, because you have no idea if anyone is reading it. In fact, when you start it it’s not often you have a guaranteed audience … I didn’t start my blog knowing anyone was ever going to read it. It was almost equivalent to my internal monologue.

Re: Voice Lessons
So, I’m taking these voice lessons, and she’s all like “it’s breathing, it all starts with the breathing. All singing starts with breathing” And you can say “bullshit” as long as you want (whether that’s one lesson or, you know, four months), but goddammit when you’re in your room and it’s two hours before you have to get this shit done and you can’t get through a phrase it all makes sense: it’s the breathing.

Re: Love Me, Love Me Not
[Love Me Not was] written over a period of several months. It wasn’t one of those things that came fully formed. I’ve read interviews with songwriters where they say, “oh, the good songs come fully formed, all at once, just popping into your head all at once. … But, you know, there’s nothing wrong with trying. There’s nothing wrong with teasing something out and perfecting it. … It’s the difference (to borrow from Malcolm Gladwell) between precociousness and practice.

Re: Trio
Trio – as far as I can tell, or anybody else can tell – was the first podcast by a singer songwriter. I just turned on my computer and recorded three songs. It was 2000 – I didn’t think anything of it. So, I never patented it.

Nothing To Say
It came pretty much all in one shot, but I had never played it in front of people, ever, until last week. … It was alive over seven years without being played for anybody.


Trio – the original singer-songwriter web session – returns for its sixth season featuring my original music, recorded live and DIY in my bedroom. You can download this Trio, or listen to a Trio from Season 5:

(This post currently features an 11/6 remix of Trio. You can also hear the original version, which includes a more “acoustic” mix of “Love Me Not,” plus two minutes of extra commentary.)

My Favorite Trio Tracks: #1 – Up & Down / So Hard (from Trio Season 3, #5)

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My favorite Trio tracks have documented many memorable musical moments from 2000 to 2004. Songs made their debut, found their fans, and were gradually refined or radically transformed.

However, sometimes the best part of Trio is playing a song – old or new, well known or obscure – and playing it very, very well. This became my mission throughout all of Season 5, with outstanding results, but up until then a specific pair of Season 3 tunes were the best example.

I remember very specifically burning them to CD and listening to them on the train ride to Elise’s house, and as soon as I arrived pushing the disc into her stereo, ignoring that one of the tunes was a touch explicit and Elise’s 10 year old brother was sitting on the floor playing video games. Not to mention that the cover in the middle of the two songs was “Untouchable Face.”

(Little did I suspect that years later I’d take him to a Dresden Dolls concert where backup dancers would pantomime giving each other back alley abortions, alternating the Charleston with pulling doll parts out from under their dresses. That made me feel so much better about blasting “Untouchable Face” in his living room.)

Check out “Up & Down” and the debut of “So Hard” from Trio Season 3, #5. And, tune in next week for the first Trio of Season 6.

My Favorite Trio Tracks: #2 – Granted (from Trio Season 4, #2)

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While surveying my Trios for this list of favorites tracks I decided against including the fully-mixed songs from the middle of Season 4. Though they appeared in Trio they didn’t adhere to the spirit of Trio – I built them piece by piece from a click track rather than recording them live.

Except for “Granted.”

“Granted” came to me in the middle of the night. I awoke, bolt upright, crying, and reached for a piece of paper. The next thing I remember was crossing out a line in the final verse, and the next thing after that was getting through a guitar/vocal version of the song in a single take.

What could be more quintessentially Trio than that?

After hearing the guitar/vocal I realized that a lot more had come to me than just the basic structure of the song. Without even thinking about it I added a lattice of background vocals and guitars around the original demo, replacing some of them in the coming days with more polished versions. The end result was one of my most professional-sounding tracks of all time, which wound up as the opening track of Trio Season 4, #2.

As a song “Granted” exists across opposing worlds – awake and asleep, alive and slipping away. Now you can hear it two different ways for the first time – fully polished and completely naked. At the core of each is my voice, hoarse at 3am from waking up crying, singing words straight from a legal pad pockmarked with arrows and crossouts.

I love this song so much that I’m afraid to hear it any other way.

My Favorite Trio Tracks: #3 – Wings of the Ragman (from Trio Season 3, #6)

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Cover songs are a tricky business.

Many songs – especially pop songs – are distinct because of their arrangement, or their production, and when they’re stripped down to just an acoustic guitar they are entirely unarresting. As covers those sorts of songs are only as effective as you know how to make them; you have to bring your own strong sense of interpretation and inertia to the song to keep it interesting for the listener.

Peter Mulvey‘s “Wings of the Ragman” is a different creature, maybe because of its aerobic, alternately-tuned guitar or it’s rapid, flowing melody. Or, maybe it’s something else. No matter what, my version of it from Trio Season 3, #6 is very nearly my favorite Trio recording of all time.

My Favorite Trio Tracks: #4 – Are You / Relief (from Trio Season 4, #4 / #1)

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I’m straying from the script here – being indecisive. So, you get two songs instead of one.

Originally you were meant to get “Are You” from Trio Season 4, #4. However, listening to it tonight I was compelled to alter a flubbed change – editing it out in favor of a seamless transition.

The result sounded good, but that’s not what this highlights series has been about – I haven’t done any digital work to these recordings other than restoration, and occasional touch of reverb.

The irony is that “Are You” was intentionally imperfect – it bucked the trend of huge mixing projects that had overwhelmed an aborted Trio season that had began over a year before. “Are You” truly is a folk song – perhaps my only one – and at the time I resolved to keep it folky and untouched.

The endeavor of bringing mixing to Trio began 53 weeks earlier with Trio Season 4, #1. Actually, you’ve heard an earlier recording of the song in question – “Relief” – already during this series. I recorded this particular “Relief” in a single take, but then decided to add just a touch of harmony. And then just a touch more.

Really, I don’t know much in the way of restraint when it comes to harmony.

I haven’t heard the guitar/vocal recording without the harmony for almost four years; hearing it tonight I find myself wondering why I was so convinced it needed any harmony to begin with.

Which is the purer representation of Trio – my recovery from excess (in mixing and in perfectionism), or my first step into it (sans the excess)?

Up to you, I suppose.