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Archives for November 2003

November 19, 2003 by krisis

Let It Be … Naked is an easy purchase to justify, as it’s something that i’ve wanted to hear for almost my entire life: Let It Be without Phil Spector.

For those of you not of the Beatlemaniac persuasion, the short of the story is that The Beatles completed the studio work used on Let It Be as a potential soundtrack to a groundbreaking live performance, but then shelved both the idea and the recordings. After Abbey Road was released, Spector was brought in to spruce up the comparatively unpolished studio takes for public consumption.

Naked ditches the Phil Spector polish of orchestras and choirs, as well as the multiple spoken segments and the brief “Maggie Mae” and “Dig It,” while adding a warmly analog digital conversion and a classic “Don’t Let Me Down” (currently found on Past Masters 2).

Spector-rectification aside, the restoration of the basic tracks is subtle but remarkable; rooftop concert vocals are all crisper (notably on “Dig A Pony”), guitar tones sound truer across the board, and Paul’s piano is more balanced on “Let It Be” and “Winding Road.”

The latter two songs also benefit the most from their remixing; “Road” is less periodic and more poignant without it’s loping string section, and with the added bonus of hearing more of the excellent piano work from Paul. “Let It Be,” on which the excess was less obtrusive, holds together fine with the quartet of Beatles ahhing in harmony without a backing choir. “For You Blue” sounds worlds different with the benefit of precise stereo mixing and digital EQ. Also noticeably different is “Across The Universe,” never slated for Let It Be in the first place before Spector stepped in, sped up to its original key and stripped of the airy scales and runs that had cluttered it.

Other revisions are less revelatory, though equally welcome. Aside from their vocals, “I Me Mine” and “One After 909” have a perceptible added crispness, with the former losing much of its organ part — a faithful but jarring choice. “I’ve Got A Feeling” loses a touch of analog fuzziness but otherwise sounds the same.

The changes are questionable on only two tracks. “Get Back” is mastered phenomenally, but it still ends without the refrain present on the Past Masters version — a less objectionable choice on Naked with the song rightfully tracked in the first slot. Original opener “Two Of Us” sounds like it’s gained a slight boost to Paul’s harmony, though it could just be the effect of a clearer mix. Though this choice is consistent with Paul’s lead on the bridge section, the song is not as charmingly self-referential with a reduced Lennon vocal.

Let It Be … Naked is remastering done right — it is a boon to the casual fan, and absolutely essential to the serious collector. It is of a higher caliber than the at-times slapdash Anthology discs, and its omissions and inclusion are purposeful rather than arbitrary or sales-drive. Most importantly, though, Naked presents a picture of what The Beatles actually sounded like at the end of their career, with production that favors the clarity of their performance rather than any commercial or personal gain. Other Beatles discs may be completely retracked or remastered in the future, but Let It Be is surely the last truly essential Beatles release.

https://crushingkrisis.com/2003/11/106926777649551028/

Filed Under: reviews Tagged With: beatles

November 13, 2003 by krisis

I am not a terrific actor. I have zeal, and am unafraid, but i always balk at surrendering myself entirely to a persona that is not wholly my own. Acting, for me, is a series of motions, and when i am acting i string them together as fluidly as possible. Sometimes, though, i know the movements and the words so cold that i stop speaking and let the character speak through me. Those are the moments when i am truely an actor.

Despite not thoroughly mastering the art of acting, i am slowly becoming more aware of the acting of others. I can see, now, the vast difference between motions being gone through and characters. This sight has turned live theatre into something much nearer to a sporting event for me, but what it has truly revolutionized is the screen. No longer can i appreciate overwrought dramas or lightweight sitcoms, where the actors are just punching the lines in all the right places; acting is not pummeling. No longer can i endure even the most viscerally executed CG action sequences; not if i have to suspend my disbelief in the characters doing the fighting.

It might sound like a revolution of criticism, but that’s only because the standards for what we call “actors” have sunk so low. Suddenly i get the point of the Academy Awards — they are not to award the most favorite actors for the most fun roles. No. They are for the actors who chose not to appear in their movies, instead letting their characters speak for themselves.

I wish i could do it, but for the time being i am content to appreciate it. I am more than content to drink up masters like Ian McKellen, who skips from playing fairytale heros and villians to portraying the imperfections of real life without skipping a beat. I love ensembles, like the one on West Wing, who are so in on the show that i have trouble watching them on talk shows and award ceremonies when they are just being themselves.

I like that I can see this all now, a layer beyond the story and the movement and the words. Yay for college education.

https://crushingkrisis.com/2003/11/106870870418760368/

Filed Under: college, flicks, self-critique, teevee, theatre

November 12, 2003 by krisis

Aim refused to get drunk before our interminable night class on Monday, so instead we stuffed ourselves silly with bubble tea and made a list of think I could do in June.

1. Graduate; get a job in Philly. Pros include staying in the same physical area with the same social network, which incurs lower cost and promotes mental stability. Cons include feeling as though i’m starring in my own personal version of The Truman Show or, alternately, reminding myself how pathetic my life is on a weekly basis. (Note: Cons do not apply if employed by the University of Pennsylvania or Philadelphia Magazine)

2)Graduate; get a job away from Philly. Includes the major benefit of living independently somewhere other than here. Detractions include lack of startup capital, moving all of my stuff, having to buy a car, and the fact that I don’t think my dozen closest friends are going to set-up a schedule where at least one of them is crashing on my couch at all times. At least, not without some prompting.

3)Graduate; attend grad school. Combines academic challenge with possible relocation. My already-existing student loans and the fact that the letters G, R, & E often induce a panic attack are definite detractions, as is the fact that i’d rather gnaw my arm off than go to class lately. (Note: Detraction #2 is waved if I pull a Martha).

4)Graduate; go abroad to do something worthwhile. Pros include buying a backpack guitar and getting a new passport photo. Oh, and changing the rest of thr world a little bit while potentially padding my resume. Cons include putting the rest of my life on hold for a year, airfare, immunizations, the fact that I barely speak anything other than English, and paying hiked-up import prices for new records.

5)Graduate; become a Rock Star. I know that almost everyone wants to be famous but, lets face it, most people have no particular reason to get famous no matter how much they want to be. I used to be most people; in high school i had a recurring fantasy invoked while singing in the shower. It involved me singing in the shower (wait for it…) only to be interrupted by an astute questions posed by my interviewer from Rolling Stone, who i had permitted to join me in the bathroom to facilitate his interview but promptly forgotten once faced with my audience/shower-fixtures. I could conceivably make this a reality. Pros to this include the fact that there’s really no reason for me not to be famous – i’ve got decent songs, a decent voice, and am decently cute (which is more than i can say of any new band i’ve heard/seen within the last month). Cons include that since becoming a rock star is not a definable career choice, and i can’t obtain job security or a future through attempting it, i have relegated it to a back burner for over half a decade so that it’s never really close to reality. Also, it’s a lot of hard work, and schlepping around with my guitar, and believing in myself.

This is what i do while i’m supposed to be blogging, if there is such a time of day. Feel free to share your opinions, additional pros and cons, or alternate options.

https://crushingkrisis.com/2003/11/106866494839649888/

Filed Under: adulthood, college, my music, rollingstone Tagged With: aim, martha

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