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songwriting

July 30, 2001 by admin

“Without You i Cry” was the first song i ever wrote, only at the time it was just a poem. But, Gina took it and songed it without even really thinking about it and now i’m glad she did, because that may have been why i decided i wanted to play guitar, and obviously it’s totally changed my entire life. It’s simple, and the language is wholly atypical of most of my work, but it’s mean, and we only knew simple chords at the time – can you tell? “With or Without You” wasn’t the first time i ever stood in front of people and played guitar, but it was the first time i had to prove my worth since it was for a talent show, and, of course, Gina dragged our asses into that without much effect from me in either direction.

The first time i ever sang on stage was also with Gina, at the end of my sophomore year of highschool when we sang “Sharks Can’t Sleep” as a quartet. No one believed i could sing back then (least of all Gina, i suspect), but the way i remember it i went to her and promised i’d be able to sing my verse if they’d let my have one, and so they did, and i held back my tiny breath and sang it, and all of the judges looked at me and then the next week we opened the talent show. So, that was two talent shows in a row. Did i mention that Gina rocks?

https://crushingkrisis.com/2001/07/4797162/

Filed Under: bthon'01, songwriting Tagged With: bonham, gina

July 30, 2001 by admin

“Splinter” and “Hold On Me” are like fraternal twins born with a deathgrip around each other’s umbilical chords… one can never be well-liked and popular while the other one is doing the same. So, “Hold On Me” came out to shine while i was recording my demo, but shortly afterwards it was usurped by “Splinter” because it was Gina’s favourite. But two weeks ago “Hold On Me” came back with blistering heat an emotion, displacing it’s twin again. Will they ever be able to share space on a demo? At least with one as the flipside to the other they don’t have to look at each other…

https://crushingkrisis.com/2001/07/4796371/

Filed Under: bthon'01, songwriting Tagged With: gina

July 29, 2001 by admin

“Punk” happened one day, and i can’t really say it any way other than that. One day i was sitting in this very chair at this very computer having a conversation about not having very much of a voice back in highschool, and the next think i knew i was writing this song. I really didn’t have much of a voice in highschool… i was the loud and obnoxious one, and i had opinions, but i don’t know if i ever said what i felt and i know even less whether or not anyone was even listening. “Punk” is deceptively punk-rock and upbeat… maybe in highschool we all wanted to be a punk band, but it’s just the spirit of it that stuck around.

https://crushingkrisis.com/2001/07/4793859/

Filed Under: bthon'01, songwriting Tagged With: gina

July 29, 2001 by admin

So, wow, doing requests by the light of dawn is pretty fun, but you can hear the weariness creeping into my voice. None of the requests are going to debut until we’re back into the PM hours, so don’t get too excited.

I’ve let quite a few songs drift by without much commentary. “Goodbye” is not just some random blues lament; it’s really about losing one of my friends to their enamourment with drugs. College cut me off from them before i could hear how it turned out and they’re still alive now so i hope all is well, but when i left them they were doing things a bit more than was healthy. I am honestly okay with all sorts of recreational drug use, but (for example) using cocaine is over the line of what i consider “recreation” and i basically made that clear not as an ultimatum but as a concern. And i was ignored. So, eventually, “Goodbye” was the result. Somewhere along the way it absorbed its siamese twin of a song “Fearless,” which was the same emotion attached to someone wholly different … basically, i was watching the movie Fearless and it has a very graphic plain-crash scene in it twice, and i had just lost someone in a crash two summers before, and it just brought all of the emotions crashing down on my head and then i was in my hallway crying for a while, and then “Fearless” happened. Both are the same thing… saying goodbye without ever wanting to.

“Never Say Goodbye” is the polar opposite in too many ways other than its name to count. First of all, it involves the conscious decision to never let go of a friend despite of something separating us because that something wasn’t final like addiction or death; it was just space. I don’t write songs consciously very often – that is, i don’t usually pick an emotion and then run with it – but in this case i had the intent and i had the opening line and the song happened. “NSG” is probably the most-editted of all of my songs, and i have three drafts worth of RealAudio to prove it. But, anyhow, it was a great success on my demo so i’ve been leaving it alone lately to give it a bit of a break.

eek, time for another shower or some caffeine pills…

https://crushingkrisis.com/2001/07/4793481/

Filed Under: bthon'01, songwriting

July 29, 2001 by admin

I’m sortof stuck here doing nothing while i upload all of the things that Gina and I just recorded, so now i have some time to blog. I’ll work from the newer songs back.

Rabi just asked if “You Hear Her” was new, since she didn’t recognize it, but it’s actually one of the oldest songs i recorded for this; its from July of 1998. “You Hear Her” was the first song that came to me totally as ad-lib, as you can easily tell from the simplicity of the chord structure and lyrics. I wrote it after a brief phone-call with my friend Sara, who at the time was feeling especially plain and ignored by the boy she was after. So, i wrote her a song to cheer her up. I remember setting the phone on its side next to the speaker so that she could hear the real-audio of it. “More Than That” is from Relief, and to me it will always be the after-thought song … i wanted to have one more on the disc but i flubbed “No Second Chance,” so it was the only one i had left from the recording sessions. It’s actually not about a relationship at all, but about dealing with friends and roommates, which is why the person i’m singing to is a male.

https://crushingkrisis.com/2001/07/4786264/

Filed Under: bthon'01, high school, songwriting

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