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August 20, 2002 by krisis

The primary reason that malls bother me is that i don’t think so much pop culture and watered down fashion should exist and commingle in one place. I cannot bare to look at another Lord of the Rings cross-promotion. I cannot watch my girlfriend try on jeans every fifty feet for three hours anywhere but a mall. I almost cannot stand the ability to comparison shop for video games, Magic cards, stretch jeans, and Pat Benatar cds all at once.anywhere but a mall.


New Jersey, for those of you not in the know, has almost reached mall saturation-point. Really. And, when Elise asked me if i wanted to go shopping today, i had no idea that it would be a multiple store, multiple mall, multiple highway endeavor. NJ needs its malls, because they represent a commercially and spatially sound means of starting up a highly visited business venture in a state that all but refrains from imitating the metro Philadelphia and New York settings that it exists as a suburb to. However, i don’t think that i need them.

There is something distasteful about obviously thirteen year old girls in tube tops and capri pants with little wicker purses trying to catch peoples eye. There is something gut-wrenching about the Disney characters pressed onto black cotton shirts in startling standard alternative store Hot Topic, whose should-be motto was on sale as a witty Tee. Express is hedging their bets heavily on pin stripes and retro-hemmed skirts, while Wet Seal is leading the pack of outlets selling peasant-style blouses in ridiculously busy prints. Aeropostale seems to be convinced that terrycloth, baby animals, and sparkles are the undeniable keys to fashion success – and are willing to offer you an obscenely cheap PDA with your $50 purchase to prove it. And don’t even get me started on how hard i laughed when i looked inside the store that was (nearly fictionally) titled Rave Girl, or about the swimsuit at the Macy’s entrance that appeared to be depicting a 9/11 memorial somewhere just above the crotch.

It’s not that the existence of malls bothers me so much as the ways in which people rely and depend on them. At a time when everything from the songs you hear on the radio to the fashions you see on campus are dictated just as much by brute force marketing as by public opinion, how can a mall be anything other than a virtual cesspool of what corporate America thinks you should buy? Of course they only have a handful of independent albums, of course their size six jeans wouldn’t have ever fit me in my anorexic heyday, and of course the price of Neverwinter Nights is nearly the same at every store we visit. It is not a coincidence, it is a calculation, and every striped polo shirt that you buy means that everything added up just as planned.


If my Communications degree means anything to me, it is the ability to see through corporate curtains to the strings being pulled, even if it also means Elise might never take me shopping again.

https://crushingkrisis.com/2002/08/385361875/

Filed Under: comm, essays, shopping, Year 02

June 16, 2002 by krisis

And, now, for another episode of Writer’s Block Theatre.

When we last left our hero, he was awaiting a response to his record reviews with bated breath. Would he finally get to write for an honest to goodness newspaper? We pick up shortly after Peter receives the paper’s reply as we fade up from black. Though he was initially joyous at their friendly invitation of “Welcome Aboard,” over the course of the day he realizes that the congratulatory email has delivered him the worst possible news – his new editor is more interested in what he feels about records than what he thinks, and is hopeful that he will revise his reviews to this effect.

Peter stammers as he recoils in fright from this newly transformed message. “But… but… feelings are the root of all bad record reviews!,” he exclaims as he slowly backs away from the screen. “I’ve spent years detaching myself from new records so i can offer tidy unbiased opinions of them. Saying that any record i own by someone other than Ani or Tori makes me feel anything is an utter lie! I’ve reduced reviewing music to science!”

“Is that so?”

A voice rises from behind him; Peter whirls as though he’s being confronted by another of his worst fears only to find Amy sitting on his guitar amp nonchalantly leafing through a Rolling Stone. He opens his mouth to speak, but she silences him with a wilting glance.

“How you feel will influence anything you write, Peter, so you can just come down from the damned pedestal and write with some feeling for the benefit of all of us people who don’t consider each cd purchase a new child.”

Temporarily ignoring the implication that he would feel the need to be scientifically detached from all of his children so that none would feel more liked than the next, Peter madly gestures back towards the screen. “But, Aim, feelings? Why should someone buy a record based on how i feel? They don’t even know me!.”

Amy fixes Peter with a cool glare from over a two-page spread of Ewan McGregor. “Peter, are they really compromising your journalistic morals here, or is it a possibility that you’re so excited about this job that you just have cold feet.”

Peter’s only reply is silence.

“Well?”

“Erm… possibly mildly chilled feet.”

Amy nods to herself. “Just as i thought,” her face is buried in the magazine before the next sentence escapes her lips, “now get to writing.”

His moral quandary solved by the quick wit of his friend, Peter is again faced with the computer screen — now sinisterly blank white as it awaits his feelings about the Wilco record. Slowly, he approaches the keyboard.

(Cut to black, commercial airs while Peter frantically tries to decide if he honestly feels anything about Yankee Foxtrot Hotel)

https://crushingkrisis.com/2002/06/85175275/

Filed Under: critique, journalism, rollingstone, stories, Year 02 Tagged With: aim

June 15, 2002 by krisis

Sleepy heavy eyelid day was declared; breaks taken for a shocking three meals (plus desserts) and crossword puzzles. It’s nice to hide from everything, sometimes. Especially when you come back to appreciate it.

They liked my Wilco review, and want me to flesh it out. Their email ended with “And, welcome aboard.”


Watch out, i think that means that i’m really a journalist.

https://crushingkrisis.com/2002/06/385173520/

Filed Under: journalism, thoughts

April 5, 2002 by krisis

Via Ernie, Via 37signals: Celine Dion’s new disc will not play in computer CD drives. I’ve been harping about this a lot recently, and there has been a similar amount of speculation in independent internet press on which overblown major-label artist would first allow themselves to play guinea pig to this particular corporate experiment. Ironically, Dion is one of the least relevant: music piracy is obviously most common on college campuses, but Celine is much more of an Adult Contemporary artist. It remains to be seen if labels are brave enough to similarly cripple a disc by Ms. Spears or even Metallica, as the ramifications on record sales alone are potentially horrifying — not to mention the nearly assured backlash by college-aged record buyers (and their potential to find an easy way around the protection).


Not to prematurely give birth to my aforementioned massive media essay, but record labels just don’t get the damned point. Students burns and rip discs because they aren’t realistically affordably. Record companies continue to raise prices to help maintain their profit margins, while they slash artist rosters at the same time. Maybe if brand new pop discs didn’t have an unbelievable list price of nineteen dollars they wouldn’t be so readily copied for under fifty cents. But, rather than assess their own corruption of the artistic process and of the artists’ own rights, the recording industry would rather point the finger at technology and punish buyers who listen to music at their computers. It isn’t the right way to solve things.

If any of this sounds totally ridiculous to you, then you need to boycott Celine Dion’s new disc as well as More Music from The Fast and the Furious , Universal’s first foray into infringing on our rights as record buyers. I’m sure songs from both of the cds already abound on internet retrieval services thanx to savvy buyers with a line-in function on their computers, so feel free to go and download them without any guilt; record companies have shown us that all they care about is the almighty dollar, so all we can (and should) do is withhold it from them.

https://crushingkrisis.com/2002/04/75059416/

Filed Under: critique, weblinks

April 4, 2002 by krisis

Just read: Ani DiFranco breaks out her pen and comes off as not only a credible artist but an apt critic of corporate bred media. I’ve been feeling a media-criticism essay welling in my boots for a few weeks now, but until that pans out try Ani’s opinion on for size. Also, while you’re reading media-critique, check out John Hiler’s witty article on how blogs both augment and interfere with more traditional means of journalism. And, while i’m linking to things, the musician i met on the street last week was just profiled by Rolling Stone. For the third time. RS doesn’t seem to be featuring the new mention online right now, but you can catch the other two on his site. So, um… i’m a little bit excited — hopefully he emails me back sometime.

https://crushingkrisis.com/2002/04/375059345/

Filed Under: journalism, rollingstone, weblinks Tagged With: Ani DiFranco

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