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In which i attempt to review a movie, but in actuality do no such thing.

July 1, 2004 by krisis

There is a certain romance to a love unrequited. That’s what we are taught, what has been ingrained in our heads since the days of cartoons with their eternal suitors, never suited, and in books and films where the protagonist strives but never to have.

And then there is Spiderman. Spider Man. Stupid red and blue comic hero who, truth be told, i never liked very much. He caught my childhood attention as a cartoon because he was smart, and witty, and had my name, but he never played a favorite in my world of superheroes. I eschewed his toys. I rarely bought his comic. But his movie. How could i resist his movie?

Overwrought, overly animated, amateurishly directly, but oh that acting. Tobey, sweet Tobey who i’ve hated in every role he’s ever played because in reality i suspect i don’t like him at all, he brought poor Peter Parker to life in front of my eyes. Peter, me, that space that we’ve always shared inside of my head.

It wasn’t really Tobey, though, not at all. It was Mary Jane.

Mary Jane, a big-haired, ever-changing cipher in the comics, once upon a time so patterned after a certain Julia that Ms. Roberts seemed all but cast in the role. Yet, times change, and people win Oscars for terrible boring movies with no momentum, and Peter remains eternally youthful. And so, you see, it could not be Julia.

That cipher was rewritten, scripted into the house next to Peter’s with the awful never-seen father yelling from within, eclipsing – nay – supplanting Gwen Stacey to ensure that this re-imagined Mary Jane Watson was and could be the one and only ultimate love of Peter’s life.

This changed the nature of Peter, and Spiderman. He stopped being the underdog – he never let Gwen fall off of that bridge because he saved her (as MJ) in the first movie when she was – by comic book rites – supposed to plummet to her death. And he killed Green Goblin in the process. What a debut.

Really, they had no choice. If they had killed the father-figure and the girl it would have been too punishing and, after all, they weren’t about to bring Uncle Ben back to life. Dead Uncle Ben is the cornerstone of all things Spidey. But, Peter was supposed to have lost so many things, to have lost Gwen and to be afraid to ever love anyone else again. So, to make Peter the eternal underdog, they withheld Mary Jane. Teased us with her adoration, baseless, lacking foundation, but so tangible in the ever-hurt eyes of the estimable Ms. Dunst, and proving her to be ultimately unattainable at the end of the first film in that crushing, crushing scene in the graveyard.

I may have liked Spiderman 2 less than I liked its predecessor. Raimi is a hack, with his horror conventions and his guest stars. It had its comic book moments, but it was also too heavy handed, never funny or fierce enough. Tobey as Peter worked only so much as Tobey as an everyman, and Dunst as MJ was limp. Lifeless. Not the headstrong MJ of the 300s of Amazing Spiderman.

What was perfect, undeniable true, was that longing. That always wanting, never having, delirious joy in seeing, pain in saying goodbye. The tension. The tension was true Spiderman, tearing him and her apart at once, weakening him in its strength and strengthening her in her resolve. It was the dramatic backbone of the first film, and the entire skeletal structure of the second.

It was all in Kirsten’s eyes. She took the girl, the too-perfect blind date oft-pushed by good old Aunt May in the comics, and turned her into something altogether different. Symbolic. Real. There could be no Spiderman without this Mary Jane. She was as instrumental as poor dead Uncle Ben or that nameless robber and ever-suffering May. In the cinematic universe, she had been woven in so tightly, so close to the center, that Spiderman could never exist without her. In her absence, he could do nothing but unravel.

Kirsten brought tears to my eyes in every scene for being that perfect thing – that unrequited, unobtainable love, eternally romanticized and forever untouchable. Only movies show us that touch, thrill us with that perfect kiss or that glimmer of recognition in her eyes, pools of unwavering truth and belief, frightening in their realness in every scene she plays.

I have had a crush on Kirsten ever since she played against Mr. Cruise. I fancy that i look a bit like him sometimes, sans snaggled tooth, i think because that would put me closer to her. The flowergirl in my father’s wedding was perfectly little and blonde, like her, and i juxtaposed the two in my fantasy-life until high school as the girl who played my unrequited love, unsuspecting but strangely dedicated to the eternal leading-on of me.

I feel sometimes that i live to be lead on. Did i get into the right college? Did i get the part? Did i get the job? The thrill was never in the answers, but in the anticipation. This site is about anticipation; it is my endless anxious wanting to know but loving the wanting and the not knowing, the delicious tension therein. My writing, at its finest points, is searching for something just outside its grasp, trying to attain the unattainable, to pen a sketch of an infinitesimal gap between me and something or someone else that at that frozen moment in time i cannot, and will not, ever have.

Kirsten’s eyes drew tears in my own, half drunk and staring at the screen, because in Spiderman she is it. She is my crush. She is the juxtaposition, the wanted but never had, the just two steps away. Maybe i should have acted. Maybe i should be in film. We are the same age, Kirsten and i. I could be her leading man.

We all aspire to have the perfect, filmic ideal, but we so rarely do. Now, staring into my twenties, i see joy in the successes more modest, and the achievements actually had rather than those merely anticipated. I suspect, nay, predict, that my lips will never touch Kirsten’s, in reality or as the wanly beautiful Mary Jane Watson. She, and the woman she played in the movie i did not like but eminently enjoyed, are the perfect representation of that unrequited love.

And then, at that teary wishing-it-was-me-in-the-ripped-up-suit-saving-her moment, i looked beside me, and realized that i have it. Her. That thing, that never attained thing, too perfect so that it can be endlessly redescribed by the imperfections that we call art. I remember the scant days between courting and kissing. I hid them from this website almost presciently, as if i knew that in describing the agony of the indescribable tension that i would eventually have to admit that i had overcome it, turned it from dreamed to dreamt. It’s on another page in a different place, and i rarely hint at it at all to this day. But I love Elise, love our stupid quirky banter from computers across the room more than i could ever imagine loving that unrequited, untouched tiny Kirsten-thing in my head. I reject the imagined perfection. Because, no matter how perfect our imagined life might be, how could it be better than what i am living right now?

I did not like Spiderman 2. You should go see it, and for every contrived moment, or bad shot, you should think about Peter, Peter Parker, and how he wants such simple things but goes to such extraordinary lengths in his not having them. And you should want to be him, swinging high above New York at twenty-four frames per second, twenty-four hours a day for all of your life. And, then, you should realize that like any art, Peter is a glistening imperfection, endlessly torn between want and have so much that we are drawn in droves, record setting droves, to watch him flail between the two, a gossamer moth torn between the Sun and the Moon.

You should go see it, and realize that your life is a higher art than art, because it is crystalline in its perfection, alive instead of celluloid, yours instead of everyone else’s. And you should leave pleased.

Filed Under: elise, essays, flicks, reviews, Year 04

The Bitch is Back

June 23, 2004 by krisis

Jett Superior, one of my all-time favorite peddlers of snark, is back online with an astounding new layout. While she was on her extended hiatus, she asked her readers to put an old set of her lyrics to music, promising to post them upon her return. She hasn’t yet, but here’s my version.

Here at CK we don’t go on hiatus, we graduate, take long naps, try to buy cell phones that take pretty little pictures that we can display while not on an aforementioned non-existent hiatus, and play City of Heroes until 4am (thus necessitating longer naps). We pretty much being me, along with my omnipresent sidekick slash new roommate slash built-in fanclub Elise.

She finally met my dad the other week, he who owns a gun shop and a flock of plastic lawn flamingos, and makes “boop boop” noises when he pulls a U-ee in the middle of Market street. She has not met my cousin Cary, age seven, but the lass is nonetheless intrigued by the concept that my partner/roomie/stalker has “Chinese Eyes.” My aunt claims that this, though perhaps verging on offensive, is a reflection of unspeakable jealous curiosity, as said eyes are a particularly fashionable favorite of my cousin’s. In the car on the way back from the el Cary politely enquired if “Have you kissssssed her?,” to which i responded “Oh, a few times.”

Otherwise, life is similar to how life was last time i mentioned life, except for the piece of parchment with the shiny Magna Cum Laude sticker sitting on my mantel and what seems like eleventy-thousand people trying to make me feel anxious about whether or not i really have a job (don’t worry, it’s not working). I think Elise is appalled at how much time i spend a) listening to music, b) doing nothing but looking productive, & c) being so frighteningly productive that i cannot stop talking or moving, sometimes all at once. Still, things are fine, especially now that i unpacked my Ani DiFranco mugs.

Transmissions from the planet Peter.

Filed Under: college, demos, elise, family, games, linkylove, Year 04

I Thought Wrong

June 11, 2004 by krisis

I thought … A few weeks between the end of school and the beginning of work… sounds like a life of leisure!

Little did i know.

I don’t think i’ve had five minutes of downtime so far, and the closest i’ve come to leisure is drilling the top harmony part of “Granted” for half an hour while Elise watched in bemusement. None of the dozens of CD reviews or decadent acappella arrangements i had been planning. Half of the friendly get-togethers i had scheduled. Plenty of lifting things i did not know i could lift two weeks ago, and subsequent showers.

I am determined that this is our adult apartment. We will have adult things. We will organize things in an adult way. I bought a very adult tooth brush holder at BB&B that’s a perfect blend of stainless steel and imitation porcelain, and it gives me a little thrill every time i walk past the bathroom door.

Every time i think we are settled i unsettle something. The new taller-than-us bookcase upset multiple neatly packed boxes. The router had me dragging computer parts around the room in circles. The front door is currently barricaded with hundreds of dollars of unbuilt IKEA furniture, necessitating shuffling of ladders and shopvacs in the kitchen.

I love it. The first space i have a complete command over. And no television. And now DSL! And a toothbrush holder! I am nearing the pinnacle of delight.

Now if i could only find five minutes to enjoy it.

Filed Under: adulthood, elise, moving

Second Floor Zero

June 1, 2004 by krisis

Funny how I miss blogging the most when I absolutely cannot do it.

Sitting here over a belated dinner of cold pizza and Cruzan Jumbie Brew at my meticulously cleaned and reorganized desktop, I suspect that ours was the smoothest move in the history of University City.

We discovered on Sunday that the previous tenants in our new apartment had moved out a day early, meaning we would have full access to our new home on Monday, a day earlier than we had planned. Monday was originally meant to be a day of packing – topping off boxes and putting them into the truck, with the brunt of the assault on the new apartment coming on Tuesday morning while I did shuttle-runs to campus to attend class.

Instead, Elise had her entire apartment packed into the truck and moved into our new home before I could even get to taking apart my desk. Moving the majority of my massive pile of belongings into the truck took only an hour and twenty minutes, and unloading less than a third of that. This largely owed to the fact that we have some of the best friends in the world. Ten of them, at various points in the day, not to mention several calls we received from other friends, who we sadly turned away, as we were already done.

It was unstressful, though I managed to hurt myself by powerlifting the wrong air conditioner. There were even highlights… the cheer that went up from our movers when I said I would cater their alchoholic needs after Elise offered to buy lunch… Craig and I serenading Kate with PDQ Bach’s “How Many Psychiatrists” after she jinxed herself into breaking a lightbulb… a hilarious but quite poignant conversation about the apocalyptic move that left Lindsay, Erika, and I as roommates, and how Lindsay flew to New York but could not come back, how all of the cars pulled over to the side of the road as she drove to the airport, listening to their radios, and how Jack and I huddled around the television, searching for clues.

Moving is changing – changing your environment, which can sometimes change yourself. I already feel different, without a stack of toiletries on my desk and guitars on my bed. I feel, finally, like everything in my life really does have a place.

Including me.

Filed Under: elise, moving Tagged With: lindsay

Bunny-Hunting

April 11, 2004 by krisis

Easter does not rank amongst my preferred holidays, maybe because the Easter Bunny is not as powerful a social phenomenon as the Jackolantern or the Thanksgiving Turkey. Face it: it’s a day about the son of god coming back from the dead that is merrily glossed over with pagan egg hunts so that it’s not the religious equivalent of Thriller.

I typically spend Easter hiding from my family. This makes it, in effect, no different than any other day of the year. Past tactics have included unplugging my phone, celebrating passover instead, or having my boss invite me to her house for dinner. This year i decided that the best place to hide would be in plain view, so i invited myself, Elise, and four friends to dine at chez-krisis. The plan was that my mother would be overwhelmed by trying to chat like the merrily socially well-adjusted woman she is that i would escape largely unquestioned and unscathed. My mother, after freaking out for three weeks because she’s never had that many people in her house for an occasion not related to a funeral, seemed to take the planning of the event in stride and with only mild outbreaks of frantic chain-smoking while attempting to invoke the maternal instinct for hosting that she’s let lay dormant for all these years.

It went off nearly without a hitch. I was chastised repeatedly for serving cocktails to my guests before dinner, and told i need to seek alchohol counseling when a single drunken exploit was highlighted in conversation, but was otherwise left unquestioned about my finances, job hunt, and ever-mysterious FUTURE. It was small, as dinners go and, as is typical of such events in my family, consisted of a majority of Italian food and no turkeys, greens, hams, or yams. What wasn’t typical was that i got to enjoy the company of both my friends and my family, which made it much more festive for me.

We ended the night with copious Italian pastries and a marathon of Trading Spaces. Pretty much an ideal day.

Filed Under: elise, family, Year 04 Tagged With: mom, ross

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