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she can read (much to my amazement)

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Much to my amazement, our nearly 4-year-old seems to have quite suddenly gotten the hang of reading.

Actual reading. Not just spitting back memorized texted in a simulacrum of reading. I still remember the first time I witnessed that, because it was the day we told all our friends we were pregnant. It was our friend M’s daughter’s third birthday, and she “read” me an entire book from front to back. I was in total shock that she could read so many words and so quickly, until her father pointed out that she had simply memorized the entire thing.

Jumanji Cover

Our copy of Jumanji came with a CD of the audiobook narrated by Robin Williams. I put off playing it for EV6 as long as I could but finally the asking became more constant. I let her follow along with the book on the couch while I cried silently in the kitchen.

EV6 has always been good at memorization. It started one night when she was still impossibly small when she spat back the final page of Nightsong at me during her bedtime reading.

That was just the beginning. Since then I’ve heard this girl recite dozens of her books back at us – including a word-for-word rendition of Jumanji, and that is not a short children’s book.

Her current favorite thing to memorize is comic books, which I suppose must be slightly easier to do since you can focus on dialog balloons as if you are learning the script of a play. She has the entirety of the first 20 issues of Lumberjanes committed to memory. Sometimes she’s got it down after hearing it only two or three times, it’s amazing.

It’s amazing, and it keeps her nose buried in books all day every day, but it’s not reading.

I haven’t been too fussed with pushing reading skills on her while I’ve been staying at home. That’s in part because I learned to read so late, and partly because I feel like America’s school industrial process is overly quick to push advanced reading and math skills on kindergartners who aren’t always developmentally ready for them.

Despite that, I also haven’t ignored the skills. We’re always sounding out the words we encounter during the day and having little spelling bees on the refrigerator. I’s exclusively directed play and that’s fine. She’s three. I don’t expect her to read.

Or, didn’t expect her to read, because that’s what she’s been doing for the last week. [Read more…] about she can read (much to my amazement)

Spring Thing: s’mores in the yard!

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Last night Lindsay and J gave me the night off from cooking my elaborate bi-weekly desserts and substituted making s’mores!S'Mores In The Yard

It was EV6’s first time roasting marshmallows over a fire, made all the more amusing by the fact that L&J’s fire pit is actually EV6’s Nana’s old, unused fire pit, given to her by E & I as a  birthday present early in our relationship, which was later upcycled by L&J after Nana abandoned it in the process of downsizing to a smaller abode!

Did you follow all of that?

Personally, I’m not really a fan of anything sticky nor made of chocolate, so I was more on marshmallow roasting duty than anything else … which I completely failed by setting our marshmallow on fire.

I shook it furiously to try to put out the flames while Girl Scout Lindsay admonished from over my shoulder, “Never shake the marshmallow! Give that to me!”

It’s good that I have people like this in my life, because honestly without them it’s likely that calamity would befall me every time I set foot outside into nature.

Song of the Day: “Fresh Eyes” by Andy Grammer

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When I hear a song for the first time my brain does something special.

It’s like the song is made of sand and my mind is a special sort of sifting pan. With each passing second I am sifting through the writing, the performance, and production to find something hidden inside.

The influences.

Sometimes I don’t even realizing it’s happening until my brain starts spitting out information, readouts printed on mental ticker tape. I think this only works the first time I listen to a song because afterwards I’m hearing it more as a single, gestalt creation. I might still be able to identify its influences, but it’s something deliberate I’m doing with my conscious mind.

Listening for the first time is different. I’m trying to make sense of the whole of the song out of its parts, and it’s easier to sift out an obvious pinch of another song. A certain melody. A vocal tone. And, just like the mental sand I sifted them from, if I don’t jot them down right way they’re lost forever. The next time I hear the song, I’ll just hear the song.

Last week I was setting up my weights at the gym before a workout when the little ticker tape printer in my brain started working overtime. My mind buzzed non-stop, spitting out the names of other songs and performers.

Weirdly – because this never, ever happens – one of the names it spit out was mine. And then, just as unconsciously, I started singing along with the song as I was hearing it – first with the melody, and then the high floating harmony on the chorus.

The cause of all that buzzing was Andy Grammer’s late-2016 single, “Fresh Eyes.”

Now, I’m not saying Andy Grammer was influenced by me or nicked one of my songs. I heard so many hints of other artists in this song. [Read more…] about Song of the Day: “Fresh Eyes” by Andy Grammer

35-for-35: 1999 – “Center of Attention” by Guster

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This post is part of my month-long "Blog of Tomorrow" celebration of the launch of Crushing Krisis's Patreon. Learn more or become a Patron today!



lost-and-gone-forever-gusterLindsay, Erika, and I formed an only-child club together in 2001, but its origins were in 1999 and 2000.

That’s when five of the more senior members of The Drexel Players – Erika, Kate, Laurel, Megan, and Anthony – all shared the top two floors of an old row home at 3418 Race Street. For all of us Freshman, it’s where we decamped after every informational meeting, audition, and rehearsal. It’s where I met so many of the friends I still hold dear today, and where I met my entire wedding party (aside from Gina, who still factors into this tale).

There were certain records that never left the CD spinner in that house, such that their songs have become synonymous with one or more of those people for me. (Yes, CD spinner, though we were into into the heyday of Napster at this point.). Some of the records were the stereotypical white college kid things you’d expect – Dave Matthews was a frequent play, especially his Live at Luther College with Tim Reynolds.

Perhaps influenced by that choice, there was also Guster’s Lost and Gone Forever, produced by longtime DMB collaborator Steve Lillywhite.

Sometimes when I hear an album for the first time it seems so melodically obvious that I cannot believe I haven’t heard it before. Other times an album is so perfect that I consider every song a slice of 5-star perfection and can listen to it endlessly.

Lost and Gone Forever is both.

There aren’t a lot of catchy, pop-oriented bands that break through mostly on the power of acoustic guitars and harmony, which is the trick Guster somehow pulls on songs like “Center of Attention.” The amount and intricacy of Ryan Miller and Adam Gardner’s harmony is really quite incredible. It hardly ever sticks to the straight thirds most bands plaster their songs with. At points they’re what I’d call the nearest male analog to The Indigo Girls.

“Center of Attention” doesn’t really use any chords. Listen carefully in the first verse as it reaches the “walls inside my head” prechorus. It’s just a pair of riffs churning against each other to imply tonality. It’s also a perfect example of how Guster eschews the typical rhythm section of drums and bass, with most songs rooted by a baritone-range guitar figure and drummer Brian Rosenworcel pounding on all manner of congos, bongos, and even typewriters.

Guster promo flat

That doesn’t sound like it should make for great, catchy pop music and honestly it didn’t on Guster’s first two records. However, the combination of Steve Lillywhite as a producer and this remarkable set of songs created a whole that you could have never predicted by looking at the parts.

Lost and Gone Forever is an amazing record about the changing nature of friendship and platonic love, about selfishness and getting over yourself, and you can sing along to every song on it.

One of us won’t last the night
Between you and me it’s no surprise
There’s two of us, both can’t be right
Neither will move till it’s over

I’m the center of attention
and the wall’s inside my head
And no one will ever know it
if I keep my mouth shut tight

The that motley crew of Drexel Players I met Freshman year shifted in 2000-2001 as I started this blog. Three members of the house moved away, which is how at one point Lindsay came to be renting Laurel’s back bedroom, and I came to be sitting around in the middle of the day with her and Erika watching game shows.

Just as there aren’t many memorable acoustic pop bands like Guster, there aren’t a lot of great, catchy songs about the mental defenses you construct as a clever only-child. “Center of Attention” is, without a doubt, the only-child’s anthem in that regard. I’d say, “maybe that’s just me,” but Lindsay and Erika have proven that it’s not. You’re not only your own protagonist, as every child is, but all of your adventures are entirely contained in the gossamer bubble of your brain.

Somehow (and I honestly still can’t quite explain it, even with copious posts from the time to aid my memory), the three of us wound up renting a house together in the fall of 2001. Three only children, each as selfish and stubborn as the other, all holed up in the top two floors of our own apartment on 44th street (where we’d later be joined by a fourth only-child (sort of), Gina)).

My own little world is what I deserve
Cause I am the only child there is
I’m king of it all, the belle of the ball
I promise I’ve always been like this
Forever the first, my bubble can’t burst
It’s almost like only I exist
Where everything’s fine
If I can keep my mouth shut tight, tight, tight

I think the reason we found each other and became (and remained) so close is because we’d each tried to outlast each other through the night and failed. Once that defense is finally knocked down, you’ve found someone with whom who you don’t always have to keep your mouth shut so tight.

Music Monday: “Undress You” – Mutlu

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It’s rare to spend a night out of the house unless it’s to rehearse or play a show, so I took great delight in kicking off a few weeks of birthday-adjacent celebrations on Saturday with an outing with Lindsay and her beau J. We converged on my old South Philly stomping grounds to see two songwriters and friends of ours play The Boot & Saddle – Katie Barbato and Multu.

I know Katie from being out and about on the open mic scene in what seems like a very long ago and far away life, plus splitting a memorable Arcati Crisis show with her band The Sleepwells. She’s also famous for helping me break out of one year of my February Funk (and pushing me to finish “Dumbest Thing I Could Do” – a good call on her part). Earlier this year she released an outstanding EP with her band Dirty Holiday that is amongst EV’s major favorites, and she has a new solo record out this fall.

I could write you an entire essay on Katie and her music and how Lindsay leaned into my ear at one point and remarked, “Her voicings are so much like yours, but she plays like Gina. So, obviously, you love her.” But, that will have to hold – perhaps until I hang out with her in a few weeks.

mutlu-onaralI’m actually here to talk about Mutlu.

Saturday night was the first time I’ve ever seen Multu perform without our dear friend Dante Bucci playing by his side (and, as it happens, only the second time seeing him without being behind the mixing desk, thanks to the music festivals that Lindsay, Dante, and I produced over the years).

I had second thoughts about going. Or, more accurately, about staying. It seemed impossibly hard to start celebrating my birthday there in the absence of Dante, who was synonymous with Mutlu for me, whose birthday traditionally marked the end of our various Virgo/Libra birthday shenanigans in college.

I thought it might be too hard. I thought I might slip out after Katie was done her set, or maybe stay for just a song or two, telling Lindsay and J I was exhausted after a long day.

Dante would never do that. Dante never missed a single show of mine if he could physically get to it, and he’d never leave before my set was over.  How could I use the absence of him as an excuse to miss live music when it was his favorite thing in the world?

Maybe I was supposed to simply get lost in my emotions and in the crowd and dance, like all my friends have been doing for fifteen years of seeing Mutlu perform.

So that’s what I did, undulating to the music without a care. At one point, Mutlu announced, “This is a new one from my EP Caffeine and Whiskey, you might not know it.” He began to play and I knew it within a second. It was “Undress You,” a song he had first written and performed live nearly a decade ago just now enjoying its time in the spotlight.

I know what that feels like. I’ve been sitting in my living room rehearsing decade-old songs for weeks, checking to see if it’s their time.

How was it not this song’s time in the spotlight a decade ago when it is so instantly memorable? I’m not sure. I don’t remember it being this relaxed, the jazzy guitar quite so articulated. Maybe it was a little too eager to undress a decade ago? Maybe it needed the years to give heft to “Why we wasting time when we could be together?” Maybe the old falsetto hook of “Can I undress you?” was played for laughs instead of being a soulful call-and-response with the following “probably the last thing I should do”?

Maybe there was a through line from this song of Mutlu’s I had forgotten to my own “Dumbest Thing I Could Do,” who Katie helped to coax into the spotlight with its own response of “is be along with you.”

While I was wondering those things in my songwriter’s brain I was dancing, singing along, and remembering. The song brought back flashes of friends lost to time and circumstance, and of Dante’s lawn and a song that was suddenly and improbably my new favorite thing, pulling me out from the mixing desk to dance and sing along.

It was an indelible moment that I had completely forgotten, but it all came rushing back as I sang along to words I didn’t even realize I knew with Lindsay smiling at my side in her own instant recognition.

It is my new favorite thing all over again.

persistence

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lindsay, erika, and peter 2015 crop)“It’s Miss Lindsay!”

EV yells this at me almost every time she catches me browsing Facebook, and it always surprises me. No, it’s not because Lindsay is omnipresent in my feed – she’s too busy parenting and adventuring for that! It’s because of my profile photo. Not the postage-stamp sized square on my profile page, mind you, but the teeny 20ish pixel persistant image in the header to reminder you that you are surfing as you.

Mine is a photo of Lindsay, Erika, and I (with EV just off-camera, dangling from my arm) standing in a lake in New Jersey during a rare roommate reunion day over a month ago on a very sunny Friday – one of the rare days in over two years where I have done zero start-up-ing for an entire waking period.

(Alright, that’s a wee lie, I did check my email for 15 minutes in a parked care while EV dozed in the back seat, but that’s practically nothing.)

It’s not surprising that EV could recognize the picture in its minuscule size. That’s just recognizing a pattern of an image – even easier than recognizing the actual faces. She is good at playing the game Memory even though she doesn’t know what all the cards are.

The thing that’s surprising is that EV recognizes it and instead of just saying it’s a picture of me (which she does with frequency) she remembers Miss Lindsay, who she has met just three times in her life. She remembers lots of things about Lindsay. Her daughter’s name, her doggie, and how we picked blueberries and then went swimming.

Our outing with Lindsay and Erika was the first time I witnessed EV have a specific, persistent sense of time and recall. As we approached the date she understood we would see Lindsay and Erika tomorrow, and then she remembered we saw Lindsay and Erika yesterday. But then she kept remembering it, mentioning it, telling stories about it, and asking about when we’ll do it again.

Today on a walk with a co-worker I was relating this story and I realized that Lindsay sticks out so specifically to EV not because she’s so awesome (EV will learn that in due time), but because our day together was memorable. In fact, I’m now sure it is among her first persistent memories. Yes, she recalls trips to the market, times down the slide, lyrics to songs, and hugging her aunt Jenny, but none of those refer to a specific incident that she recalls with detail.

That’s amazing.

The other night she turned to me solemnly after dinner and said, “Take a picture, send it to Miss Lindsay.” We had an impromptu photo shoot and sent Lindsay the results, to which she texted back, “I love her!” I feel like every parent talks about creating memories for their children – heck, Disney’s entire marketing machine relies on it – but here I did it unintentionally just by spending the day with my daughter and two of the people I love the most in the world.