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Crushing On: Productivity Tools ToDoist & TimeSheet

November 3, 2012 by krisis

I’m at my best when I’m on the clock.

That’s not just a euphemism for procrastinating until a deadline. I am consistently, measurably better at getting things done when I consistently measure what I’m getting done.

That’s always been true for me at work, especially starting in 2006 when I flourished like a unruly weed when paired with a project management system that allowed me to track my billable hours. Knowing what my to-do list consists of and how long I spend doing it is a huge motivator for me. I guess it was my own version of  “gamification” before that became a hip thing to do to everything in your life.

It hasn’t always been as easy to find the same productivity alchemy at home. I always have long-term goals and near-term projects I’m working on, but I don’t exactly have billable hours. Who is there to charge, aside from myself? Left to my own devices I’ll always pick the thing that is the most fun or the most methodical – which works out frequently to rehearsing, occasionally as laundry, and hardly ever as cleaning the bathroom.

I’ve found a website and an app that both nip that occasional path-of-least-resistance listlessness in the bud, but from slightly different directions.

ToDoist: a tasklist website and app

First, there’s ToDoist. I found it over the summer after demoing over a dozen task management systems online to help my wrangle dozens of things I was hoping to get done. Some of the services were no-frills checklists, while others were practically their own personal Outlook installation.

ToDoist falls closer to the former side of the scale – it’s a simply, obvious checklist that allows you to group tasks into projects and set deadlines and priorities.

When I checked out other systems, I discovered the lack of projects and priorities to be a real dealbreaker. If you can’t organize your tasks or give them some sense of order then you might as well be working with a pen and paper – which is cool and all, but I wanted something dynamic that worked from any internet connection as well as on my phone.

ToDoist does the trick, and for a mere $2 a month you can add improved filtering, tagging, searches, and reminders – totally worth it!

ToDoist meant I was actually crossing things off my list of at-home to-dos – awesome! However, it lacked one feature I really treasure about entering billable hours at work – the ability to perform an audit on what I was spending (wasting?) the most time on. I find that’s a useful exercise to undergo both at work and at home to normalize your expectations … like, your commute is always 45 minutes, so stop being so sure you can leave work late and still get home by six!

Timesheet: a time tracker app for Android

I needed a super-straightforward phone app – effectively, just a stopwatch for tasks. I found my match in a free app called TimeSheet.

It’s the perfect tool for a freelancer or home project enthusiast. You can set up multiple projects, each with a client and a billable rate. When you start working you simply start the clock on your project! When you’re done you stop the clock and wind up with a handy task summary that breaks out your billability and allows you to add expenses and notes. You can also add tasks after the fact without the clock, and export your data to Excel.

Is this overkill for a week or two of auditing how I spend my time? A little. But, you don’t have to use all of those features. Heck, you could use it just for one thing you are trying to bring more of in your life, like working on your NaBloPoMo book or mixing your band’s new album.

(Not that I need extra motivation to do either of those.)

(Okay, maybe just a little.)

In just three days I found out that I’m getting way more sleep than I used to, and that my commute takes up a lot more time in aggregate than I realized – so I should find something productive to do while I’m in transit. I also decided I could be spending a minimum of time each day doing other things (a-hem: blogging), so I added projects for those too.

There you have it – two free productivity tools that can help you get a better handle on your time. I’m totally into them both, so hopefully you can find some use for them too.

Now it’s your turn: What productivity tool are you crushing on lately? Is it super-techy, or as simple as a pen and paper?

Filed Under: Crushing On, ocd

#MusicMonday: Heart – “These Dreams”

October 15, 2012 by krisis

E and I saw Heart at the Tower Theatre on Friday, a classic-rock date night sequel to our spur-of-the-moment decision to see the Pretenders a few years ago.

I don’t adore the entire Heart catalog like I adore that of The Pretenders, but I do love a great number Heart songs – especially from their first three albums. That acoustic-driven galloping rock is definitely in the lineage of Arcati Crisis; I’ve always been fascinated that Gina isn’t a particular fan, given her similarities in writing and performance to the Wilson sisters.

Of course, those Heart albums were all before my time. My actual introduction to the band was most like the video to “These Dreams” in 1986, which to me at the time might have plausibly seemed as though it came from the Labyrinth soundtrack.

Don’t worry, I won’t subject you to the entire video.

I was always confused by Heart on Casey Casem’s count down, because in their videos they were made up just like the big-haired rocker guys I was so bored by … except, these were… women? I felt like I should have liked them, but this was in their “All I Wanna Do Is Make Love to You” period, a song Ann Wilson won’t even sing today, so could you blame me for not liking them?

Yet, these were also the acoustic-rockers who spawned hits like “Barracuda” and “Crazy on You.” What gives?

I read Heart’s new memoir Kicking and Dcreaming overnight on Friday, and it explained the peculiar duality of the band. Heart nearly dissolved when they left CBS Records imprint Portrait in 1982, and when they reformed for Capitol records they began performing songs by other writers in an attempt to fit in on rock radio. It brought them their greatest success – including their first number one single, “These Dreams,” one of their few songs with Nancy Wilson singing lead.

My obsession with not purchasing an $18 copy of Nancy’s live acoustic solo record lead me to snag the early Heart discs from the bargain bin.

I’ve always been obsessed with the song, but the synthesizer- and reverb-drenched original never really sounded right to me. Back in college while I was trolling through the CD racks at Tower Records I noticed a peculiar lone title in the W section – Live at McCabe’s Guitar Shop by Nancy Wilson?

That Nancy Wilson? I picked up the case an examined the track list and, LO AND BEHOLD, it included an acoustic version of “These Dreams”! But, it was $18 – far too rich for my blood when it came to CDs.

(Oh, the quaint stories of being a music fan in early 2000s.)

I eventually did buy the album, after picking up those early Mushroom and Portrait LPs with the encouragement of my old colleague Alex. I’ve never been one for those Capitol albums, though. Their stadium rock sound also mean that Nancy’s acoustic leanings were muffled and later altogether drowned out.

Happily, that wasn’t the end of Heart – in the past decade they’ve refocused on their old-school sound with a bluesy tinge on three solid studio albums.

That also means that on tour they’ve reclaimed some of their excessive 80s hits. On Friday they brought me to tears with an acoustic version of “These Dreams” with Nancy on mandolin that flowed directly into an acoustic and piano duet on “Alone.”

Filed Under: Crushing On

Uncanny Avengers & A+X – Collecting Guide and Reading Order

The definitive, chronological, and up-to-date guide and trade reading-order on collecting Uncanny Avengers comic books via omnibuses, hardcovers, and trade paperback graphic novels. A part of Crushing Krisis’s Crushing Comics. Last updated November 2024 with titles scheduled for release through February 2024.

Collecting Uncanny Avengers

Before 2012 the word “Uncanny” had always been a mutants-only adjective at Marvel and The Avengers franchise included relatively few mutant members.

Uncanny Avengers Acuna promo

That all changed in the wake of Marvel’s massive Avengers vs. X-Men crossover in 2012. The flagship book of their new Marvel Now line-up was Uncanny Avengers – a greatest hits combination of the most recognizable members of both teams, all striving to maintain Professor Xavier’s message of unity and the Avenger’s mandate of protecting the Earth.

What felt like an uneasy alliance to start began to feel more natural with 2016’s All-New, All-Different Marvel. Maybe that’s because the book felt less like X-Men problems pasted onto the Avengers, or maybe it’s the mix of characters – now also includes of The Inhumans.

The third volume (there was a brief second one after Axis) jettisons the idea that the team must be comprised entirely of major stars like Wolverine and Thor and leans hard into Rogue as the central character. It rotated more Avengers in and out of the mix, plus brought in Deadpool and then Cable (the latter of whom has always been a great partner and foil to Rogue when they occasionally bump up against each other, as they did early in Mike Carey’s X-Men Legacy run).

Now, over half a decade since their debut, Uncanny Avengers feel like their own institution distinct from their pair of parent franchises. Who knows how that feeling will be affected by “No Surrender,” mega all-Avengers crossover in early 2018 that will see all of the books merged down to a single Avengers weekly title.
[Read more…] about Uncanny Avengers & A+X – Collecting Guide and Reading Order

#MusicMonday: I Blame Coco – “Self Machine”

September 10, 2012 by krisis

This post is about a song I have never heard that you cannot buy.

Sort of.

So much good new music arrived in my mailbox last week – Amanda Palmer, Adrien Reju, and Juliana Hatfield – and the coolest part is that I sponsored it all! Juliana Hatfield’s new LP was truly a surprise – an all-covers project with no hint of the setlist or direction when I pledged my support. Given that Hatfield’s past decade of albums have ranged from minimal acoustic to grungy indie rock, there was really no telling what would arrive.

When it showed up in our mailbox last week I did what you would expect and likely do yourself – I listened to the covers of songs that I knew. The version of “Learn to Fly” was delightful! I’m still digesting the rest of it.

Anyway, this is not a post about Juliana Hatfield (partially because Ms. Hatfield doesn’t have her album up for streaming/sharing anywhere – oh noes!). It’s about one of the songs she covered, a pretty and ingenious bit of sfi-fi tinged heartbreak called “Self Machine,” originally by I Blame Coca AKA Sting’s daughter, Eliot Paulina Sumner.

Lonely robot in a wasteland
Rusting in a lonely harbor
Lonely robot in a wasteland
Rusting in the harbor’s water

I’m not a human if you say I’m not
I’m not a human if my engines lock
And this motor that you call my heart
Is another machine that will stop

The Hatfield version of the song first came on as E and were running errands on Saturday, and you could almost draw a dotted line from our ears to the car speakers as they perked up. Not only is this a great song, but it brought out the best in Juliana Hatfield. Her singing is tuneful yet bruised, suspending by pulsing, buzzing synthesizers like a man laying on a bed of nails.

It’s one of her best songs in years – maybe ever.

Which brought me to the original I Blame Coco version. It’s good. I’d probably give it four stars if it came up on my iPod. But, in my first and only listen to the original version above, Sting Junior does not bring that same powerful fragility to the song. It’s too strident – too much declaration, not enough regret.

Of course, I wouldn’t know that without listening to Juliana Hatfield’s version. She took a good song and exploited it’s flaws in the best way possible. Her version is the more definitive of the two, in my mind.

Even if it was the I Blame Coco’s version I was obsessed with, her LP Constant isn’t available in the US, nor is the MP3 of this song (though you can buy the LP as an import).

The Juliana Hatfield version, which I am obsessed with an firmly believe you should buy, is not available for download anywhere, and Amazon only has a single copy of her CD – or, you can buy it directly from her.

Two versions of an excellent song, both trapped in the internet machine, unable to shake free.

Filed Under: Crushing On

Crushing On: Hip City Veg

September 8, 2012 by krisis

Myth: Vegan food is always a stuck-up meat imitation or utter rabbit food, and of no interest to people who don’t mind a bit of animal in their meals.

Fact: HipCityVeg is vegan fast food your entire office will merrily devour without question.

I am so utterly addicted to this vegan lunch joint at 18th and Sansom that our relationship has become deadly serious. After heading there experimentally with my wall-sharing colleague MK I have vowed to try every delectable item on their chalkboard menu.

I’m not sure what the next step is for us – usually once things get this serious I write a song about the person and/or food establishment I am crushing on.

I started with a Buffalo Bella – a huge portabella mushroom breaded and spiced up in the buffalo fashion. As a pescetarian, one of the few world-of-meat things I ever crave are buffalo ANYTHINGS – because, really, there aren’t many fish-y or veggie things that work well with the classic breading and sauce treatment. Well, this sandwich fits the bill perfectly – it isn’t trying to be chicken at all, it’s huge and luscious and spicy and will gradually explode all over your desk as you eat it as any good buffalo meal ought to.

Also, the best sweet potato fries in creation, paired with ridiculously incredible cilantro-black bean dip.

Fast forward to my next visit. I ordered the same thing (how can you turn that down) when a random woman in line started enthusing to me about the Udon Noodle Salad.

(This is the sort of thing that happens at HipCityVeg. While you are there everyone likes everyone else, but not in a creepy tie-dyed hippy way. People are just friendly in a way that isn’t brought out by a trip to Wendy’s. Did I mention vegan milkshakes? They are so good.)

Based on the recommendation, I picked up the Udon Noodle Salad on my next visit – and it was AMAZING. As utterly addictive as the Bella. I almost shamelessly drank the dressing out of the bottom of the container once I was through.

Almost!

That is when I made my vow to eat my way through the entire menu.

So far everything has been excellent. I would amend the Arugula Taco Salad onto the greatest hits list with my first two selections, as well as their irresistible Groothie. A few items have included fake “Chik’n,” but I don’t feel like it’s trying too hard to be chicken so much as it’s a convenient protein delivery system, happily accepted.

If you work within a few block radius of 18th and Sansom I highly recommend a pilgrammage.

Filed Under: food, Philly

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