Comic Books, Drag Race, & Life in New Zealand
by krisis
In a few short hours it will be the tenth anniversary of my first post on Crushing Krisis.
As you might expect, I have a lot to say about that. Before I do, I wanted to share ten of my favorite posts from this past year. (Actually, it’s 13 posts, but the pairs are pairs for a reason – not out of indecisiveness).
[Read more…] about 10 posts from Year 10 for my 10th anniversary
by krisis
It is 10 days until Crushing Krisis’s 10th birthday and I am having an editorial calendar failure. And a brain failure.
Really it’s kind of an overarching not being able to do anything except nap and read comic books failure, which as failures go is not such a bad one. It’s way better than the “so overstressed I can feel the ulcers growing” brand of failure I was experiencing two weeks ago.
Actually, I think the napping and the comic books had a lot to do with escaping that particular pit of despair. Napping, comic books, little purple pills, and not drinking a gallon of lemonade every single day.
Meanwhile, in news related to the brain failure, I have discovered that being in three separate musical acts each with their own set of unique arrangements is the functional limit of my brain capacity. The wherewithal to recall all of those songs seems to have jettisoned my ability to return phone calls or schedule home repairs.
I am now off book on seventeen bass arrangements for Filmstar. As long as someone yells out what key we’re in at the start of the song I am fine, except for the one song that only makes sense if I pretend we are playing a David Bowie song. Like, if we begin and I’m like, “Oh, it’s a Filmstar song,” then I am a hot mess and play about two correct notes. But, if I instead say, “This is the secret, unreleased B-Side to ‘Suffragette City,’” then I’m fine.
Meanwhile, as Arcati Crisis Gina and I are working on two new songs, which – per our modus operandi – are completely different in every possible way from anything we’ve done before. One is an acoustic dance song from me equally influenced by Gaga and Heart, which I just previewed on our Facebook page.
(The other is a Gina tune which could be referred to as “Message In a Bottle from an American Girl in Russia,” but is actually called the much more succinct “American Mikaela.” It’s chorus hook is so destructively catchy that I have successfully lobbied to sing it three times as much as Gina originally planned.)
There’s also the musical artist that is me, who I can sometimes forget about in all of the commotion between the other two and commuting to my actual, fully-paid, highly-beloved full time occupation. He’s rehearsing to support Mieka Pauley this weekend at our house concert shindig, where he is rumored to debut a brand new Madonna cover (and, when you rumor something to yourself, it’s pretty sad if it doesn’t come true, so I need to get on that).
Meanwhile, ten years minus ten days ago I was sitting in a dorm room with a broken collar bone, registered for a year of music courses totally outside of my major and wondering if I would have anywhere to live in a month.
Ten years. Wow. What were you doing ten years ago today?
by krisis
As it turns out, jumping out of a plane seems a lot more insane the second time.
That was the thought going through my head on Sunday morning around 9:30 a.m. as our tiny, 12-person plane ascended into a cloudless blue sky, prepared to dump Arcati Crisis and some of our core of friends out of its side.
The first time skydiving was a purely a concept – mysterious in its execution. This time the open door of the plane winked at me conspiratorially as I sat two inches from its maw. I was going to exit that door into nothing.
Why was I doing this again?
In fact, skydiving was not the most insane aspect of our extreme band weekend. That title is easily awarded to our tubing experience.
Or, really, the experience of trying to depart our tubing experience without being murdered, dragged to death behind a car, dying of exposure, or starting a forest fire.
[Read more…] about Extreme Best Memorial Day Weekend Ever Extreme Recap
by krisis
Gina and I held an epic-lengthed Arcati Crisis rehearsal last night.
Not only was it our first rehearsal after her run acting in Ms. Reardon Drinks a Little (which I helped her costume), but it was our first chance to catch up on various life and house news in person after two completely insane weeks.
After a slow start to the year, we’ve had an awesome few months as Arcati Crisis – three great shows in the last four months. We’re in good practice and good voice, too. So, why rehearse, rather than head out to an open mic?
The awful truth is, we have only learned one new song in the past 12 months – “Total Eclipse of the Heart.” We’ve effectively been a band touring behind an album, our late-2008 Live @ Rehearsal, Vol. 4. We only have two tunes newer than that release that in our repertoire – “Better” and “Holy Grail” – and both were in regular set rotation by this time last year.
It’s scary to think of us as having an “established” repertoire to tour behind for an entire year. I have musical ADHD – I hate playing the same songs all of the time. My solo material bears this out – the only thing that I play more than 50% of the time is my cover of “Like a Virgin!” Also, lack-of-attention-span aside, we need some new cover-tune artillery to shock and awe our regular audiences with.
As a result, last night we started on the biggest-ever group of new tunes since our inception – five of them! Two originals from me, two new covers (partially derived from fan feedback), and the newest one from Gina.
The one I’m most excited about is “Dumbest Thing I Could Do,” which is my acoustic version of a slutty dance song. I wrote it at the piano, influenced half by Lady Gaga and half by Heart. Gina has already lent it an entire additional layer of funk via harmony and Bee Gee’s style low guitar riffs.
I’m also intrigued by our lark into Muse’s “Starlight.” We don’t usually perform contemporary covers (our only one is “Falling Slowly”), but after hearing Gina deliver a incandescent version of this at a recent night of karaoke I knew we had to give it a try.
The original is devoid of harmony, so I spent a few evenings arranging vocals for each section of the song. They were murder to sing along to the CD or with E, but when Gina and I ran through the song I hit most of them in a single try. It was pretty obvious where I had selected some bum notes, and Gina quickly amended them and added an awesome portion of counterpoint.
(BTW, here is a freaking awesome video of Muse playing Starlight live @ Abbey Road Studios.)
The other cover needs more of an Arcati touch before I talk it up, and my second original and Gina’s new one are in their infancy. We’ll push farther into them as the more exciting pair gets locked into place.
I’m excited to stretch out our improved confidence across a handful of new tunes. Hopefully we’ll begin to debut them at some of our summer shows – so far, we’re playing twice each at the awesome Triumph brewery and the delightful 2nd Saturday event in Collingswood:
We’re still seeking an August event, plus one or two parties to play, so if you need some Arcati Crisis in your life please holler!
by krisis
Tuesday night Gina and I went out to our first open mic in a while as Arcati Crisis. Between a holiday break, my never-ending February malaise, and a death in her family, we’ve probably seen less of each other so far in 2010 than we have in any year since early in college.
As a remedy, our first order of business was to head to one of our favorite open mics – at Time Restaurant on Sansom Street.
Time is one of the nicest rooms hosting an open mic in Philly at the moment. Beautiful atmosphere, great wines and beers, an actual stage(!) with drums and an upright piano, and an always chill audience who actually listen. Plus, a super-cool pair of attentive hosts in Mark and Pete G.
Then there are the artists. Time tends to be a hub of cool musicians, and you never know who you’ll run into. Tuesday it was Cris Valkyria, Casey Alvarez, Dante Bucci, Victoria Spaeth, and a lot of other familiar faces. New ones too – Benn Rabb visiting from Connecticut, and the nicest possible dude named Nathan, whose CD (and last name) is still in Gina’s possession.
Unusually, there was only a single microphone stand around for the night.
If you’ve ever seen (or even heard) Gina and I, nearly every one of our tunes has heavy duty harmony throughout. When I saw the single stand, I had a prima donna moment where I was like, “How can we even do this? WTF?”
I decided to turn a weakness to a strength. What if we did our hardest core of hard core harmony tunes together – face-to-face on a single mic? Wouldn’t it just make the spectacle of us a little more spectacular?
Well, I think it did. And, honestly, it was a lot of fun. We’re so used to our unamplified, unmodified voices that many times striking a perfect blend through a PA system can be more than a little daunting. What better solution than to just put the two of us into a tiny space and let us feel things out?
We played a good set, and had a good time. If you’re a Philly songwriter – or, a Philly wine-lover who also digs singer-songwriters – Time on Tuesday nights is prime destination.
Time Restaurant. Tuesday night open mic starts around 10pm. 1315 Sansom Street, Philly, 19107.