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my music

January 26, 2003 by krisis

Such a strange feeling to be actively blogging again, reading and writing and interacting again. After two nights of messages from Rannie @ Photojunkie, the other other day i received a hello from Dave @ Acerbia. And, before i go on, need to emphasize that you really ought to click that link, if only for an example of how shwanky a blog layout can actually be, which entirely ignores the hilarious writing that you are bound to encounter. But, i digress. After having fairly meaningful conversations with them both, i am both shocked and delighted at how downright enthusiastic they are about my linking to them despite the fact that they are both nominated for Bloggies and being linked by nearly hundreds of other pages right now. That’s not what i’m here to talk about, though.

Early in our conversation Dave asked me the surprisingly succinct question, “What do all the music links have to do with crushing?” I was more than a little shocked by it, at first. Back in the day i think it would have been obvious… the sobbing and moaning about my life in the middle of the page had a direct connection to the sobbing and moaning about my life in that week’s trio … it was a direct one to one relationship. However, here in 2003 faced with that question staring at me from a gapingly white instant message window, i found myself drawing a blank.

I can’t exactly claim that music is my life, but it has always been a big part of it. I have always been a music consumer, ever since i would perform my choreographed floor exercise routine to “I’ll Tumble For You” as a child. However, it was my guitar that made it a part of my life; my ability to recreate a song anywhere and at any time via my own body. Soon that wasn’t enough for me, though, and i began writing my own songs. At first they were halting and barely melodic, relying solely on the the chords that i knew and a few that i dared to make up. Eventually, though, i had played enough songs by other people to begin to know how to get the right sounds out of myself, and that is when my songwriting truely began.

This website is obviously a living document of writing — it’s past exists in perpetuity while it’s future begins anew with each post. In its existence i have deleted only a scant handful of stray musings, and significant alterations are only ever the result of tightening my own editorial screws than any censorial hindsight. Soon after its inception, it also began a living recording of my music… flubbed starts, bad strums, and occasional shining moments … things that i remember hearing at the time more than i remember doing them.

My ability to travel back in my personal timeline via this page’s archives is magical to me — especially tracking my songs’ evolution via the song archive. Listening to the spectrum of sounds between my original conception and my current interpretation often provides a surprising peek at what my original intentions were and how i have neatly disposed of them. My choice of “World In My Hand” to open this week’s Trio was as much a nod to this as anything… this weekend i listened to its history, everything from my original by barely audible singing on its original recorded rendition to the flubbed versions from this weekend. The song itself is old, and it has barely changed… even less, perhaps, than any other song i’ve ever written. It has always been frenetic, challenging to play, and hard to remember. But, even when a song doesn’t change with time, i still do.

So, to belatedly answer Dave’s question, all the music links are an attempt to more fully record my transformation into something more than i was before. The fact that anyone ever stops by and checks in on my progress along the way is still shocking to me, and i continue to be eternally gratefully for each second spent on the task.

https://crushingkrisis.com/2003/01/390238127/

Filed Under: guitar, my music

Trio: Season 3, #7

January 25, 2003 by krisis

trio: season 3, #7
World In My Hand, Big Yellow Taxi, What It Is
Definitely one of the more attractive faces i make while singing, if you can believe it...

Filed Under: Season 3

Trio: Season 3, #6

January 13, 2003 by krisis

trio: season 3, #6
Little Love, Wings Of The Ragman, Lost

The electric guitar was jettisoned when it became apparent that i couldn't get through a single song without taking a badly played 4-bar solo.

Filed Under: Season 3, Year 03 Tagged With: Peter Mulvey

December 22, 2002 by krisis

If you were to ask me to talk about my biggest hobby, i would simply say, “Music.”

If you were to ask me to elaborate on my favorite elements of music, i would reply, “Hearing it. Making it.” Or, more explicitly, i enjoy being a fan of music and being a writer of music. One can involve being very critical of other people’s work, while the other requires an unending faith in my own.

Sometimes i have trouble reconciling the two. For example, in a book of my agonizingly chosen flying-to-Florida collection of music, the new Bright Eyes disc faces a burned cd of my recent trios. I have no qualms in admitting that i am skeptical about Conor Oberst’s new effort as Bright Eyes; i was skeptical before ever hearing a song by Conor and continue to feel that way now that i have bought a third album of his. He’s not so different from a previous version of me; a recent Rolling Stone article featured a picture of his slight vegan frame with a guitar almost dwarfing it, singing about heartbreak in a style whose lineage includes Brian Wilson and Bob Dylan.

I happen to really enjoy my new Trios;though the imperfections of my performances are more noticeable when crisply preserved in digital format, i delight in hearing the sound of my own voice captured in such a faithful fashion. I have worked hard for that voice… failing auditions, slaving at voice lessons, struggling through choir. Singing and singing until the sound of my own voice became transparent to me; hearing myself on a recording of “Tangling” or “Excuse” feels the same as performing the songs live. I cannot distinguish anything about my vocal performance other than whether i am hitting the notes i intended to. I cannot be critical of it

Conor is just about a year older than me, and i don’t think he is much of a singer. His bio calls his vocal stylings “quak[ing] with the tumultuous energy that only youth can produce.” Tumultuous energy sounds very much to me like unsteady notes and failing vibrato. There are parts of his album Fevers and Mirrors that i physically cannot consume — he screams, yowls, stretches his voice past the breaking point. I do it too, of course, all rock singers do at some point. But, to me it never sounds as rough… as pained. And, i am doing it for my website… him, for an international audience of consumers..

I ostensibly bought his new disc Lifted to review it, but i know that i am really casing up the competition. In the past i have wondered at the success of others who are only slightly older than me, and whose work i adore. Now, i am wondering about the success of someone who i could very plausibly be; who shares the exact years of pop culture inundation with me, if not some of the same influences. I happen to think that i sing better than him; i also think i write more accessible songs. But, i am in college, and he is on the road. I am on the dean’s list, and he is in Rolling Stone.

My two favorite hobbies will be staring each other in the face deep inside my bookbag as i walk through the metal detector this morning, bound for Fort Lauderdale. They will both air themselves, probably more than any other music i will have with me. And, when my family asks me what i did this year, all i will say is “i am on the dean’s list.”


Merry Christmas.

https://crushingkrisis.com/2002/12/90080825/

Filed Under: my music, rollingstone, self-critique Tagged With: florida

Trio: Season 3, #5

December 14, 2002 by krisis

trio: season 3, #5
Up & Down, Untouchable Face, So Hard
basking in the afterglow

Filed Under: Season 3, Year 03

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