Crushing Krisis

Comic Books, Drag Race, & Life in New Zealand

relief

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I started playing “Hold on Me” and Selina walked into the shop halfway through the first verse. Have you ever played a song written about your ex-girlfriend while you still really liked her in the same room with her after the breakup? Well… you’d think it’d be really fun, but really it was an exercise in subtly changing lyrics to reflect the current situation, and keeping your eyes pressed shut tightly so you don’t have to look at her. After i launched immediately into “Splinter” Selina eventually left the shop, and Gina got me to lay off the mean relationship songs. However, we then played “Under My Skin” again and i performed the “i don’t miss you anymore” extended mix (much to Gina’s confusion and delight). The first time i ever sang the song in this fashion was to Selina when we first started seeing each other, and the “miss you anymore” was my way of telling myself i finally was over Laurel. The demo version is much more conflicted at that point of the song, because it was physically sung to Laurel, who i was over but still very pleased to serenade. The version last night brought me full circle back to sitting in Selina’s dorm room with my guitar, pouring out my heart to her. It was empty for a while, but i hear refills are free.

https://crushingkrisis.com/2001/04/3200004/

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As for the Cast Party on friday night there were only a middling amount of actual cast members there, but there was plenty of liquor and it got rather interesting rather quickly. Highlights included being told i was “the gay icon of the entire homosexual population of the Freshman class,” a rocking acoustic performance of “Like a Virgin” that didn’t even involve me, and how everyone was scratching and clawing at each other to get ahold of the one Pre-Mix demo i brought for Laurel, who left today. Lowlights included dropping a bottle of hard lemonade right on the ground instead of getting it into the pocket i was aiming for, not really having any females to flirt with in a productive fashion, and the inhuman amount of vodka i put in every single screwdriver. If you’ve got a low tolerance, don’t let me mix drinks for you, okay? The night came out alright, though i wound up sleeping far far into the afternoon yesterday after i finally dragged my ass back to the apartment. Certainly not a night i’ll be forgetting anytime soon.

https://crushingkrisis.com/2001/04/3014867/

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While hanging out (again) with Kathe today she was working on a website for our Campus Activities Board and had forgotten to bring cds to the office with her. Of course, I came to the rescue fresh out of an incredibly dull mixing session in the recording studio, and proceeded to play the following for well over two hours: Lost Out, Punk, Deadweight, Inadequacy Song, Five Minutes, Touch, Afterglow, Falling Down, Hold On Me, Will It Ever Come?, All That’s True, A Long Time Since, Splinter, Under My Skin, Other Plans, Gravel, Both Hands, Tear In Your Hand, Never Say Goodbye, No Second Chance, World In My Hand, Typical, More Than That, Resolve, Relief, Revirginized Honey, Nothing To Say, Hide Your Eyes, Give, Burn, Make Sense, & Bridge. Yeah, that’s a lot of songs, and one or two were even omitted for time’s sake, if you could imagine. If it had been a real concert, intermission would have started after “Never Say Goodbye,” and the encore began the very rare (not played once in all of 2000) “Hide Your Eyes.” Lyrics to everything except the three covers can be grabbed from AMkitchen‘s lyric page. So… i’m all guitar-ed out for the day; my fingers are all frayed and dented and my voice is in nearly the same condition, although that tends to yield more fun results than numbed-out fingertips. Bed-time quickly approached.

https://crushingkrisis.com/2001/03/2934232/

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If, when you sit down to start mixing your demo cd, you nearly pass out and proceedingly recall that you haven’t eaten anything that most people would consider to be a meal in well over 24hours, that typically is when you should leave the recording studio. It helps if you just nailed your last track, tho…

https://crushingkrisis.com/2001/03/2918514/

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Well, after a two hour wrestling match with “Tear in You Hand,” i’ve come to the conclusion that not all ideas which begin in my head wind up sounding right once outside of it. Just like the piano in “Crashing” (which sounds quite lovely on it’s own, but clashes like hell with the guitar), an all-me version of “Tear in Your Hand” seems like it would sound cool, but it really really doesn’t. The song is at once too low and too high for me, and even though the microphone generally makes up for what i lack in range, i just can’t carry the song with any kind of enthusiastic tempo. So, it’ll stay on the tape for posterity, but i think i’m done with that little experiment. So… um… did i have something else to record?

https://crushingkrisis.com/2001/03/2917790/