So, if yesterday was a kick in the ass i think today must have been a punch in the gut. The funny thing is, nothing bad happened. Nada. Actually, the day was quite nice.
In other news, i just wrote a song without the word “you” in it. Be very afraid. It’s too late to record it though (roommates are sleeping soundly below), so i’m just here. Here. No homework or anything. Well, actually my homework is mostly just staring anxiously at the silvery reinforced crate that the digital video camera for my class is sitting in. I somehow (am an idiot) managed not to purchase a DV tape before picking up the camera, so i can’t shoot any footage. So, basically, I’m just sitting here staring anxiously at the silver Camera Box. It seems to realize that it makes me uncomfortable, and so it shines unobtrusively in the manner of a much more delightful object, but still inspires terror in the depths of my soul.
Which goes along nicely with the punch in the stomach, actually.
photo
My film/video class has been interesting in changing the way i frame everything i take in day-to-day. My teacher made a rather interesting point about using a zoom lens the other day – a quick zoom shot is unnerving because human beings have no way to zoom in on a picture, but a slow zoom on something like a face is nature because it simulates us getting closer and closer to whatever we’re looking at.
Something else that i’ve been noticing is the distance i frame my visual “shots” from. I think we all mostly use a full or mid shot, where we’re looking at most of the torso of someone, plus their head and some of the space above it. A shot we almost never use in real life is extreme-closeup, where we don’t even focus on the entirety of an object but just the focus of its action. How often do we see a face in extreme closeup? Pretty much only when we’re close enough to kiss someone, wouldn’t you say? It’s hard to keep perspective on something when you’re that close … trying to remember what a cheekbone and a jaw have to do with the rest of a face or the entirety of a person. It’s almost easy to forget that anything else is there except for that fraction of a face… a visage floating more closely than you’d ever dare get with a camera.