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selfy-stuff

September 15, 2003 by krisis

A few nights ago i had a peculiar dream, of Ross and i in Texas, me improbably crashing on Alison’s floor, though she seemed somewhat perplexed that she was suddenly responsible to house anyone who has linked to her for over a year, and Ross and i missing our plane back to Philadelphia, and me losing him in the endless depths of an airport bar.

Lately i feel fertile; full of potential. Two songs have come now, in the last week, appearing at odd hours like a radio stations that suddenly tune themselves in as you are driving across state lines, one at work just after lunch, the other at 4am on Saturday night. They sound as though they came from different channels — in fact, the one sounds like it came from two or three different channels all by itself. You’ll hear soon enough; Season Four of CK’s one-of-a-kind feature Trio debuts next week.

I have five days of corporate life ahead of me before this internship, my last, is over. I have become so used to its daily routine, so much more daily and routine than any other that came before, that it seems impossible that i won’t have to keep tying my tie by eight a.m. so that i can make it onto my bus, or swing my chair around with a nudge of my knee when i arrive at my desk in the morning.

Yesterday i welcomed Kate and Lindsay back to the contiguous United States with glee, saying that it had seemed like they had been gone on their paradise vacation forever, and as i said it i knew that it was true. The sensation was just like being young … how everything seemed at once brand new and as if it could last forever. Wonderful bubbling laughter, awful nauseous sickness, and ever just simple sleep.

I think i am broken, my growth impossibly stunted, because i seem to have never outgrown that feeling, and so i remained convinced that i would live forever in that dream airport, in this state of fertility, or at this desk for the rest of my life and i think that maybe some little piece of me will be left behind at each of those places, imagined, perceived, or actual, until i arrive at where i’m really meant to be.

https://crushingkrisis.com/2003/09/106365163105071240/

Filed Under: corporate, day in the life, dreamt, thoughts, Year 04

September 3, 2003 by krisis

my hair : my website’s layout :: my handwriting : my singing

That was the final post of my first day of blogging. Over three years ago i said that i would elaborate on it, but in the absence of any elaboration the post became a kind of private in-joke, a punchline with no setup.

Honestly, i forgot what i had meant to say. For three years the post has stared at me expectantly from the top of that first archive page, as if to say, “Haven’t you figured out yet?” Today i finally did.

This morning i watched a co-worker addressing an envelope, and i caught myself thinking his handwriting was unbearably sloppy. Not because it was illegible, or irregular, but because he did not use any straight lines. The side of his N bowed inwards; the cross of his J was like a wry grin.

In that moment i was reminded of the post, and i suddenly understood — both the post and how i can spend four hours of recording the vocals of just one song, never quite satisfied. It’s not that anything about his writing and my singing is incomprehensible, or incorrect. No. It’s the unintentional lack of precision. I dislike my singing because i scoop vowels and slur consonants without consciously meaning to — i just sing the way that i would speak. It’s not wrong, but it’s not on purpose either. It’s exactly the reason i cringed at my coworker’s version of “NJ” on the envelope – he didn’t have any straighter lines to offer it.

I used to covet good handwriting — perfect, font-like handwriting. I strove for perfection, writing my letters correctly, perfectly vertical, perfectly rounded. After a few years the perfection came with relative ease, so i allowed myself to slowly slip away from it. I began creating my own font, stylizing my fs and as, not because i was sloppy, or lazy, but because i was personalizing. Making it my own. Whereas, i cannot yet force my voice to be perfectly rounded or piercingly straight, so i cannot afford to blur its edges.

From there, it’s easy to complete the analogy that has been plaguing me for so long. My hair is something i used to be so apathetic to that i just let it grow, hanging down my neck in a nondescript tail or surrounding my face in a bushy halo. I was specifically against styling it an any way — it seemed to be besides the point. However, in college i started paying more attention. Now, though i tend to wait a few weeks too long to get a new haircut, i always look in the mirror before i walk out the door. My page’s layout is the perfectly analogous to this — it’s something i used to treat as transparent, but that i now detail carefully, if not often. It has a function: it is part of my appearance — the impression that i give off.

In short, at the time i hadn’t yet exercised control over my hair and my handwriting, and had just got the inkling that i would have the same issues with my layout and my voice. And, three years later, i feel as though i have mastered the former and am just now beginning to consciously control the latter.

Wow, i just freed up a few brain circuits that have been locked up for the majority of my collegiate career. I ought to do a crossword.

https://crushingkrisis.com/2003/09/106259765349467294/

Filed Under: bloggish, my music, self image, thoughts, Year 04

August 21, 2003 by krisis

On Monday Aim invited me to join her at a Radiohead concert. The concept of it nearly rolled my eyes back into my head; an arena of young urban hipsters as or more obsessed with their band as I am with Tori Amos, all with overt political or stylistic agendas, all of whom would undoubtably frown at me for having bought the new Michelle Branch album.

It sounded like a challenge, not to mention a good time.

Poured into my tightest blue jeans and snuggest brown t-shirt, as we walked to our seats i scanned the crowd of trendy young men and realized that i have resorted to co-opting a slightly queer style of dress and carriage because it just works for me … i am small-framed and relatively slim and no longer trying desperately to attract strange women wherever i go. If pressed i could not explain it; it’s just my need to feel wanted, i suppose. I’m not sure what stops me from showing up in cargo pants and a stained flannel shirt. Maybe it’s that i spent the 90’s wearing that, or maybe it’s that i like to approximate an accurate interior self-image so that i feel as though i actually stand out in a crowd as me.

Ultimately, all eyes were on the stage and none on my inanely logoed tee or my inordinately tight ass-hugging pants. I have rarely seen such a polite audience held in rapt attention at such a huge rock show. I am not good with Radiohead’s titles – ever since hearing Kid A their albums pass by me like symphonies – but some songs still stuck out just by virtue of how they were achieved. A hypnotic electronic piano version of “Like Spinning Plates,” a spastic and brittle “Idioteque,” chiming xylophone and the faint singing of the lawn section on “No Surprises,” and “Everything In It’s Right Place” prefaced as “this is a song about the good old days.”

As it echoed back at me from Thom, and then the effects pedals on the stage, i just thought … Yes.

https://crushingkrisis.com/2003/08/106140294589227633/

Filed Under: concerts, music, self image, Year 03 Tagged With: aim, Radiohead

July 18, 2003 by krisis

It was a weird dream; all i really remember was something about trying to play Peter Mulvey songs on a corn muffin, getting in the middle of a prison brawl, and Ashton Kutcher giving Clay Aiken a very sloppy blowjob.

I’m not sure if there was a causal relationship connecting one to the next, but i was as confused when i woke up as i was to see where Clay had chosen to get pierced.

https://crushingkrisis.com/2003/07/105855484302295871/

Filed Under: dreamt

July 14, 2003 by krisis

There are eight elevators in our elevator bay, each dutifully shuttling us corporate lemmings up and down between floors twenty-three and forty-four all the day long. I learned quickly to orient myself to their ding as they reach my floor, one for up and two for down. Four months of this, and it was only this morning that i realized that the dings are out of tune to each other; some ever so slightly but some a sour quarter step. I stood for a minute, humming one ding while waiting for the next, only to be greeted by two simultaneous elevators arriving to prove my point.

Afterwards, i found myself in the empty elevator wondering, Does anyone else realize that they’re out of tune? Is there someone we could call to have that fixed? Could they tune them to a chromatic chord? Is there someone out there whose knows all about this thing, this tiny detail that i have suddenly become so transfixed by as an escape from my dreary morning?

It’s either this, or sniffing markers.

https://crushingkrisis.com/2003/07/105819465762646589/

Filed Under: corporate, ocd

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