Comic Books, Drag Race, & Life in New Zealand
by krisis
A fun post at Wockerjabby invites commenters to list their daydream jobs — the things they imagine themselves doing when they’re not doing the job the’re supposed to be doing. Or something like that. Try jotting a few down; they might surprise you. And, hell, it’s a lot easier than doing one of those career placement tests.
by krisis
iTunes gains even more favor by not only adding Ani’s entire catalogue, but featuring an exclusive download of new tune “Swim,” recorded live at The Orpheum in Boston less than two weeks ago! Also, if anyone has an inside track on being a reviewer at iTunes, let me know; a quick read of the Ani reviews shows deft textual work combined with an overwhelmingly enthusiastic love of music. And, well, if those aren’t two of my best personal traits then i hardly know what to do with the rest of my holiday weekend, because they’re both being relied on to get me through two hellishly boring research papers.
by krisis
Three related paragraphs that have absolutely no bearing on anything.
I am so chirpy on the phone. “Thanks so much for your help!,” i expel with force. “You have a great holiday!” i command with enthusiasm. I suspect the clerks in guidance offices across Montgomery County hardly know what to say to me, which is apt, because i hardly know what i am saying. I imagine fielding a phone call from me is like trying to catch water from a great stone fountain in a meager paper cup … the stream steady with random variation, the force and volume too great for the vessel.
Last night i was walking down Walnut street, thinking about how everyone wants to be famous. Everybody does. Not all face-famous, of course, not all actors or politicians, but famous for something; inventing, writing, singing, designing, growing record-sized pumpkins, etc. I always thought i’d be a good famous person, because i think i understand what a public expects from someone in possession of fame. But, to be famous you must become famous, and to become famous you or your product must be recognized, and i and the three or four products that i consider to be eligible are currently incognito, embedded in our stealthy and unnoticed positions until further notice.
Sometimes i think that i will take on a character, change my carriage and manner of speaking, to see if i am somehow different than before. When i arrive in the office to find it full with dozens of perspective students, or when i step into a store i’ve never been near before. What great acting it would be, what a superb lie, to alter myself not according to a script but in every facet of my ongoing self.
by krisis
I’ve never been lazy before. If i didn’t do schoolwork, it was because it just didn’t challenge me, and when i missed a day of work it was because my body really needed a rest. Now i am skipping classes because i don’t want to be troubled by walking to them, and missing work because i’d rather stay at home and play guitar.
I never used to do these things. Is there really something about Senior year, something so real and nearly tangible that it totally sidetracked my post-co-op ambition and turned it into this? Waking up early and reading webpages instead of going to work, skipping classes i think are boring, and skipping optional papers that would boost my grade to an easy A?
Or maybe, just maybe, that last co-op just gave me too strong of a taste of freedom, both financial and academic, and i am now having a hard time imaging my life any other way.
by krisis
My music-reviewing hero Glenn McDonald beat me to the punch with his insightful iTunes Music Store (iTMS) critique, though i would posit to Glenn that the concept of iTunes expands far past iTMS and is not meant for people with collections very much bigger than mine and obsessions even less so, as it took me the better part of two weeks and two dozen gigabytes to get my entire collection loaded in.
I’d encourage you to read his very intelligent essay, but one point that i don’t agree with is “that the more I try to incorporate the iTMS into my life the more chillingly I realize that I probably think it’s part of the problem.” I know myself to have significantly less than a tenth of the discs Glenn does, and iTunes has allowed me to suddenly appreciate good songs stuck on obscure singles or boring albums, while also making it so easy to create new compilations that i’ve been doing it every morning. As Glenn puts it, “The iTMS is not a paradigm shift, it is a belated solution to a logistics problem that the internet created,” but that problem may ultimately lead the antiquity of music as a limited physical commodity in the not too distant future.
In his conclusion, Glenn says, “TV poisons our culture, and I hate the idea that music can be a toxin, too.” His idea is that iTunes has done for music what HBO has done for movies — destroy the art by making both the great and the terrible into the casually viewed. However, i think iTunes does everything but poison culture — it offers a new generation a decade-lost opportunity to shop for singles. Not only singles, but any single song. Music’s toxin is radio, poisoning us with paltry forty-song playlists and bands clearly being mined for their single hit single rather than any sort of prolonged shelf-life. Maybe, just maybe, iTunes will help consumers my age and younger diversify in the way the rack of 45s did when i was five years old. Maybe radio-play artists will stop pumping out so much album-filler when iTunes users are just buying their hit singles, while the real artists suddenly start making up for lost back catalogue sales.
Or maybe not. Who knows? I’ll leave you with one final nugget from Glenn: “The iTMS is not a way to connect us to music we love, it is a way to sell us music we like.” I agree with it in the sense that Glenn does, in that if i love a piece of music i want to buy it with all of its permanent context, but i think that the music connoisseur/collector/reviewer in him might have slightly obscured the utility of what iTunes and iTMS has to offer.
More commentary coming as soon as i get these last 1787 songs rated.