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June 9, 2001 by krisis

(i’ll spell check it tomorrow, i promise. for now just wince along and enjoy the only mistakes i made were proper nouns, so spell check was usless. feel free to keep wincing)

where to begin, where to begin

i think, perhaps, my mother could be turning into some sort of closeted pill popping addict. Nothing serious though… nothing a psychiatrist would provide (aside #4: could, should, whichever…). She’s down the shore right now, and i’m feeding our cat. Except for, “down the shore” definitely means something like “meeting my dealer to score some really good shit.”

Good shit being strong antibiotics, and maybe some cough syrup laced with codeine.

However, “feeding the cat” definitely only means feeding the cat.

Our household has always been known to hoard prescription medication, and my mother getting a nursing degree only made things worse. What can i say, we enjoy being well prepared. However, when i just hit the medicine cabinet for some Benadryl because i can’t even see straight enough to work the teevee remote (aside #6: yet, i can still type) i found myself wading in the midst of what has to be fifty bottles of medication. Fifty! Tiny blue pills, shiny green pills, pills that rat-a-tat-tat in their brown glass bottles, purple pills that look for the life of me a lot like Starburst. And that isn’t even counting herbal supplements. The entire counter below the cabinet is all charcoal and cell salts and et cetera.

(Aside #1: i forgot my bestest truth on my list of truths and lies. when i was five i overdosed on cell salts because i thought they tasted like vanilla. i was at my dad’s place which in my memory seems as though it was desperately hanging onto the seventies, and i opened the lid because nothing was childproofed back then and they all just slid out onto the glass table in an avalanche of melt-in-your-mouth goodness and i wondered how many i could fit under my tongue all at once.)

I haven’t fed the cat yet. Any minute now.

We really do live in a culture of the quick fix subscription to things: medication, magazines, cable teevee. I’m currently reading Survivor by Chuck Pal-something-Fight-Club-niuk, and it seems to be all about putting patches on things that aren’t really fixable. So far. Chuck loves to write about criminally fucked up men and the strange alluring women who motivate their plots – and he definitely could do worse. (Aside #2: Where is my strange & alluring plot motivator? All of his seem like they’re written for Helena Bonham Carter, or a very strung-out Angelina Jolie after all this Tomb Raider hype blows over. But, what am i saying, i had my plot motivator and this is my novel. Silly boy.). Survivor doesn’t beat my last solid read-through Plan B, but it has Club beat hands down. The guy is gunning to be the next Vonnegut, and how many other authors do you read that sit in puddles of their own blood and urine for fun and leisure?

Yeah, certainly not this one. Or, at least, i tend not to immortalize my tales of blood and urine by posting them to the internet. My face feels like it’s melting but that’s just my allergies, but this is so incredibly bad that i can’t even seem to focus on anything for very long and i really need that benadryl and at least my mom could hoard something fun like opium or something, but no, it’s all bladder supplements and pain relievers. Damn you, St. John’s Wort… damn you to hell.

(Aside #3: This whole aside thing is rather clumsy, but all my html purist friends complain if i make a link with a title-tag that shows my aside but then the link leads nowhere. I might have to start using the infamous footnote, because my parenthetical comments are really turning into blogs of their own. but, i digress for now…)

This house is a funny empty thing. Me and the cat, and he doesn’t seem to like me so much right now despite me being the keeper of the can opener. We have mirrors on either side of my living room and i often just have the urge to stand in the middle of the two totally naked just to see my infinite naked images stretching into eternity as the mirrors echo and echo themselves. This again goes back to the fact that i love to exhibit, but i also love to perfect, so in the end i’ll wind up just like radiohead, crafting until the product becomes obscured. Perfectionist exhibitionists all turn out narcissists ’cause they have to listen to themselves so much to get it right.

So, anyhow, the point is that i could never do an all-nude review, but i definitely should have a webcam. But, in the absence of that, i could honestly just pound my fist into the wall until it shattered (aside #5: my fist, that is) into a thousand shards and no one would ever hear or know or anything. I started to do it because it seemed like a way to pass the time, but after a while my hand started to vaguely ache and the wall seemed somewhat unfazed and the whole ordeal reminded me of when Selina would do the same thing so i stopped and want back to staring into our unassuming little medicine cabinet.

This is so different from my apartment, where all sorts of little noises creep in from room to room and from floor to ceiling. My apartment bleeds living human noises from corner to floorboard. Here i don’t have any noise with me. It’s just these clackity keys clacking away, and the cat shuffling up and down the stairs trying not to let me notice him, and silence upon silence upon silence. Where to begin?

https://crushingkrisis.com/2001/06/3990465/

Filed Under: memories, stories, thoughts, Year 01 Tagged With: mom

June 7, 2001 by krisis

I am going to let you in on something i just found out tonight, in the hopes that you put the information to good use sometime in the future.

When you are invited to play an “acoustic night” at a college bar, you actually are not being asked to come and play acoustic music. The request is much nearer to: “Please come and provide a soundtrack for this crowd of drunk wanna-be frat guys and their not-quite pretty girl friends. Be advised that these men do not like the sound of an acoustic guitar unless it involves the sweet strains of Mr. Dave Matthews, and that they like listening to the songs of chick singers less than they like toothy blowjobs. Do not seek to entertain their girlfriends, as they will be too busy trying to look vaguely pretty and acting as though they are interested in talking to their increasingly intoxicated boyfriends. In light of these facts, we’re really asking you to come and play a half hour of cover songs that drunk guys know the approximate words to, and if you were planning to play originals they should be in the style of the esteemed Mr. Matthews or Bob Marley, may his soul rest in ganja-filled peace. And, no, they are not kidding when they yell ‘Freebird’ or ‘Stairway'”

“Splinter” and “No Second Chance” fell totally flat despite the fact that they are both very electric modern-rock affairs even when stripped down to one guitar. After half-hearted clapping for the latter song i deadpanned “don’t let me interupt your drinking experience; I am here to augment your drunkeness,” which didn’t even raise a chuckle from the audience but thankfully ended their patronizing clapping. In one last attempt to catch anyone’s attention i played “Under My Skin,” but at this point no one was vaguely listening to me with half an ear, so i decided to just have fun and ignore everyone for the rest of the set. “Up & Down” came out better than it has before despite messing with the timing a little, “Trouble With Poets” was nearly perfect,” “Lost” was nice to hear high up but definitely loses all of its viciousness, “Never Say Goodbye” came and went without much fanfare, and i was asked to play one more song while the next band got set up so i played a very very mean version of “Hold on Me” rather than what i was asked to play.

Yes, that means i subjected one poor unsuspecting audience to the terrible trio of breaking up (Spl, U&D, HoM), but i didn’t even mind. I can certainly keep playing “acoustic nights” to firm up my on-stage bravery in the face of tepid apathy, but if i want to get any kind of reaction at all i suppose i have to actually find some people who like folk music. Imagine that.

https://crushingkrisis.com/2001/06/3974565/

Filed Under: memories, performance, Year 01

June 7, 2001 by krisis

Of all the search strings to ever have this page at the top of their results, this one is definitely my new favourite.

https://crushingkrisis.com/2001/06/3972108/

Filed Under: thoughts

June 7, 2001 by krisis

As it turns out, “Splinter” was in charge of this whole new-songs conspiracy, because somehow of my 125+ song collection it benefited the most from my semester of voice lessons. The once breathy and lightweight vocals have turned into howls comparable to the ones in “Hold On Me,” and the big sustained D near the end has suddenly become a note i’m not scared of (after crescendoing on a tied whole-note D all semester in “Satin Doll” my songs suddenly aren’t as intimidating to sing). So, yes, “Splinter” was hoping to get my attention and as a reward it’s going to be played tonight. Otherwise i’m still a little undecided about my set, because it’s supposed to be a short set so i’m trying to balance new material with patentedly catchy songs so i don’t simply suck. Right now it’s looking like “No Second Chance,” “Splinter,” “tired of sex,” “Up & Down,” “the trouble with poets,” “Never Say Goodbye,” which means i’m definitely not repeating any material from my first appearance (as if anyone would notice). My hope is that if i can contrive show up four different time with four radically different sets of original material they’ll have no qualms about bringing me back even though i don’t really like to play covers.

I get the feeling “Under My Skin” is going to be very jealous… this is the first time it’s been intentionally left out, ever. Life goes on, i suppose.

https://crushingkrisis.com/2001/06/3967359/

Filed Under: performance, songwriting

June 6, 2001 by krisis

lazy summer heat is slowly seeping into my pores because it always distributes evenly to where things are cool because that’s how science works. i am listless with heat, waking up abruptly from crucial points in my technicolor-bright dreams to glittering sun bathing my entire bed in gilded rays. last night there were three story double homes with bay windows in the third floor bedroom and i remember hugging someone very tightly to me and something strange lurking in the basement that i knew all about as a narrator but nothing about as a character. and then i was flying, weaving inbetween buildings and up and over and out into sky and that’s about as much as i recall about that.

today i really do have work to do, but the page was looking sort of lonely. read that last post, if you haven’t already. but, anyway i just realized today that i haven’t played “under my skin” since i played it for rabi or at the bar and i think i somehow got past it or something and that scares me, because that song was all about everything. have you been paying much attention to the new songs? they’re conspiring against me and my album and i think they might have kidnapped “relief” because i haven’t heard anything from it for a while. i think “splinter” is in charge of the whole conspiracy even though it doesn’t show up too much, because it’s very jealous about not getting on the album and it knows that gina really likes it and oh god now i’m talking about my songs like they’re people just like tori amos does but i always just explain that away with the fact that she did too many low-quality l.a. drugs in the 80’s but i’ve never even been to nebraska so i’m obviously just crazy to begin with.

the songs are sortof like people though. after you play something enough you begin to develop a relationship with it; some days you dress it up special and some days it barely rolls out of bed and some days it just doesn’t want to have it’s picture taken and it’s holding its hands up in front of its face and complaining. the scary thing is that the new songs are doing this now, as they’re written. that last one flaunted its independence right at me saying “you can’t end me unless i want to be ended, so keep on writing” and i did and it takes up way more pages in my little grey book than any of the other songs do but now that it made me write it all down it doesn’t really seem to want to be played, which confuses me to no end. i don’t think i really realized that all of my songs are relationship songs until gina pointed it, and now i seem to be able to write everything else but it’s like hitting a new note for the first time because i can’t tell if they’re strong or if they just seem very nice because i’ve never heard them before.

if you were wondering, this is just how my head is working lately. i wrote a 2300 word email last night without even really intending to. it’s like when i open up my head things just come pouring out until it’s empty again. but, anyway, this post is just a post for the sake of being here in this little box, so i again defer to the intelligence of the last post and wish you all have a nice day.

https://crushingkrisis.com/2001/06/3950354/

Filed Under: songwriting, thoughts, under my skin, Year 01 Tagged With: gina, Tori Amos

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