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Category Archives: over-achievement

Filmstar and The Substitute People

I want to tell you about one of my fantasies.

(Don’t worry, it’s work safe.)

I fantasize about being a substitute person.

If you don’t know what that means, you clearly don’t watch Elizabethtown as much as E and I do. At one point, Kirsten Dunst’s Claire – a perennial second-place finisher in a life and love, muses:

60B!

You and I have a special talent, and I saw it immediately. We’re the substitute people. I’ve been the substitute person my whole life. … I like it that way. It’s a lot less pressure.

I’ve always had the fantasy of being the substitute person, but it took Claire to put words to it. Usually my fantasy goes like this:

A musician I really love – let’s say, Amanda Palmer – is in town, but they are touring without a certain band member – usually a guitarist or harmony singer. I’m at the concert, and when they start to play one of their big hits they stop and ask, “Does anyone know the [guitar/vocal/cowbell/whatever] part to this song? [I raise my hand.] You do? Come up here and try it.”

And then I get up and, of course, play the solo or sing the harmony to perfection, because I am obsessed with it. And then they ask me to sit in for another song. And another one. And then I hang out with them after the show and they fall in love with me.

Sort of like Courtney Cox in the “Dancing in the Dark” video.

I’m sure you have a similar fantasy, even if you aren’t a musician. Maybe it’s about stepping in with a sports team, or filling a hole on a big project in your office. It’s the opposite of the Actor’s Nightmare, where you’re stuck on stage with no idea what to do.

The allure of the fantasy is that we’re the substitute people. Just like a substitute teacher, no one is expecting us to do much more than fill a hole. Then, when we are amazing (or, at least, more amazing than adequate), they fall in love with us.

Having the substitute fantasy doesn’t mean you don’t like your life. I love being half of Arcati Crisis. But, every time I listen to E’s Filmstar demo record I catch myself thinking “I could walk right up and play all of those bass parts, if they needed me to.”

Well, two weeks ago life put my fantasy to the test when I wound up behind a microphone at a Filmstar rehearsal with a brand new bass hanging off my shoulder.

To make a long story short, Filmstar found themselves without a bassist, and I was called on my flippantly mentioned substitute-person fantasy of playing with the band.

I did know their songs pretty well – well enough to noodle along to their EP. Well enough to play bass on all fifteen of their songs? I didn’t necessary know every key, chord, and rhythm.

Oh, and there was the little detail of my not having played bass for seven years.

I decided that didn’t matter – I wanted to be their substitute person. E asked me to fill in on a Thursday. My new bass arrived on Friday. I arranged all the songs for myself on Sunday. I knew all fifteen of them for rehearsal on Wednesday.

We played every one.

This photo of me playing bass is nine years old, and this is as big as you're ever going to see it.

Was I awesome? No. Am I a bassist? Not by trade. But as a substitute person I was solid – I showed up able to fill the entirety of the hole in their lives, probably better than they anticipated I could.

I don’t know how long I’ll keep substituting with Filmstar, or if I’ll keep loving it. At some point a long-term substitute becomes your permanent solution, and surprising adequacy turns into lingering disappointment.

I’ve decided i don’t want to think it through that far. For the moment, I’m living my fantasy, and playing in an awesome rock band with my wife.

Sometimes we get we want in the most unexpected ways. What’s your substitute people fantasy? Have you ever got what you wanted?

I just want to understand

At the bottom of my basement stairs, I realized I was defeated. Or, at least, foiled in this particular instance.

The floor of our basement was covered with water two inches thick, and our water heater was hissing and spewing a fountain of water from its top.

I had an idea how to turn off the water. I had a plan to pump out the water. But I had no idea what was wrong with the water heater, or how to fix it.

Defeated.

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If we wrote out a list of my fundamental character traits, one is that I have to understand how things work.

I don’t have to fix every problem myself. I can delegate and rely on help from other people. But, bottom line, I have to understand what the problem is, why it’s happening, and what’s being done so that it doesn’t happen again.

I’m discovering that this is going to be one of my major challenges as a homeowner. When something breaks or explodes or just mysteriously stops functioning, people expect you to step back, call a contractor, and repeat the serenity prayer under your breath.

Yeah, I just don’t roll like that.

If the primary three letters in my life are frequently OCD, the next trio are DIY. Do It Yourself. DIY is why I know how to do almost everything I know how to do.

When Blogger wouldn’t republish archive pages in 2000 I taught myself how to code PHP. When i wanted to record a studio album I minored in music. Last night I completed disassembled a backup drive with a blown power supply down to the last screw and installed it into another computer, rather than contemplate sending it away for repair.

All that said, I’m still a little intimidated by DIYing the house. It’s one thing to take apart a hundred dollar hard drive, and another to conduct demolition on a multi-hundred thousand dollar house.

So, when we bought the house it was a special challenge to find the right sorts of inspectors and contractors and insurers that could satisfy my need to understand.

We took our best shot. The Great Water Heater Explosion of 2010 tested both our vendor-selection and the limits of my understanding and my serenity.

Our Home Warranty company suddenly had clauses that were nowhere in our contract, and when I called to understand where they explain their coverage, their answer was basically “we don’t; no one has ever cared.”

They were dismissed.

Then we had a plumber quote twice as much as we thought it would be to replace the water heater, without really breaking down how he arrived at that number.

He never got a call back.

Basically, until I’m comfortable with in-home DIY, “understanding” has becoming my homeowner’s litmus test. If someone is afraid to make me understand – because they don’t want to be questioned, or they don’t want to empower me, or they want to charge me too much money – then they aren’t going to touch our house.

In the end we replaced the water heater for HALF of that initial quote in a single day.

Next challenge? The electrician whose lack of attention fried the aforementioned hard drive, to which his solution was to bill us another $1,200 for a dubiously defined solution he couldn’t help me to understand.

I understand that I can’t fix everything and I can’t know everything. But, at the very least, I can understand everything.

That’s all I ask.

Backfilled

I’ve been crap about blogging live for the past few weeks. Too much life, not enough to say.

Or so I thought.

I kept jotting down thoughts as I lived, because stuff kept happening. It seemed pointless at the time – journaling that would never see the light of day. However, starting from the Philebrity party on Thursday I felt like a theme was beginning to emerge. I went back to straighten things out and edit a bit, and it turns out I had something to say that I want represented on CK after all.

The result is that I’m backfilling all the non-blog blogging I’ve done since the first of this month. It’s blogging via hindsight, having seen the threads of my story woven neatly together over the weekend.

In the future I have to post as life happens and trust that a story is being written.

WWMD?

When I’m being overly fussy about anything musical, I have a special mantra I use to get focused. It goes like this:

What would Madonna do?

That’s “WWMD?” for short.

Madonna, 1982, from the 9/09 issue of Italian Vanity Fair.Last night I was not feeling musical. I was tired. My right arm felt flabby, and wasn’t keeping up with the quick, hard strikes on “Regenerate.” My breath-support was wobbly, and not getting me through “Shake It Off.”

I had promised to stop by an open mic, but I wasn’t feeling it.

WWMD?

In 1982, when Mad was still being labeled a one-hit wonder, she told Dick Clark, “I wanna rule the world.”

It was a lofty, laughable goal for a potential one-hit wonder to have in 1982, but she’s come as close to achieving it as any entertaining non-dictator could ever come. Her rule-the-world mission drove her every decision for over a quarter of a century. If you start counting from when she started playing in New York bands, she’s been driven as long as I’ve been alive.

Of course, Madonna is also known as a control freak and a perfectionist – but that didn’t stop her from breaking into clubs as an imperfect singer in the early 80s.

If she stayed home she couldn’t rule the world.

I take that as a lesson – not only from Madonna, but from all of my favorite paradigm-changing artists. From David Bowie to Ani DiFranco to Lady Gaga, what they have in common isn’t their talent and training. Their commonality is wanting it bad. Tenacity.

That’s a clarity of vision I lack. If voice, arm, and body are all tired, I want to pack it in. My songs don’t sound focused. Why play, I ponder, if I’m not at my best?

WMMD? I know what Madonna would do. What about Gaga, or Ani, or my glam idol himself?

David Bowie struck out as a pop star, actually became a one-hit wonder twice – on a novelty single, and again on “Space Oddity” (another novelty single, you could argue). He released two largely-unheard discs before he unearthed Ziggy from his collection of personalities.

WWDBD? He wrote one of his finest discs, Hunky Dory, and when its popular reception was soft he went directly back into the studio to record The Rise and Fall of Ziggy Stardust and the Spiders From Mars, one of my three favorite albums of all time.

So on those nights where I feel tired, or tuneless, or lazy, what should I do if I truly care about music as much as I claim I do?

WWMD? WWDBD?

Go out and play.

My Life Is a Joke

Lindsay and I have an ongoing joke about my life.

Lindsay, being my primary secret squirrel, always finds a little nook of day to tuck a conversation into. Frequently we talk about all of the things that I do – work, blog, play music solo and with Arcati Crisis, Lyndzapalooza, freelance writing – &c, &c.

She, one of the more overachieving and time-conscious people I know, marvels at how I actually advance my goals in each of those areas all of the time.

The joke is that, in order to fit in all of those things, I must not do anything a normal person does. I don’t watch television, sit down for meals, or talk to people on the phone. I don’t sleep. I’m like some sort of T-1000 or Cylon. Or Madonna. I’m purely focused on achievements and achieving them, and nothing else.

That’s a slight misrepresentation. I am not a robot, and only aspire to be Madonna. I still do all of the things that human beings do.

Occasionally. And quickly.

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When I graduated from college and started my career I resolved not to do any theatre or music for an entire year. No art, essentially. I would focus solely on being a good employee and a good boyfriend, because I wasn’t sure I’d be good at either. If I had free time I would sit and play video games until another opportunity to be a good employee or boyfriend presented itself.

After a year I allowed myself to get involved in a theatre project with Gina, and from there my natural inclinations for art and recklessly large personal projects took over.

I made a very elaborate chart. It included every possible thing that I could do in a given day. All of the regular human things, all of my time at work, all of my special goals, and everything else. Washing dishes. Walking from one place to another. Making out with Elise.

I tracked what I did for three months, every minute of every day.

At the end I had a beautiful graph of my life. A rainbow of lines interwove with each other to show me the relationship between work and sleep, guitar-playing and housework, or blogging and masturbation.

The area under some of the lines was the shape of my success; the area under others a dimension of dead space.

My priorities snapped me into focus. Before the chart I would have told you I was already busy enough with life. After I realized that I wasn’t writing songs because I was reading TMZ for 20 minutes a day.

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The chart was almost three years ago.

Today Lindsay initiated the latest iteration of our joke, querying if I planned to sleep at all in the next few months while chipping away at my list of measurable goals for the year.

The chart was about sleep too. I tried to live on just five or six hours a night, and suddenly all the useless things expanded. The chart showed me that I need sleep to stay focused.

It was a disappointment, sure. I work and commute for almost ten hours a day, and if I have to sleep for seven that leaves just another seven hours in which I can live my life.

The punchline to our joke is that every minute counts, awake or asleep. 60 seconds to flip channels is a quick email reminder. Three minutes to set the table is rehearsing a song. A half an hour on the phone is this post.

Which would I rather look back on in December, or when I turn thirty, or when I die?

I always eat with the wrong fork, anyway.

a shark for places

I have now been back from Europe and installed in my house for close to three days.

I’m slightly afraid to go outside. Half because I know I’m going to compare everything here to Paris and London, and here will lose out in every instance. But also because as I surround myself with my city the impressions of those other places will begin to fade.

Prior to (and during) the honeymoon I was eager to grump that I don’t understand the worth of spending money to go places. Even afterward that’s still true – when I tallied our total expenses last night I almost cried, even though they came out almost exactly as what I estimated.

That’s not to say I didn’t enjoy the places. I loved Paris, and I liked what little of London I saw well enough. I just don’t enjoy vacations – being idle. On our slowest days in Paris I hated it, but when we turned Paris into work – multiple museums and neighborhoods to visit in one day – then I enjoyed being in Paris. When we turned London into a scavenger hunt – snapping photos and visiting shops – then I enjoyed London.

I would love to live in Paris – to be able to enjoy Paris while I am at rest. Paris was the one place I’ve ever been where I felt totally in-place, even as I stumbled through their language in every interaction.

Philadelphia can’t be Paris, no matter how many French books and newspapers I stowed in my garment bag. But I can bring that swim or sink vacation mentality back to Philadelphia – move or drown, create or die.

If I move fast enough, the scenery stops being significant.

out with the old, out with the new

Being a consumate overachiever, I am usually all over “small changes that can yield big success” articles. Like, whoo boy, sign me up for micro adjustments that cause macro improvements!

Except, at this point I have made every micro-tweak I can make. I am fully tweaked.

Take, for example. a CNN article from yesterday that suggests five simple diet changes that result in 500+ saved calories a day.

Here’s what they suggested, in comparison to what I do.

Old: whole milk
New: 1 percent milk
Me: rice milk

Old: whole bagel
New: half a bagel
Me: low fat granola
(occasionally a bagel with non-hydrogenated, light spread)

Old: chocolate ice cream
New: chocolate yogurt or a Popsicle
Me: soy- or rice-based ice cream, fruit chillers, or nuts

Old: latte made with whole milk
New: latte made with skim milk
Me: chai made with soy milk

Old: be a couch potato
New: take a 20-minute walk
Me: walk 1-3 miles a day

I could continue to match them one for one – they’d say, “eat lean meat,” and I’d say, “eat fish.” They’d say, “no more extra cheese,” and I’d say, “no more cheese.”

Articles like this make me feel okay for being thin, because I have clearly eliminated every source of culinary indulgence from my life already, and have largely found replacements that I prefer to the original gluttonous versions.

(I wish that articles like this could also make me feel like I can stop worrying that I’m going to turn into a giant Italian balloon when I turn thirty like half of my family did, but I’m just going to have keep being anxious about that bridge until it’s crossed.)

My total tweakedness isn’t limited to diet, which means I react similarly to “small changes” articles about budgets or goal setting – I’m excited to read them until I realize they’re preaching to the me of 2003. I’ve made most of these adjustments already because they all dovetail with my concept of living marginally. I suppose it’s my personal version of being green – why waste money and time on frivolous things you don’t even care about, when you’d rather waste them on frivolous things you actually enjoy?

So, to CNN readers I say, “If you like your lattes with whole milk, go ahead and drink them.” Micro changes are nice, but it’s a major change of attitude that’s going to make the biggest difference in your life.

invoke the infield fly rule!

Hmm.

So, in a bit of Philly surfing the other night I stopped by Philly Future, which featured a link to Fork You, a Philly food blog. And, in checking out the personal blog of its proprietor Scott McNulty – Blankbaby – I found myself thinking, Gee, that names sounds awfully familiar. I wonder how long he’s been around?

The answer to that question is two months longer than me. Which presents a conundrum: is Scott the longest-running blogger in Philadelphia?

Technically, yes – he made 11 posts prior to the launch of this fine establishment. However, said flagship posts were made from Yonkers, New York, not Philadelphia.

Now, let it be known that I am not one to hang on to my tagline via imagination or technicality – after all, that’s why I turned against Ms. Clinton earlier this year. At the same time, I don’t know that it’s fair for any carpetbagger with a long-standing blog to just roll into town and usurp me.

I’m really not sure what to make of this development. Have I been legitimately dethroned? Do we share the title, in different capacities? Have I found my nemesis?

I’m thinking I might have to drop by Fork You Live next Saturday to have a little duel showdown thumb war chat with this “Scott.”

Preoccupational Hazards

Tonight was my one night off for the week, except I wanted to spend it on – do some blogging, maybe start my next Trio.

That wasn’t meant to be. I had some more pressing concerns to attend to, such as washing dishes and laundry. And, I’m not just talking about from a normal “chore” perspective. No. This was a no drinking glasses left and completely out of pants situation.

You might laugh at my situation. Ha!, you might think, he seems to be so together with his podcasts and his Groom Team, but it’s an illusion! You might continue to gloat, Aside from his yuppy job he’s living the slovenly, disorganized life of a lazy bachelor.

Yet, that’s just not the case – and not just because I’m living merrily in sin with Elise. I’m certainly spending time being clean, orderly, and tenacious outside of my yuppy occupation – it’s just that the time is invested in all of my yuppy pre-occupations.

At this point I have so many non-occupational jobs that it’s not unusual for a week to go by without me even finding the time to do a single load of laundry. Take this week, for example.

I spent half the weekend recording and mixing the four songs in the last two posts, and the other half working on an arrangement for Drexel’s all-female acappella group. Monday I spent a few hours cleaning up the back-end CK, and then I went to a concert of someone who is playing at my wedding. Tomorrow night I’ll be co-hosting an open mic with the other half of Arcati Crisis, and on Thursday I’m the artist liaison at our Lyndzapalooza Fall Mixer.

Did you catch all of that? Recording engineer, transcriptionist, network administrator, event planner, rock star, and A&R rep. That’s six hobbies that I’ve turned into part-time jobs. Hobs? Jobbies?

At least with the latter half of wedding, AC, and LP I knew from the start that I was getting into something that was both time-consuming and rewarding. However, the former three – CK, arranging, and DIY recording – all started out as innocent distractions from the rest of my life. I never meant for them to become staying up until 3am, working until I nod off in my chair sorts of engagements. It just turned out that way.

Is this insane or just slightly abnormal? Do you have jobs aside from what you do for a living and taking care of your home and family? If you do, did you choose to make them a priority, or did they sneakily transform into one over time?

Weary, but without wedding woes.

I am profoundly tired.

The day that preceded that condition included some crazy legwork at the office, as well as three hours of hosting LP’s new Wednesday night open mic @ Intermezzo at 31st and Walnut.

However, the root cause of the weariness extends back several days, during which I have been trying to squeeze in more content than a day can hold. Much of that content has been wedding-related.

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A year ago I said,

I love all the dire wedding warnings that come from every quarter when you first get engaged. I suppose it’s a cultural hazing thing? I just don’t get it. Each of our favorite weddings were relatively lacking in insanity and drama according to the various brides. Also, we’re both OCD project managers with the same taste in everything.

Right. Remind me to come back and read this post in about twelve months and see what I have to say about it.

Well, I’m back a week shy of one year later to report that I still agree with that sentiment. Maybe you should ask me again in two more months.

In the past year I’ve discovered that weddings don’t have to be difficult projects filled with temper tantrums. We’ve certainly had some stressful moments, and we’ve argued and disagreed over a few things. I’m sure that’s true for every couple, no matter how in-sync they are. Yet, on the whole the entire planning process has been … well, mostly just fun.

It helps that we’re both OCD project managers with experience in communications and event planning. Elise methodically steers the critical path of our overall project plan, and I own a subset of tasks – one of which recently resulted in booking the fantastic Alexandra Day to play our cocktail reception. Anything that deviates from the plan is addressed or eliminated. Several cagey or uncooperative vendors have been jettisoned prior to signing a contract. All four sets of parents have been supportive and barely meddlesome. Whenever we get stuck we ask our parties for advice; they have solved every problem we’ve come up with so far.

The past week has been especially active because we mailed our invites on Monday. They are definitely amongst the top five most awesome wedding invites I have ever laid hands or eyes on. Not coincidentally, all five invites on my most-awesome list were at least partially self-designed and hand-made, with every aspect of their formats customized to the personality of the couple.

Elise and I started discussing our ideas for invites as early as January. At the time our wedding was still fresh news, rendering it the lead-in topic of every conversation. Since invites were one of the few things already underway I was eager to talk about our ideas to everyone. Surprisingly, I heard a handful of puzzlingly dismissive comments, usually along the lines of the following:

Me: “… and, we’re designing and producing our invites by ourselves!”

Them: “Oh, I guess you’re trying to cut costs, huh?”

Me: “Not really. We both do similar projects all day at work; we thought it would be fun to do one together.”

Them: “Yeah, sure, it’s neat when people find a way save money on their wedding.”

Me: “Actually, it’s more about designing exactly what we want.”

Them: “Yeah, sure, and you can do it really cheaply that way.”

Me: “I don’t think we’ll save very much. It’s just that we’ll have control over the quality.”

Them: “Yeah, sure, but they won’t be as nice as invites you buy out of a book.”

Me: “Um… [bangs head against the counter]“

Ultimately we did save some money on materials compared to “customized” wedding invites available from a book or online. But, that wasn’t the point, and it isn’t even a fair comparison. The definition of “custom” in commercially produced invitations is vastly different from our own, which features unique text and layout, high-end specialty paper, a bevy of custom shapes and die-cuts, and hand-embossing.

To get a better sense of how “cheap” our invites really were, I sought out a more realistic comparison. I showed a final invite to one of the senior designers at work and asked her to quote what she would charge to produce them as a freelance project.

Once she was done calling in other members of her team to marvel at our amazing paper, she conservatively estimated that she would have charged at least $700 for the design (not including costs for comps), $500 or more for the time Elise spent on hand-assembly (some of which she would have sent to a vendor for digital die-cut), and a 10-15% markup on our material costs. And, that doesn’t account for our hours of debate over colors, paper weights, fonts, and content, or our extensive usability testing with a series of prototypes,

Essentially, Elise put in the commercial equivalent of more than $1200 worth of woman-power into our invites. If you also factor in her material costs, we just sent out a fleet of invites valued at over $21 a piece, not including postage. And that’s the conservative estimate.

I haven’t done too much market research, but I don’t think that’s very “cheap” in comparison with the industry average, no matter what your definition of “custom.”

I think that even the cost-cutting crowd from above would appreciate all of the effort … if they received an invite. Which they didn’t. Why? Because I cut their rude asses from the guest list months ago … even before we paid for venues, meals, and dresses they were more interested in how much our wedding cost than in how much it was about us.

(Aside from that alteration, our final guest list was nearly identical to the list we originally drafted a year ago this week. Again, why does this cause people stress? It’s pretty simple. First, when you get engaged write out a list of all of the people who you might like to see when you get married, as well as those who want to see you when you get married – not because they expect to be invited or because they are calculating the tab in their heads, but because they care about you. (If you are me you will supply a draft of this list along with the engagement ring.) Then, check with your parents and close friends to see if you forgot anyone important (and by important I mean important to you). Next, stratify your full list in some way – like, small-wedding vs. large-wedding, must-invite vs. should-invite, A-B-C-D lists, 80/20 rule, or whatever. Once you have established a budget and looked at some venues it will be clear which version of that stratified list you can afford to invite. Finally, send invites to those people. The end. If that means you wound up cutting a cousin in favor of a co-worker, so be it. Life goes on.)

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As part of the invite process Elise built a staggeringly detailed web site that matches the overall look of our wedding “campaign,” and on it she placed the first three entries in my series of ten engagement posts.

Seeing as the wedding quickly approaches, I’m thinking I should write the other seven in pretty short order.

And rent a tuxedo. And buy my wedding band.

And go to sleep.

Arcati Crisis Upstairs@Zot

Last night Arcati Crisis played our first true headlining set inside of the Philadelphia city limits, in a fantastic space upstairs from Zot Restaurant, sharing the bill with our good friends Lindsay Wilhelmi, Andra Taylor, and Nate Dodge.

In my increasingly frequent travels in the Philly music scene I often feel like an amateur, and in open-miking I still am. There are Philly artists who have honed the art of open mike to a fine, fine point, and are able to score kudos from a crowd of strangers on every outing.

I’m not that. But, I am a communications professional, a project manager, a Lyndzapalooza organizer, and a reformed amateur theatre junkie, and I brought all of those experiences to bear on what turned out to be an amazing show. I designed the flyers, I worked with all of the performers come to a consensus on our schedule, I provided a sound system in a pinch, and I refocused lights and worked the crowd throughout the night.

I don’t mean that to sound like I take credit for our night, because if I had done all of that of that for a four-hour solo Peter show I wouldn’t have garnered nearly the same amount of support or success. Just as there’s something magical about the harmony of Arcati Crisis, there was something special about sharing a real bill with Lindsay after how hard we’ve worked on our music together over the years, and about sharing a stage with our new friends Andra and Nate, who energize and inspire us with every performance.

Would the flyers have been as cool if I hadn’t been designing on their behalf? Would the schedule have been so intuitive without their brains? Would the PA have been worth carrying up the stairs without Lindsay to strike a balance on the initial mix? Would the lights be worth refocusing without a bill of compelling performers to watch?

I can’t take credit for combining the four of us – to that we owe our thanks to David Simons of Five Year Plan Entertainment, who gave us all the chance to be heard, and to be heard together. It was a rare bill where I could cross-promote every artist with the confidence that our audiences would seamlessly overlap.

My dad arrived to the show early and held court at the bar for the duration, and every time I stopped by he was ready with a polite litany of ways we could improve for our next show. We need a bigger board with an off-board equalizer, and maybe a compressor. Sandbags for the bottom of mic stands. Better eye-lines. Performers closer to the audience. Stop by ahead of time to check out the lighting situation.

If you’ve followed my history with my father at all, you know that it’s rare for us to find an intersection of interests, and it was fascinating to hear him so effortlessly detail all of the credible, tangible ways we could improve for our next show.

At one point in the conversation I interjected.

“Dad, we will do everything you just said. But, realize that it used to be that we had no mic stands to even sing into, so I bought those. And then we didn’t have mics that were good for Gina and I, so I bought those. Then Lyndzapalooza needed a PA system, so I bought that. And, Gina and I couldn’t get anyone to pay attention to us without quality recordings, so I bought a digital recording interface and spent the last year mixing and burning demos.”

My point was well-taken, just as his was by me: success requires steady progress; milestones require constant motion.

It was a year ago today that Arcati Crisis made our Philadelphia debut at the Tin Angel, playing three newly learned songs in a brief set during a lineup of almost a dozen other performers – mostly strangers. As great as that felt, and as inspiring as the support from friends and family was, I don’t think we could have imagined that a single year later we would be playing for five times that long to twice as many of our dearest supporters on a bill of talented friends.

I am truly blessed to be a part of a community that continues to support the evolution of our music. I will continue to do everything within my power to make sure it gets heard.

Happy Birthday To This

I.

Lately I’ve been struggling with the concept of success – specifically, how to discern the difference between progress and success.

I am always progressing – I do not do well with sitting still. Nevertheless, moving forward doesn’t equal succeeding. Motion doesn’t equal a milestone.

Or, at least, that’s my typical mantra of over-achievement.

It can be hard mantra to upkeep; over-achievement requires a lot of regular achievement to maintain, and that requires plenty of milestones to mow down while you’re in motion.

It’s an especially hard mantra to have when no new milestones are in sight … when it starts getting tempting to view motion as a milestone. It’s akin to the kid who wants a teevee break just for doing the first page of his homework. Should I reward myself just for learning one new song, or completing one workout? The slope from those minor successes to learning a new chord or doing one push-up is treacherously slippery.

This was the quandary that stopped my progress cold last week, grinding my life to a halt. I spent a long night of discussion with Elise, reviewing the successes of the past year, and trying to figure out how to translate further forward motion into more milestones.

Elise is the panacea to those inconsolable moments, and as we laid in bed talking it became apparent that part of the problem is that I had forgotten the other, single, proven solution to all of my various doldrums – eight years of Crushing Krisis archives documenting every success and failure, and all the moments of paralysis found in between the two.

Eight years of proof that I am always in motion, and always finding a new milestone.

II.

As of today Crushing Krisis is an alarming eight years old – absolutely ancient in blogging years, and still the reigning longest running blog in my fine city of brotherly love.

I have a blog old enough to be in third grade. If that’s not a major milestone, I don’t know what is.

Not only is CK itself a milestone, it’s a collection of them – a chronicle of my greatest hits, the succcesses that sketch my evolution from aimless straight-A college student and hapless singer-songwriter through hopelessly overcommitted yuppy and emerging artist.

The amazing thing about the last twelve months is how many successes they encompassed. I played a show at the Tin Angel with my band (two, actually). I got engaged to the love of my life. I completed six months of voice-lessons, emerging with newly revitalized vocals. Lyndzapalooza threw not only a hugely successful music festival, but two modestly awesome off-season events. I finally became the senior member of my team at work. I’m planning the most kick-ass party I’ve ever thrown, which coincidentally happens to be my wedding.

In hindsight I feel as though the vast majority of my personal greatest hits record is contained in the last year of my life – like I’m one of those artists who has one big album and that ten years later my record company will release a 21st Century Masters collection of me that regurgitates that one album end-to-end, plus some random cover I did for a soundtrack.

In the midst of all those hits I could easily lose track of the progress I made, but that’s exactly what CK is here for. I already chose the best of them to feature in the Year 8 topic, but my most indelible memories extend far beyond the posts I’d deem as “best.”

Our band got censored for the first time. I had two of my most memorable taxi-driver conversations. I played a game of “what if I managed Britney?” I conquered my quarter-life crisis. I co-invented (and later conducted) an Upscale Bar Crawl. I blogged daily for an entire month for no reason at all, highlighting my favorite (remastered) Trio Tracks along the way.

I dissected Radiohead’s record release, along with the entirety of the “blogosphere.” I became fascinated for an entire night by a trick of photography. I learned valuable lessons from my longest period of bachelorhood in the past half decade.

I began telling the story of our engagement, further chronicled here and here. I disclosed my previously deeply personal delight in hot food eaten cold. I saw Elise’s brother make his theatrical debut. I posted a rare Trio that I liked as soon as it was recorded.

I contemplated being a real band. I reflected on my childhood masquerade as a born-again Christian. I posted yet another awesome-right-out-of-the-box Trio. I celebrated Gina’s birthday by recounting our first time singing together. I cultivated an ulcer. I learned about sibling rivalry by way of working out regularly for the first time in my life, and in the process got to know Elise’s sister a little bit better.

I almost shattered the fragile, bird-like skeleton of one of my SVPs. I taught the entire internet how to edit their MySpace Music profiles (seriously, you should see the referrals I get on that one damn post). I nearly got laughed out of a coffee-shop due to my savant-like knowledge of Clue.

I played my band’s first honest-to-goodness solo gig, and made friends with 13-year-olds. I spoke at my mother’s wedding, and reflected on how just a few decades ago mine would be illegal in some states. I became a big brother, and started becoming my mother, all in the span of a week. I reflected on GBLT rights in Iraq by way of Ani DiFranco and teenage theatre. I posted the best and worst of my teenage poetry.

And, still fresh in my mind, I was the victim of a crime of hate.

Other things happened too – good things and bad things left unsaid as I skipped a few months of blogging while I was out succeeding a life.

I never finished our engagement story. I haven’t been blogging about wedding prep, including dress shopping and invite-making. I didn’t relate how I got chewed out by a co-worker for bashing Jesus on our last Live @ Rehearsal disc. I continuously redacted a post entitled “Figure Skating Pants” because it never turned out as funny on-screen as it was in my head. You haven’t yet heard about house-hunting.

A hundred other things.

If Crushing Krisis is as much about progress as it is about success, as much about motion as it is about milestones, it’s also as much about silence as it is about sound. My evolution is sketched as much by the words I withhold as the ones I write.

III.

I write these birthday posts each year … letters to my future self. Internet time travel.

Last year I said:

If Year 6 of Crushing Krisis was about finding stability, then this past year has been converting stability into happiness.

To amend that quote, if Year 7 was about converting stability into happiness, this past year was about finding a way for happiness and success to finally co-exist in my life.

In their own quiet way, those successes have brought me as close to quitting CK as I’ve ever been. Even though this blog documents my successes the actual act of blogging is all progress, and progress without success in sight can be daunting.

On and off, I plotted CK’s demise. Merge it into a band blog, I thought. Not as important as wedding planning, I decided. My writing has already peaked, it’s time to focus on other things, I resolved. Not saying much of importance anyway, I mused. It’s not as if anyone’s reading it, I whined. Blogs are ubiquitous and thus unremarkable, I opined. I’m out of things to say, I worried.

Yet, here I am, still, heading into Year 9.

Why? Because Crushing Krisis is one of the best ideas I’ve ever had, one of the best things that has ever happened to me, and the best way I know to show that I am not only progressing into adulthood but slowly and surely succeeding at life.

And because of you. You – indefinable and intangible, yet indefatigable.

Not just you – singular you, tu – you there on the other side of the screen reading this now, so much as you – plural you, vous – all of you. The royal you. The Schrodinger’s Cat of you. The mere potential of you.

“You” could mean you – now, in the present, two seconds after I post this; you – far in the future, maybe after I’ve gone; you – both of you; or you – neither of you … some other you entirely.

Thank you, no matter which you I am addressing. Thank you for being a part of and a party-to my never-ending progress and my continuing success. Thank you for reading, listening, commenting, and linking. Thank you for your time, for your attention, and for being you.

Thank you. And, happy birthday to this.

Choosing Your Family, and Cheers

(This is the toast I gave yesterday at my mother’s wedding, prefaced by my extemporaneous introduction of “I’m Peter, and I’ll be your toaster.”)

Every family begins as a unit. The family you find yourself born into; the family you are given.

From there, how you define your family is up to life, to circumstance, to chance, and to you.

Whoever else we may have begun with, there was no questions that E—– and I were a unit – a matched pair, mother and son, adventurer and sidekick, driver and navigator, friend and peer.

We existed as that unit for years, occasionally inviting others (who are here today) into our fold. L—, the first person to ever lay eyes on my face. A—–, hers the first babies I ever held. M— and me, holed up in a blizzard, lip-synching to MTV.

Through all of that E—– raised me to be an overachiever, and in my immediate family there were precious few. So, it was at first with trepidation and then with increasingly welcome relief that I re-met J— in our merry carpool to community college, me getting a jumpstart on the next step in my education and J— rekindling a seemingly insatiable desire for knowledge.

Nothing against E—–, who to this day has committed to memory the names of all of my favorite Thundercats, G. I. Joes, and rock bands, but that summer J— was something almost entirely new in my life: an adult peer who would follow my wandering conversations on any topic and through any debate, and who – if I may be disarmingly frank for just a moment – did not (and does not) hesitate to call me on my teenaged bullshit.

As I broke away from our unit to go to Drexel I began to find my own family, and I wondered what E—–would do with herself in my absence. But, I had no need to worry: she took a class in world religions, became a fitness instructor and a realtor, and finally purchased her own home.

I know many of these actions were inspired, supported, and appreciated by J—, because how can you help but be inspired by him? He has one of the most inquisitive minds I know, and he was one of the few people I knew with a GPA higher than my own.

L— said a very true thing to us on the way to us on the way to the ceremony this afternoon, only slightly undercut by the fact that she was wearing a glue-on-moustache at the time in her capacity as our chauffeur.

She said: She and E—– and A—- were sisters who found each other. Sisters by choice.

That concept is meaningful to me – family by choice – especially now, as Elise and I are creating a family unit of our own. Because, aside from common eyes and noses, what reason do we have to be connected to the family we are given? We have to find them, to choose each other, because the true members of your family are your sisters and brothers… your friends and lovers… by choice.

So, here’s to E—– and J—, B— and E—, M—-, D—-, L— and J–, Elise and I, and all of the other families we have chosen to be a part of, today celebrating with one voice the creation of a beautiful new unit: J— and E—–.

Cheers.

All In the Family.

Just to show that nothing is safe from competition in Elise’s family, her sister Jenny left an encouraging comment about how she respects my bloggingness – leaving unspoken the inference that the respect is intact despite my hopeless fat, lazy, dumb, ugliness – and parenthetically mentioned that she is on a Dragon Boat team (huh and the what now?), so I should not count her out of the fitness competition just yet.

And, by the by, she is also a blogger, only her blog is broadcast from Taiwan and features regular lessons in Mandarin.

And, oh, in case I forgot, she used to be a competitive ballroom dancer, and she’s choreographing our first dance when she gets back from Taiwan, so I better watch my mouth or I’m going to have to learn to do walkovers and cartwheels.

Do you see what I’m up against here? Elise already volunteered herself to do upper body workouts with me when I move up to a higher set of weights. Next thing you know I’ll have have their brother emailing me songs he’s written and telling me he’s starting his own music festival.

Although, there’s something to be said for marrying a hyper-intelligent, pro-active bombshell with two similarly equipped siblings, in so much as any time I choose to slack off in some aspect of my life I just picture the appropriate one of them sitting on my shoulder, doing that same thing about five times better than I do it.

Whenever it doesn’t send me into wracking sobs or a panic attack it’s very effective. Like, just a few minutes ago I didn’t do enough bicep curls and the trio of them mocked me in imaginary three-part harmony to the point that now I can’t even lift up a glass of orange juice.

Ahh, family.

I am Peter’s beleaguered abdomen.

I have a whole litany of things to say about Lyndzapalooza, Arcati Crisis, and Amy’s new section of the newspaper, but today I’d like to keep the attention on my abdominal section.

Separate from my (now infamous) teenage anorexia, I was also a sit-up addict. I don’t know why – I wasn’t especially interested in any other sort of fitness. In fact, I wasn’t even seeking a six-, four-, or two-pack. I just wanted tone.

I think part of the reasoning was, “food goes to the stomach, so abuse the stomach.” Also, I think one time I saw an anorexic girl on Oprah talk about doing 300 sit-ups a day and thought, Hey, that sounds way better than bulimia as a convenient companion to my anorexia.

Seriously. Fun times.

In any event, I left both the anorexia and the sit-ups by the wayside in college when I discovered things like all-you-can-eat cafeteria mac’n'cheese.

Fast forward a decade past my multi-hundred sit-up prime and my entire abdomen is a joke. And, not a laughing-with-it joke, either.

No, they are definitely to be laughed at.

When fiancee introduced a simple, nightly crunch regimen to get into absolutely drool-worthy shape for her trip to Australia I simply watched – sometimes while eating ice cream – because my abs, they are no longer. Even a standard set of crunches gets me huffing and puffing, and that doesn’t even get into the pure horror of any sort of side crunch that attacks the love-handle area.

A bit insulting, perhaps, that my future wife is in tip-topper shape than me with barely any effort, but it’s not really injuring my pride. After all, it’s not as though I’m spilling out of my clothes here – I’m just weak in the mid-section. I still eat better than ninety percent of the population of America. I still walk three miles or more a day from spring to fall. I just don’t cause her whiplash when I walk by with my shirt off.

However, what did add insult to injury was Elise’s younger brother.

He’s already a better singer and actor than I was at his age, which I can at least rationalize as due to his vastly superior genetics (I mean, we are talking about Elise’s brother, here). Yet, on top of that last year he out-of-the-blue started working out daily.

I was skeptical. I made all sorts of resolutions in high school, but the only two I actually stuck with were playing guitar and try to subsist solely on water and Altoids.

For a while all he had to show for it was endurance for the boredom of jogging and an altogether terrifying skill at Dance Dance Revolution. Now he has actual muscles! Abs, pecs – you name it. And, not just while impressively flexing – he has muscles even while at rest!

When I played DDR in front of him over Christmas I felt like a cow skipping rope. Oh, and did I mention that their father runs marathons, and that when he deigned to run my company’s ten mile race last year he posted the best time of everyone I know? And her sister, the non-fitness-nut, is currently serving out the remainder of her Fulbright Scholarship teaching English. In Taiwan.

I’ll be a legally bound part of this family in a scant nine months, and the peer pressure is starting to mount. To date I’ve skated by on the account of being an academic-wunderkind and a singer-songwriter. Then I had a few months of grace on the “wow, that’s a nice hunk of diamonds you bought for my sister/daughter.”

I’m going to have to step up my over-achievement, lest I become permanently tagged as the fat, lazy, dumb member of their family. (And, theirs is a beauty contest that I am never destined to win (unless I plan several thousands of dollars of plastic surgery (and this is not a post about my need to compete with my own mother))).

My grad school indecision is about to continue into it’s fourth year, so I don’t see a Fullbright in my immediate future, and – let’s face it – I’m not planning on running anywhere anytime soon. (Being the longest-running blog in Philadelphia has so far won me no respect.)

My most realistic aim in this impending crash-course in sibling (and parental) rivalry is somewhere between the fitness levels of my fiancee and her brother – more than a nightly crunch routine, but less than a military-like regimen that causes high school girls to forget how to breathe.

Really, I’d be happy with enough to get Elise to gawk at me when I walk around the house naked, which rises in frequency as the weather improves.

The Sixty One

Editorial Note: Since I first penned this essay The Sixty One has added some terrific features, but has also experienced disappointing community turbulence, which can largely be attributed to repeatedly poor public relations response from the administrators of the site..

The Sixty One is a unique social network that allows artists and musicians to interact, and the lack of a community relations plan – or, worse, imposing a pre-defined view of community onto the site – is not the prescription for continued success.

While I still think T61 offers a unique and enjoyable user experience, I do not recommend becoming a user of the site at this time. Clearly the administrative team needs to further develop their approach to community relations policies and infrastructure and their overarching plan for the site before any further expansion can be both feasible and positive.

Lately the focus on my crushing internet attention has been brought to bear on The Sixty One, and compelling and altogether addictive new take on music meeting social networking.

At its base, 61 is a place to discover and stream (largely free) new music. Never a bad thing. However, it’s a little more complex than that.

When you sign up as a Listener on 61, you receive a small allocation of points. You’re free to listen to your heart’s content, but if you hear something you enjoy you can use your points to promote – or “bump” – the song.

It takes the most points to bump a new song, and increasingly less points to bump songs that are already popular. Eventually a song reaches the tipping point and launches onto the main page, where it racks up dozens of bumps by the hour from even the most casual of listeners.

When the songs you promote are further promoted by others you experience a return on your investment in the form of more points, scaled based on how early you bumped a song. This makes the act of bumping (and deciding when to bump) an exercise in risk/reward strategy if you want to maximize your ability to spread your influence (points) even further.

The competitive aspect of 61 – who has the most points – isn’t difficult to game. It doesn’t take much smarts to figure out what the community likes to hear, and to bump those sorts of songs as early and as often as possible. In that position you are effectually an A&R Rep – playing the numbers game in the hopes that a fraction of your investments will reap benefits large enough to cover your losses.

If you were playing to win, you’d get pretty far pretty fast with this strategy. Of course, some A&R Reps suck at picking the big hits, either due to a tin ear or a fickle public, and if you’re indiscriminate with your points you might wind up sharing the same fate.

However, there isn’t much joy to the 61 with that approach – you quickly lose sight of discovering amazing new music … listening to it and loving it, feeling that you have to proselytize to all your friends about it, and then realizing that 61 is built explicitly to allow you to do just that.

In this role you are more of a critic – except, there is no pejorative, judgmental facet to the site – it’s all bumps. So, really you’re more like a DJ, spinning the records that deserve the most ears. As you accumulate more points you become more influential – not only due to your riches, but because you’ll gain special abilities, like multi-bumping and reviving past hits. And, your picks don’t have to shoot to success overnight – just like artists receive residuals, you’ll continue to receive points as users discover (and re-discover) the songs you’ve endorsed.

The higher your rank, and the more consistently you bump tasty tunes, the more chance other Listeners will start to take note by subscribing to you – a built in audience to cascade additional bumps down your list of favorite tunes that benefits you and the artists.

If it sounds as though Listeners have all the fun… well, they do. The Artist side of the site is much more passive – you post songs, and sit around praying and fervently spreading good will via comments on other users and songs. When your songs are bumped you win points, which eventually allows you to post more songs, thus winning you more points… et cetera.

Artists are too playing a game – a subtle contest of scarcity and demand. Listeners love discovering new songs and swarm to songs with the most activity (think: feeding frenzy). On a slow day a mediocre new song will seem like blood in open water to bored listeners, but on a busy evening your big hit could get lost in the shuffle – hopelessly marooned with a low point total until a benevolent Listener/DJ gives it a fresh spin.

If you don’t make enough points before hitting your upload limit you’re stuck schlepping your tunes around the community, fishing for an endorsement to open up a new upload spot. (And, as I discovered last night, deleting a song subtracts its points from your total – an unfortunate war of attrition.)

To take advantage of this situation, as an Artist it’s in your favor to dole out catchy tunes slowly rather than dump your catalog all at once. This will entice listeners to bump each of your songs in succession, rather than having to choose between multiple tunes.

Also, Listeners can’t vote until a song has played for at least a minute, so your first few tunes should be chosen with this in mind. The one-minute-delay also promotes research – Listeners need something to do with their 60 seconds, and if they don’t see a catalog of past successes on your page they might be looking for another reason to bump you, so make sure to have a profile image, write a bio, and leave a comment on your song.

All in all, The Sixty One it makes enjoying (and creating) music a game, a game that lacks the pejorative “bad” vote of other discovery systems, like my old favorite somesongs. If it sounds interesting to you I hope you’ll sign up (and maybe even throw some points towards Arcati Crisis)! And, if you list me (krisis) as your referrer, I’ll even make points off of your making points!

So far my favorite tunes have been:

  • Anj Granieri — Former Stranger – On this tune the S. Jersey native sounds like an improbably cheery mashup of Dresden Dolls, Rasputina, and Des’Ree. She makes her Tin Angel debut on April 3rd – I may stop by.
  • The Box Social — Hot Damn! – Fuzzy hot rock in the Jet mold, but they’ll raise you great vocals and much more cowbell.
  • STEFY — Chelsea – Awesomely trashy electro-pop built on a rip-off of the riff from “Sweet Dreams.”
  • Wonkavision — Double-Dealing – Boy/Girl indie pop duet sounds suspiciously like New Pornographers, but jangly and loose in all the best ways.
  • grinConvention — Your Name – The Shirley Manson of T61: sultry female singer fronting an act across international boundaries.
  • Shearwater — Rooks – Snow Patrol with heart and reverb.
  • Getting Regular: OCD moms, Suck flashback, pop economics, APOD, and other think-provoking links.

    In case you haven’t caught on, I have lit a bit of a fire under myself on the topic of Year 8 of Crushing Krisis, and part of that flame had extended to reading other blogs.

    Blogs don’t exist in a vacuum, but if you pretend that yours does then its reality will conform to your whim. That’s been one of my biggest problems – I have plenty of regular reads, but beyond Rabi, Amanda, Jett, and Alison I don’t make much of a point of regularly reading, commenting and – most importantly – linking to my favorite compatriots.

    I’m trying to surmount the first two difficulties by using Google Reader to aggregate my favorite RSS feeds. The reader has a handy “starred” feature to let me highlight my favorite posts, which will hopefully lead to many bounties of links such as the one you’re about to experience.

    Okay, so I lied a little – I read more than just those four blogs on a regular basis. Like every other blogger on the face of the internet, I regularly read Dooce, ostensibly so I can chat about it with Lindsay over lunch, but more and more often because I love how she weaves in her OCD with her toddler stories.

    (ps: Linds, I know you’re reading. Check out this post about photocamp. Spin any gears in your brain?)

    On that same topic (the one before the parens), Whoopee is one of my favorite blogs from NaBloPoMo, as is Flotsam, with the terrifically statistically improbable phrase, “our embryos are the most beautiful embryos that ever underwent meiosis.”

    I’m also a long time reader of Acerbia, which tricked me into thinking it was telling the truth for the first time in a while. And, I’m a devotee of Things That Make You Go Hmm, though TDavid often blogs faster than I can read, offering an embarrassment of rich links.

    My favorite Hmm-link of the week was a brief feature on Whateverlife, a flashy-as-hell free MySpace layout website run by Ashley Qualls, a 17 year old girl living in Detroit. Oh, did I mention it gets roughly 60 million page views a month? For more interesting background, check out “Girl Power,” an article from FastCompany.

    Not only is Ashley amazing, she’s saving us all from having to dumb down our web design skills just to satiate the beast that is MySpace.

    God bless her.

    Mlarson is another terrific blog for useful and/or thought-inducing links … without never ending commentary of TDavid or, say, yours truly. My favorite of his this week was a link to a diagram illustrating the difference between generalist and specialist approaches to problem-solving. That’s via Communication Nation and how could I not like a blog named that?

    Speaking of things you can’t help but like, did you ever read Suck? Back in it’s late-90s heyday it was an utter addiction of mine – a daily dose of irreverence from a snarky group of anonymous writers.

    Whether you recall it or not eZine Keep Going featured an amazing article about what they rightfully deem the first great website.

    (What I love the most about the article is that it’s a whopping 15,000+ words. I love a piece of journalism that you can really sink into.)

    That link was gleaned from Karl @ Paradox1x, proprietor of Philly Future, who has been reading CK a long-ass time. We’re talking early Year 2. This week he made an absolutely essential post (partially) about the problem with Facebook which I later commented upon. Also good: the power of tagging is as a byproduct, not a feature.

    Jumping back one topic, another weighty article you might enjoy is The New Economics of Pop Music (via Smokler‘s del.icio.us). Oh, also, while you’re enjoying thing please enjoy my two favorite photos of the week, via Ugly Green Chair and Dooce.

    Finally, randomly, the top ten most amazing pictures taken by Hubble. Trivial note: every desktop I work on has a background from Nasa’s Astronomy Picture of the Day, which draw endless complements. At home it’s stars, dust, and nebula, at work it’s blue lagoon. So, clearly I am a nebula fan, but, really, there are so many good ones that it’s very hard to choose.

    One Astronomy shot i glanced at while compiling that sentence wasan illustration of the relative size of Earth, which is coincidental, as I had pegged this Debbie Millman post on planetary proportions as a must-link because it’s the first time I’ve ever truly been impacted by such a visual representation (probably because it shows depth).

    As a rule of thumb, that’s roughly a fifth of the amount of great reading I’ve been missing out on in the past year just because I didn’t have an RSS reader. Scary.

    Lindsay, who just read the entirety of my archives and so is in the position to know these things, has informed me that i just have to write more often. If i write more often, she reasons, i will enjoy it more, and enjoying it will make it better.

    This, historically, has meant that you (the reader) has to suffer through all kinds of crapola in the meantime. But, you didn’t have anything else to do, right?


    “You’re on hiatus, huh?” It seemed like a funny question to ask me — of course i’m not on hiatus. When am i ever? I’ve only ever took one that i recall. One look at the date on my last post told me why i was being asked, though. Apparently just thinking about witty stuff doesn’t count for much in the blogging game .

    As if it’s a consolation for missing out on daily updates from my decidedly droll life, i have somehow managed to notch my fourth consecutive quarter on the Dean’s List. To put that in more tangible terms for all of you literal thinkers out there, i am currently less than .03 away from graduating with honors. Not the dopey kind of honors you get from being in the “honors college.” Noooo. The kind of honors you get for being smart and doing well.

    In an intriguing turn of events, i don’t remember a lot of being smart or doing well that happened over the course of this past quarter. Thinking about it is like trying to remember if i’ve blogged lately — i know that i got straight A’s, but i’m a little foggy on the when and the how of it. There was, of course, last week’s two days of hell as i built a Senior thesis paper from the relative nothingness of one interesting Scientific American article into a hulking five thousand word treatise on Globalization and Technology. I got an A in that class… despite not being a Senior and, oh, not even being enrolled in the major that i wrote a thesis for. Ha. And, people in the class talked about how the professor was the second coming of Vlad the Impaler, a veritable vampire of academia, sucking up lots and lots of work and leaving behind only the dried up dead husks of things he once regarded as students.


    He seemed to like me, actually.

    I could go on. Somehow i’ve gotten to this place, this place where i am successful and smart and yet i feel like some small part of me is living outside of it, wondering how someone could be so successful. And smart. And so goddamn charming.

    Okay, so, maybe i made that part up….

    Fuck editing.

    Drexel University has disappointed me more than a couple of times during my three and a half years here. Bad scheduling, botched financial aid, boring classes. But, for once, just once, they have come through for me. In this round of co-op interviews i was offered not one, but two jobs. Two. Both of them at major companies around the country and specifically in Philadelphia, both in Communications, and both very well paid. For once i am faced with the opposite of my typical Drexel decision; instead of trying to make the best of something i don’t like, i am faced with trying to discern what the best is between two excellent choices.


    I haven’t got a clue, and i need to find one by Tuesday morning.

    And, meanwhile, i’m sure you’re thinking “Yo, Peter, what happened to all that ‘i’ll be less busy next term’ crap? Where the hell have you been?’ Well, it’s a damned good question. I’ve been stage managing The Vagina Monologues. But, no, not just stage managing. Scheduling. Promoting. Publishing. Just about everything i could possibly do up through this point short of acting or directing. And, it doesn’t go up for another three weeks.

    Anyhow, i’ll have more to say about that soon. There is something to this Winter, the verging on adulthood that is almost tangible. I’m not alone in this feeling, but i still feel alone in the sheer lust i have. I want everything. I want rock star, and i want business man… i want travel, i want home, i want love, i want happiness, i want maturity. I need more of everything; i need more time. The one thing i can say for Drexel is that it’s five-year program creates an illusion at once grand and awful… allowing you to put off the real world for that much longer but just making you want it that. much. more. badly.


    I want all that and i’m sitting at my computer in my fucking jeans and a tee-shirt, listening to myself play guitar. I want it all and, as i’ve just found out, if i were to get it all i wouldn’t know what to do with it at all.

    I think this calls for a drink.

    I have been transformed, though not completely.

    The assignments in my songwriting class have so-far been very involving, especially to me — a non-music major. For example: write a melody for a completely instrumental piece and turn in an accompanying paper discussing your use melodic contours and devices. Less perplexing (though still very involving): write three different titles for each of three different subjects, then expand each title into a brief synopsis of plot, and finally re-write each original title using idiom/axiom or assonance based on what you outlined in your synopsis.


    I thought i would be alone in my venture into this musical territory, and went to the length of getting the program head and my own dean (a music major himself) to sign off on adding me to the class. Much to my surprise, there were a few non-music major in my section of the class by the end of the first week. However, their introductions went something like “Hi, i’m Bob, i’m in this band…”


    They all dropped the class after the melodic contour project.

    To the best of my knowledge i am the only student in my section who turned the assignment in complete and on time, despite harrowing and somewhat vague instructions including having to notate the entire melody and perform it in class.


    This week we had a myriad of assignments due, capped by one particular task: write a song. By no means did it have to be a good song, or a very well-written song, but it was meant to make use of all the exercises in title devices and word-painting that we had been employing earlier in the assorted assignments. As directed, I wrote a song, but i was less than pleased with what i came out with. Having already made a somewhat big point out of all the writing i’ve already done, i was definitely hesitant to turn something so equivocal and boring in masquerading as a masterpiece. So i wrote another… not my best song ever, but something i really enjoy playing. Because of my extra work i wound up scrambling before class to photocopy the scribbled lyrics out of my poetry book and to pencil in the chords, but i still had it turned in on time..


    To the best of my knowledge i am the only student in my section who turned the assignment in complete and on time.


    Complete and on time… there’s something about that. In the past i’ve been one of those students who turns things in incomplete and begs for extensions to wind up with their A. So far this year i haven’t done that — not once, even when i had the opportunity to do it to save myself from a logistical mistake.

    I don’t know what’s come over me… could it be that i was destined to suddenly become responsible at the age of 21? I’m still trying to figure it out, but in the meantime all that i can be sure of is that i’ve entered every day of class so far with the intent to prove that i am a capable student, if not the most capable student, when it comes to completing the work in an acceptable fashion. Not only that, but when people show up with excuses like “i was sick” or “i didn’t quite understand the assignment” or “i missed the roll sheet last week” i just roll my eyes and go back to taking notes. I’ve done all three, and i’ve still made it out with an A in each situation, but being smarter than everyone else is so much more satisfying when i am really being more intelligent.

    I really am.

    Well, i’ve taken my first cold shower of the Blogathon, but not because i was tired: i was soaked to the skin from playing guitar and doing various performance aerobics in my fourth floor attic bedroom and when i went to take a shower someone downstairs flushed the toilet or something. So, cold and wet, and definitely very awake.


    Gina just left, and while she was here we basically recorded an entire EP of her, which includes the absolutely stunning Say It Ain’t So – the first time she’s ever sang the song with me. Also, note Lindsay’s first ever recorded guitar performance on the picked open-chord acoustic. I’ll be peppering the rest of the night with some Gina tunes, especially an amazing one she did with Dante (yes, another musician) accompanying her on the talking drum. And then all the gals sans Kate came up here to record a little surprise, and so now i’m left with twenty minutes to decide what (that i haven’t recorded already) i would like Dante to lend some of his multi-instrumental talents to. And then i think Jack still wants to record some Bowie. And then i have to do requests.


    So, for those of you keeping score, YES, i am actually recording almost all twenty four songs in a single twenty four hour period. Beat that.

    Ten thirty in the morning and already re-re-recording had begun, as i decided that i was less than satisfied with the next two songs i had scheduled. Part of the today’s challenge for me is not only getting a song up every hour, but making sure that i don’t use up all of my voice too early in the day. As such, the next two songs find me comfortably singing Bass parts rather than Baritone, which is my preferred solo voice part.

    Blogging is not a daily column. I don’t even have to post everyday, as one of my readers just reminded me as i lamented my headache-induced writer’s block. I don’t have to post every day because i’m only posting for me… i’m putting up the effort, and the editing, and the $30 a month that keeps my website functional as my bank account gets inexorably smaller and smaller.

    Are you starting to see where those other posts were headed? I am tired… tired of having to learn all of the foundations that lay beneath the successful artifice of art, and having to be responsible for them all on my own. I am tired of spending endless hours programming my site and weeks in the studio just for a paltry 100 copies of my demo and a thousand readers a week. I am tired just at the thought of having to create a new layout or having to mix down another demo. I don’t want to do it. I just want to play, and to write, and to have an amount of attention paid to me that has some relation to the effort that i put into my work and the quality that emerges. Even double the readers, or five times the listeners, probably wouldn’t be enough for me … because even after my in front of the scenes work is paid adequate attention i’m still stuck behind the scenes like the Wizard behind the damned curtain, sweating away as he produces such a spectacular show.


    I don’t think this means anything… i’m obviously not quitting or going away. I’m just so tired… tired of having to spend a year on music courses so i could have a key to the studio that i hate, and tired of earning A’s in programming just so i can properly sort out the PHP i program the site with. Tired of having to beg to be a mere assistant stage manager when we all know i’d rather be in front of any curtain, anywhere. I just… i don’t know how i’m supposed to be heard at all, otherwise. Maybe you could call it paying my dues, or maybe it’s just my own particular burden (and not such a bad one, at that), but the charm is wearing off … what was once exciting is now my dread of quarter inch to eighth inch cable adapters, and my absolute dread of photoshop, and my remorse over spending half of my education learning how to make what i want to do work, instead of doing what i want to do.

    Conclusion? Who knows… either one step closer to sending out demos, or one closer to subway busking. Two steps forward, two steps back, same old me.

    The shape of this quarter is starting to reveal itself to me… when i’ll wake up in the morning and when i’ll get home at night and when i’ll even think to spare a glance towards my computer. Yesterday my first instructor (a non-professor… my only one) assigned us what turned out to be a forty page reading assignment due for this morning, and i didn’t get done class until around nine last night. My bet is that she won’t possibly cover the latter fifteen pages of the assignment in one hour of class today, so i only read up to that point. When the instructor asked the class for a show of hands by non-business majors i was the only person to have fingers tickling the air; she assures me that i need not have taken any other business class to understand International Business Law, but i still remain skeptical.


    I’m always whining about how boring and unobstructed my life and schedule typically are, but i’m starting to think that that just reflected the fact that i’ve never before in my life completed all of the work assigned to me in any one given academic subject. And, so far, i have accumulated a GPA that is just shy of the Dean’s List in the absence of any motivated effort on my part to do anything other than show up for class and write my papers. So, this semester i’m conducting an experiment … i’m taking seven courses loaded with reading and practicum skills and i’m only allowed to slack off in one of them (which has yet to be determined). So… we’ll see if working harder actually earns me a straight 4.0 or not in a matter of months, but i can tell you already that it’s not exactly doing wonders for my social life.

    Thank god i don’t have much of a science requirement, that’s all i have to say about that…

    #1 problem with my at-home lack of internet access? Being unable to chip a couple dozen more points of my JunkBot score so i can rank in the international top100 (right now i’m 175 145 133 125 109)! Aside from the obvious connection to my intense need to dominate simple contests where i have an unfair advantage of time, age, or resources, my non-stop marathon of junking actually gave my spacial geometry skills a much-needed boost just in time for my moving process. So, any effective interior design i’ve done this week directly results from Lego.Com. And, that you just have to love.