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krisis

Krisis has been creating Crushing Krisis since 2000, writing songs since 1996, and reading comics since 1991. He is a Customer Success and Digital Brand Strategy executive, serial organizer, parent, and feminist, among other things. Based in Philly through 2017, he now resides in Wellington, NZ.

No Fooling

April 1, 2013 by krisis

Some rights reserved by treehouse1977

Some rights reserved by treehouse1977

When I was age seven or eight I wanted to be a comedian. I never told anyone.

My mother really liked to watch comedians on television. I guess my parents had that in common, because I could always seem to unearth yet another comedy routine of Robin Williams or George Carlin from our pile of dubbed Beta tapes. My mother would always say they were not appropriate for me, but she never stopped me from watching them.

At the time I didn’t especially enjoy being in front of people.  I had to be dragged into performing a simple narration in a school Christmas pageant at age 10, which I have absolutely no recollection of due to what I have to assume was my blacking out from fear.

I did not want to be in front of an audience, but I wanted to be clever. I liked the idea of making people laugh for a living.

Even eight-year-old me understood the precarious economics of the Comedy profession. You would have to be super, ultra funny to get as many people to sit in front of you as Williams or Carlin, let alone Gallagher with his watermelons. I loved Gallagher. Jay Leno. Tim Allen, too. They were zany, and they were clearly very talented. I was sure they wrote their own jokes, which was an awful lot of jokes.

(I cannot speculate on whether that lead me to focus on writing. I didn’t write things that were especially funny at that age. I preferred the macabre. Too much Stephen King, I guess, another one my mother was never sure about but kept letting me read.)

Eventually I gave up my secret comedian wish in favor of one more typical for a bright kid – doctor, I figured. Yet, that early urge to be funny probably informed my profession more than most of my math and science scholastic endeavors aimed at a future in medical school.

Now I don’t like most funny things. Jokes, pranks, comedians, sitcoms – they mostly elicit a groan from me. I still laugh, mind you, but I like my humor sarcastic, or ironic, or soaked in pop culture. Nothing overt. No cartoonish hammers wielded against watermelons. Joss Whedon and Tina Fey are my comedy gold.

Sometimes I catch myself thinking, “comedy is for kids.” When you are a child, every joke is a new one. Every episode of I Love Lucy or Looney Tunes has a gag so funny you think you will stop breathing. Sitcoms play out tropes you’ve never seen before. Talk show hosts tell groaners, but you don’t understand that you should groan.

I do not want to be a comedian anymore. I don’t think I ever did, to begin with. I wanted to be what comedy represented. An innovator. A trailblazer. Something novel, every time.

Little did I know how in demand that would be when I grew up.

Filed Under: thoughts

Fathers

March 20, 2013 by krisis

Steven-1980

My grandfather, Steven, with my beautiful Aunt Joyce and my grandmother, Florence, in her kitchen – all dressed for my parents’ wedding, October 1980.

My grandfather Steven was a gym teacher.

I never knew too much about him. My relationships have always gravitated towards the women in my life, and grandparents are no exception. I spent countless Sundays at the kitchen table with my grandmother, reading the Sunday paper. We watched Golden Girls together on Saturday nights. I would hover at her elbow every Christmas, awaiting my first ladle full of her Italian Wedding Soup.

My memories of my grandfather are more scant. He was retired. He would drive down to Florida and return with a Nintendo game for me, bought from a pawn shop – cartridge only, no instructions. He was genial beneath a gruff exterior, and I never once believed he was actually mean or angry with me. He liked baseball, which I still don’t, and The X-Files, I think, which gave me something to talk to him about when we would sit in my Aunt Susan’s sun room at family parties in the 90s.

.

My father Peter owns a gun shop. He managed bars and restaurants for decades. In his twenties he was a roadie for a band – lights, I think.

I know many facts about my father, but they are disconnected. They’re like a cloud that drifts through my memory, never quite coalescing into a specific narrative. He attended Central (my rival high school) and Temple (my rival college). (Funny, that.) He had a motorcycle accident in one of the roundabouts near the Art Museum that left his butt susceptible to numbness during long movies. He farms hot peppers in his spare time.

My memories of my father are many. He and my mother separated when I was three or four, but I saw him every week until I was eleven or twelve, and then every other week until school work made it impractical to spend alternate weekends away from home. I remember his old apartment with the low mattress, the bar where I spent countless Sundays watching Eagles games, and his first house with his now-wife with its bubble skylight windows off the master bedroom.

.

Pete-1981

My father and I, fall 1981.

I will become a father sometime this summer. Or, I suppose, I am already. I am an account manager, a musician, and a writer.

I didn’t always know I wanted to be a father. I remember a specific point in my teenage years where – in a mix of angst and sudden, acute awareness of the world around me – I decided it would be irresponsible to bring anyone else into such an unfair and capricious world. But before that, I remember that I was always very concerned that I was my grandfather’s only grandson, and that I had to have children to continue our name to another generation.

E and I agreed a long time ago that there would be at least one child in our shared future, though the last name was (and continues to be) undecided. Over the years I’ve become accustomed to the idea. Much like our hypothetical eventual wedding would one day become reality, I knew that one day our hypothetical eventual child would arrive. I would joke with co-workers that she or he would be enrolled in military school at age three to combat all the various foibles of modern youth, but secretly I think I can solve those via limited screen exposure and regular listening to The Beatles.

(More on that, later.)

.

My grandfather passed away last Thursday. He was 87.

I don’t mention this in search of condolence. To lose him was a tragedy, but not a great surprise. At Christmas my three aunts told me it might be the last time I would see him, winking there from the end of the table.

He was my last living grandparent, including those in my still-new family-in-law.

The aunts brought pictures to his viewing on Sunday night. Old black and white photographs and pages from his yearbooks. I was struck by one photo of him, smiling from his wide face, hair black as pitch in a way I had never seen. On either side of him boys struggled up knotted ropes. Some of the boys were black, others white. The yearbook was from the early 60s.

I spoke at church on Monday morning, the same one where a much smaller version of me served as ring-bearer for Aunt Susan’s wedding. She and her husband picked me up the morning of the funeral and drove me to the cemetery after the services. Two men in crisp army uniforms awaited us there. They thanked us on behalf of our country and our president, and handed my father a flag folded thirteen times before one of them played the most beautiful and somber “Taps” I have ever heard in my life. I cried, finally, beside the headstone that he shares with my grandmother Florence.

I never knew my grandfather served.

At lunch after the burial my aunts and cousins took turns sharing somewhat apocryphal stories about him. He loved teaching people things. He loved cars – or, at least, driving – and aliens, and pointing out how people were “meatheads” and “nimblebrains” while subtly showing you what you were doing right.

He was alive for 31 years of my life – a decade over my next-oldest cousin – but I didn’t have a story to share, aside from those video games without instruction books. No tale from before I was born. No specific, outstanding memory, spurious or not. Nothing he had taught me that I could remember.

I don’t think that was his fault or mine. It was just life, and the years that separated us.

My father is now in his 60s. When our child is old enough to have memories he or she might really remember – those strong, crystalline memories – he will be in his 70s, much older than my grandfather was when I was that age. My father shared so many stories about my grandfather over the weekend, but none of them sounded familiar to me. Had I forgotten, or just never listened?

Now, our child will not have any great-grandparents, but will inherit a set of seven caring and altogether hilarious (and sometimes crazy) grandparents. I can’t say what my child will know or think about my father, among them. Some days I can’t even say what I think or know about him, though I am sure that I love him very much.

We called him a few weeks ago to set up our next dinner together, and to tell him about the baby – because waiting until the dinner would have been far too long. “Great news,” he said, smiling from the other side of the phone, and then asked me about my band.

Last Friday, while we discussed the funeral arrangements for his father on the phone, my father said, “I haven’t told the aunts about you and E and the baby – it’s your news to tell. I think maybe you should wait until after the funeral is over. But, earlier this week I did tell my father about it when I visited him. I didn’t think you would mind, or that he would tell anyone else. And now he won’t, I suppose. ”

“Thanks,” I said. “Thanks, dad.”

Filed Under: essays, family, stories, Year 13

What’s In a Name?

January 4, 2013 by krisis

We’re still a day away from our first actual baby-focused medical appointment, but even with an unspecified kumquat-sized squatter in E’s belly we have already begun the great name debate.

Apparently in Iceland there is a list of approved baby names, and if you name your child from off the list they wind up as an unnamed ronin baby who is questioned by every teacher and bank official about how their irresponsible parent could possible give them an unofficial name – because obviously everyone has all 1,712 male names and 1,853 female names that fit Icelandic grammar and pronunciation rules committed to memory.

While I don’t necessarily think it’s a terrible idea to have some basic pronunciation and grammar rules around the naming conventions of a living thing, that also means everyone’s name in Iceland can only be so unique. Measurably so, actually. Some kid has the LEAST POPULAR name in all of Iceland, and they probably know it!

E and I don’t have especially common names. I mean, mine is biblical and all, but it was only #55 the year I was born, and on its way down. Hers was #394 in her birth year, with only a TENTH as many babies calling it their own as had mine. As recently as two years ago we’re barely even in the top 200 – neck and neck at #193 and #196.

The relative lack of other Peters in my life was definitely a major factor in my personality. People had heard my name before, but I was always unique. I never even knew another Peter my age until college, and I just started working with one for the first time in 2012. I never had to be called by my last name, or have nicknames. I was always just me. Compare that to my office, where my single department has four each of “Chris” and “Karen.”

Thus, when it comes to our own baby name picking, I’m pretty adamant – nothing in the top 50, and nothing that is trending upward based on the past few years of data. I don’t need to come up with a non-name like “Apple” or something off-the-wall like “Hashtag” – but, why pick one of the most common names on the list? It’s dooming a kid to being “Chris Number Three” for half of her or his life!

Note: This post was embargoed until we reached 20 weeks; it was made public on 3/20/2013.

Filed Under: thoughts Tagged With: Iceland, parenting

We Are Young

January 3, 2013 by krisis

Last night while sitting in my studio I found myself thinking about how my adult life is a lot like kindergarten.

I have only a few specific memories of my Montessori kindergarten, which coincidentally is more or less down the block from our present-day house.

(One is of my refusing to partake in nap time, instead preferring to gossip with the teachers about their social lives. Oh, five-year-old me, always the middle-aged adult.)

The only classroom memory that really sticks out has a lot to do with the Montessori method of pedagogy, which is basically to let kids loose in an environment with a number of potential learning activities to discover things for themselves. Our room had a number of low shelves on the wall with different sorts of things – blocks or puzzles or dioramas, and we could pick up whatever suited us.

In my memory, I picked up a small model of a mountain and an accompanying lake. I’m not sure what I was supposed to do with it or learn from it … maybe something about evaporation or the source of rivers or glaciers? Clearly it didn’t make a huge impact.

What did make an impact is essentially, “WTF, what a weird thing to play with as a kindergartner.”

(We also learned about fractions by slicing apples at lunch, which I then declined to eat because they had already begun to oxidize. Oh, five-year-old me, always the fussy one.)

Fast forward to modern me sitting in my recording studio. It’s not just a studio, really, but our converted attic which serves as studio, gear depot, and hang-out lounge. There’s a lot to do there. I could mix our newly-recorded vocals on the Arcati Crisis EP. I could rearrange my pedals to work on a new signal chain. I could make more lead sheets for Smash Fantastic. Or, I could just play music on an number of guitars, basses, or keyboards.

I decided to rehearse to my vocal warmups and then make some new playlists for my commute. Afterwards, I moved onto other open activity rooms like my office and the kitchen.

That’s my whole life right now. Once I get home from work and fulfill a few basic needs like laundry or grocery shopping I’m free to play. I’m still roaming from room to room, picking up new things and learning about them, then working with them for a certain amount of time.

That’s just my nature. Or, is it my “nuture”? It looks a lot like the model of my two years of Montessori schooling. Now my interests are a little more specialized – I still don’t know too much about mountains or rivers, but I know a lot more about words and music.

I’ve been learning and schooling and rehearsing all this time just to get back to what my days were like at age five, when all I wanted to do at age five was grow up.

Filed Under: thoughts

Gigging the Smash Fantastic

January 2, 2013 by krisis

When I started my musical journey half a lifetime ago if you had asked me if I would ever play “Eldery Woman Standing Behind the Counter in a Small Town” to a packed bar at a post-Christmas party in DelCo, my answer would have been, “Hell no.”

I mean, there are few things I enjoy less in life than 90s Pearl Jam, the fickle music tastes of bar crowds, and Christmas. Also, half a lifetime ago I was straightedge. (I’ve always thought Delaware County is pretty decent, though.)

Yet, half-my-age Peter would have been entirely incorrect in his judgmental utterance, because that is just what I found myself doing on the day after Christmas as Ashley and I played our first legit headline appearance as Smash Fantastic.

And you know what? I liked it.

Smash Fantastic mid-song, as shot by Tara B.

All last year Ashley and worked on our repertoire of cover songs as our non-work project together (the teamwork of which made us an even more killer pairing in the office). What started out as a sparse 30 minute set in June has now blossomed into more than three-hours of a mega-pop acoustic jam in which you will quite certainly recognize nearly every song.

This presented a dilemma. Ashley is a Clarkson-level trooper when it comes to wailing through the tricky vocals in our set, but not even The Original Idol herself can rock for that long uninterrupted without getting a little hoarse. Thus, when we scored our DelCo bar gig, it was left to me to quickly add some solo covers to our repertoire to give Ashley an occasional mid-set breather.

Except, Ashley is singing my solo cover repertoire – all Madonna and rocker chicks! She’s doing my “Like a Prayer,” my “Bad Romance,” my “Since U Been Gone” … we even mashed up my formerly solo “Man in the Mirror” into a righteous duet in the original key.

That meant I had to learn to sing songs original performed BY OTHER BOYS. Ugh. Even worse, they couldn’t be a bunch of obscure Rufus Wainwright and Elliott Smith, because the whole point would be to keep the bar crowd interested while Ashley caught her breath.

Thus the Pearl Jam. Everyone knows it and, despite my enduring disdain for Mr. Vedder’s vocals, I can match him pretty effortlessly right down to the warble.

(Not as good as Wes does, though. I really need to record that for posterity at some point.)

After an opening salvo from Ashley, “Elderly Woman” was the first song I played solo. As I started the circular 5-4-1-4-1 chord progression I took a moment to reflect. This is the first time you are ever in a bar playing a song they want to hear, I mused. And they did. I think. It wasn’t the biggest crowd-pleaser of the day (which was surely “We Are Young” or “You & I / What’s Up,” and maybe my “Forget You”), but people nodded in recognition and kept on drinking.

No fleeing the room. No snide, very-audible remarks about my bad singing or theoretical sexual orientation. None of the stuff that I always hate about bar gigs.

At the end of three hours we closed with a killer “Like a Prayer” and encored with “Behind These Hazel Eyes” and a roaring “Rolling in the Deep” and I pronounced with great certainty that we had just played one of my favorite gigs of all time – yes, complete with Christmas and bar and Pearl Jam and all of it. It was 100% fun and 0% stress, and I got to hear three hours of music I love … it just so happened that I was also playing it with one of my friends.

In a weird and slightly twisted way, “Elderly Woman” was the highlight. I might write my own music and prefer to cover Gaga to any guy out there, but when it comes down to it I now have the performance chops and the confidence to hold down the mic on just about anything – whether I actually like the song or not.

As for our repertoire, next up from my most-loathed list is a little number by Jason Mraz.

Filed Under: bitch, performance

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