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krisis

Krisis has been creating Crushing Krisis since 2000, writing songs since 1996, and reading comics since 1991. He is a Customer Success and Digital Brand Strategy executive, serial organizer, parent, and feminist, among other things. Based in Philly through 2017, he now resides in Wellington, NZ.

Marvel Hardcover & Trade Paperback Review, October 2011 Edition

November 15, 2011 by krisis

I’m here with my weekly peek at Marvel’s collected editions, packing recent and classic comic storylines into handy hardcovers and trade paperbacks.

Since I’m still at a bit of a lag, this week we’re taking a lot at all of October – and there were a slew of great collections that month! Read on for capsule reviews of the X-Men books out in October, plus the skinny on all of Marvel’s other new collected editions from last month.

If you’re looking for more X-Men books, head over to my Definitive Guide to Collecting X-Men Graphic Novels. Or, some X-background, read my Intro to X-Men (on a budget). Trying to decide where to jump in? Check out Where to Start Reading X-Men.

xXx

Marvel X-Men Collection of the Month:
Daken: Dark Wolverine – Big Break Hardcover
Collects issues #10-14 and 9.1

Note: This is not the cover of the collection, though the issue does appear inside of it.

CK Says: Buy it! This isn’t the first time I’ve featured Daken as my top pick, and it won’t be the last. There’s something about the dastardly, amoral, bisexual, pheromone-exuding, tattooed, illegitimate son of Wolverine that I find delightfully subversive when written well, and a year into his solo outing Rob Williams has him down pat.

This collection finds Daken trying to take control of LA the only way he knows how – putting the screws to the existing bad-guys a la Joker in Dark Knight, and sleeping his way into secrets of the scene with a young up-and-coming actor.

The twist? Daken samples the street drug du jour and is both terrified and thrilled to find it shuts off his healing factor! The result are some bloodier-than-usual fights as Daken enjoys handicapping himself while tripping out in Ralph Steadman-esque illustrations. (PS: The interiors are not quite so froggy as the front cover.) Available for pre-order as a TPB.

xXx

Marvel Non-X Collection of the Month:
Fantastic Four by Jonathan Hickman Vol. 4 TPB
Collects Fantastic Four #583-588 

CK Says: Buy it. Writer Jonathan Hickman has re-made a Fantastic Four fan out of me with his operatic two-year run leading up to the issues in this collection. He divides comics’ first family with a war on multiple fronts against traditional foes like Galactus, Namor, and Annihilus as well as by their hard feelings at home, but this story is anything but old school.

Though the big build-up was for the death of a team-member, what’s really worth witnessing here is the rebirth of the FF franchise as one of Marvel’s hottest titles. Interior artist Steve Epting draws such stately, beautiful characters you’ll swear you’re reading Superman.

You may want to pick up Volumes 1, 2, and 3 as well – you can score the entire four-volume run for under $50! Also available in hardcover.

xXx

What X-title do I hate with such a passion that I have to abstain from giving it a rating at all? Keep reading to find out, plus get capsule reviews of books from X-Men: Legacy, X-Factor, and X-23 and summaries of the rest of the Marvel Universe. [Read more…] about Marvel Hardcover & Trade Paperback Review, October 2011 Edition

Filed Under: comic books Tagged With: Fantastic Four, New Releases, X-Men

#MusicMonday: “If I Could Turn Back Time” – Cher

November 14, 2011 by krisis

I assume everyone has a list of songs they enjoy breaking out into in the middle of the office, a crowded street, or a shopping mall.

No? Just me?

Anyway, very close to the top of said list is “If I Could Turn Back Time.” I spontaenously start singing it at rehearsal, between meetings, and while just walking around.


(Watch “If I Could Turn Back Time” on YouTube.)

With her half-century-spanning history of charted singles, it’s strange that Cher is an artist more known for her image than her songs, yet I’d wager the average person around my age would likely only be able to sing along to the following trio:

  • “I Got You Babe”
  • “If I Could Turn Back Time”
  • “Believe”

    Oh, and the song from Mermaids!

    Even forgetting about the video of Cher, her ass, and a ship full of actual sea men that was briefly banned by MTV, the Diane Warren-penned “Turn Back Time” might be her best tune. It very carefully straddles the line of pop and rock – splitting the difference between synthesizers and a banshee howl that splits Cher’s voice at the back of her throat.

    (Also, I’ve always loved how it starts with a tease of the chorus before those almost vestigial verses. Clearly it’s all about the chorus!)

    Plus that awesome key change!

    I’m sure you’ll be singing it in your head tomorrow. I dare you to sing it out loud!

  • Filed Under: Crushing On

    What I Tweeted, 2011-11-13 Edition

    November 13, 2011 by krisis

    My tweets of the last week:

    [Read more…] about What I Tweeted, 2011-11-13 Edition

    Filed Under: Tweet Digest

    Devils in the Details

    November 13, 2011 by krisis

    This weekend I have spent a not insignificant amount of my time researching the following engrossing topics:

    I think I am still feeling some of the psychological ramifications of reading this book today.

    • relief maps and rivers of the Ozark mountains
    • construction of single story log cabins with a chimney and attic
    • zip line harnesses and the weight limits of various carebiners
    • the physiological effects of breathing nitrous oxide, and if it appears spontaneously in nature
    • diagrams for simply tree houses

    I also spent fifteen minutes standing at sink, lighting matches and throwing them in at a set of house keys, counting how long they would burn and checking to see if the keys got hot.

    Am I going on an adventure vacation in the mountains of middle America?

    No, I am writing a book. Again.

    .

    When I was in ninth or tenth grade one of our reading assignments was Lord of the Flies. I hated a lot of the other things we were forced to read, but this was a book I could get behind. I consumed it in a single weekend.

    Our final project was to create some sort of derivative work, with the book as our source material – like an interview with one of the survivors.

    I loathed this sort of teacher-approvef fanfic assignment. At age thirteen I was already writing fanfic for things I actually cared about and novellas of my own. I was fine with a research paper, but the assignment (and its brethren) felt like the equivalent of assigning us to a chain gang in an attempt to spark creative brilliance. I considered the whole bunch of them to be a waste of my time.

    In my orneriness, I decided to protest the assignment via dutiful completion of the best assignment in the class. I would write the correct ending to the book, because (SPOILERS!) most of the little hooligans living through the end was far too precious of an ending. I felt that it spoiled the morally gray original to allow these murderers to be returned to children in the eyes of their rescuers.

    I'm getting verklempt! Talk amongst yourselves. I'll give you a topic...


    (Next on Coffee Talk: The Hunger Games has supplanted Lord of the Flies despite lacking the measured allegory of the latter not only due to its similarly unsentimental look at moral/ethical behavior in young adults, but because it follows the realistic outcome of their actions much wider in society and much farther in conclusion. Discuss.)

    I set about creating my groundbreaking and teacher-baiting work of subversive genius. I was a scrawny pre-teen, so I had that angle well-researched. I spent a lot of time tracking the various spears through the book to see where they were and who held them, considered how quickly a forest woud catch fire, and gave some thought to how you could behead a boy with the rudimentary tools the tribe had fashioned.

    (In other news, I’m happy I went to high school in a pre-Columbine, pre-9/11 world, because afterward I would clearly be labeled as a dangerous potential murderer and/or terrorist.)

    It was a glorious day when I turned in my assignment. It branched perfectly from the existing novel, written in the same style. It ended with the idnelible image of the marines disembarking onto the beach to discover nothing but an idyllic island beach, barren but for a wooden pike bearing Ralph’s head – set against the backdrop of the raging inferno of the forest, from which the screams of Jack’s tribe could be heard all too clearly.

    To emphasize this bleak ending, I carefully collaged said image out of a series of clip art as an illustration for my final page.

    A relief map of the Ozarks, in case you were wondering...

    I got an A, but they might have decided to keep an eye on me for a little while.

    .

    I know I’ve mentioned this before in more memorable fashion, but for me the hardest thing about writing a novel continues to be writing what I don’t understand.

    I understand talking, so there is plenty of dialog. Once I got my learning permit last winter the driving scenes became much more plentiful.

    I managed to keep the characters out of the car for three thousand words this weekend, but when your characters are crashing around the Ozarks in a pitched battle for life and death, every page is a new research project.

    As a plus, I am now ready to book a  zip-line adventure through America’s deciduous forests!

    Filed Under: thoughts, Year 12

    Crushing On: SingleCut Guitar Editor

    November 12, 2011 by krisis

    E and I just bought a new couch.

    We spent just one day of shopping. We had dozens of styles to choose from, over a hundred fabrics, different kinds of legs! While we didn’t get the exact couch in my head, we wound up with one that fit our life perfectly.

    Last summer I decided I wanted a blue bass.

    Immediately, my choices were limited. Some basses I liked didn’t come in blue, so they were out. Even the ones in blue were the wrong shade, or had hideous pick-guards, or a pickup configuration I didn’t like. I wound up with a bass I like, but I mostly bought it because it was the only one that was the right blue within a thousand dollars of my price range.

    It’s the same thing with acoustic guitars. I only like finished tops and cutaways. No Martins for me! And, if I want to stay away from bridge-pins, which I haven’t had to deal with for five years, my only choice is staying with Breedlove.

    It begs the question: why? Our couch was only a fifth as much as the high end acoustics, and a hell of a lot bigger. Why can’t I get what I want in the form of a guitar?

    Enter Frank Montag’s Single Cut Guitar Editor. Montag has loaded both the Gibson Les Paul (SC) and SG bodies into a Flash editor that can tweak every option. Colors, woods, pickups, cutaway and bridge style, and everything else.

    When someone shared the link with me I immediately designed my perfect pink, semi-hollow, sharp cutaway Les Paul. Do you know the only pink Les Paul out there right now is a Twisted Sister Model? Seriously. Yet, here was my dream guitar on screen, exactly as I saw it in my head.

    I assumed there would be a big “BUY” button at the end of the design process, followed by a dollar sign and several zeroes. I was ready to start saving!

    There was no buy button. Montag’s tool is purely a dream engine.

    Why? Why can’t a big-name guitar manufacturer or small luthier shop put together this tool for real? Why can’t I have my pink Les Paul and my pinless bridge Taylor, and you your polka dotted banana yellow SG or whatever it is that you want?

    I suppose most guitarists care more about sound then style up until they’re rich rock stars, and then world is your SingleCut Guitar Editor.

    Until then, have fun with the Flash version.

    Filed Under: Crushing On

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