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krisis

Krisis has been creating Crushing Krisis since 2000, writing songs since 1996, and reading comics since 1991. He is a Customer Success and Digital Brand Strategy executive, serial organizer, parent, and feminist, among other things. Based in Philly through 2017, he now resides in Wellington, NZ.

Held My Tongue (2009 Demos) – 2/30

June 2, 2009 by krisis

This is post 2 of 30 featuring live, single-take demos of each of the 30 songs I’m considering for my upcoming studio album. Each potential album tune is accompanied by a B-Side, to make each post a virtual 45 single (remember those?).

If we’re all lucky my mixing skills will begin to audibly improve at some point in the series :)

Song #218: Gone Baby Gone (live demo)
Never previously recorded

Started in March of 2008 – the synthesis of a night watching Darjeeling Limited and Gone Baby Gone back to back, perhaps with the song from Once spinning in the rear of my brain. It took forever to finish; the bridge came last (and in two different keys).

Song #8: Afterglow (live demo)
Last recorded in early 2002

Written on January 6, 1998 about a girl I dreamt with blue hair who turned out to be real. Legendarily, when I brought this to Lit Mag they told me, “I think you’ve stopped writing poems and started writing songs.” Again, note my early disregard of key signatures.

If you dig one (or both) of these songs, please leave a comment – your feedback will have a big effect on the songs I ultimately choose for the album.

Filed Under: demos, SongOfTheDay

Held My Tongue (2009 Demos) – 1/30

June 1, 2009 by krisis

This is post 1 of 30 featuring live, single-take demos of each of the 30 songs I’m considering for my upcoming studio album. Each potential album tune is accompanied by a B-Side, to make each post a virtual 45 single (remember those?).

Song #222: Small & Lonely (live demo)
Never previously recorded

I wrote “Small & Lonely” in May and June of 2008, largely while in-transit in Philly. Elise helped me with the melody of the chorus one day on the Broad Street Line.

Song #20: Sweet Nothing (live demo)
Last recorded sometime in 1999

I wrote “Sweet Nothing” in spring of 1998, in my childhood home. It’s heavily influenced by PJ Harvey’s “Ecstasy.” Note that in my youth I didn’t care so much about what key I was in.

If you dig one (or both) of these songs, please leave a comment – your feedback will have a big effect on the songs I ultimately choose for the album.

Filed Under: demos, SongOfTheDay

New demos for a new album(!)

June 1, 2009 by krisis

Sometime before autumn arrives I will begin to record my first full-length, multi-tracked, studio album since 2001’s Relief.

Wow. I knew that was true, but it’s pretty monumental to see it in print.

In 2001 I had 117 songs to choose from and two weeks of studio time to record and mix in Drexel’s tiny, single-room, analog recording studio. (They’ve vastly improved their resources since then.)

In 2009 I have 241 songs to choose from and an unlimited amount of studio time to record and mix in my own tiny, single-room, digital recording studio. (I’ve also vastly improved my resources since then.)

Of my 241 songs, 30 of them are in fierce competition for 13ish spots on the album. There’s also the other 211 songs, many of which are long overdue a fresh recording even though I’m not considering them for the album (and, maybe I would consider them if I had a fresh recording to listen to).

So, I’m planning to record live, single-take demos for each of my 30 top picks for the album, accompanying each one with a B-side from the other 211 songs. I’m sure I’ll toss a few covers in as well.

If I record a demo every day this month I’ll be ready to record my album by July! And, although that sounds implausible to me (and you) at the moment, CK reminds me that on three separate occasions I recorded 24 songs in less than a single week, and once I actually recorded 30 songs in a single month.

No matter how long it takes, it’ll be a chance for me (and you) to hear 60 of my songs in crisp, multi-tracked audio – and that should be enough new stuff to hold us over through however interminably long it takes me to record an actual album in my present state of dotage.

Filed Under: college, recording, relief

whiling away the hours

May 28, 2009 by krisis

(1) A few years ago I saw Malcolm Gladwell deliver a speech at the New Yorker Festival that is largely recapitulated in the second chapter of Outliers, called “The 10,000 Hour Rule.”

In it, Gladwell draws our attention to a data point converged upon by countless studies of experts in a variety of fields. He says, “In fact, researchers have settled on what they believe is the magic number for true expertise: ten thousand hours.” He goes on to quote neurologist Daniel Levitin:

In study after study, of composers, basketball players, fiction writers, ice skaters, concert pianists, chess players, master criminals, and what have you, this number comes up again and again. … It seems that it takes the brain this long to assimilate all that it needs to know to achieve true mastery.

Gladwell supports the rule using Mozart, Bill Gates, Bill Joy, and the Beatles as his examples. Not to say that their genius and success is purely a result of 10,000 hours of practice – the book as a whole explains other facets – just that it was an essential component of their expertise.

.

(2a) 10,000 hours is a long time.

If as a child starting at age five you had piano lessons two times a week (an hour each) and also practiced an hour a day, you would clock nine hours a week. 468 hours a year. 4,680 hours a decade.

If you kept that up until age 26 you’d finally have served your time.

(2b) 10,000 hours can go by before you know it.

Maybe you got into video games at age 11. You played them every night after homework and dinner, let’s say from 7:30 to 11:00 p.m. on most nights, plus extra on the weekend. That’s more than 25 hours a week. 1,300 plus a year.

You’d be a master by the time you started college. Most kids are.

(2c) Time is relative.

.

(3) In the car today Gina and I were singing in harmony to the amazing Hezekiah Jones album Hezekiah Says You’re A-OK, on the way to see his band split a bill with the equally fantastic Up the Chain.

“You know, Gina,” I said, breaking from my lead vocal, “I’ve been thinking about this 10,000 hour thing. Not everyone’s an expert at something. I mean, what do most people spend 10,000 hours doing by the time they’re 25? Watching teevee, I suppose.”

“More than likely,” she replied.

“But, think about me. I watched a lot of television, sure. Mostly, though, I read until I was old enough to write, and then I wrote and read. That’s what I spent my 10k on.”

(Perhaps she interjected, “Oh, I remember.”)

“And, you know, is it any surprise that I’m good at communications? I’m not an expert, but no wonder it’s my calling. I spent my whole life practicing for it.”

We sat and sang for a moment, contemplating that.

“What about you?”

Gina paused in her harmony. “Hmm, me?”

“Yeah. What did you spend 10,000 hours doing?”

“This. Listening to music. Singing harmony.”

“Really your whole life, right? Your mother singing, your father playing guitar…”

“Yeah, since I can remember.”

“Right. So, no matter how much I rehearse, you’ll always have the edge. It’ll always come easier to you, until I reach that threshold.”

“I suppose.”

We paused as the song wound down.

“What do you think Hezekiah spent 10,000 hours doing?”

We thought on that for a few moments, and then sang together to “Albert Hash.”

.

(4) We’re not all Mozart. I might not ever be Hezekiah Jones. But, we’ve all spent 10,000 hours doing something other than sleeping, and hopefully other than watching television. Maybe something incidental that we do out of necessity or habit. Driving? Social-networking? Cleaning? Taking care of children?

I’ve put in more than my share on communications – reading cereal boxes and trashy fantasy novels, writing stories at eight on my manual typewriter and almost nine years of blogs.

I got an early start on 10,000 hours of being Gina’s best friend, which I keep padding. I’m really good at that. More recently I’ve attained well-in-excess of 10,000 hours of being in love with Elise.

I hope eventually I’ll reach my 10,000th hour of serious focus on music. It’s a large piggy-bank of time to fill.

What about you? What have you spent your life mastering, intentionally or unintentionally?

Filed Under: betterment, elise, essays, habits, Philly, philly music, stories, teevee, thoughts, Year 09 Tagged With: gina, Hezekiah Jones

don’t fail me now

May 27, 2009 by krisis

The last forty-eight hours of my life.

At six o’clock on Monday I am playing guitar. I have been playing for hours, drilling songs against a metronome. The bridge of “Unengaged” for twenty minutes straight. I’ve worn through a callous for the first time in ages.

Later I rehearse piano and vocals equally as hard. I fall asleep reading Outliers in bed, which just two chapters in already has caused one blowup with E because I said if I had me as a child I’d call me a failure.

I don’t want to be a failure.

Tuesday I have a fun, frantic day at work – the kind where you realize at the end of the day that you never stopped to hang your coat. I start writing the second my ass is on the bus, and emerge almost three hours later with that last post.

I rehearse. Hard. Again. Trying not to fail. Despite my voice sounding brittle and inflexible due to the lack of a warm-up, I venture out to an open mic while E stays at home and works on freelance.

At the restaurant my first song is awesome; the room is quietly transfixed. (I’m not a failure?) Afterward I promptly break a string and become shy and faltering when I’m handed another guitar. I fuck up “Like a Virgin,” of all things, and promptly lose everyone’s attention.

Today I feel slightly beaten up (thank god I don’t drink at those things), on top of beating myself up. Still manage another frantic work day that barely includes a coat-hanging. On the way home I listen to my own voice on my iPod, which a lot of days is the only thing I can manage to do.

I’m listening to “Like a Virgin” from 2006 and thinking, This is awful. Why am i singing like that? (Of course, I wouldn’t make it ten seconds into “Like a Virgin” from 2001.)

Then I listen to a Trio from 2008 and realize, God, I really did get better.

I am not a failure.

I get home and am kissed goodbye as E heads out to front her band at the Khyber. Another hour of writing.

Filed Under: betterment, bloggish, corporate, day in the life, elise, guitar, Philly, philly music, self-critique, singing, thoughts

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