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Crushing Krisis

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krisis

Krisis has been creating Crushing Krisis since 2000, writing songs since 1996, and reading comics since 1991. He is a Customer Success and Digital Brand Strategy executive, serial organizer, parent, and feminist, among other things. Based in Philly through 2017, he now resides in Wellington, NZ.

May 27, 2001 by krisis

I’m actually feeling somewhat violated by this whole McDonald’s debacle. Basically, their fries are vegetarian all over the world except in America, where they’ve been prepared with beef extract somewhere along the line. In India the cow is sacred, and so McDonalds respects that. In Britain vegetarians are a minority that actually holds some sway, and McDonald’s conceded. Yet, here in America where we’re just a bunch of ineffectual cow-munching idiots, McDonald’s has given no indication that they’ll change their preparation of fries. I was a vegetarian through all of the latter half of highschool and my first year at college, and i know for a fact that in that time i’ve had plenty of McDonald’s fries and i honestly feel like my decision to be a healthier person was violated by a multinational corporation with no respect for the people it serves. In light of this, maybe fast food restaurants need to indicate what’s really vegetarian on their menus, because sometimes vegetarians get hungry for some drive-thru too. As a result of all of this, i am hereby boycotting all McDonald’s products until the fries are vegetarian once again. This will be especially painful for me because i have a serious addiction to McDonald’s hashbrowns (which probably aren’t vegetarian either). Have a nice day. (stole from Re)

https://crushingkrisis.com/2001/05/3816126/

Filed Under: food, news

May 26, 2001 by krisis

I have this mass creative urge and i don’t know where to focus it.

I used to have these days all the time when i was younger… i’d feel like i needed to output my thoughts somehow or else i would just endlessly spin in place for a whole day getting absolutely nothing done. My relief for this emotion in the olden days was either writing or playing with my G.I.Joes. Writing then was fiction rather than songs and blogs, so both forms of expression allowed me to create personas other than my own and then intermingle them all together in a storm of creativity that i could reflect upon later. If i was really stuck for resources i’d funnel all that creativity back into a pre-made creation like a novel, but that wasn’t ever wise because i could devour those books in a matter of hours and they would only leave me more hungry to create a piece of my own.


Songwriting was the perfect cure for the whole mess in two ways. The first was that even my longest song clocks in well under six minutes, so now i have a library of hundreds of facets of my own personality that i can trot out one after another, delve into deeply, and then end with a simple resolving chord (or lack thereof). The second was cover songs: the perfect way to focus my energy into someone else’s creative work but to still come out with my own product. Cover songs are much more productive in the long run than my old alternative of writing fanfics, which are inevitably not only totally invalid when held on their own but also totally the property of the originator of the universe the writing occurs in. Cover songs are not my own, but my interpretation of them is, and i’m always allowed to climb into the feelings a song portrays for a single performance, during which it’s as valid as any of my own songs.

However, my guitar occasionally fails me and i likewise have been known to fail it, whether it be due to a broken string or a lack of physical motivation to play. In some of these instances i’ve been left listessly strumming a G chord (or the remainders thereof) trying to get up enough rhythm and momentum to have a go at a song, but otherwise all of my energy would be wasted. That’s where this log came in last summer … a way to make sure that none of my creative energy would have to go to waste, and also a way to integrate my other creativity into one tangled web of personal thoughts and experience. However, as i become more and more comfortable with my guitar and my own voice (as a lyricist, as a blogger, and as a vocalist) i’m again branching out into other artistic and creative endeavors, which in turn can seem quite fruitless because i never created a mechanism to tie them back into this log. Shortly before this log came about i wrote half of a novella that ran over 100 pages, but it was hosted elsewhere on the internet and was based on years of other writing, so i left it to itself rather than ever mentioning it. During the run of the log i’ve continued to chip away at the novel i began six years ago in my endless churning loop of revision after revision to the same essential chapters, but it never manages to see the light of day. More recently i’ve been reviewing music somewhat consistently, and that i have managed to integrate into this domain at both jla and cor (though their participation with this page is usually limited).

It’s easy to see that i’m presented with several problems tied into this new creative urge of mine. The main issue is that i feel like any content that isn’t integrated into this log is essentially being forgotten before it’s ever found, and also that it’s liable to simply fade away from beneath my fingertips if i don’t sew it into my daily fabrication. I’ve been known to be hesistant about posting to the Ani Discussion Board, Shafted, or even the BlogVoices at Wockerjabby because i’m afraid that one precious paragraph of mine will fade into the ether of someone else’s site to never be retrieved again (a fate that blogger often forces onto posts of this epic length and breadth, which leaves me rather paranoid at the moment).


So, i have an obsession to track everything i do, and to tie it back into this very page. Is there any doubt about why i want a webcam? But, anyhow, i often lack in the motivation, organization, and programming skill it would take to seamlessly integrate all of my creativity into Crushing Krisis. However, where i fail in those latter two aspects i’ve been excelling in the first, and so things just like cor have been cropping up everywhere offering me and alternative for dispersing my creative output. Sadly and somewhat ironically all of these venus seem to be detracting from their intended nucleus: this very log.

And, so, i am left here with this mass creative urge but with nothing to blog and a currently irreplacable broken guitar string. And, i’m wondering what’s going to come out, and how i’m going to record it for posterity if it’s something worthwhile.

{some of the links in this entry have additional blog-length exposition that will show up in most browsers when you hover over them. enjoy.}

https://crushingkrisis.com/2001/05/3808323/

Filed Under: only childness, songwriting, stories, Year 01

3806130

May 26, 2001 by krisis

(logged via lyd:) Have you been to Cloudmakers.org? In my inestimably humble opinions, it is by far the best and most innovative use of the web ever, for anything… or, more accurately, is is the result of that innovation (and it only took me two whole hours of reading the same html document to come to this conclusion). Cloudmakers it the group that monitors the web-integrated real-time story that ties in to the new Spielberg flick (originally Kubric) movie AI, except this story takes place nearly a century after the movie and seems to include only one or two of the same characters. And, even more thrilling and chilling, the game has integrated into real-life with actual rallies that dispersed clues… so that if people didn’t attend the game would have stalled out. With a month left still until the movie is released, the mystery seems to be still far from its end. Meanwhile, the game features a full cast of characters, hundreds of dynamic pages of html, (long distance) phone numbers with actual messages to hear, email responders that continuously talk back, fax numbers to obtain information from, and nearly impossible puzzles that integrate information from all of the above sources and more. At a recent panel about the movie there were business cards for an special effects director who shares a name with the first character introduced into the game, and the back of the business cards contained a clue that wasn’t released in the web aspect for a few more day. The game itself occasionally refers to Cloudmakers as a multi-person problem solving scheme that equates to group AI, and occasionally links fan sites as in-game news. Also, if you’re the first person to solve a puzzle you can occasionally effect the game environment, as one person got to write a faked autopsy for one of the primary players in the puzzle.

The game itself is a bit too involved for me, but following it is nothing but a delight and joy. Second to journalism (or stardom), i’d love to be employed to design stuff like this, whether it be storyboarding or web designing. In the meantime, i can just hope that the movie is half as good as what has been conjured up to accompany it.

Filed Under: flicks, linkylove, weblinks

May 26, 2001 by krisis

For those of you keeping track of these things, my apartment currently houses over 300 cds, 50 blank cds that ought not to be blank, seven randomly distributed neckties, 6 different version of Tori Amos’s “Waitress,” five guitars in various detuned states, four unread Philadelphia Weeklys, three laundry baskets whose contents need washing or folding, two pieces of equipment that explicity belong to Drexel University, and absolutely nothing edible other than a single jumbo-sized jar of peanut butter. Yum.

https://crushingkrisis.com/2001/05/3804100/

Filed Under: Uncategorized Tagged With: mess, SGapt

May 25, 2001 by krisis

So, yeah, i keep telling people that i’ve written a whole new album in the space between “hold on me” and today (the latter being referred to lovingly by Hillary as “the creepy fingers song”). Now, i don’t honestly think that i’ve got some masterpiece on my hands, but it’s almost like a signpost indicating forward movement when you have enough fresh material to record again, even if you don’t like all of it. The first time i managed to write twelve songs (twelve songs you’ll never hear, to be sure) it was a momentus occasion because i had an album, even though at this point i’ll probably never play any of them ever again. The funny thing about this new album is that it’s a whole hour of the same song … “Hold On Me” shares some of the same lines and subject matter with the song i posted only a few minutes ago.


I’ve obviously mastered the art of writing “the kiss-off song,” as Gina eloquently puts it, and now what remains it for me to write some other songs to flesh out the emotional landscape of my work. Obviously i just have a surplus of ‘breakup’ feelings floating around, and while i can focus them into many facets of break-up song, and i can’t seem to focus them into anything else. However, musically i’ve been all over the board, from the acoustic rock of “Hold on Me” to the fingerstyle guitar of the two untitled songs to folk bop in “Because” to 3/4 jazz in “Unstrung” to ballad in “Colorblind” to tenor guitar in “Either/Or” back around to punk rock in this new one. So, the trick is to now hang on to that broadened musical pallette, but manage to feel something else. Here goes…

https://crushingkrisis.com/2001/05/3790018/

Filed Under: songwriting

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