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Creative

May 28, 2001 by krisis

It’s a shame that my voice is being stretched to the limit on all of the choruses of Song #1 (below), because otherwise i think the vocal delivery sounds pretty ‘on.’ I haven’t got up the right momentum or distortion to get that down as a punk song, but rest assured that it’s more punk than anything else i’ve ever written. Except “Punk.” That’s definitely punker. I was a little concerned when i first started playing this song because the verses are essentially the same I-V-IV pattern as thousands of other forgettable songs, but i don’t think you really notice the simplicity as much as you do in “Under My Skin” because it isn’t nearly as repetitive. So, anyway, it seems to be growing on Izabelle and she’s the one who gets to choose what the first song on every demo is, so be afraid…

https://crushingkrisis.com/2001/05/3836463/

Filed Under: singing, songwriting, under my skin

May 28, 2001 by krisis

Song #2 (below) can’t seem to decide where it wants to go. I started writing it simply as a song in the second person that had nothing to do with “relationships” in the sense i usually write about them. Quickly, the puzzle became figuring out what the “tiny trouble” in the first verse was, and why she took the car out. By the time i got out to the bridge (notice the borrowed line from Tori while i work out what’s actually going to fit in there) i knew she was hiding something from her family and she had tried to tell her boyfriend but was hung up on (in the first chorus). The song seemed to be leaning towards her being pregnant (“nest in your heart,” “too early for children to be appreciated,” “feel the kick of that tiny answer”), but i’m not sure that’s where i was leaning. But, what do you hide from your family and get shut down by your lover about if your not pregnant? What wakes you up with the sun just so you can drive around deserted streets just waiting for something to catch you eyes. Maybe she’s dying? But, it was all in the letter, and she tore it up so she could manage to go back to sleep with the tiny pieces littering the floor around her bed. But that tiny trouble has gotten the best of her, and she can’t just sleep that off.

https://crushingkrisis.com/2001/05/3835246/

Filed Under: songwriting

May 28, 2001 by krisis

I can’t seem to sing today, which precludes my entering a Trio into the public record, but i will disclose two new untitled songs: 1‘s lyrics were blogged and 2‘s weren’t. Enjoy.

https://crushingkrisis.com/2001/05/3835069/

Filed Under: demos, Year 01

May 26, 2001 by krisis

I have this mass creative urge and i don’t know where to focus it.

I used to have these days all the time when i was younger… i’d feel like i needed to output my thoughts somehow or else i would just endlessly spin in place for a whole day getting absolutely nothing done. My relief for this emotion in the olden days was either writing or playing with my G.I.Joes. Writing then was fiction rather than songs and blogs, so both forms of expression allowed me to create personas other than my own and then intermingle them all together in a storm of creativity that i could reflect upon later. If i was really stuck for resources i’d funnel all that creativity back into a pre-made creation like a novel, but that wasn’t ever wise because i could devour those books in a matter of hours and they would only leave me more hungry to create a piece of my own.


Songwriting was the perfect cure for the whole mess in two ways. The first was that even my longest song clocks in well under six minutes, so now i have a library of hundreds of facets of my own personality that i can trot out one after another, delve into deeply, and then end with a simple resolving chord (or lack thereof). The second was cover songs: the perfect way to focus my energy into someone else’s creative work but to still come out with my own product. Cover songs are much more productive in the long run than my old alternative of writing fanfics, which are inevitably not only totally invalid when held on their own but also totally the property of the originator of the universe the writing occurs in. Cover songs are not my own, but my interpretation of them is, and i’m always allowed to climb into the feelings a song portrays for a single performance, during which it’s as valid as any of my own songs.

However, my guitar occasionally fails me and i likewise have been known to fail it, whether it be due to a broken string or a lack of physical motivation to play. In some of these instances i’ve been left listessly strumming a G chord (or the remainders thereof) trying to get up enough rhythm and momentum to have a go at a song, but otherwise all of my energy would be wasted. That’s where this log came in last summer … a way to make sure that none of my creative energy would have to go to waste, and also a way to integrate my other creativity into one tangled web of personal thoughts and experience. However, as i become more and more comfortable with my guitar and my own voice (as a lyricist, as a blogger, and as a vocalist) i’m again branching out into other artistic and creative endeavors, which in turn can seem quite fruitless because i never created a mechanism to tie them back into this log. Shortly before this log came about i wrote half of a novella that ran over 100 pages, but it was hosted elsewhere on the internet and was based on years of other writing, so i left it to itself rather than ever mentioning it. During the run of the log i’ve continued to chip away at the novel i began six years ago in my endless churning loop of revision after revision to the same essential chapters, but it never manages to see the light of day. More recently i’ve been reviewing music somewhat consistently, and that i have managed to integrate into this domain at both jla and cor (though their participation with this page is usually limited).

It’s easy to see that i’m presented with several problems tied into this new creative urge of mine. The main issue is that i feel like any content that isn’t integrated into this log is essentially being forgotten before it’s ever found, and also that it’s liable to simply fade away from beneath my fingertips if i don’t sew it into my daily fabrication. I’ve been known to be hesistant about posting to the Ani Discussion Board, Shafted, or even the BlogVoices at Wockerjabby because i’m afraid that one precious paragraph of mine will fade into the ether of someone else’s site to never be retrieved again (a fate that blogger often forces onto posts of this epic length and breadth, which leaves me rather paranoid at the moment).


So, i have an obsession to track everything i do, and to tie it back into this very page. Is there any doubt about why i want a webcam? But, anyhow, i often lack in the motivation, organization, and programming skill it would take to seamlessly integrate all of my creativity into Crushing Krisis. However, where i fail in those latter two aspects i’ve been excelling in the first, and so things just like cor have been cropping up everywhere offering me and alternative for dispersing my creative output. Sadly and somewhat ironically all of these venus seem to be detracting from their intended nucleus: this very log.

And, so, i am left here with this mass creative urge but with nothing to blog and a currently irreplacable broken guitar string. And, i’m wondering what’s going to come out, and how i’m going to record it for posterity if it’s something worthwhile.

{some of the links in this entry have additional blog-length exposition that will show up in most browsers when you hover over them. enjoy.}

https://crushingkrisis.com/2001/05/3808323/

Filed Under: only childness, songwriting, stories, Year 01

May 25, 2001 by krisis

So, yeah, i keep telling people that i’ve written a whole new album in the space between “hold on me” and today (the latter being referred to lovingly by Hillary as “the creepy fingers song”). Now, i don’t honestly think that i’ve got some masterpiece on my hands, but it’s almost like a signpost indicating forward movement when you have enough fresh material to record again, even if you don’t like all of it. The first time i managed to write twelve songs (twelve songs you’ll never hear, to be sure) it was a momentus occasion because i had an album, even though at this point i’ll probably never play any of them ever again. The funny thing about this new album is that it’s a whole hour of the same song … “Hold On Me” shares some of the same lines and subject matter with the song i posted only a few minutes ago.


I’ve obviously mastered the art of writing “the kiss-off song,” as Gina eloquently puts it, and now what remains it for me to write some other songs to flesh out the emotional landscape of my work. Obviously i just have a surplus of ‘breakup’ feelings floating around, and while i can focus them into many facets of break-up song, and i can’t seem to focus them into anything else. However, musically i’ve been all over the board, from the acoustic rock of “Hold on Me” to the fingerstyle guitar of the two untitled songs to folk bop in “Because” to 3/4 jazz in “Unstrung” to ballad in “Colorblind” to tenor guitar in “Either/Or” back around to punk rock in this new one. So, the trick is to now hang on to that broadened musical pallette, but manage to feel something else. Here goes…

https://crushingkrisis.com/2001/05/3790018/

Filed Under: songwriting

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