• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Crushing Krisis

Comic Books, Drag Race, & Life in New Zealand

  • DC Guides
    • DC Events
    • DC New 52
    • DC Rebirth
    • Batman Guide
    • The Sandman Universe
  • Marvel Guides
    • Marvel Events
    • Captain America Guide
    • Iron Man Guide
    • Spider-Man Guide (1963-2018)
    • Spider-Man Guide (2018-Present)
    • Thor Guide
    • X-Men Reading Order
  • Indie & Licensed Comics
    • Spawn
    • Star Wars Guide
      • Expanded Universe Comics (2015 – present)
      • Legends Comics (1977 – 2014)
    • Valiant Guides
  • Drag
    • Canada’s Drag Race
    • Drag Race Belgique
    • Drag Race Down Under
    • Drag Race Sverige (Sweden)
    • Drag Race France
    • Drag Race Philippines
    • Dragula
    • RuPaul’s Drag Race
    • RuPaul’s Drag Race All Stars
  • Contact!

self-critique

July 29, 2001 by admin

Gina makes me sound like such a hack… i play guitar with this sortof robotic precision where my notes stand out against the rhythm, and i sing with this warbling fake-vibrato, and compared to her effortless solos and her clear-as-a-bell voice it sounds like i’m playing with a steel claw and vibrator stuck up my ass. Or something. You’ll see soon.

https://crushingkrisis.com/2001/07/4786741/

Filed Under: bthon'01, self-critique Tagged With: gina

3920759

June 4, 2001 by krisis

Since i’ve been crushing heavily on Erin McKeown’s music lately, i just thought i’d log a little link to a prominent website about her at Imperfectly (which, incidentally, used to host the best Ani DiFranco web site on the internet). Erin fascinates me, because listening to her albums i can hardly imagine that these songs just come to her … it’s seems much more than she deliberately chooses a way for a song to sound and them molds it into the exact shape that she wants. However, no matter how she does it the results are completely arresting on record, even more so live.

Erin just graduated from Brown University last week with a degree in EthnoMusicology (she had to fly in from a UK tour with Peter Mulvey for the ceremonies), and she is touring the American folk-festival circuit this summer. I consider this success… whether or not she ever meant to be a rock star or a folk hero doesn’t really matter; what matters is that she has adoring audiences in each city she heads into, and that she heads out of every one with new fans (myself included).

Her long journey to this point started (apparently) with being named a semi-finalist by the songwriters’ association of washington dc before ever getting to Brown, and with gigging and selling tapes around Brown’s campus. At some point those tapes found their way onto a cd called Monday Morning Cold, and from the attention she garnered from that she moved forward to create last year’s Distillation. Five years. The difference between being a high school senior and a college graduate, and Erin McKeown is living the life that i would choose for myself above all other lives. She went to the school i wanted to attend, she writes songs i envy and adore, and she tours with Peter Mulvey (he was her opening act here in Philly!), and she’s not even 25. And i’m left, as i always am, wondering how she got there.


Of course, we all know how she got there. She had a relentless vision and an amazing talent, and she didn’t keep it a secret. However, it’s hard being relentless or anything else about music while i’m working every day and trying to line up an internship for next year and fretting about classes and paying my bills. Of course, musicians come from much worse all the time, but in the void of major label interest (that is, i wouldn’t be vaguely interested) i am in awe of the Ani DiFrancos, the Peter Mulveys, and the Erin McKeowns because at some point they decided that music was what was for them and that they needed to devote all of their attention to it. I think i need to make that decision or let the matter drop; if only i spent as much time on my music as i do writing for this website.

And therein lies the conflict: as much as i need to better myself musically, the time i spend writing for and administering this site feels like a definite way to prepare my voice and my patience for the world of journalism. I feel like having a successful blog (still an aspiration of mine rather than a reality) is the equivalent of Erin McKeown’s summer folk festival tour. Even if i got to write cd reviews for a local paper with a circulation of 100,000 – how many people read past the cover story? How many people read past the albums they want to buy to the reviews they aren’t really interested in, just to hear new & different opinions? Having your own successful website means you are in touch with an audience much more focused than any group your circulated publication could ever reach. So… to give this up would be to emphasize music over my course of study, when really in my mind they are equals now.

Somewhere in there i think i came to a conclusion that i’ve been working on for the last four years; I can tell because my stomach just dropped out of the center of my body as if i’m being spun on a tilt-a-whirl. Or, perhaps it is just time for lunch. I suspect that i’ll get back to you on this one…

Filed Under: self-critique, Year 01 Tagged With: mckeown, Peter Mulvey

June 3, 2001 by krisis

I just recorded the worst trio ever. Ever. It started with me trying to cover Weezer, and then i sing a punk song, and then i try to be a credible folk singer for a song or two, and then i make “Lost” sound like it’s a bunch of cats fighting each other out in an alley. Yum. But, even better, i’m taking another stab at it in five minutes.


Speaking of stabbings, i managed to stab myself three separate times with that shiny new knife of mine. Three. So, yeah, it didn’t just look sharp because it was the only big knife in the aisle. Also, i made dinner for a whole room full of people and mine was the only dish that was completed gone at the end of the night. Mad props.

Wow, actually, inbetween all of the cats fighting i do some pretty neat stuff on “Lost.” Okay… try #2, here we come.

https://crushingkrisis.com/2001/06/3915058/

Filed Under: day in the life, self-critique

April 20, 2001 by krisis

Wow, so, okay, you know how i mention from time to time how i need to be more of a bitch? It’s sorta a running theme with me that i love to please everyone; this tends to be evidenced by the fact that no one ever seems to have a serious dislike of me despite me having a stubbornly assertive personality. This recently became a major problem at work because i was overbooking myself for visiting students because i refused to turn away anyone who had a nice phone manner. That ended pretty quickly, after i almost didn’t have a host for a few students. So… now that tiny ability to say ‘no’ is starting to balloon outward slowly in my gut, as if every time someone tries to walk on me i’m breathing hard to inflate it. Is it possible that any of you have been around long enough to remember Viktor? Well… the other day he walked by me and said hello and i told him quite succinctly to “fuck off.” Apparently now he mildy fears me, though he can’t understand what my problem is with him.

The thing is, i shouldn’t have to make him understand. As a human being i have the right to randomly dislike people without giving a single reason. Furthermore, i should be allowed to like it. And,… wow… i do. There’s some tiny little urge inside me to justify my reasons for not liking someone, but it’s getting pushed aside by that balloon as it swells bigger and bigger. Of course, the truly professional thing to do is to have a “bitch” inside you and to harness her and use her when people try to pull a fast on on you, but i figure before i get fine control over her i’ll have to lash out a few times ;)

https://crushingkrisis.com/2001/04/3294968/

Filed Under: admissions, OL, self-critique

March 12, 2001 by krisis

Bill (the Senior who i recorded with tonight, who happens to be the head of the aforementioned 8 to the Bar) seems to be convinced of my vocal talents despite the fact that i haven’t yet manifested any of them. At this point anyone online who has cared to hear me sing has heard me through the various audio on my site, and i think it’s clear that i’m not so bad as a potential indy rockstar but i’m not going to be cast in any musicals or super boy-groups anytime soon. Despite this, Bill claims on the strength of my old demo cd that i have a massive unlocked potential, and that as soon as i learn to sing with confidence and to support notes i will “have the kind of voice that gets cast as the lead in musicals.” Bill’s a nice guy, but i’ve never heard him build anyone else up in quite the same fashion as he does me. Either he thinks i need all the encouragement i can get (and i do), or he really has that much faith in me. Which is scary.

https://crushingkrisis.com/2001/03/2739262/

Filed Under: acappella, self-critique, singing

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 6
  • Page 7
  • Page 8
  • Page 9
  • Page 10
  • Interim pages omitted …
  • Page 14
  • Go to Next Page »

Primary Sidebar


Support Crushing Krisis on Patreon
Support CK
on Patreon


Follow me on BlueSky Follow me on Twitter Contact me Watch me on Youtube Subscribe to the CK RSS Feed

About CK

About Crushing Krisis
About My Music
About Your Author
Blog Archive
Comics Blogs Only
Contact Krisis
Terms & Conditions

Crushing Comics

Marvel Comics

Marvel Events Guide

Spider-Man Guide

DC Comics

  • Marvel Omnibus Announcement: Runaways by Rainbow Rowell and Predator vs. The Marvel Universe
    Near Mint Condition announced new Marvel omnis for January 2027: Runaways by Rainbow Rowell Omnibus and Predator vs. The Marvel Universe! […]
  • Patrons-Only: Crushing Comics Club Aftershow – Post Ranking X-Men Events Hangout and Q&A
    Every week after my Sunday stream I keep on streaming […]
  • Ranking the 100 BIGGEST X-Men Events & Stories with OneWheelChairX! | Crushing Comics Live
    Because you demanded it – my opinion on every […]
  • Patrons-Only: Crushing Comics Club Aftershow – Post-Marvel Omni Price Check Hangout and Q&A
    Every week after my Sunday stream I keep on streaming […]
  • Marvel Omnibus Price Check! | How much do Marvel’s most-obscure omnis cost online?
    Price check on Aisle Marvel! I’m doing a price […]
  • Patrons-Only: Crushing Comics Club Aftershow – Most-Wanted DC Omnibus Ballot Hangout and Q&A
    Every week after my Sunday stream I keep on streaming […]
  • My Most-Wanted DC Omnibus, 2026 Edition | Tigereyes Most-Wanted DC Omnibus Poll
    Because you demanded it, I’m here with my picks […]
  • Tigereyes Most Wanted DC Omnibus 3rd Annual Poll in 2026 Announcement
    It’s time to kick off The 2026 Tigereyes Most […]
  • Crushing Comics Live Aftershow 2027 Marvel Omnibus Fantasy Draft PicksPatrons-Only: Crushing Comics Club Aftershow – Post-Fantasy Draft Hangout and Q&A
    It’s time for another hour of Krisis uncut, […]
  • Crushing Comics Live 2027 Marvel Omnibus Fantasy Draft PicksMarvel Omnibus Fantasy Draft 2027 – Predicting Next Year’s Marvel Omnis (& you can too!)
    I’m back with an absolutely massive new […]
  • Patrons-Only: Crushing Comics Club Aftershow for Ranking Every X-Men Omnibus
    We’re trying something new! Yesterday after my […]
  • Crushing Comics Live - Ranking Every X-Men OmnibusRanking Every X-Men Omnibus, Ever
    Today, I woke up and chose violence… violence […]
  • Haul Around The World: 2026 So Far in Omnis, Epics, DC Finest, and more!
    It’s Sunday, and that means it’s time for […]
  • Tigereyes Most Wanted Marvel Omnibus 14th Annual Secret Ballot – 2026 Results
    Join me on Near Mint Condition along with Uncanny […]

Content Copyright ©2000-2023 Krisis Productions

Crushing Krisis participates in affiliate programs including (but not limited to): Amazon Services LLC Associates Program (in the US, UK, Canada, France, Germany, Italy, and Spain), eBay Partner Network, and iTunes Affiliate Program. If you make a qualifying purchase through an affiliate link I may receive a commission.