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Personal

February 11, 2002 by krisis

And the play is over.

Striking the set of a play is always a strangely emotional exercise — like tearing down the house you grew up in. Though a set is really just an artifice built to house the illusion of theatre, it’s also the place where you became a part of the company of actors and crew that you’ve spent the last weeks or months with. These people are your adopted family for that time… you work beside them, go out together after rehearsals, confide in them… and then you come together with power drills and crowbars and crescent wrenches to tear it all apart. And, though you always hope that you’ll see everyone again, it never works out that way. There are people you might never see again, people that might never get into another play. On the other hand, there are people you’re destined to live, work, and play with — though you hardly suspect it at the time.

The first time i struck a set at Drexel it didn’t seem like such a big deal. I didn’t know what it really meant; it was just artifice, just an illusion. Months later i helped strike Hair… tearing up the floor panels and repainting walls. It was then that it hit me — that we were really destroying our home as a family, and it would never physically exist again. Seeing the stage bare black tonight i just wanted to go back to the bare kitchen and parlor we had been living in and around all week. Back to the magic that came with it. But, before that feeling could even crystallize we were all downstairs, merrily chowing away on our deli spread, laughing about the mistakes we had made and whispering about the auditions that await us in nine short days.

Even if all nine of our cast, all four of our running crew, and all six of our booth crew wound up involved in the next production, it couldn’t be the same. The energy we had as a family was dissipated as we rollered flat black over the vibrant colors we had painted onto the floor barely a week before. Hugs goodbye were long and meaningful, even though some of us see each other in class every day; it wasn’t really a goodbye to each other, but a goodbye to the place where we had become as one.

Nine days until i stand alone on that same flat black stage and open my mouth wide enough for all to hear. Nine more days until our next surrogate clan begins to form.

I’m not sure if i just want to sit here and rest, or not set foot back in my room until then.

https://crushingkrisis.com/2002/02/9600110/

Filed Under: memories, theatre, Year 02

February 10, 2002 by krisis

Girl… making… head… explode… slowly.


Actually, the slow explosion of my head isn’t such a bad thing. And, dude, self-aware witty girls who are as confused as i am about romance in general and the romance in question in specific are alright in my book, especially when we meta-flirt for two hours while figuring out our battle plan.

What, me, sleep? Butterflies in stomach totally refuel me without a need to rest, didn’t you know?

https://crushingkrisis.com/2002/02/9572545/

Filed Under: elise Tagged With: flirt

February 10, 2002 by krisis

“Nothing is new. Only your ignorance of what came before makes things seem original.”

https://crushingkrisis.com/2002/02/9572642/

Filed Under: thoughts, weblinks

February 10, 2002 by krisis

And, damnit, despite making it through Madonna’s greatest hits unscathed, i sprained my freakin’ ankle backstage tonight running around like a maniac. This will definitely effect my choreographed sing-a-long walk to the show tomorrow in a negative fashion.

https://crushingkrisis.com/2002/02/9570058/

Filed Under: day in the life, theatre Tagged With: Madonna

February 10, 2002 by krisis

I wear my headphones for the entire walk from here to the theatre, and from there back to the apartment. This week i’ve been singing the whole way there: Pinkerton, Garbage, Return of Saturn, Jagged Little Pill. I investigate each record in thirty minute intervals, picking apart the melodies in high-definition sound and finding their places in my own range. Rivers comes out strained in chest voice, i solidly match Shirley’s alto, Gwen brings me up to falsetto or down to my lower register, and Alanis tends to hover over my break point. I cannot keep my voice inside my chest.

I never really try to imagine myself from outside. I suppose it’s a problem i have … why there is such a disparity between my interior image and what i actually allow people to see and hear. Today walking home at midnight belting out “you’ve already won me over, in spite of me” i finally stopped for just a second to think about the picture. The image. My whole frame dwarfed by my round black earphones, shrinking me even farther away from my twenty earned years, swinging my arms and stretching my baritone voice, planting one foot in front of the other. I draw stares from plain pedestrians and pretentious Penn kids alike.

I hardly ever picture what i look and sound like, even when i’m doing the most outrageous of things. Last night i caught a glimpse of myself in a mirror in the middle of “Like a Virgin” or “Material Girl,” and – suddenly – my voice matched up with that writhing image of me as if audio had just been synced up to a projected movie. I had to stop singing for a moment so as not to cry. The boy i was looking at wasn’t at all the one i felt i was being at the time.

I really don’t mean to be any of this at all.

https://crushingkrisis.com/2002/02/9569992/

Filed Under: identity, self image, singing Tagged With: Garbage, Madonna, weezer

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