Crushing Krisis

Comic Books, Drag Race, & Life in New Zealand

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Best albums of 2010? Help me!

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Now re-revised(!) (as of 12/6) (through 1/1/11) to include new LPs I’ve picked up and suggestions from readers.

If you’re a big music fanatic/critic, I want/need your help in populating my list of eligible Best Albums of 2010.

Amongst the 952 projects that I took on this November, I’ve begun to think about the “Best of 2010” albums list I’m going to compile next month.

Mozella's Belle Isle was retroactively my LP of the year in 2009. Do not sleep on this album, dudes. Trust me.

I haven’t done such a thing for a long time, because I haven’t bought and listened-to enough LPs in most years to issue anything like a definitive list. Last year when December rolled around I checked out all of the year-end lists and was shocked that I hadn’t even heard of most of the discs past the top few.

As a result, some of the 2009 albums I played into the ground this year I didn’t even hear until January of 2010 – namely, discs by MoZella, St. Vincent, A Fine Frenzy, and Thao with the Get Down Stay Down. I’m still finding 2009 favorites – the past few weeks I can’t turn off the K’Naan record.

This year I really think it’s going to happen, because I’ve been making a point of cruising New Release lists at least once a month for highlights. That said, I need your help in catching the LPs I’ve missed so far.

First, we have my list of eligible albums already owned or heard – numbering 78 over a hundred more than 175. I already know I have some heavy favorites in this group, as well as some clunkers. [Read more…] about Best albums of 2010? Help me!

Now I’m a bassist

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We just loaded out from my first Philly show as a member of Filmstar.

Bass was played. I did not magically forget how to do it when we got on stage, which was a great relief. I had worries that I was going to look down and suddenly discover the bass was totally alien to me, like I was holding an accordion, or something else arcane that I don’t know how to play.

Bagpipes, possibly.

It’s weird to be sitting on the bottom of the mix. With Gina everything has equal weight – guitar against guitar, vocal against vocal. Either of us can dip out for a second and things stay in motion.

With Filmstar if I stop playing there’s no bottom! The bottom falls out.

Well, after one experience with that early in the set, I learned my lesson pretty quickly.

The other strange thing was being so LOUD. I am not a loudness junky when it comes to music, so I’m not used to the way instruments and amps resonate differently at higher volumes. It kept taking my by surprise.

It was a good set. Fast, a few bumps, but nothing I’m going to hold against myself forever.

So, yeah, now I’m a bassist. Seriously, me as the rhythm section? Where do I come up with these ideas.