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Philly

June 13, 2002 by krisis

They are cutting down trees with an official sanction, six orange trucks lined up nose to tail down the bike line of my street. The men are in jumpsuits, matching, carrying chainsaws and hackblades and wearing tinny little hats. They spoke to me, one of the identically suited men, asked me “Is your car parked on this street, sir?” They couldn’t begin their chopping because none of us had headed the warning, he said, that we weren’t supposed to park here today. I just smiled and said that i don’t drive, though i was inwardly thinking “No, i will not move it. I like the trees just how they are.”


Silly electric company with their flimsy power lines … can’t stand up to some branches and leaves.

https://crushingkrisis.com/2002/06/85166770/

Filed Under: Philly, stories, Year 02

May 19, 2002 by krisis

On my lunch breaks i walk two blocks north of work to a corner store that has obscenely cheap deli sandwiches and 2-for-$1 packs of cookies. On Tuesday i was walking out with my sandwich and a quart of lemonade when two giggling Hispanic girls brushed by me to get into the store. I glanced back at them, perhaps to admonish them for their rudeness with a cross stare, and it was then that i noticed – round biceps connected to sturdy shoulders, lips widely enhanced with liner and gloss, and what was surely a painted-on Cindy Crawford mole. Neither of the two caught my glance as they moved deeper into the store, and i headed back to my daily grind of endless vinyl records.

It had just started to rain on Friday when the bus pulled up to the corner of eighteenth and Walnut streets, and clutching my brand new sheet music book underneath my decidedly non-waterproof jacket i stepped on to the crowded vehicle without taking much notice of what route it was. Only after i had dropped my last token into the machine and started moving up the aisle did the electronic announcement from the PA proclaiming the bus’s route number register with me: it wasn’t my bus, but it would get me to within two blocks of my apartment. A quick mental comparison of waiting in the rain for the next bus crowded with rush hour passengers or just sprinting two blocks after i got off left me resolved to stay on the alternate route.


The slight blonde girl in front of me smirked apologetically as the momentum of the bus forced her to lean back towards me; she was shorter than me, and pretty despite the dull red sheen of acne that followed her low cheekbones. She was too short to reach the over-head rail to steady herself, and so she gripped the back of the seat next to her for support. The bus was one of the new ones, with their strange dais of seats in the back, and i discovered that i was just barely tall enough for my hand to get a solid grip on the stainless steel bar that ran parallel to the ceiling. Sans my inhumanly large headphones and pressing the book against my chest with my left arm, i averted my gaze from the precariously balanced girl in front of me – letting it rest on the floor by my feet.

The shoes were wicker, like lawn furniture, with a chunky heel and an open front to reveal toes painted a shade somewhere directly between red and pink. My attention was drawn back up as the blonde girl excused herself again, this time to the woman whose seat she was standing next to, and when i swung my gaze back around i was confused. Confused, because it was the tired face of a man that stared back at me from the space approximately above the reddish hued toenails. His hair was a faded red and hung just below his ears, tucked back behind the left one. His shirt was tie-dye all in shades of blue and had a scooped neck that revealed skin once-fair but rendered ruddy from exposure to the sun. He was crammed into a pair of jeans that cinched him tightly at the waist, which created an illusion of the hips that he sorely lacked. My confusion was alleviated, for the most part, when at the tapered cuffs of his blue jeans i found the ankles that lead to those familiar toes sitting upon their wicker thrones.


They were the feet of a man, obviously, although i had chosen to ignore it when i examined them previous to give their owner the once over. My gaze swung back up to his face, sad and tired as he clung to the same overhead bar that i was using to steady myself. I imagined that my face looked not entirely different from his at that point, wearied from the day that had preceded it. That was all i had to be weary about, though – my slim frame and curly hair rarely draw any prolonged scrutiny from passers-by. His face, i suspected, could have been equally as weary of this as it was of the long week that was coming to a close.


With some amount of apology in my eyes i turned my face back towards the blonde, who was precariously advancing on a seat that had just been abandoned. I followed her towards a second empty seat across the aisle, forgetting for the moment about the painted toenails and their owner. When i finally took my seat i slid my cd player out of my bag and rested my giant headphones over my ears, and when i glanced up from my hands’ sure operation of the walkman i was encountered again my the man, this time with his back to me. His blue shirt had a similar scoop on its back, and it revealed a set of undisguisedly wide shoulder blades. His illusion was not as solid as the girls’ from the corner store… only as deep as his clothing, and his toenails.

As far as i’ve ever known, Philadelphia isn’t exactly renowned for its gender-bending community. Every so often i pass by a man with impossibly nice cheekbones or women with too-wide shoulders, but no so often that i’ve ever stopped to recollect it afterwards. I welcome the sight without any prejudice, but my reactions are inevitably bi-polar in nature. The girls left me grinning widely at their oblivious slide past me while glibly chatting and smiling; after all, i immediately pegged them as girls, and so they should be happy.


The man on the bus left me somber as i stepped off into the light rain, forgetting entirely about my planned sprint back to the apartment. There is something especially tragic about not being who you want to be to begin with, and not being able to turn yourself into that person even when you try. After all, i’m still mentioning him as “the man on the bus” when that was obviously not his intention. It was an inward sigh that greeted my smug thought that he might be happier with my malleable frame to work with rather than his own; just because i am not met with scrutiny doesn’t mean that people aren’t assuming i’d rather be in their place or shape if given the choice.


I’ve noticed that the ones that show you that they’re thinking it are usually the most wrong. My sprint began.

https://crushingkrisis.com/2002/05/385101074/

Filed Under: identity, Philly, rk.com, self image, Year 02

May 15, 2002 by krisis

I’ve been very good this year about buying new records – for the most part, i haven’t. Sure, there was a purchase or two a few months ago, but when my music allowance for the first four months of a year is under $100 you know i’m acting with some amount of restraint. Part of what kept my wallet firmly in my pocket is the knowledge that the past two weeks would see the release of over a dozen records that i was definitely eying up for purchase, and on Monday i picked up a few between AKA and South Street. Here are first impressions, in ascending order of quality:

  • Weezer – Maladroit sounds as though it has years of sonic maturity on last years’ disc even though some of its songs were written before the album went gold. This can safely be traced to Weezer self-producing the disc, which seems to be magic for them (they produced Pinkerton as well). However, the lyrics of these thirteen songs are so sparse and inspecific that their sum total of nearly thirty four minutes could easily be condensed down to a five track EP that would feel weightier than this ultimately empty effort.
  • Wilco – Yankee Foxtrot Hotel is the first record i’ve seen hailed as a second Kid A, only this time acoustic and homey instead of electric and expansive. The album has a high catchy-to-crappy contrast, sometime within the same song, but it’s ultimately too dense to tell much from casual listening.
  • Lauryn Hill – Unplugged 2.0 is an odd record, a double disc of Lauryn alone onstage with just a classical guitar talking as much as she is singing. While the set as a whole is overwhelmingly long and repetitive, songs taken in doses of twos and threes will entirely bowl you over; in case you had wondered, Hill is one of the most talented folk singer-songwriters of our generation.
  • Sheryl Crow – C’mon C’mon has been reviewed as everything from weary to worldy, and the record is definitely a little of both. Crow’s solo lyrics sometimes leave something to be desired, but the arrangements on this record are some of her finest (especial with co-writer Jeff Trott). The few weak spots are entirely forgivable in the face of classic rock gems such as the title track and opener “Steve McQueen.”
  • Sarah Shannon was definitely an enigma to me at this time yesterday, but now she very well might have made my favourite album of the year. The self-titled release from the former Velocity Girl member sounds like PJ Harvey fronting an amalgam of half of a big band and an early Sheryl Crow touring crew. The album’s tracking is impeccable, subtly changing from jazzy songs to more rocking fare, and by the time it’s over you just know you want to hear it again.

    https://crushingkrisis.com/2002/05/85090492/

  • Filed Under: Philly, reviews, shopping Tagged With: PJ Harvey, weezer

    April 25, 2002 by krisis

    The El slipped out of its tunnel into the plainest sort of gray, getting inevitably closer to my stop. Spring Garden. The gentle rocking of the car on the tracks tends to lull me. That, and i was staring at the people. A woman in a flower print brown skirt reading a trashy looking novel (in which i could definitely make out highlighted passages); a man who looked halfway made of bronze with shiny low-gauge piercings and a cycling backpack (i felt like the reflection from his newly shaved head was staring at me); a massive wall of hairspray and blue eyeshadow crammed into shoes that were obviously not quite large enough (pinky toe was trying its best to convince the rest of the foot to let it come back to hang out for a while); a little girl with a broken foot secured within men’s extra-large gym socks and ace bandages (sitting across from her mother, holding a large manila envelope marked Extremities, and it took me a minute to figure out that it was an x-ray of a foot rather than a script of the play).

    Stepping out of the train felt like stepping into the color gray: it was as though someone had taken a crayon of that color and plunged it directly into the sun. Dripping over my shoulders, working at the edges of my eyes. I stood for a moment half-in the door of the train as a man took the stairs up to the platform two at a time and wrestled his pockets for a token.

    At 8:25 in the supermarket this morning a woman with a full cart of groceries let me cut in front of her in line with my Cinnamon Toast Crunch, Kix, & Orange Juice. The cashier gave my pajama bottoms and inside out t-shirt a cursory examination before i commented “all we had was milk” and she cracked a grin. The receipt paper made an odd sort of crinkle against my $1.75 in change and the flannel of my pocket as my flip-flops thwopped one-two-one-two down 44th street to my house.

    The gray somehow got into my head, and my mouth and ears are just that lazy crayon mess. How, oh how, am i supposed to sing tonight?

    https://crushingkrisis.com/2002/04/85035640/

    Filed Under: day in the life, Philly, Year 02

    April 7, 2002 by krisis

    I have to walk down Walnut between forty-fourth and fortieth every day; there’s really no way around it. Anywhere that i need to go is on the other side of fortieth street – school, work, transportation, and people. The trip down those four blocks is inevitable, and it greets me on any day that i dare to venture off of forty-fourth street.

    The sidewalk between forty-second and forty-third is all gray slate on one side, great rectangular slabs of it all puzzled out to make a proper sidewalk. At its edges it gives way to concrete curbs on one side and front steps on the other — the concrete looking brutish against the calmly worn surface of the slabs. There are several pieces of the slate near the middle of the block that have buckled and cracked … from the wear of the years, i supposed.

    The other day i crossed forty-second street on the south side of Walnut to find myself trailing a slowly moving truck. It was a pickup, large enough to do proper battle with an SUV, red dusted with grime that had survived the last day’s rain. I found myself trailing it because it was rolling down the slate sidewalk ever so slowly, and i could almost hear the rain gray slabs groaning in protest. I would, too.

    The truck came to a stop halfway down the block, and as the oblivious men in coveralls stepped down from the cab my eyes fell upon the massive tires of their gleaming metal beast, and how all of the cracked panels that usually caught my eye were positioned in close proximity to them. The passengers of the vehicle seemed familiar with the weathered house they approached, greeting the man on its steps. Apparently, it wasn’t unusual for them to park there.

    I was about to rail against their disrespect of what probably constitutes a historic fixture on their block just because they were too lazy to park farther away and then carry what they needed, but then i remembered that we had driven the massive yellow U-Haul truck right up to the sad front lawn of Ross’s house in August and how we nearly knocked the traffic light down while backing out due to my imperfect navigational skills.

    No respect, i thought, and kept on walking.

    https://crushingkrisis.com/2002/04/75130672/

    Filed Under: Philly Tagged With: ross, walking

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