My tweets of the last week:
We’ve hit claydirt!
Her car slowed to a crawl by the curb as she rolled down the window.
“Hi there!” She exclaimed.
I had no idea who she was.
“Are you having problems with your pipes?” she asked, her voice filled with sympathy.
I looked up from my shoveling, one leg hiked up on the pile of dirt while I wiped the sweat from my brow with the opposite hand, reflecting that I was striking one of the more manly poses from which I’ve ever been interrupted, and replied.
“Sure looks like it, huh!”
As it turns out, we were not having a problem with our pipes, or really any kind of problem at all. Everything was proceeding according to plan. E’s plan.
Mostly.
You see, all home repairs are remanded to the exclusive custody of E due to a combination of my OCD and my having never lived in a house where I was allowed to do anything to anything.
As a result, I can’t even put a screw into a wall without wanting to call in an architect. I’m like, “You want me to do WHAT to the WALL of OUR HOUSE that WE OWN? Are you sure?”
And then E takes the drill from me, sinks a screw into the wall, and hangs a picture. Or installs a laundry system or hooks up a digital thermostat or whatever other crazy MacGyver insanity she does while I’m worriedly reading and re-reading instruction booklets and internet how-tos.
So, when E proposed a plan for regrading our front lawn that began with, “find some free fill dirt from Craigslist,” I just nodded. I mean, first, she’s always right, but also, it’s not like we are going to break the front lawn, right?
Like, what’s the worst that could happen?
Right. That question got a little less rhetorical on Thursday night when a 30-year-old dump truck cracked a panel of our sidewalk and dug its wheels into our lawn in a possibly irretrievable fashion.
For a few minutes I really thought we had acquired a permanent 30-year-old dump truck lawn ornament, which I guess I was okay with. That was before it stood on its rickety pneumatic hind legs to expel what was surely close to a ton of dirt onto our front lawn. Then there was also the chance that the entire thing would tip over backwards and somersault through our front window.
Well, we got rid of the truck, but were left with a pile of dirt that was only slightly smaller than a VW Bug, bristling with hunks of broken concrete. Honestly, it looked to be about 30% dirt, 70% shattered ruins. Between the broken sidewalk, the massive tire rut, and the subsequent pile of rubble it really did look like we were digging up a ruptured sewer pipe.
Which maybe is why three separate people asked about that, even when I was halfway through shoveling said dirt to its final resting place. Because, as it turns out, the rubble was not bristling with concrete – it was clay dirt, and all of the various rock-like bits were clay that easily gave way beneath my shovel.
(Gina was able to discern this immediately when she arrived for rehearsal yesterday, despite my trying to convince her the yard was filled with rubble from a giant robot fight that had occured in our lawn over the weekend. Maybe I should have skipped the giant robot part.)
Three hours of manly labor later and the pile was half-depleted – more of a buttress than a Bug – while our lawn is now graded up almost a foot at the foundation of the house.
What might my solution have been, you ask? I probably would have paid one of the three landscape engineers we are personally acquainted with a large sum of money to find a solution that involved neither a dump truck or me spending a day shoveling dirt.
Of course, E’s solution was free less the cost of the new sidewalk panel, plus I got to look manly for an afternoon, so that’s why she’s in charge of these things.
it’s a glam rock life
At about midnight on Saturday Gina and I were having some issues.
At that time we were on the third song of our full-length, fully-electric Arcati Crisis set at Fergie’s pub.
Actually, we were about four minutes into trying to start our third song, my one-minute and six-second tune, “Glam.”
In case you are bad at rock math, 4:1 is not a very good prep-time to play-time ratio.
On the left side of the stage, one of Gina’s two lowest strings was a hair out of tune. On the right side of the stage, I was playing the opening riff to my own song in the wrong key (which sorta made Gina’s ever-so-minor tuning issue a moot point).
Even in the moment I was struck by the Alanis-Irony that after six months of preparing for our big electric debut we were having the kind of rock-stoppage that regularly felled us a decade ago when we were acoustic teenagers, all while our brand new drummer looked on, bemused.
That’s rock for you. You can practice all your high flying solos and set up an awesome effects chain, but rock has some basic requirements to fulfill and one of them is playing in the same key as each other (unless you want to play more experimentally and/or with a lot more distortion than we do).
You don’t think about this stuff when you watch a pop band play their new single on Saturday Night Live. They have guitar techs. The drummer has a click track in ear so they can cue samples. One of the guitarists is actually playing into a midi sequencer so it doesn’t matter too much if he’s a hair out of tune. And on every chorus the singer is doubled by a ten-track, four-part harmony pulled right off of her record.
That shit is way above our heads.
Of course, if one of them forgets what key the song is in they’re still in trouble, so I suppose what I’m saying is Gina would do fine on Saturday Night Live, but I would be immortalized in my own Ashlee Simpson moment.
But not really. Because I am a freakish perfectionist, and we had played all of these songs hundreds of times already, and we already played an awesome sneak preview date and teaser set and two awesome songs, and I was not about to let me forgetting for three measures the song was not actually in F ruin my night.
The upshot of this story is that the gig was awesome. The whole “Glam” snafu was barely a blip. On our third try we just started the damn thing, and after the eight seconds of dischordant intro all of our issues were over. We proceeded directly from that into a raucous debut of our cover of “Moonage Daydream.” Then we played Gina’s brand-new “Song for Mrs. Schroeder” for the first time, and turned in pitch-perfect versions of “Apocalyptic Love Song” and “Love Me Love Me Not” to end our first set.
I even hit the little hammer in the last verse of “Love Me Not” I had missed in our last few rehearsals.
Over an hour later we closed the night by launching into one of the most awesome, hard-rocking versions of Gina’s seven-minute epic “Brother John” that we’ve ever unleashed.
When it was over we said thank you, doled out sweaty hugs to our friends that had hung around until last call to catch every song, and got paid.
And then I drove a car inside of the Philadelphia city limits for the first time ever – at 2:00 a.m. on a Sunday morning – and I didn’t even kill any drunk douche bags on Walnut.
In sum, the “Glam” incident barely even ranks. I’m only devoting precious digital column-inches to it as a reminder that the stupid crap that happens to me in the middle of a show only has to matter if I let it.
Otherwise, it’s eight painfully out-of-tune seconds out of a three-and-a-half hour gig, and that is a really effing good out-of-tune to awesome ratio.
What I Tweeted, 2011-04-03 Edition
My tweets of the last week:
What I Tweeted, 2011-03-28 Edition
My tweets of the last week: