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krisis

Krisis has been creating Crushing Krisis since 2000, writing songs since 1996, and reading comics since 1991. He is a Customer Success and Digital Brand Strategy executive, serial organizer, parent, and feminist, among other things. Based in Philly through 2017, he now resides in Wellington, NZ.

April 1, 2002 by krisis

“Photo is a major with personality,” i opined to her as we sat in the plastic institutional chairs and eyed the machine that was whirring and drying her prints. “Smells like a beach in here,” i told her, not meaning to go on to make fun of New Jersey, but doing so anyway. Minutes beforehand there had been four of them along the wall-length sink, all with their odd developing cylinders and odd-smelling chemicals. A major with personality, expressed in the cuts of their jeans and the way they agitated the shiny containers with their spools of film safely ensconced from any possible outside influence.

I followed her into the darkroom without really thinking about it; after all, i was along to watch her develop film. I should’ve noticed the quizzical look on her face before she shut the door, as afterwards i couldn’t make out anything at all in the broom-closet sized room that she had just plunged into pitch darkness. She had to brush past my entire body to turn the bolt on the door, and i interiourly chuckled at the thought that the entire scene might have a more seductive tone if she wasn’t intent on her film. “I suppose it’s just like flirting with me while i play guitar,” i thought to myself as i carefully slid down the wall to sit on the ground in front of the door, “i hardly even notice.” I was told not to move, and i was unable to see, and all there was for a few minutes were the odd metallic clicks of the reel and my eyes desperately trying to make out any vestige of the dull red light of the main room through the door. My fingers looked slightly less black than the rest of the blackness, but the wall kept coming as a surprise.

The girl at the end of the sink had on jeans that fit her hips awkwardly, riding too high up off of her thighs and low from her waist to show off the bottom of a swirling tattoo on the small of her back. For a second it reminded me of how Anastasia’s jeans used to fit her, unselfconsciously dorky and sexy at the same time, and for that second i imagined that it was her tapping her shiny container against the sink. Just my imagination, i chastised myself. Instead, the dull metal thuds that rang in the air were the product of a taller, darker girl who somehow managed to seem entirely plain despite her angular features. I suppose it was that… the ability to exude careful plainnness and inattention… that reminded me of the parts of my Senior Year spent idly hanging out on Anastasia’s bedroom floor. I had just been mentioning it to Elise the other night, and i had found myself immediately self-conscious of my mentioning another girl who i had written a song for.

“A major with personality,” i said, and as i surveyed the room for a second i found myself thinking of Anastasia, who maybe was the first quirky girl with a camera i really got to know. There’s something about the clicks of a camera, the sureness of the fingers, the rotating it ninety degrees around the careful eye. Something about plastic binders full of black and white photos and sheets of negatives makes me think of her, although now she doesn’t even seem to talk to me in the odd moments i run into her on instant messager. I don’t think Elise was too jealous; after all, it’s not much use being envious of someone who never really cared for the songs i wrote about her over three years ago. And who never took my picture.

It must be something like watching me tune my guitar — that’s what i had thought when i watched Elise carefully advance a fresh roll of film earlier. An unrelenting attention to the instrument that acts as an extension of her eye, and my ever increasing ease with the shiny silver tuning instruments of my guitar and the chiming harmony the strings should wind up in when i’m done.

Her pictures versus my songs; a fair trade, i suppose. Except, now i owe her several thousand words more of them.

https://crushingkrisis.com/2002/04/75051512/

Filed Under: college, photo, Year 02

Trio: Season 2, #14

March 31, 2002 by krisis

trio: season 2, #14
Queer (garbage), untitled (last post), Anything (little love)

Filed Under: elise, Season 2 Tagged With: Garbage

March 29, 2002 by krisis

Wow, i haven’t done this in a while… i’m still working on these… audio tomorrow, maybe. Oh, and if this makes your screen all screwy, then you are definitely in 800×600 :p

i said you weren't like other girls, maybe meaning that other girls are like you
and the learning curve is the one of your hips, eventually i plan to figure it all out
how to get past crying over you
          i'm inconsolably yours, nothing you say will make this better
          curled up on the floor, i've been crying for hours, i've never been wetter
our phrases unveiled are medusa's gaze reversed, we're putty with each other usually
what a change it would be to be as hard as stone, our phrases slung ineffectually
when i called you house you wre playing our favourite record - repossessing it for yourself
          i'm inconsolably yours, nothing you say will make this better
          curled up on the floor, i've been crying for hours, i've never been wetter
          uncontrollably spinning - out of control, emotions are on the loom
                   i'm spun out over y o  u
maybe i'm better off alone, with only myself to hurt and to make cry
maybe we could wait till
           we're older,
           i'm jaded,
           you're colder
                to give this another try
maybe we wouldn't feel anything then
but until it happens, can i come over to share your bed?
          i'm inconsolably yours, lyring next to you won't heal the wounds
          left by inexplicable anger, yours and mine, will this be over soon?
          i ran out of tissues, can i use your shoulder?
          i miss you, i love you
          i love you

https://crushingkrisis.com/2002/03/75046251/

Filed Under: lyrics

March 29, 2002 by krisis

They seem to be insisting that it’s beautiful outside; everyone is, that is. I can tell from here, i suppose, by the way the air in the house is still and that i am walking around in bare feet.

Caring this much about what someone else thinks of me is frightening. I’m not sure how else i feel about it.


I should open the window.

https://crushingkrisis.com/2002/03/75045867/

Filed Under: thoughts Tagged With: weather

March 28, 2002 by krisis

I was walking down Chestnut street yesterday while playing guitar, which was somewhat unusual — seeing as it was cold enough that i couldn’t feel quite where my fingers were on the fret-board and because Chestnut is a rather urban pedestrian thoroughfare. I couldn’t quite tell you why it seemed like such a good idea at the time, but somehow i just knew it needed to be done. So, off i went down the street, retuning and changing picks inbetween songs without breaking my stride. Well, at least, not until i broke a string, which waylaid me dead in the middle of a block with my schoolbag and guitar case scattered around me as i went about changing my D string with a grim sense of determination.

Each person that passed by my motley pile of possessions and rapidly uncoiling packet of fresh strings felt like a missed opportunity, and i miswound the string twice in my hurry to get up and running. When i finally got back to my feet to begin tuning i found a man almost on top of me – mid-thirties, denim jacket, not much taller than me. He asked me what sort of guitar i had and i immediately switching into the “shoot-the-shit” mode you need to assume while speaking to randomly chatty guitarists; they don’t usually tend to be the most informed persons in the world, which seems to fuel their need to randomly ask you what sort of guitar you’re playing when the company insignia is obviously displayed in gold lettering on the headstock. But, anyhow, against my normal codes of operation, i engaged him in conversation as i continued tuning up.

By some flaw of fate and luck, he was the opportunity i wasn’t meant to miss. As our conversation continued, it turned out that he wasn’t just shooting the shit — in fact, he was a local singer-songwriter who plays open mics in the area and even has a Saturday show lined up at the Tin Angel! He gave me his email address and a flier for his show, and told me to get in touch with him about playing an open mic sometime.


Herein lies the dilemma… i’ve got the email all written, its window hidden behind this one while i type. I took care in arranging it with the right balance of nonchalance and enthusiasm, ellipses and exclamation points. The problem that has arisen is simply this: what sort of music do i compare myself to? Our conversation already established his ignorance of Ani DiFranco (and probably, by extension, Peter Mulvey) as well as our collective distaste for Dave Matthews and Creed along with their hapless legion of fans. So, i’m stuck trying to condense my four-odd years of songwriting and over ten dozen songs into a witty little mad-lib of a sentence, like “Like a mixture of ___ _____ and ______with the pop sensibility of ______ ___ and the instincts of a pre-fame ______.” Or, something like that…


Any thoughts? I really need some help on this one.

https://crushingkrisis.com/2002/03/75044182/

Filed Under: my music, Philly Tagged With: Ani DiFranco, Peter Mulvey, walking

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