Crushing Krisis

Comic Books, Drag Race, & Life in New Zealand

Year 11

28 years, 51 weeks: pt. 4

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Thursday, September 16, 2010. 28 years, 51 weeks, 2 days.

When I packed meticulously for our gig I wasn’t considering the half mile walk up slight hill to the trolley.

Well, I was considering it pretty hard when I set foot out the door with my guitar, a canvas beach bag of clothing, a display box of free discs, and a boombox loaded with my voice exercises.

That’s my life. I mused it as I dragged my belongings uphill to the trolley line, and I mused it again nine hours later while singing my vocal warmups in an empty office while rain started to obscure my view of the city.

Backstage @ The Tin Angel, 9/16/2010

It felt a little odd to be singing my silly warmups at the office – they aren’t meant to sound good, and I was nervous that some late-working colleague would think I was actually a horrible singer despite all my crowing about voice lessons. By the end of the tape my voice felt good and sure – a welcome relief after being allergy-ravaged the day before.

Maybe the gig wouldn’t be so bad afterall.

Being me, I timed it perfectly – my voice tape would end and I’d have five minutes to pack up and catch a cab to our sound check at the Tin Angel.

So, of course, literally the second the tape finished our building’s fire alarm began to sound its klaxon. Between ear-splitting rings, a calm voice intoned, “Stand by for instructions. Do not use elevators.”

Do not use elevators. I was carrying 40+ pounds of personal belongings 38 stories above the ground. Stairs were not so much an option.

I sat on the ground in our elevator lobby, festooned with guitar, beach bag, display case, and boom box, as the klaxon rang on. Three minutes. Five minutes. Ten minutes. Surely if it wasn’t a drill I’d be dead by now. [Read more…] about 28 years, 51 weeks: pt. 4

Monday Music: Arcati Crisis, live @ Tin Angel

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Last Thursday my acoustic indie-pop duo, Arcati Crisis, made our fourth appearance together at the Tin Angel. It was our second as co-headliner, and first closing the show.

I think we were pretty awesome, and I have brought you video to back up my claim. Watch as we tear through “Holy Grail,” “Glam / Standing,” “Video Killed the Radio Star,” “Dumbest Thing I Could Do,” “Fisher Price,” and “Better,” all in one convenient playlist.

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Did you like what you heard? Share it with a shortlink: bit.ly/actin1009

I’ll tell you more about the circumstances leading up to the show in my “28 years, 51 weeks” posts over the next few days. Until then, just enjoy the music.

Bad Good Gig or Good Bad Gig?

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Gina and I played an Arcati Crisis set at Collingswood 2nd Saturday this weekend – an outdoor gig singing on the street to folks exploring the restaurants and events on Haddon Ave.

By any objective measure, it was a good gig. We played for almost two solid hours, we drew crowds of passers-by multiple times, we gave away half of our CDs, and we even reaped a significant amount of donations from our pseudo-busking!

Arcati Crisis playing Collingswood 2nd Saturday, as shot by Jay Donahue.

However, subjectively the gig sucked. I was angsty from the start when the band before us ran over a bit. I didn’t feel like our mics were balanced, and I couldn’t hear my guitar. I broke a string that’s only two weeks old in the middle of “Video Killed the Radio Star.” I was distracted when donations started to blow out of Gina’s guitar case. I completely forgot any semblance of chords to “Standing.” I lost the roadmap on “Hungerstrike.” I was a measure behind on the bridge of “Moscow, Idaho.”

In my musical life I have my off moments and flubbed changes, but I never miss entrances or get out of sync. I just don’t. Yet on Saturday I was so out of sorts that I literally stopped our set halfway through to play a solo song in a desperate attempt to regain my focus.

This morning I wrote Gina an email, partially stating:

My head was just in a completely other place, and I could not get completely centered again. It was really unprofessional and I feel shitty about it.

Then I stopped by my colleague Jay’s cube, and the first thing he said was:

You were really awesome on Saturday.

And, you know what? I don’t think it was just Jay who felt that. I feel like we got more smiles and complements during the set on Saturday than we’ve ever had at that sort of background music gig ever before.

What’s the secret?

I suppose there’s something to that reckless abandon of messing up and and moving on. A decade ago I was more apt to say “art is in the imperfections,” but now I prefer to deliver the same perfect performance every single time.

Decade-ago Peter would ask me, “What’s the point of that?”

In (and out) of Filmstar

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I’m conflicted.

Today I am bolting straight from work to rehearse with E’s band, Filmstar. I’ve been filling in as the band’s substitute bass player for about a month now, and tonight is our final rehearsal before I my first gig with the band tomorrow.

(This gig which will also be my first real gig on bass and my first gig ever that involves a road trip).

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I’ve been incredibly energized by playing with Filmstar, even in my temporary capacity.

When it comes down to it I am a rock fan at my core, despite all of my folk-loving and acoustc-playing. I love getting to a point when a song begins to move your body, whether it’s your hips or your banging head.

My favorite example at the moment is probably the outro of this newer tune, “Fall From the Sky”…

“Fall From the Sky” also displays the more intangible aspect of why I’m enjoying myself so much: Filmstar is the sort of band that I adore. I love riff-y, female-fronted rock. Garbage is my favorite band of all time.

Filmstar’s sound is a mashup of influences – from Glenn, the guitarist and songwriter, lots of 70s and 80s Brit Rock, like The Clash and The Cure. In that same period E is a fan of The Pretenders and Joan Jett, but there’s only so far she can push that icier delivery. She’s way more in line with current stuff like Yeah Yeah Yeahs or Eisley.

Add to that drummer Zina’s efficient rhythms, which sometimes have a girl-group swish to them, and the combined set of influences pretty closely resembles… Garbage. My favorite band of all time.

Here I am, in the position of playing a style I really like, with a sound I really like, with people I really like. Oh, and I really like many of the songs, especially the newest batch of them.

It’s temporary. We all know this. My contract states this. Actual bass-players who have been playing bass for more than a cumulative four-month span of their lives are auditioning to take the spot over full time.

And, thus, I’m conflicted. It’s Glenn’s band, and it’s Elise’s passion project, but having peered into it I realize that there’s something there that I don’t have anywhere else. And while I can find that rock for either my solo music or Arcati Crisis, I’m not going to get the Garbage vibe from either of those. I don’t have the right ingredients, and Filmstar does.

So, yeah. I’m conflicted. I’ll report back after our gig tomorrow, perhaps with some video of me as a Filmstar.