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Avengers West Coast – Definitive Collecting Guide and Reading Order

Updated Mar 25, 2025! The Avengers West Coast & Force Works definitive collecting guide and reading order for comic books in omnibus, hardcover, and trade paperback format. Find every issue and appearance! Part of Crushing Krisis’s Crushing Comics. Last updated March 2025 with titles scheduled for release through December 2025.

The Avengers had the best kind of problem in the early 80s, whether your perspective was from within comic book continuity or behind the scenes: there were just too many darn Avengers!

The Avengers had gradually shifted its focus from Marvel’s major heroes who anchored their own books (like Iron Man and Captain America) to a roster of characters that needed a team book to thrive. That meant plenty of fan favorite characters would be left out during any given run.

The best solution was to follow a trend set by Spider-Man and just recently by Chris Claremont’s X-Men: launch a second Avengers book!

West Coast Avengers launched with Hawkeye as a central focus. He was chief amongst those team-based, fan-favorite characters, hot off of his own limited series. Hawkeye was initially joined by his wife, Mockingbird, Tigra, and West Coast natives Wonder Man and Rhodey Rhodes as Iron Man.

From a story perspective, the central conceit of the book was that America was a big country, and the NYC-based team couldn’t always be responsive to threats across the nation. In practice, it allowed writers like Steve Engelhart, John Byrne, and Roy Thomas to tell big stories that still focused on character history and personalities. Byrne, in particular, used it to dig deeply into the story of Scarlet Witch.

As comics became more entrenched in extreme, violent themes, the relative staid Avengers team was disassembled in favor of an Iron Man lead Force Works. (The in-continuity reason was the team’s standoff with the UN Security Council over happenings in Genosha in the “Blood Ties” crossover in the penultimate issue of the series.)

Despite a flashy launch with a pop-up cover, Force Works never caught fire like the similarly themed X-Force, and was cancelled as part of the line-wide removal of Avengers in 1996 as they headed off to the Heroes Reborn pocket universe in the wake of Onslaught.

Marvel Hardcover & Trade Paperback Review, October 2011 Edition

November 15, 2011 by krisis

I’m here with my weekly peek at Marvel’s collected editions, packing recent and classic comic storylines into handy hardcovers and trade paperbacks.

Since I’m still at a bit of a lag, this week we’re taking a lot at all of October – and there were a slew of great collections that month! Read on for capsule reviews of the X-Men books out in October, plus the skinny on all of Marvel’s other new collected editions from last month.

If you’re looking for more X-Men books, head over to my Definitive Guide to Collecting X-Men Graphic Novels. Or, some X-background, read my Intro to X-Men (on a budget). Trying to decide where to jump in? Check out Where to Start Reading X-Men.

xXx

Marvel X-Men Collection of the Month:
Daken: Dark Wolverine – Big Break Hardcover
Collects issues #10-14 and 9.1

Note: This is not the cover of the collection, though the issue does appear inside of it.

CK Says: Buy it! This isn’t the first time I’ve featured Daken as my top pick, and it won’t be the last. There’s something about the dastardly, amoral, bisexual, pheromone-exuding, tattooed, illegitimate son of Wolverine that I find delightfully subversive when written well, and a year into his solo outing Rob Williams has him down pat.

This collection finds Daken trying to take control of LA the only way he knows how – putting the screws to the existing bad-guys a la Joker in Dark Knight, and sleeping his way into secrets of the scene with a young up-and-coming actor.

The twist? Daken samples the street drug du jour and is both terrified and thrilled to find it shuts off his healing factor! The result are some bloodier-than-usual fights as Daken enjoys handicapping himself while tripping out in Ralph Steadman-esque illustrations. (PS: The interiors are not quite so froggy as the front cover.) Available for pre-order as a TPB.

xXx

Marvel Non-X Collection of the Month:
Fantastic Four by Jonathan Hickman Vol. 4 TPB
Collects Fantastic Four #583-588

CK Says: Buy it. Writer Jonathan Hickman has re-made a Fantastic Four fan out of me with his operatic two-year run leading up to the issues in this collection. He divides comics’ first family with a war on multiple fronts against traditional foes like Galactus, Namor, and Annihilus as well as by their hard feelings at home, but this story is anything but old school.

Though the big build-up was for the death of a team-member, what’s really worth witnessing here is the rebirth of the FF franchise as one of Marvel’s hottest titles. Interior artist Steve Epting draws such stately, beautiful characters you’ll swear you’re reading Superman.

You may want to pick up Volumes 1, 2, and 3 as well – you can score the entire four-volume run for under $50! Also available in hardcover.

xXx

What X-title do I hate with such a passion that I have to abstain from giving it a rating at all? Keep reading to find out, plus get capsule reviews of books from X-Men: Legacy, X-Factor, and X-23 and summaries of the rest of the Marvel Universe. [Read more…] about Marvel Hardcover & Trade Paperback Review, October 2011 Edition

X-Men Hardcover & Trade Paperback Review, Late September Edition

November 8, 2011 by krisis

Back after a while in mothballs, it’s my X-collections recap!

Marvel hardly lets a single comic book issue go uncollected in book form, which means every week brings new hardcovers and trade paperbacks packed with their most major heroes – including The X-Men.

Read on for capsule reviews of the X-books out in the second half of September, which were unusually focused on past stories. Plus, get the skinny on all of Marvel’s other new collected editions from the latter half of the month.

If you’re looking for more X-info, head over to my Definitive Guide to Collecting X-Men Graphic Novels. Or, for a more basic approach, my Intro to X-Men (on a budget). New to the X-Men? Try my Where to Start Reading X-Men to pick a place to jump in.

X-Men Collection of the (latter half of the) Month:
New Mutants: Fall of the New Mutants TPB

CK Says: Buy it! When I first picked up the hardcover version of this collection earlier this year it was out of habit, but I quickly discovered the book was impossible to put down. Writer Zeb Wells capitalizes on a dangling plot thread from 80s blockbuster Inferno anda year of slow-boil character development to deliver a complex saga worthy of the X-Men’s rich dramatic history.

It’s hard to imagine a story more harrowing or epic than what the team had just endured in Second Coming, but Well’s pulls it off with art from Leonard Kirk, an efficient, unflashy penciler I’ve grown to love. I don’t want to spoil the story – if you enjoy this team of characters you’ll love it, particularly developments for Cannonball, Moonstar, Karma, and Magik.

x-rated opinions (or, it’s offensive no matter how nicely you say it)

October 14, 2011 by krisis

An over-sized hard-cover collecting every single issue of X-Statix, including all of the same sex kissing, is out next month – and Amazon has it available to pre-order for 40% off!

I readily admit that I completely take for granted living within a gossamer soap bubble of acceptance floating in the midst of a hugely liberal city. In any given week I never once interact with a person who is any less than totally accepting of people of all races, beliefs, and sexual identities.

Unfortunately, the internet is a little less accepting, despite my attempts to maintain my bubble of open-mindedness.

For example: I regularly visit a number of X-Men and Marvel forums to answers questions and promote my Guide to Collecting X-Men. Last night, someone asked if a particular upcoming omnibus of X-Statix comics would be appropriate for his children.

Totally fair question, right?

Except, that’s not exactly the question he actually asked. What he asked was this:

I was trying to get some info on what it’s about and read there are some overtly homosexual characters and themes, is this true? I just want to make sure if the themes are adult in nature that my young children don’t pick up the book off my shelves expecting simple heroics and see two same sex individuals kissing.

My intention is not to offend anyone but to educate myself.

There are so many things wrong with that message board post that for about five minutes I simply could not compute. My brain locked up like a computer aimed at a website full of animated gifs of from Maury Povich.

I cannot possibly cosign this statement any more.

First, and most obvious – why does it matter? To play off a recent image doing the rounds on social networks, how is gay kissing any different than straight kissing? Or, since we’re talking about a comic book, the potentially confusing shapeshifter kissing or alien kissing, and the occasional robot kissing?

Answer: It’s not. It’s just kissing. Either kissing is appropriate for your kids, or it isn’t. Either it’s appropriate in public or it isn’t. Either it’s appropriate on a plane or it’s not. “Gay” shouldn’t enter into the equation.

Second, there is the careful defusal at the end of the question. You see, it’s not offensive because they are using very polite terms about their bigotry. They simply want to educate themselves on how to promote bigotry.

That’s totally inoffensive, right? And bullying doesn’t hurt anyone unless they choose to feel hurt, right?

What if he had said “two Mexicans kissing” or “two people of different races kissing”? Or “a woman in a leadership position over men”? Or “a person with a disability doing simple heroics next to a able-bodied superhero”?

It’s all bigotry, no matter how nicely you phrase it.

DC New 52 Review: Superman #1

September 30, 2011 by krisis

Superman has been dangled like a carrot over readers’ noses all through DC’s 52 debut month, from his hot-headed flashback appearances in Justice League and Action Comics to his benevolent present day cameos in Swamp Thing and Supergirl.

The promise was implicit: you’ll get your full dose of Superman in the title with his name on it. Not only that, but that his modern depiction would help to contextualize the superheroes that appeared throughout all 52 books.

Well, we’ve arrived. 51 books later and it’s time to unveil the boy in blue in the present tense – in the capable hands of comics veteran George Perez.

Superman #1

Script & breakdowns George Perez, pencils & inks by Jesus Merino

Rating: 2 of 5 – Uneven

In a Line: “Superman, however, was occupied with other matters.”

#140char Review: Superman #1 is all the reasons modern readers mock 80s comics. Perez way overdoes it on script in this tangled one-shot plot.

CK Says: Skip it

Superman #1 under-delivers, focusing on every possible detail except for Superman. Classic creator George Perez over-scripts this allegory about print media living past the digital wrecking ball. Despite keeping this plot confined to a one-shot and fitting in a super-brawl, this issue was a chore to read.

This issue is too obsessed with text. Do we really need to know all the ins and outs of the Daily Planet’s newfound home in a major media empire? Perez chooses to defray his heavy-handed narrative voice-over by assigning it to in-story speakers, but it just makes things worse.

From the mayor’s overbearing introductory speech to a nonsensical newspaper article that reads like a bad blog post fraught with grammatical errors, Perez presents an unfortunate example of why modern comic readers tend to mock the overly-narrated issues of the 70s and early 80s.

If there is one aspect of the issue safe from criticism, it’s the artwork. Perez’s breakdowns guide artist Jesus Merino to fine issue of art – where’s it’s not obscured by text balloons, that is. A Courtney Cox inspired Lois winds up the star of the issue, and like Cox she’s an ageless blend of leggy starlet and purring cougar.

A one page diversion that sets up Stormwatch makes no more sense here than it would in any other title, except this is the ostensible present-day super-flagship. It’s still awkward.

In a graphic design nitpick, center-aligned narration boxes that contain entire paragraphs are a bad move. Readers don’t want to drag their eyes down a ragged left margin of text in a box. It’s confusing.

Superman #1 is a disappointing delivery given the buildup we’ve seen all month. While I’d welcome a series of one-shot stories showing the Man of Steel in action, I don’t think Perez’s narrative style jibes with Metropolis – especially when the ultra-efficient Grant Morrison is the other scripter in town.