• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Crushing Krisis

Comic Books, Drag Race, & Life in New Zealand

  • DC Guides
    • DC Events
    • DC New 52
    • DC Rebirth
    • Batman Guide
    • The Sandman Universe
  • Marvel Guides
    • Marvel Events
    • Captain America Guide
    • Iron Man Guide
    • Spider-Man Guide (1963-2018)
    • Spider-Man Guide (2018-Present)
    • Thor Guide
    • X-Men Reading Order
  • Indie & Licensed Comics
    • Spawn
    • Star Wars Guide
      • Expanded Universe Comics (2015 – present)
      • Legends Comics (1977 – 2014)
    • Valiant Guides
  • Drag
    • Canada’s Drag Race
    • Drag Race Belgique
    • Drag Race Down Under
    • Drag Race Sverige (Sweden)
    • Drag Race France
    • Drag Race Philippines
    • Dragula
    • RuPaul’s Drag Race
    • RuPaul’s Drag Race All Stars
  • Contact!

consume

RuPaul’s Drag Race All Stars Season 7, Episode 1 – Legends: recap, songwriting analysis, and power ranking!

May 21, 2022 by krisis

Welcome to my first recap of RuPaul’s Drag Race All Stars Season 7 – All Winners!

Wow, that’s a mouthful!

I’ve been recapping and commenting on Drag Race both here and on Reddit since Season 6 in 2014. It’s amazing how much the conversation around Drag Race (and drag, in general) has changed in that relatively short period of time.

When I first started talking about drag online there was an emphasis on “female illusion.” Drag queens who presented a more believable (or, “unclockable”) presentation of exaggerated femininity tended to be more revered. That included their hair and make-up as well as their body.

A term that was often used at that time was “fishy” or “fish,” in the context of “she is the fishiest queen in the cast” or “she is serving pure fish.”

(That term has rightfully been called out for its misogynist roots. Yes, even gay men dressed as women can be misogynists. You can find me using the term in older posts, but it’s not something I would say today.)

(Similarly, “unclockable” tends to be associated with trans people “passing” as their gender and isn’t a term we need to use for drag artists – nor should folks outside of the trans community be using it to talk about trans folk.)

Linked to that emphasis on femininity, Drag Race had a perverse stance of devaluing or even barring woman contestants, whether they were cis or trans. The perspective that RuPaul espoused at the time was that having breasts or a more-traditionally feminine face or figure provided too much of an advantage compared to male-bodied contestants who ostensibly had to work to create that illusion.

That’s not the conversation we’ve having around Drag Race anymore.

The change has come from boundary-shattering Drag Race contestants; from other shows like Dragula and We’re Here; and from the Drag Race fandom itself. We have now seen trans women compete and win across multiple Drag Race franchises, as well as the first cis woman compete on Drag Race UK. Dozens of queens have come out as trans, non-binary, and/or gender-fluid, some on camera during the run of their seasons. And, the fandom and the judges are no longer demanding breasts and padding as a baseline requirement for “good drag.”

That doesn’t mean Drag Race is now a perfect platform. It still relies on the performance of womanhood, which has inherent problems. While to some queens that equates to a celebration of womanhood, for others it remains an exaggeration or caricature. Drag Race still has trouble appreciating drag artists who aren’t presenting glamorous feminine drag. It still has a homogenizing effect on drag around the world, to which it has now added an element of colonization with its vast set of international franchises. And, RuPaul and Michelle Visage still come from a set of pop culture and style references primarily rooted in the 60s, 70s, 80s, and 90s – before many of today’s drag artists were born!

Despite all of those detractions, the juggernaut of Drag Race is still elevating the work of dozens of queer artists around the world every year. I watch because I revere them and their talents. I love that the show has transformed into a celebration of their artistry rather than a catty, drama-filled reality show.

RuPauls Drag Race All Stars Season 7 Episode 01 - Legends Performance 01

Of course, drag artists still come with some catty, drama-filled moments. That’s part of the proud herstory of drag! The show just isn’t as obsessed with manufacturing them anymore.

If Drag Race has increasingly become more celebration than competition, All Stars is it’s biggest annual bash. That makes this first-ever All Stars “All Winners” series a “Platinum Jubilee” of drag (or a “Quarter Quell,” depending on your perspective).

This new season features a decade’s worth of winners: eight artists who were originally crowned from 2011 through 2020.

That’s not every winner, nor is it every fan favorite winner, and some folks are grouchy about the heavy-hitting queens who abstained or were passed over. Yet, it’s a stellar cast of artists at the height of their craft, and it becomes evident very early in this episode why only eight of them are competing.

(The missing winners are Chad Michaels, Bianca del Rio, Violet Chachki, Bob the Drag Queen, Alaska Thunderfuck, Sasha Velour, Trixie Mattel, and Aquaria. Note that James FKA Tyra no longer performs in drag and Sharon Needles has been accused of some racist and predatory behavior that will probably keep her away from the brand for some time. Meanwhile, Lawrence Chaney, Kita Mean, Kylie Sonique, Symone, & Krystal Versacé were all either newly-crowned or not-yet-crowned when this was shot. Plus, reportedly, queens Ru did not personally crown are not yet eligible for this franchise, which knocks out English-speaking international winners like Angele Anang, Priyanka, Envy Peru.)

With all of that out of the way, it’s time to recap Drag Race All Stars Season 7, Episode 1  – “Legends”!

Whether you are a Drag Race veteran or you’ve never seen the show, I’ll cover every step of the episode in detail. In this premiere, the queens have to write a verse for a brand new Ru song, and I dare you to find another recapper who is a songwriter who has written more than 400 songs!

Plus, at the end of the recap I’ll update my pre-Season power rankings to reflect Episode 1! (Want to skip the recap and head right to the rankings? Go for it!)

Racers, start your engines! And, may the best drag queen… win!

[Read more…] about RuPaul’s Drag Race All Stars Season 7, Episode 1 – Legends: recap, songwriting analysis, and power ranking!

Filed Under: teevee Tagged With: drag, Drag Race, RuPaul's Drag Race, RuPaul's Drag Race All Stars, RuPaul's Drag Race All Stars Season 7, songwriting

RuPaul’s Drag Race All Stars Season 7 – All Winners Pre-Season Power Rankings

May 19, 2022 by krisis

Yes, my dear readers of all ages and genders, you read that title correctly: Drag Race coverage is back for a limited time only, to cover this senses-shattering All-Winners series!

Honestly, I’m still watching every episode of every iteration of Drag Race, but that has escalated from about 20 episodes a year five years ago to almost 100 a year today thanks to Drag Race, All-Stars, UK, Holland, Canada, Espana (Spain), Down Under (Australia + New Zealand), Italy, and vs. The World; already-shot debut seasons from France and the Philippines; pending franchises from Mexico, Belgique (Belgium), & Sverige (Sweden); and the oft-rumored Ru-turn of Thailand! Plus, Dragula!

That’s a lot of drag artists to consume every year and I love every single second of it, but this new season of RuPaul’s Drag Race All Stars Season 7 takes the crown because it features eight winners crowned by RuPaul herself over the past 11 years – starting with the incomparable legend Raja from Season 3 through All-Stars Season 5 winner Shea Couleé.

Who has the best chance to walk away as the QUEEN OF QUEENS in this 12-episode special event? I’m breaking down all eight of these queens based on their track records of Charisma, Uniqueness, Nerve, and Talent… plus, their Fashion sense and Lip Sync abilities, and what common Drag Race challenges they might actually win on this stacked cast!

Then, in two days, come back for my RuCap and Power Rankings of Episode 1 – “Legends”!

Readers, start your engines! And, may the best drag queen… win!

[Read more…] about RuPaul’s Drag Race All Stars Season 7 – All Winners Pre-Season Power Rankings

Filed Under: teevee Tagged With: drag, Drag Race, Power Rankings, RuPaul's Drag Race, RuPaul's Drag Race All Stars, RuPaul's Drag Race All Stars Season 7

RuPaul’s Perspective & Lady Camden’s “I Don’t Need a Reason”

May 3, 2022 by krisis

Another season of RuPaul’s Drag Race has come and gone.

Several, actually. We’re already on a third one this year, with Drag Race Espana giving us no chance to rest after the run of UK vs. The World and the final of RuPaul’s Drag Race Season 14, with another one season starting later this month and more already shot and ready for announcement.

The series coming later this month is an All-Winners edition of All-Stars, and between the Season 14 finale this weekend and the upcoming parade of winners I’ve been thinking a lot about queens who do well on Drag Race versus queens who win.

If you look at the winners of all of the regular seasons of American Drag Race, I don’t think we could say any of them are solely a lip syncing, dancing, performing queen. That’s an important part of drag culture and drag performance, but often the winners of Drag Race aren’t the best lip syncer of the season – even now that each season culminates in a lip sync for the crown.

Bebé, James (fka Tyra), Raja, Sharon, Jinkx, Bianca, Violet, Bob, Sasha, Aquaria, Yvie, Jaida, Symone, and this weekend’s winner (no spoilers, here!) all share something in common, and that’s perspective. They each bring an eye for drag that is uniquely their own, and often talents along with it.

Not everyone can have Sharon’s spooky glamour or Bob’s killer comedy chops. Even if we zero in on the queens on that list that seem a little less unique in their skills, they brought something else to the table along with that. James had her unflappable confidence and her masterful seamstress skills. Aquaria had a depth of fashion knowledge and pop culture reference unheard of for a queen her age. Jaida brought pageantry alongside impeccable styling and a deadpan sense of humor that invited us to laugh with her and at her.

If other queens won those seasons, could we say the same for them? I don’t know. I think there’s a certain inevitability to the artists who win Drag Race because I understand now that RuPaul is looking for that perspective in her winner. Some of the runners-up had perspective (Kim-Chi especially stands out), but others don’t feel like the could bring what the winner brought in that moment even if they seemed neck-and-neck at the time and have blossomed afterward

(Courtney Act and Brooke, two of my all-time favorites, both illustrate this perfectly. They are both stunningly perfect drag queens, but neither of them were at the height of their powers at a potential winner. They had more to do. They had more perspective to form.)

This is why it’s almost a slur when RuPaul simply labels someone “professional.” Professionals don’t have perspective because they are adaptable. RuPaul is a professional now, but that’s not how she came up in the world of drag. She didn’t have a BFA or a background in professional theatre. She was a punk. She was a chameleon. She was not adaptable, but she hustled to make things work when she needed to.

She is looking for that same punk hustle in a regular season winner. It doesn’t mean you have to have a punk rock aesthetic. It means you’ve got to have a way that you see the world and reach out to demand things from it. [Read more…] about RuPaul’s Perspective & Lady Camden’s “I Don’t Need a Reason”

Filed Under: teevee Tagged With: ballet, drag, Drag Race, Lady Camden, RuPaul's Drag Race

Spider-Ham, Peter Porker – Definitive Collecting Guide and Reading Order

To view this content, you must be a member of Crushing Krisis Patreon
Unlock with Patreon Unlock with Patreon
Already a qualifying Patreon member? Refresh to access this content.

30 – Adele | the expectations game

November 22, 2021 by krisis

As a music fan, consumer, and review, it’s hard for me to detach my reaction to a new album from the expectations game.

That’s especially true of fourth albums, like Adele’s 30.

Everyone loves an indelible debut record. When we love an artist’s first album, we fall in love with the songs, but we’re also deeply curious about their potential. What path will they take? How will their follow-up sound?

We applaud when an artist releases a strong second album. We are amazed when it is even better than the first. When we love an artist’s second album, we fall in love with the songs, but we’re beginning to measure a vector. They’ve moved in a direction, even if that direction is to provide more of the exact same. Will they continue to progress in that same way?

Third albums are tricky. That’s when things become interesting. Third albums are when we think we really know something about an artist. We have a reasonable sample size of songs. We have three points from which we can triangulate position and estimate future progress.We can say, “the artist usually does this or that.” We can decide if their progression has been linear or if it took a hard turn into unexpected territory.

That is why fourth albums are dangerous. They are the realm of proving or disproving all those things that we thought we understood. They have the potential take an artist’s progression from a line – or even a triangle – to some wild uneven quadrilateral that might even intersect with itself. They’re often the moment where an artist solidifies who they really are and who they will continue to be for many years to come.

I think most people navigate that musical map subtly. Unconsciously. The average listener has some expectations that might be fulfilled or shattered, but I don’t think they consider a fourth album to be particularly significant.

I’m not like that. I can’t turn off the part of my brain that dissects songwriting and production, and that draws out vectors of musical style and influences. I am graphing each release as a point on a musical map and drawing the vectors between them. I can’t help it.

Adele has had a textbook progression through these first three steps Memorable debut? Check. Explosive classic sophomore effort that raised her to worldwide acclaim? Check. Stylistically rangy third record that at once confirmed her strengths but pushed some of her boundaries. Check.

Now, 11 years after her debut but a whole 6 after her third record, we’re getting that fourth album. The dangerous one. It’s dangerous for Adele, but dangerous for me, too – because I feel the weight of all of those expectations.

I had to listen to it two different ways. First, just to hear the songs. Then, to hear them with the weight of all of that piled on top of them.

It was terrible both ways, which leaves me fearful of Adele’s future trajectory.

30 – Adele

Adele is the biggest blockbuster voice in popular music today, both in spectacle and in sales. That makes any album of hers a hotly anticipated release. 30, in particular, has been inflated even further. The first in six years! The first since she got divorced! Got thin! And it’s accompanied by a pair of pan-Atlantic concert specials! And an interview with Oprah!

I don’t know that the spectacle could get any bigger. It threatens to overshadow the features that made Adele so famous in the first place: her massive voice, her clear-eyed songwriting, and her biting sense of humor.

Adele is famous for using that massive voice to command attention on her emotional ballads just as well as she uses it to power surprising, genre-defying pop hits like “Chasing Pavements” and “Rolling in the Deep.” She has never lacked for strong material in either category. Her songwriting skills are as notable as her vocal power, even if her vocals sometimes overshadow them.

Now at a pinnacle of her popularity, 30 finds Adele coasting through a set of charmless songs without an earworm refrain to be found. Suddenly, she is putting the schmaltz at center stage rather than her songwriting acumen. I don’t begrudge her the sales, but I wish they came with a more enjoyable record. [Read more…] about 30 – Adele | the expectations game

Filed Under: music, reviews

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 137
  • Page 138
  • Page 139
  • Page 140
  • Page 141
  • Interim pages omitted …
  • Page 383
  • Go to Next Page »

Primary Sidebar


Support Crushing Krisis on Patreon
Support CK
on Patreon


Follow me on BlueSky Follow me on Twitter Contact me Watch me on Youtube Subscribe to the CK RSS Feed

About CK

About Crushing Krisis
About My Music
About Your Author
Blog Archive
Comics Blogs Only
Contact Krisis
Terms & Conditions

Crushing Comics

Marvel Comics

Marvel Events Guide

Spider-Man Guide

DC Comics

  • Patrons-Only: Crushing Comics Club Aftershow – Post Classic Epic Collection Update Hangout and Q&A
    Every week after my Sunday stream I keep on streaming […]
  • Marvel Epic Collection Update – Every Classic Line Explained, Every Gap Mapped!
    Today I’m here with a show about one of my […]
  • Marvel Omnibus Reprint – X-Men: Inferno Omnibus
    Near Mint Condition announced a Marvel omnibus reprint […]
  • Marvel Omnibus Announcement: One World Under Doom Omnibus
    Near Mint Condition announced another Marvel omnibus […]
  • Patrons-Only: Crushing Comics Club Aftershow – Post Moon Knight Cover Ranking Hangout and Q&A
    Every week after my Sunday stream I keep on streaming […]
  • Ranking Every Moon Knight Modern Cover (and explaining the Moon Knight Reading Order along the way)
    How well do you know modern Moon Knight? And, how well […]
  • Marvel Omnibus Reprint: Iron Man by Michelinie, Layton, & Romita Jr Omnibus
    Near Mint Condition announced a Marvel omnibus reprint […]
  • Marvel Omnibus Announcement: Avengers by Jason Aaron Vol. 1
    Near Mint Condition announced another Marvel omnibus […]
  • Most Wanted DC Finest 1st Annual Poll – Announcing the Results!
    Today I am back on Near Mint Condition to announce the […]
  • Patrons-Only: Crushing Comics Club Aftershow – Post 2027 DC Fantasy Draft Hangout and Q&A
    Every week after my Sunday stream I keep on streaming […]
  • DC Omnibus Fantasy Draft 2027 – Predicting Next Year’s DC Omnis (& you can too!)
    Did you love my Marvel Omnibus Fantasy Draft, where I […]
  • Marvel Omnibus Reprint: Deadpool by Joe Kelly
    Near Mint Condition announced a Marvel omnibus reprint […]
  • Marvel Omnibus Announcement: Marvel Team-Up Omnibus Vol. 2
    Near Mint Condition announced another new Marvel […]
  • Marvel Reprint Announcement: X-Men – X of Swords Oversize Hardcover!
    Near Mint Condition just announced a very welcome […]

Content Copyright ©2000-2023 Krisis Productions

Crushing Krisis participates in affiliate programs including (but not limited to): Amazon Services LLC Associates Program (in the US, UK, Canada, France, Germany, Italy, and Spain), eBay Partner Network, and iTunes Affiliate Program. If you make a qualifying purchase through an affiliate link I may receive a commission.